Posthumous Works of the Author of A Vindication of the Rights of Woman Part 37

I am more and more convinced, that poetry is the first effervescence of the imagination, and the forerunner of civilization.

24.

When the Arabs had no trace of literature or science, they composed beautiful verses on the subjects of love and war. The flights of the imagination, and the laboured deductions of reason, appear almost incompatible.

25.

Poetry certainly flourishes most in the first rude state of society. The pa.s.sions speak most eloquently, when they are not shackled by reason.

The sublime expression, which has been so often quoted, [Genesis, ch. 1, ver. 3.] is perhaps a barbarous flight; or rather the grand conception of an uncultivated mind; for it is contrary to nature and experience, to suppose that this account is founded on facts--It is doubtless a sublime allegory. But a cultivated mind would not thus have described the creation--for, arguing from a.n.a.logy, it appears that creation must have been a comprehensive plan, and that the Supreme Being always uses second causes, slowly and silently to fulfil his purpose. This is, in reality, a more sublime view of that power which wisdom supports: but it is not the sublimity that would strike the impa.s.sioned mind, in which the imagination took place of intellect. Tell a being, whose affections and pa.s.sions have been more exercised than his reason, that G.o.d said, _Let there be light! and there was light_; and he would prostrate himself before the Being who could thus call things out of nothing, as if they were: but a man in whom reason had taken place of pa.s.sion, would not adore, till wisdom was conspicuous as well as power, for his admiration must be founded on principle.

26.

Individuality is ever conspicuous in those enthusiastic flights of fancy, in which reason is left behind, without being lost sight of.

27.

The mind has been too often brought to the test of enquiries which only reach to matter--put into the crucible, though the magnetic and electric fluid escapes from the experimental philosopher.

28.

Mr. Kant has observed, that the understanding is sublime, the imagination beautiful--yet it is evident, that poets, and men who undoubtedly possess the liveliest imagination, are most touched by the sublime, while men who have cold, enquiring minds, have not this exquisite feeling in any great degree, and indeed seem to lose it as they cultivate their reason.

29.

The Grecian buildings are graceful--they fill the mind with all those pleasing emotions, which elegance and beauty never fail to excite in a cultivated mind--utility and grace strike us in unison--the mind is satisfied--things appear just what they ought to be: a calm satisfaction is felt, but the imagination has nothing to do--no obscurity darkens the gloom--like reasonable content, we can say why we are pleased--and this kind of pleasure may be lasting, but it is never great.

30.

When we say that a person is an original, it is only to say in other words that he thinks. "The less a man has cultivated his rational faculties, the more powerful is the principle of imitation, over his actions, and his habits of thinking. Most women, of course, are more influenced by the behaviour, the fas.h.i.+ons, and the opinions of those with whom they a.s.sociate, than men." (Smellie.)

When we read a book which supports our favourite opinions, how eagerly do we suck in the doctrines, and suffer our minds placidly to reflect the images which ill.u.s.trate the tenets we have embraced? We indolently or quietly acquiesce in the conclusion, and our spirit animates and connects the various subjects. But, on the contrary, when we peruse a skilful writer, who does not coincide in opinion with us, how is the mind on the watch to detect fallacy? And this coolness often prevents our being carried away by a stream of eloquence, which the prejudiced mind terms declamation--a pomp of words.--We never allow ourselves to be warmed; and, after contending with the writer, are more confirmed in our own opinion, as much perhaps from a spirit of contradiction as from reason.--Such is the strength of man!

31.

It is the individual manner of seeing and feeling, pourtrayed by a strong imagination in bold images that have struck the senses, which creates all the charms of poetry. A great reader is always quoting the description of another's emotions; a strong imagination delights to paint its own. A writer of genius makes us feel; an inferior author reason.

32.

Some principle prior to self-love must have existed: the feeling which produced the pleasure, must have existed before the experience.

THE END.