Arne; A Sketch of Norwegian Country Life Part 20

"He doesn't want me to know what's in that chest," the mother whispered; "and he always hides the key." She went to some clothes that hung on the wall, took down a velvet waistcoat, looked in the pocket, and there found the key.

"Now come and look," she whispered; and they went gently, and knelt down before the chest. As soon as the mother opened it, so sweet an odor met them that Eli clapped her hands even before she had seen anything. On the top was spread a handkerchief, which the mother took away. "Here, look," she whispered, taking out a fine black silk neckerchief such as men do not wear. "It looks just as if it was meant for a girl," the mother said. Eli spread it upon her lap and looked at it, but did not say a word. "Here's one more," the mother said. Eli could not help taking it up; and then the mother insisted upon trying it on her, though Eli drew back and held her head down. She did not know what she would not have given for such a neckerchief; but she thought of something more than that. They folded them up again, but slowly.

"Now, look here," the mother said, taking out some handsome ribands.

"Everything seems as if it was for a girl." Eli blushed crimson, but she said nothing. "There's some more things yet," said the mother, taking out some fine black cloth for a dress; "it's fine, I dare say," she added, holding it up to the light. Eli's hands trembled, her chest heaved, she felt the blood rus.h.i.+ng to her head, and she would fain have turned away, but that she could not well do.

"He has bought something every time he has been to town," continued the mother. Eli could scarcely bear it any longer; she looked from one thing to another in the chest, and then again at the cloth, and her face burned. The next thing the mother took out was wrapped in paper; they unwrapped it, and found a small pair of shoes. Anything like them, they had never seen, and the mother wondered how they could be made. Eli said nothing; but when she touched the shoes her fingers left warm marks on them. "I'm hot, I think," she whispered.

The mother put all the things carefully together.

"Doesn't it seem just as if he had bought them all, one after another, for somebody he was afraid to give them to?" she said, looking at Eli. "He has kept them here in this chest--so long." She laid them all in the chest again, just as they were before. "Now we'll see what's here in the compartment," she said, opening the lid carefully, as if she were now going to show Eli something specially beautiful.

When Eli looked she saw first a broad buckle for a waistband, next, two gold rings tied together, and a hymn-book bound in velvet and with silver clasps; but then she saw nothing more, for on the silver of the book she had seen graven in small letters, "Eli Baardsdatter Boen."

The mother wished her to look at something else; she got no answer, but saw tear after tear dropping down upon the silk neckerchief and spreading over it. She put down the _sylgje_[5] which she had in her hand, shut the lid, turned round and drew Eli to her. Then the daughter wept upon her breast, and the mother wept over her, without either of them saying any more.

[5] _Sylgje_, a peculiar kind of brooch worn in Norway.--Translators.

A little while after, Eli walked by herself in the garden, while the mother was in the kitchen preparing something nice for supper; for now Arne would soon be at home. Then she came out in the garden to Eli, who sat tracing names on the sand with a stick. When she saw Margit, she smoothed the sand down over them, looked up and smiled; but she had been weeping.

"There's nothing to cry about, my child," said Margit, caressing her; "supper's ready now; and here comes Arne," she added, as a black figure appeared on the road between the shrubs.

Eli stole in, and the mother followed her. The supper-table was nicely spread with dried meat, cakes and cream porridge; Eli did not look at it, however, but went away to a corner near the clock and sat down on a chair close to the wall, trembling at every sound. The mother stood by the table. Firm steps were heard on the flagstones, and a short, light step in the pa.s.sage, the door was gently opened, and Arne came in.

The first thing he saw was Eli in the corner; he left hold on the door and stood still. This made Eli feel yet more confused; she rose, but then felt sorry she had done so, and turned aside towards the wall.

"Are you here?" said Arne, blus.h.i.+ng crimson.

She held her hand before her face, as one does when the sun s.h.i.+nes into the eyes.

"How did you come here?" he asked, advancing a few steps.

She put her hand down again, and turned a little towards him, but then bent her head and burst into tears.

"Why do you weep, Eli?" he asked, coming to her. She did not answer, but wept still more.

"G.o.d bless you, Eli!" he said, laying his arm round her. She leant her head upon his breast, and he whispered something down to her; she did not answer, but clasped her hands round his neck.

They stood thus for a long while; and not a sound was heard, save that of the fall which still gave its eternal warning, though distant and subdued. Then some one over against the table was heard weeping; Arne looked up: it was the mother; but he had not noticed her till then. "Now, I'm sure you won't go away from me, Arne," she said, coming across the floor to him; and she wept much, but it did her good, she said.

Later, when they had supped and said good-bye to the mother, Eli and Arne walked together along the road to the parsonage. It was one of those light summer nights when all things seem to whisper and crowd together, as if in fear. Even he who has from childhood been accustomed to such nights, feels strangely influenced by them, and goes about as if expecting something to happen: light is there, but not life. Often the sky is tinged with blood-red, and looks out between the pale clouds like an eye that has watched. One seems to hear a whispering all around, but it comes only from one's own brain, which is over-excited. Man shrinks, feels his own littleness, and thinks of his G.o.d.

Those two who were walking here also kept close to each other; they felt as if they had too much happiness, and they feared it might be taken from them.

"I can hardly believe it," Arne said.

"I feel almost the same," said Eli, looking dreamily before her.

"_Yet it's true_," he said, laying stress on each word; "now I am no longer going about only thinking; for once I have done something."

He paused a few moments, and then laughed, but not gladly. "No, it was not I," he said; "it was mother who did it."

He seemed to have continued this thought, for after a while he said, "Up to this day I have done nothing; not taken my part in anything. I have looked on ... and listened."

He went on a little farther, and then said warmly, "G.o.d be thanked that I have got through in this way; ... now people will not have to see many things which would not have been as they ought...." Then after a while he added, "But if some one had not helped me, perhaps I should have gone on alone for ever." He was silent.

"What do you think father will say, dear?" asked Eli, who had been busy with her own thoughts.

"I am going over to Boen early to-morrow morning," said Arne;--"_that_, at any rate, I must do myself," he added, determining he would now be cheerful and brave, and never think of sad things again; no, never! "And, Eli, it was you who found my song in the nut-wood?" She laughed. "And the tune I had made it for, you got hold of, too."

"I took the one which suited it," she said, looking down. He smiled joyfully and bent his face down to hers.

"But the other song you did not know?"

"Which?" she asked looking up....

"Eli ... you mustn't be angry with me ... but one day this spring ...

yes, I couldn't help it, I heard you singing on the parsonage-hill."

She blushed and looked down, but then she laughed. "Then, after all, you have been served just right," she said.

"What do you mean?"

"Well--it was; nay, it wasn't my fault; it was your mother ... well ... another time...."

"Nay; tell it me now."

She would not;--then he stopped and exclaimed, "Surely, you haven't been up-stairs?" He was so grave that she felt frightened, and looked down.

"Mother has perhaps found the key to that little chest?" he added in a gentle tone.

She hesitated, looked up and smiled, but it seemed as if only to keep back her tears; then he laid his arm round her neck and drew her still closer to him. He trembled, lights seemed flickering before his eyes, his head burned, he bent over her and his lips sought hers, but could hardly find them; he staggered, withdrew his arm, and turned aside, afraid to look at her. The clouds had taken such strange shapes; there was one straight before him which looked like a goat with two great horns, and standing on its hind legs; and there was the nose of an old woman with her hair tangled; and there was the picture of a big man, which was set slantwise, and then was suddenly rent.... But just over the mountain the sky was blue and clear; the cliff stood gloomy, while the lake lay quietly beneath it, afraid to move; pale and misty it lay, forsaken both by sun and moon, but the wood went down to it, full of love just as before. Some birds woke and twittered half in sleep; answers came over from one copse and then from another, but there was no danger at hand, and they slept once more ... there was peace all around. Arne felt its blessedness lying over him as it lay over the evening.

"Thou great, thou Almighty G.o.d!" he said, so that he heard the words himself, and he folded his hands, but went a little before Eli that she might not see it.

XVI.

THE DOUBLE WEDDING.

It was in the end of harvest-time, and the corn was being carried. It was a bright day; there had been rain in the night and earlier in morning, but now the air was clear and mild as in summer-time. It was Sat.u.r.day; yet many boats were steering over the Swart-water towards the church; the men, in their white s.h.i.+rt-sleeves, sat rowing, while the women, with light-colored kerchiefs on their heads, sat in the stern and the forepart. But still more boats were steering towards Boen, in readiness to go out thence in procession; for to-day Baard Boen kept the wedding of his daughter, Eli, and Arne Nilsson Kampen.

The doors were all open, people went in and out, children with pieces of cake in their hands stood in the yard, fidgety about their new clothes, and looking distantly at each other; an old woman sat lonely and weeping on the steps of the storehouse: it was Margit Kampen. She wore a large silver ring, with several small rings fastened to the upper plate; and now and then she looked at it: Nils gave it her on their wedding-day, and she had never worn it since.