The Roof of France Part 7

We now see in the far distance the blue range of the Dauphinnois Alps, and can it be--is yonder silvery glimmer on the farthest horizon the mighty Mont Blanc? Nothing can be lovelier than these wide mountain vistas, far above broad blue river, plain, and hill.

Pa.s.sing the stately Gothic chateau of Chateaubourg, where sojourned St.

Louis, we get a glimpse of the sharply-outlined limestone heights bordering on the vineyards of St. Peray, no less celebrated than those of the Hermitage. On the topmost crag stand out in bold relief the superb ruins of Crussol. At every turn we see gray walls of feudal strongholds frowning above the bright, broad river. By the time we reach Valence, soon after mid-day, we have pa.s.sed one barge only.

Valence is beautifully situated. [Footnote: In the early part of this century the Rhone threw up gold-dust here. The beaver, be it also mentioned, had his home then on the banks of this river, but it lived in isolation, showing little of the intelligence of the Canada beaver.]

Facing the river and tawny, abrupt rocks rises the splendid panorama of the French Alps. Here we ought to stay, were we not in such feverish flurry to reach the Causses. And here we leave more than half our pa.s.sengers and merchandise. The cook, having now nothing to do, comes on deck to chat with a friendly traveller. I may as well mention that we fare as well on this little steamer as at a second-cla.s.s table- d'hote. There is a small dining-room below, as well as a very fairly comfortable saloon. The attendants are exceedingly civil, and charges regulated by a tariff.

As an instance of the prevailing desire to please, I cite the following piece of amiability on the part of the chef. I had given tea and a teapot, with instructions, to the waiter. The chef, however, anxious that there should be no blunder, came up to me and begged for information at first hand.

'Pray excuse me,' he said; 'but I did not understand whether the milk and sugar were to form part of the decoction.'

I gave him a little dissertation on tea-making, with the result that future travellers by the _Gladiateur_ will obtain a fragrant cup admirably prepared. Even a French chef cannot be expected to know everything in the vast field of cookery.

Below Valence the scenery changes. The hills on either side of the river recede, and we look above low reaches and lines of poplar upon the far-off mountain-range of Dauphine and Savoy. Here and there are little farmsteads close to the sh.o.r.e, with stacks of wheat newly piled and cattle grazing--everywhere a look of homely plenty and repose. The river winds in perpetual curves, giving us new horizons at every turn.

Lavoutte, on the right bank, is a picturesque congeries of red-tiled houses ma.s.sed round a square chateau. The town indeed looks a mere appendage of this chateau, so conspicuous is the ancient stronghold of the Vivarais. Livron, perched on a hill, looks very pretty. Soon we come to perhaps the grandest ruin cresting the bank of the Rhone, the donjon and chateau fort of Rochemaure, standing out formidably from the dark, jagged peaks, running sheer down to the river's edge.

After Le Teil is pa.s.sed the clouds gradually clear. We have the deep warm blue of a southern sky and burning suns.h.i.+ne.

Viviers--ancient capital of the Vivarais, to which it gave the name--is most romantically placed on the side of a craggy hill, its ancient castle and old Romanesque cathedral conspicuous above the house-roofs.

Just above the verdant river-bank run its mediaeval ramparts tapestried with ivy, the yellowish stone almost the colour of the rocks.

The scenery here is wild and striking. Far away the grand snow-tipped Mont Ventoux, the limestone cliffs dazzlingly white against the warm heavens, deep purple shadows resting on the vine-clad slopes, whilst close to the water's edge are stretches of velvety turf and little shady dells. At one point the opposite coasts are as unlike in aspect as summer and winter; the right bank all grace and fertility, the left all barrenness and desolation. And still we have the n.o.ble river to ourselves as it winds between rock and hill. Pont St. Esprit is another old-world town with a wonderful old bridge, making a charming picture.

It stands close to the water's edge, the houses grouped lovingly round its ancient church with tall spire. Here we do at last meet a steamer bound for Valence.

After leaving Pont St. Esprit the scenery grows less severe, till by degrees all sternness is banished, and we see only a gentle pastoral landscape on either side.

Bagnols, with its handsome old stone bridge, church, with perforated tower, facing the river, makes a quaint and picturesque scene. This curious old town, one of the most characteristic pa.s.sed throughout the entire journey, lies so close to the water's edge that we could almost step from the steamer into its streets. Meantime, the long, bright afternoon, so rich in manifold impressions, draws on; cypresses and mulberry-trees announce the approach to Avignon. A golden softness in the evening sky, a heavy warmth and languor in the air, proclaim the South. Every inch of the way is varied and rememberable. Feudal walls still crest the distant heights, as we glide slowly between reedy banks and low sandy sh.o.r.es towards the papal city.

At last it comes in sight, rather more than twelve hours since quitting the quay of Lyons, and well rewarded were we for having preferred the slower water-way to the four hours' flight in the railway express.

The approach to Avignon by the Rhone may be set side by side in the traveller's mind with the first glimpse of Venice from the Adriatic, or of Athens from the aegean.

The river, after winding amid cypress-groves, makes a sudden curve, and we see all of a sudden the grand old Italian-looking city, its watch- towers, palaces, and battlements pencilled in delicate gray against a warm amber sky, only the cypresses by the water's edge making dark points in the picture. Far away, over against the city towers, the stately snow-crowned Mont Ventoux and the violet hills shutting in Petrarch's Vaucluse. How warm and southern--nay, Oriental--is the scene before us, although painted in delicatest pearly tints! It is difficult to believe that we are still in France; we seem suddenly to have waked up in Jerusalem!

CHAPTER IV.

AVIGNON AND ORANGE.

My first business at Avignon was, of course, to visit the tomb of our great countryman, John Stuart Mill.

As we drive to the cemetery this cloudless August day there is little to remind us of northern lat.i.tudes: warm yellow walls, burning blue heaven, venerable fig-trees white with dust, peach and olive orchards-- all combine to conjure up a vision of the far-off East. The perpetual wind, however, cools the air, and if it has not the delicious freshness of the desert breeze tasted towards nightfall near Cairo, at least it makes August in that apparently tropic region bearable. Avignon should without doubt be visited in the height of summer, otherwise we lose this Oriental aspect, which is its most striking and, at the same time, most beautiful characteristic.

Pa.s.sing the colossal palace of the popes--pity such superb masonry should be linked with the memories of crimes so horrible!--we reach the public gardens, containing the statue of a comparatively humble individual, who did more for the public weal than perhaps all the popes and anti-popes put together. This is Althen, who, by the introduction of the madder-root into France, promoted the peaceful industry and wellbeing of thousands of honest families. From the lofty terrace of this promenade--a natural precipice overlooking the river--we obtain a glorious panorama--the entire city, with its towers, palace, and churches, spread before us as a map, the glory of the Dauphinnois Alps, the magnificent Mont Ventoux stretching across the northern horizon, under the shadow of its sunny crest the pale violet hills of Vaucluse, and, to complete the picture, the Rhone, silvery bright--I protest it is not always muddy as some writers insist!--flowing swiftly between green banks towards the sea.

An avenue of stone pines leads to the cemetery--announced by flower- stalls and stonemasons' yards--and we soon find the head-gardener--an ancient man, proud to show us the tomb of the 'grand Anglais.'

'Do my country-people often come here to pay their respects to this grave?' I asked.

'Oh, many, many!' he said; 'and the demoiselle, his daughter--it is she who sees to everything. She is always coming. Never was any grave so cared for, as you will see.'

He was right. The sarcophagus of pure white marble stands in the midst of a tiny garden, exquisitely kept and railed in, with gate well- locked. The well-known inscription inscribed by Stuart Mill to the memory of his wife cannot be deciphered from outside the enclosure, and no one, under any circ.u.mstances whatever, is permitted to enter it; but the name of the n.o.ble apostle of liberty stands out bold and clear, and may be seen from a distance. The flower-borders around the tomb were bright with late summer and autumn flowers; not a seared leaf, not an unsightly weed anywhere. The reverential care bestowed on this grave is delightful to witness. Two English girls lie buried near the great champion of women and of liberty of thought. Rare flowers--roses and lilies--were not to be had, so I purchased a homely garland of zinnias and China asters, and laid it just outside the little railing. In paying this modest tribute to the memory of John Stuart Mill I fulfilled a wish very dear to my heart. One other pilgrimage of the like kind I would fain make did not wide seas intervene. I should like to place a wreath on the tomb of another apostle of liberty--the dauntless, the self-immolating Colenso!

Schiller, great in poetry as in prose, says: 'The larger portion of humanity are too much concerned with the struggle for bare existence to occupy themselves with the search after truth.' Let us, then, rejoice in the memory of those who have consecrated their existences to this lofty task!

Beautiful as is Avignon for a burial-place, we wonder how anyone could from choice live here. The perpetual mistral-like wind, the dazzling glare, the white dust, the malodorous streets of the old town, do not at any rate invite a long stay during the dog-days, and much of its picturesqueness would be lost in winter. With the prospect of the breezy Roof of France ever before us, we certainly felt little disposed to linger, in spite of our comfortable quarters and another attraction not mentioned in guide-books. I allude to the great beauty of the people, especially of the young girls and children. We seemed here to have touched the first note of a gradually ascending scale of beauty, the climax awaiting us in the mountain fastnesses of the Lozere. In and around Avignon we saw many a girl beautiful as one of Raphael's Madonnas, many a child lovely as an angel. We could not paint these charming heads, we could not make the acquaintance of their possessors; but it was delightful to obtain such glimpses of beauty by the way--to feel one's self in a living portrait-gallery of beauty. The great neatness and tidiness of the country people, and the absence of vagrancy, are very striking. Wherever we go, we see evidence of an existence laborious perhaps in the extreme, yet one of wholesomeness and content.

Strange to say, chemical science has proved as disastrous to the rural population round about Avignon as the phylloxera has done in other parts of the department. The supersession of madder by aniline dyes has, indeed, for a time almost ruined the small farmers of Vaucluse.

'Ah!' said an elderly man to me, 'in former days the madder made up for everything. It was the harvest of the year. If a peasant's corn was blighted, or potatoes and fruit crops failed, the madder was there to take to market. The madder paid his way in bad seasons and in good-- gave him a little "argent mignon" to lay by. The peasant just manages to live nowadays, but when madder was cultivated 'twas his own fault if he didn't grow rich.'

The culture of this plant, which extended over 13,500 hectares in Vaucluse in 1860, had diminished to eight, representing a loss of millions of francs. The vineyards have also been reduced, owing to the inroads of the phylloxera, although not in equal proportion. Even the silkworm, the third chief source of wealth here, has suffered from a parasite.

But the peasant-owner of the soil never loses heart. He drives his plough across the ruined vineyard, digs up the madder-field, plants other crops, and cheerfully accepts a fourth part of former profits.

My companion, of course, would no more have dreamed of quitting Avignon without a visit to Vaucluse than I should have thought it possible to go away leaving unvisited the tomb of John Stuart Mill. But next morning brought a lowering sky, heavy rain-drops, and an ominous rumbling of thunder. To set out for a twenty miles' drive across country under such auspices were madness.

We decided to visit Orange instead, a short distance by railway. We should be sure to obtain a covered carriage at the station. Under such circ.u.mstances, need a deluging shower or two and a thunderstorm keep us at home?

The prospect brightened towards mid-day, so we started in high spirits, a.s.suring ourselves of a delightful excursion. We found pleasant company in the railway-carriage, our fellow-travellers being all bound for Paris. One, a young Jesuit who had been in England, was delighted to practise his English.

'You are not favoured with fine weather in your travels,' he said; 'but you are probably going to remain at Orange some time?'

'Oh dear no,' was the reply. 'We are spending the afternoon there, that is all--just going to see the Roman theatre!'

'I wish you enjoyment of your expedition,' he replied drily, no little amused, but evidently somewhat accustomed to insular eccentricity.

The rest of the company could hardly keep a grave countenance. 'These Englis.h.!.+ these Englis.h.!.+' their faces said, and the general verdict evidently was parodying the immortal words of Madame Roland: 'O Pleasure, what pains are endured under thy name!'

By the time we reached our destination the storm had become truly awful. Rain fell in torrents; the cras.h.i.+ng thunder was like the roar of artillery. The heavens were black as night, but for the blue flashes that seemed to set the place on fire. Outside the station was no vehicle of any kind; within, groups of storm-driven travellers and pedestrians waited for the tempest to abate.

And long, indeed, we had to wait. The most rational alternative seemed to be to take the next train back to Avignon. But we might never again find ourselves at Orange. We recalled Addison's words, 'The remains of this Roman amphitheatre are worth the whole princ.i.p.ality of Orange,' so we abided the storm. We were, after all, as well off in the comfortably-appointed little station as in a first cla.s.s railway- carriage, and the tempest, if awful, afforded a sublime spectacle.

Lightning so vivid I think I never before witnessed.

At last the deluging rain slackened somewhat; the heavens grew clearer; and the omnibus of the Hotel de la Poste made its appearance. We took our seats and rattled into the town, the poor drenched horses paying no heed to the swiftly-recurring peals and flashes.

At the Poste, most French and old-fas.h.i.+oned of French inns--very s.p.a.cious, very handsome, and scrupulously clean--we found a charming landlady, to whom we carried friendly greetings from former visitors; and after tea and a little chat, the thunder and lightning having abated, we ventured forth.

The streets, which on our arrival an hour before were like rivers, now began to dry up; the raindrops fell at intervals only; the thunder pealed from a distance. A few townspeople, like ourselves, were abroad.

A n.o.ble avenue of plane-trees leads from the station to the ancient town. Hardly a bit of modernization to be seen anywhere, its quaint, narrow streets having deep, over-hanging roofs and round arched galleries, as seen in some of the old Spanish towns of Franche-Comte.

After zigzagging for awhile in rain, we come suddenly upon the Roman theatre, a sight to take one's breath away. Rome itself shows nothing finer than this colossal ma.s.s of masonry--facade of the Augustan amphitheatre, and at the same time an acoustic wall, built of such thickness and solidity in order to retain the sound of the actors'

voices. The entire facade is very nearly perfect, and forms a splendid specimen of Augustan architecture in its prime. It is constructed of huge blocks put together symmetrically, without the adjunct of cement.

The colour is of deep, rich brown, the entire structure majestically dominating the town, whilst around, dwarfed by its gigantic proportions, rise the pleasant green hills.

Close under the shadow of the facade, enhancing its grandeur by force of contrast, are mean little houses, and in front an open s.p.a.ce, where poor people are was.h.i.+ng their clothes and carrying on the homeliest avocations. Some notion of the interior may be gathered from without, but, on payment of a small fee, strangers are permitted to enter and wander at will about the stone benches raised on tiers, the corridors, and dressing-closets of the actors. Vandalism has all but done its worst; still, enough are left of proscenium and auditorium, originally constructed to hold 7,000 spectators, to admit of the performance of plays here. The stone corbels, pierced with holes to hold the enormous awning or velarium used in wet weather or extreme heat, remain intact.