The Path of a Star Part 25

"Well," Duff declared, "I can imagine higher ends."

"You're not abusing Hilda!" Alicia said, addressing the olive.

"Not at all. Only vindicating you."

It did single them out, this fencing. Herbert and Arnold sat as spectators, pushed, in a manner, aside.

"I suppose she will be off soon," Livingstone said.

"Oh, dreadfully soon. On the fifteenth. I had a note from her to-day."

"Did she say she was going?" Stephen asked quickly.

"She mentioned the Company--she is the Company surely."

"Oh, undoubtedly. May I--might I ask for a little more soda-water, Alicia?" He made the request so formally that she glanced at him with surprise.

"Please do--but isn't it very odious, by itself, that way? I suppose we shouldn't leave out Hamilton Bradley--he certainly counts."

"For how much?" inquired her brother. "He's going to pieces."

"Hilda can pull him together again," Lindsay said incautiously.

"Has she an influence for good--over him?" Stephen inquired, and cleared his throat. He caught a glance exchanged, and frowned.

"Oh yes," Duff said, "I fancy it is for good. For good, certainly. The odd part of it is that he began by having an influence over her which she declares improved her acting. So that was for good, too, as it turned out. I think she makes too much of him. To my mind he speaks like a bit of consecrated stage tradition and looks like a bit of consecrated stage furniture--he, and his thin nose, and his thin lips, and his thin eyebrows. Personally, I'm sick of his eyebrows."

"They'll end by marrying," said Surgeon-Lieut.-Colonel Livingstone.

"HERBERT! How little you know her!"

"It's possible enough," Duff said, "especially if she finds him in any way necessary to her production of herself. Hilda has knocked about too much to have many illusions. One is pretty sure she would place that first."

"You are saying a thing which is monstrous!" cried Alicia.

Unperturbed, her brother supported his conviction. "She'll have to marry him to get rid of him," he said. "Fancy the opportunities of worrying her the brute will have in those endless ocean voyages!"

"Oh, if you think Hilda could be WORRIED into anything!" Miss Livingstone exclaimed derisively. "If the man were irritating, do you suppose she wouldn't arrange--wouldn't find means?--"

"She would have him put in irons, no doubt," Herbert retorted, "or locked up with the other sad dogs, in charge of the s.h.i.+p's butcher."

The three laughed immoderately, and Stephen, looking up, came in at the end with a smile. Alicia p.r.o.nounced her brother too absurd, and unfitted by nature to know anything about creatures like Hilda Howe. "A mere man to begin with," she said. "You haven't the ghost of a temperament, Herbert; you know you haven't."

"He got's a lovely bedside manner," Lindsay remarked, "and that's the next thing to it."

"Rubbis.h.!.+ I don't want to hurry you," Alicia glanced at the watch on her wrist, "but unless you and Herbert want to miss half the first act you had better be off. Stephen and I will have our coffee comfortably in the drawing-room and find what excuses we can for you."

But Stephen put out his hand with a movement of slightly rigid deprecation.

"If it is not too vacillating of me," he said, "and I may be forgiven, I think I will change my mind, and go. I have no business to break up your party, and besides, I shall probably not have another opportunity--I should rather like to go. To the theatre, of course, that is. Not to Bonsard's, thanks very much."

"Oh, do come on to Bonsard's," Lindsay said, and Alicia protested that he would miss the best of Lady Dolly, but Stephen was firm. Bonsard's was beyond the limit of his indulgence.

CHAPTER XXII

Only the Sphinx confronted them after all when they arrived at the theatre, the Sphinx and Lady Dolly. The older feminine presentment sent her belittling gaze over their heads and beyond them from the curtain; Lady Dolly turned a modish head to greet them from the front of the box.

Lady Dolly raised her eyes but not her elbows, which were a.s.sisting her a good deal with the house in exploring and being explored, enabling Colonel John c.u.mmins, who sat by her side, to observe how very perfect and adorable the cut of her bodice was. Since Colonel c.u.mmins was accustomed to say in moments when his humour escaped his discretion, things highly appreciative of bodices, the role of Lady Dolly's elbows could hardly be dismissed as unimportant. Moreover, the husband attached to the elbows belonged to the Department of which Colonel John was the head, so that they rested, one may say, upon a very special plane.

Alicia disturbed it with the necessity of taking Colonel c.u.mmins place, which Lady Dolly accepted with admirable spirit; a.s.suring the usurper, with the most engaging candour, that she simply ought never to be seen without turquoises. "Believe it or not as you like, but I love you better every time I see you in that necklace." Lady Dolly clasped her hands, with her fan in them, in the abandonment of her affection, and "love you better" floated back and dispersed itself among the men.

Alicia smiled the necessary acknowledgment. All the women she knew made compliments to her; it was a kind of cult among them. The men had sometimes an air of envying their freedom of tongue. "Don't say that,"

she returned lightly, "or Herbert will never give me any diamonds." She too looked her approval of Lady Dolly's bodice, but said nothing. It was doubtless precisely because she disdained certain forms of feminine barter that she got so much for nothing.

"And where," demanded Lady Dolly, in an electric whisper, "did you find that dear sweet little priest? Do introduce him to me--at least by and by, when I've thought of something to say. Let me see, wasn't it Good Friday last week? I'll ask him if he had hot-cross buns--or do people eat those on Boxing Day? Pancakes come in somewhere, if one could only be sure!"

Stephen clung persistently to the back of the box. His senses were filled for the moment by its other occupants, the men in the fresh correctness of their evening dress, whose least gesture seemed to spring from an indefinite fulness of life, the two women in front, a kind of l.u.s.trous tableau of what it was possible to choose and to enjoy. They were grouped and shut off in a high light which seemed to proceed partly from the usual sources and partly from their own personalities; he saw them in a way which underlined their significance at every point. It seemed to Stephen that in a manner he profaned this temple of what he held to be poorest and cheapest in life, a paradox of which he was but dimly aware in his dejection. A sharp impression of his physical inferiority to the other men a.s.sailed him; his appreciation of their muscular shoulders had a rasp in it. For once the poverty of spirit to which he held failed to offer him a refuge, his eye wandered restlessly as if attempting futile reconciliations, and the thing most present with him was the worn-all-day feeling about the neck of his ca.s.sock. He fixed his attention presently in a climax of pa.s.sive discomfort on the curtain, where unconsciously, his gaze crept with a subtle interrogation in it to the wide eyeb.a.l.l.s of the Sphinx.

The stalls gradually filled, although it was a second production, in the middle of the week, and although the gallery and the rupee seats under it were nearly empty. The piece accounted for both. When Duff Lindsay said at dinner that it wasn't "up to much," he spoke, I fancy, from the nearest point of view he could take to that of the Order of St.

Barnabas. As a matter of fact, The Victim of Virtue was up to a very great deal, but its points were so delicate that one must have been educated rather broadly to grasp them, which is again perhaps a foolish contrariety of terms. At all events they carried no appeal to the theatre-goers from the sailing s.h.i.+ps in the river or the regiments in the fort, who turned as one than that night to Jimmy Finnigan.

Stephen was aware, in the abstract, of what he might expect. He savoured the enterprises of the London theatres weekly in the Sat.u.r.day Review; he had cast a remotely observing eye upon the productions of this particular playwright through that medium for a long time. They formed a manifestation of the outer world fit enough to draw a glance of speculation from the inner; their author was an acrobat of ideas.

Doubtless we are all clowns in the eyes of the angels, yet we have the habit of supposing that they sometimes look down upon us. It was thus, if the parallel is not exaggerated, that Arnold regarded the author of The Victim of Virtue. His att.i.tude was quite taken before the orchestra ceased playing; it was made of negation rather than criticism, on the basis that he had no concern with, and no knowledge of, such things.

Deliberately he gave his mind a surface which should shed promiscuous invitation, and folded his lips as it were, against the rising of the curtain. He thought of Hilda separately, and he looked for her upon the boards with the simplicity of a desire to see the woman he knew.

When finally he did see her she made before him a picture that was to remain with him always as his last impression of an art from which in all its manifestations on that night he definitely turned. From the aigrette in her hair to the paste buckle on her shoe she was mondaine.

Her dress, of some indefinite, slight white material, clasped at the waist with a belt that gave the beam of turquoises and the gleam of silver, ministered as much to the capricious ideal of the moment as to the lines and curves of the person it adorned. The set was the inevitable modern drawing-room, and she sat well out on a sofa, with her hands, in long black gloves, resting stiffly, palm downward on each side of her. It was as if she pushed her body forward in an impulse to rise, her rigid arms thrust her shoulders up a little and accentuated the swell of her bosom. It was a vivid, a staccato att.i.tude; it expressed a temperament, a character, fifty other things; but especially it epitomised the restraints and the licenses of a world of drawing-rooms.

In that first brief mute instant of disclosure she was all that she presently, by voice and movement, proclaimed herself to be--so dazzling and complete that Stephen literally blinked at the revelation. He made an effort, for a moment or two, to pursue and detect the woman who had been his friend; then the purpose of his coming gradually faded from his mind, and he stood with folded arms and absorbed eyes watching the other, the Mrs. Halliday, on the sofa, setting about the fulfilment of a purple destiny.

The play proceeded and Stephen did not move--did not wince. When Mrs.

Halliday, whose mate was exacting, exclaimed, "The greatest apostle of expediency was St. Paul. He preached 'wives love your husbands,'" he even permitted himself the ghost of a smile. At one point he wished himself familiar with the plot; it was when Hamilton Bradley came jauntily on as Lord Ingleton, a.s.suring Mrs. Halliday that immorality was really only shortsightedness. Lady Dolly in front, repeated Lord Ingleton's phrase with ingenuous wonder. "I know it's clever," she insisted, "but what does it mean? Now that other thing--what was it?--'Subtract vice, and virtue is what is left'--that's an easy one.

Write it down on your cuff for me, will you, Colonel c.u.mmins? I SHALL be so sick if I forget it."

Stephen was perhaps the only person in the box quite oblivious of Lady Dolly. He looked steadily over her animated shoulders at the play, wholly involved in an effort to keep its current and direction through the floating debris of constrained sayings with which it was enc.u.mbered; to know in advance whither it was carrying its Mrs. Halliday, and how far Lord Ingleton would accompany. When Lord Ingleton paused as it were to beg four people to "have nothing to do with sentiment--it so often leads to conviction," and the house murmured its amus.e.m.e.nt, Arnold s.h.i.+fted his shoulders impatiently. "How inconsistent," Lord Ingleton reproached Mrs. Halliday a moment later, "to wear gloves on your hands and let your thoughts go candid." Arnold turned to Duff. "There's no excuse for that," he said, but Lindsay was hanging upon Hilda's rejoinder and did not hear him.

At the end of the first act, where, after introducing Mrs. Halliday to her husband's divorced first wife, Lord Ingleton is left rubbing his hands with gratification at having made two such clever women "aware of each other," Stephen found himself absolutely unwilling to discuss the piece with the rest of the party. As he left the box to walk up and down the corridor outside where it was cooler, he heard the voice of Colonel c.u.mmins lifted in further quotation, "'To be good AND charming--what a sinful superfluity!' I'm sure n.o.body ever called you superfluous, Lady Dolly," and was vividly aware of the advisability of taking himself and his Order out of the theatre. He had not been gratified, or even from any point appealed to. Hilda's production of Mrs. Halliday was so perfect that it failed absolutely to touch him, almost to interest him. He had no means of measuring or of valuing that kind of woman, the restless brilliant type that lives upon its emotions and tilts at the problems of its s.e.x with a curious comfort in the joust. He was too far from the circle of her modern influence to consider her with anything but impatience if he had met her original person, and her reflection, her reproduction seemed to him frivolous and meaningless. If he went then, however, he would go as he came, in so far as the play was concerned; the first act, relying altogether upon the jugglery of its dialogue, gave no clue to anything. He owed it to Hilda after all to see the piece out. It was only fair to give her a chance to make the best of it. He decided that it was worth a personal sacrifice to give it her, and went back.

He was sufficiently indignant with the leading idea of the play, and sufficiently absorbed in its progress, at the end of the second act, to permit Lady Dolly to capture him before it occurred to him that he had the use of his legs. Her enthusiasm was so great that it reduced him to something like equivocation. She wanted to know if anything could be more splendid than Mr. Bradley as Lord Ingleton; she confided to Stephen that that was what she called REAL wickedness, the kind that did the most harm, and invited him by inference, to a liberal judgment of stupid sinners. He sat emitting short unsmiling sentences with eyes nervously fugitive from Lady Dolly's too proximate opulence until the third act began. Then he gave place with embarra.s.sed alacrity to Colonel c.u.mmins, and folded his arms again at the back of the box.

Before it was finished he had the gratification of recognising at least one Hilda that he knew. The newspapers found in her interpretation the development of a soul, and one remembered, reading them, that a cliche is a valuable thing in a hurry. A phrase which spoke of a soul bruised out of life and rus.h.i.+ng to annihilation would have been more precise.

The demand upon her increased steadily as the act went on, and as she met it there slipped into her acting some of her own potentialities of motive and of pa.s.sion. She offered to the shaping circ.u.mstance rich material and abundant plasticity, and when the persecution of her destiny required her to throw herself irretrievably away she did it with a splendid appreciation of large and definite movement that was essentially of herself.

The moment of it had a bold gruesomeness that caught the breath--a disinterment on the stage in search of letters that would prove the charge against the second year of Mrs. Halliday's married life, her letters buried with the poet. It was an advantage which only the husband of Mrs. Halliday would have claimed to bring so helpless a respondent before even the informal court at the graveyard; but it gave Hilda a magnificent opportunity of wild, mad apostrophe to the skull, holding it tenderly with both hands, while Lord Ingleton smiled appreciatively in advance of the practical benevolence which was to sustain the lady through the divorce court, and in the final scene offer to her and to the prejudices of the British public the respectability of his name.

It was over with a rush at the end, leaving the audience uncertain whether after all enough attention had been paid to that tradition of the footlights which insists on so nice a sense of opprobrium and compensation, but convinced of its desire to applaud. Duff Lindsay turned as the wave of clapping spent itself, to say to Stephen that he had never respected Hamilton Bradley's acting so much. He said it to Herbert Livingstone instead; the priest had disappeared.

The outgoers looked at Arnold curiously as he made his way among them in a direction which was not that of the exit. He went with hurried purpose in the face of them all toward the region, badly lighted and imperfectly closed, which led to the rear of the stage. He opened doors into dark closets, and one which gave upon the road, retraced his unfamiliar steps and asked a question, to which--it was so unusual from one in his habit--he received a hesitating but correct reply. A moment later he pa.s.sed Mr. Llewellyn Stanhope, who stood in his path with a hostile stare, and got out of it with a deferential bow, and knocked at a door upon which was pasted the name, in large red letters cut from a poster, of Miss Hilda Howe. It was a little ajar, so he entered, when she cried "Come in!" with the less hesitation. Hilda sat on the single chair the place contained, in the dress and make-up of the last scene. A servant, who looked up incuriously, was unlacing her shoes. Various garments hung about on nails driven into the unpainted walls, others overflowed from a packing-box in one corner. A common teakwood dressing-table held make up saucers and powder-puffs and some remnants of cold fowl which had not been partaken of, apparently, with the a.s.sistance of a knife and fork.