At the Sign of the Barber's Pole Part 5

[Ill.u.s.tration: Egyptian Wig (probably for female), from the British Museum.]

To trace the origin of the wig our investigations must be carried to far distant times. It was worn in Egypt in former days, and the Egyptians are said to have invented it, not merely as a covering for baldness, but as a means of adding to the attractiveness of the person wearing it. On the mummies of Egypt wigs are found, and we give a picture of one now in the British Museum. This particular wig probably belonged to a female, and was found near the small temple of Isis, Thebes. It was customary in Egypt to shave the head, and the wig was an excellent covering for the head, much better than a turban, for the wig protected it from the rays of the sun, and its texture allowed the transpiration of the head to escape. The wigs were worn both within the house and out of doors. The specimens of Egyptian wigs in the British Museum consist of curled hair in the upper portions, and the lower parts and sides are made of plaited hair. Ointment was used at the top of the wig in the same manner as if it had been hair growing on the head.

a.s.syrian sculptures frequently represent the wig, and its use is recorded among ancient nations including Persians, Medes, Lydians, Carians, Greeks, and Romans. _Galerus_, a round cap, was the common name among the Romans for a wig.

The early fathers of the Church denounced the wig as an invention of the Evil One. St Gregory of n.a.z.ianzus, as a proof of the virtue of his simple sister Gorgonia, said "she neither cared to curl her own hair, nor to repair its lack of beauty by the aid of a wig." St Jerome p.r.o.nounced these adornments as unworthy of Christianity. The matter received consideration, or perhaps, to put it more correctly, condemnation, at many councils, commencing at Constantinople, and coming down to the Provincial Council at Tours. The wig was not tolerated, even if worn as a joke. "There is no joke in the matter," said the enraged St Bernard: "the woman who wears a wig commits a mortal sin." St John Chrysostom pleaded powerfully against this enormity; and others might be mentioned who spoke with no uncertain sound against this fas.h.i.+on.

Dr Doran relates a strange story, saying that St Jerome vouches for its authenticity, and that by him it was told to deter ladies from wearing wigs. "Praetexta," to use Doran's words, "was a very respectable lady, married to a somewhat paganist husband, Hymetius. Their niece, Eustachia, resided with them. At the instigation of the husband, Praetexta took the shy Eustachia in hand, attired her in a splendid dress and covered her fair neck with ringlets. Having enjoyed the sight of the modest maiden so attired, Praetexta went to bed. To that bedside immediately descended an angel, with wrath upon his brow, and billows of angry sounds rolling from his lips. 'Thou hast,' said the spirit, 'obeyed thy husband rather than the Lord, and hast dared to deck the hair of a virgin, and make her look like a daughter of earth. For this do I wither up thy hands, and bid them recognise the enormity of thy crime in the amount of thy anguish and bodily suffering. Five months more shalt thou live, and then h.e.l.l shall be thy portion; and if thou art bold enough to touch the head of Eustachia again, thy husband and thy children shall die even before thee.'"

Church history furnishes some strange stories against wearing wigs, and the following may be taken as a good example. Clemens of Alexandria, so runs the tale, surprised wig-wearers by telling those who knelt at church that to receive the blessing, they must please to bear in mind that the benediction remained on the wig, and did not pa.s.s through to the wearer! Some immediately removed their wigs, but others allowed them to remain, no doubt hoping to receive a blessing.

History supplies many interesting pa.s.sages bearing on our present investigations. The Lycians, having been engaged in war, were defeated.

Mausoleus, their conqueror, ruthlessly directed the subdued men to have their heads shaven. This was humiliating in the extreme, and the Lycians were keenly alive to their ridiculous appearance. The king's general was tempted with bribes, and finally yielded, and allowed wigs to be imported for them from Greece, and thus the symbol of degradation became the pink of Lycian fas.h.i.+on.

Hannibal, the brave soldier, is recorded to have worn two sorts of wigs, one to improve, and the other to disguise his person.

Wigs are said to have been worn in England in the reign of King Stephen, but their palmy days belong to the seventeenth and the earlier part of the eighteenth centuries. According to Stow, they were introduced into this country about the time of the Ma.s.sacre of Paris, but they are not often alluded to until the reign of Queen Elizabeth. The earliest payment for one in the Privy Purse expenses occurs in December 1529, and is for twenty s.h.i.+llings "for a perwyke for s.e.xton, the king's fool."

Some twenty years later wigs, or, to give the full t.i.tle, periwigs, became popular. In France the mania was at its height in the reign of Louis XIV. We are told that in 1656 he had not fewer than forty court perruquiers, and these, by an Order of Council, were declared artistes.

In addition to this, Le Gros inst.i.tuted at Paris an Academie de France des Perruquiers. Robinson records that a storm was gathering about their heads. He tells us "the celebrated Colbert, amazed at the large sums spent for foreign hair, conceived the idea of prohibiting the wearing of wigs at Court, and tried to introduce a kind of cap." He lost the day, for it was proved that more money reached the country for wigs than went out to purchase hair. The fas.h.i.+on increased; larger wigs were worn, and some even cost 200 apiece.

Charles II. was the earliest English king represented on the Great Seal wearing a large periwig. Dr Doran a.s.sures us that the king did not bring the fas.h.i.+on to Whitehall. "He forbade," we are told, "the members of the Universities to wear periwigs, smoke tobacco, or to read their sermons.

The members did all three, and Charles soon found himself doing the first two."

Pepys' "Diary" contains much interesting information concerning wigs.

Under date of 2nd November, 1663, he writes: "I heard the Duke say that he was going to wear a periwig, and says the King also will. I never till this day observed that the King is mighty gray." It was perhaps the change in the colour of his Majesty's hair that induced him to a.s.sume the head-dress he had previously so strongly condemned.

As might be expected, Pepys, who delighted to be in the fas.h.i.+on, adopted the wig. He took time to consider the matter, and had consultations with Mr Jervas, his old barber, about the affair. Referring in his "Diary" to one of his visits to his hairdresser, Pepys says, "I did try two or three borders and periwigs, meaning to wear one, and yet I have no stomach for it; but that the pains of keeping my hair clean is great. He trimmed me, and at last I parted, but my mind was almost altered from my first purpose, from the trouble which I foresee in wearing them also."

Weeks pa.s.sed before he could make up his mind to wear a wig. Mrs Pepys was taken to the periwig-maker's shop to see the one made for Mr Pepys, and expressed her satisfaction on seeing it. We read of the wig being at Jervas's under repair in April 1665. Early in May, Pepys writes in his "Diary," that he suffered his hair to grow long, in order to wear it; but he said, "I will have it cut off all short again, and will keep to periwigs." Later, under date of September 3rd, he writes: "Lord's day.

Up; and put on my coloured silk suit, very fine, and my new periwig, bought a good while since, but durst not wear, because the plague was in Westminster when I bought it; and it is a wonder what will be in fas.h.i.+on, after the plague is done, as to periwigs, for n.o.body will dare to buy any hair, for fear of the infection, that it had been cut off the heads of people dead of the plague."

We learn from an entry in the "Diary" for June 11th, 1666, that ladies, in addition to a.s.suming masculine costume for riding, wore long wigs.

"Walking in the galleries at Whitehall," observes Mr Pepys, "I find the ladies of honour dressed in their riding garbs, with coats and doublets with deep skirts, just for all the world like mine, and b.u.t.toned their doublets up the breast, with periwigs and with hats, so that, only for long petticoats dragging under their men's coats, n.o.body could take them for women in any point whatever." Pepys, we have seen, wondered if periwigs would survive after the terrible plague. He thought not, but he was mistaken. Wigs still remained popular. The plague pa.s.sed away, and its terrors were forgotten. The world of folly went on much as of yore, perhaps with greater gaiety, as a reaction to the lengthened time of depression.

[Ill.u.s.tration: The Earl of Albemarle.]

In some instances the wig appears much out of place, and a notable example is that given in the portrait by Kneller, of George, Earl of Albemarle. He is dressed in armour, and wearing a long flowing wig.

Anything more absurd could scarcely be conceived.

The beau of the period when the wig was popular carried in his pocket beautifully made combs, and in his box at the play, or in other places, combed his periwig, and rendered himself irresistible to the ladies.

Making love seems to have been the chief aim of his life. Sir John Hawkins, in his "History of Music," published in 1776, has an informing note on combing customs. "On the Mall and in the theatre," he tells us, "gentlemen conversed and combed their perukes. There is now in being a fine picture by the elder Laroon of John, Duke of Marlborough, at his levee, in which his Grace is represented dressed in a scarlet suit, with large white satin cuffs, and a very long white peruke which he combs, while his valet, who stands behind him, adjusts the curls after the comb has pa.s.sed through them." Allusions to this practice may be found in the plays from the reign of Charles II. down to the days of Queen Anne. We read in Dryden's prologue to "Almanzor and Almahide":--

"But as when vizard mask appears in pit, Straight every man who thinks himself a wit Perks up, and, managing a comb with grace, With his white wig sets off his nut-brown face."

Says Congreve, in the "Way of the World":--

"The gentlemen stay but to comb, madam, and will wait on you."

[Ill.u.s.tration: Man with Wig and m.u.f.f, 1693 (_from a print of the period_).]

Thomas Brown, in his "Letters from the Dead to the Living," presents a pen-portrait of beaux as they appeared at the commencement of the eighteenth century. Some of the pa.s.sages are well worth reproducing, as they contain valuable information concerning wigs. "We met," says the writer, "three flaming beaux of the first magnitude. He in the middle made a most magnificent figure--his periwig was large enough to have loaded a camel, and he bestowed upon it at least a bushel of powder, I warrant you. His sword-knot dangled upon the ground, and his steinkirk, that was most agreeably discoloured with snuff from the top to the bottom, reach'd down to his waist; he carry'd his hat under his left arm, walk'd with both hands in the waistband of his breeches, and his cane, that hung negligently down in a string from his right arm, trail'd most harmoniously against the pebbles, while the master of it was tripping it nicely upon his toes or humming to himself." About this period in cold weather men wore m.u.f.fs as well as wigs. A ballad, describing the frost fair on the Thames in the winter of 1683-84, mentions amongst those present:--

"A spark of the Bar with his cane and his m.u.f.f."

[Ill.u.s.tration: Campaign Wig.]

Down to the middle of the eighteenth century wigs continued to increase in size. It will not now be without interest to direct attention to a few of the many styles of wigs. Randle Holme, in his "Academy of Armory," published in 1684, has some interesting ill.u.s.trations, and we will draw upon him for a couple of pictures. Our first example is called the campaign-wig. He says it "hath k.n.o.bs or bobs, or d.i.l.d.o, on each side, with a curled forehead." This is not so c.u.mbrous as a periwig we have noticed. Another example from Holme is a smaller style of periwig with tail, and from this wig doubtless originated the familiar pig-tail.

It was of various forms, and Swift says:--

"We who wear our wigs With fantail and with snake."

[Ill.u.s.tration: Periwig with Tail.]

A third example given by Holme is named the "short-bob," and is a plain peruke, imitating a natural head of hair. "Perukes," says Malcolm, in his "Manners and Customs," "were an highly important article in 1734.

Those of right gray human hair were four guineas each; light grizzle ties, three guineas; and other colours in proportion, to twenty-five s.h.i.+llings. Right gray human hair, cue perukes, from two guineas; white, fifteen s.h.i.+llings each, which was the price of dark ones; and right gray bob perukes, two guineas and a half; fifteen s.h.i.+llings was the price of dark bobs. Those mixed with horse-hair were much lower. It will be observed from the gradations in price, that real gray hair was most in fas.h.i.+on, and dark of no estimation." As time ran its course, wigs became more varied in form, and bore different names.

[Ill.u.s.tration: Ramillie Wig.]

We find in the days of Queen Anne such designations as black riding-wigs, bag-wigs, and nightcap-wigs. These were in addition to the long, formally curled perukes. In 1706 the English, led by Marlborough, gained a great victory on the battlefield of Ramillies, and that gave the t.i.tle to a long wig described as "having a long, gradually diminis.h.i.+ng, plaited tail, called the 'Ramillie-tail,' which was tied with a great bow at the top, and a smaller one at the bottom." It was at the great battle fought before the town of Ramillies that France lost the whole Spanish Netherlands, and Europe gained a wig from the vanity of Louis XIV., of whom Thackeray irreverently speaks in his "Henry Esmond," as "a little, wrinkled old man, pock-marked, and with a great periwig and red heels." Lord Lyttelton in his letters thus refers to the French king: "Louis XIV. annexed great dignity to his peruke, which he increased to an enormous size, and made a lion's mane the object of its similitude. That monarch, who daily studied the part of a king, was never seen uncovered but by the barber who shaved him. It was not his practice to exchange his wig for a nightcap till he was enclosed by his curtains, when a page received the former from his hand and delivered it to him in the morning before he undrew them. The figure of the great Bourbon must at times have been truly ridiculous." It is stated in Read's _Weekly Journal_ of May 1st, 1736, in a report of the marriage of the Prince of Wales, that "the officers of the Horse and Foot Guards wore Ramillie periwigs by His Majesty's order." This wig survived until the days of George III. We meet, in the reign of George II., other forms of the wig, and more t.i.tles for them; the most popular, perhaps, was the pig-tail. The pig-tails were worn hanging down the back, or tied up in a knot behind as shown in our ill.u.s.tration. This form of wig was popular in the army, but in 1804 orders were given for it to be reduced to seven inches in length, and finally, in 1808, to be cut off. It is recorded that when the Reform Bill of 1832 received the Royal a.s.sent, the Lord Bathurst of the period solemnly cut off his pig-tail, saying, "Ichabod, for the glory was departed."

[Ill.u.s.tration: Pig-tail Wig.]

In the first reformed Parliament only one pig-tail was returned, and that was Mr Sheppard, M.P. for Frome.

[Ill.u.s.tration: Bag-Wig.]

Here is a picture of an ordinary man; by no means can he be regarded as a beau. He is wearing a common bag-wig, dating back to about the middle of the eighteenth century. The style is modified to suit an individual taste, and for one who did not follow the extreme fas.h.i.+on of his time.

In this example may be observed the sausage curls over the ear, and the frizziness over the forehead.

We have directed attention to the large periwigs, and given a portrait of the Earl of Albemarle wearing one. In the picture of the House of Commons in the time of Sir Robert Walpole we get an excellent indication of how popular the periwig was amongst the lawmakers of the land.

Farquhar, in a comedy called "Love and a Bottle," brought out in 1698, says, "A full wig is imagined to be as infallible a token of wit as the laurel."

Tillotson is usually regarded as the first amongst the English clergy to adopt the wig. He said in one of his sermons: "I can remember since the wearing of hair below the ears was looked upon as a sin of the first magnitude, and when ministers generally, whatever their text was, did either find or make occasion to reprove the great sin of long hair; and if they saw any one in the congregation guilty in that kind, they would point him out particularly, and let fly at him with great zeal." Dr Tillotson died on November 24th, 1694. Wigs found favour with parsons, and in course of time they appear to have been indispensable. A volume, in 1765, was issued under the t.i.tle of "Free Advice to a Young Clergyman," from the pen of the Rev. John Chubbe, in which he recommended the young preacher always to wear a full wig until age had made his own hair respectable. Dr Randolph, on his advancement to the bishopric, presumed to wait upon George IV. to kiss hands without wearing a wig. This could not be overlooked by the king, and he said, "My lord, you must have a wig." Bishops wore wigs until the days of William IV. Bishop Blomfield is said to have been the first bishop to set the example of wearing his own hair. Even as late as 1858, at the marriage of the Princess Royal of England, Archbishop Sumner appeared in his wig.

Medical men kept up the custom of wearing wigs for a long period: perhaps they felt like a character in Fielding's farce, "The Mock Doctor," who exclaims, "I must have a physician's habit, for a physician can no more prescribe without a full wig than without a fee." The wig known as the full-bottomed wig was worn by the medical profession:--

"Physic of old her entry made Beneath the immense, full-bottom'd shade; While the gilt cane, with solemn pride To each suspicious nose applied, Seemed but a necessary prop To bear the weight of wig at top."

We are told Dr Delmahoy's wig was particularly celebrated in a song which commenced:--

"If you would see a n.o.ble wig, And in that wig a man look big, To Ludgate Hill repair, my boy, And gaze on Dr Delmahoy."

In the middle of the last century so much importance was attached to this portion of a medical man's costume, that Dr Brocklesby's barber was in the habit of carrying a bandbox through the High Change, exclaiming: "Make way for Dr Brocklesby's wig!"

Professional wigs are now confined to the Speaker in the House of Commons, who, when in the chair, wears a full-bottomed one, and to judges and barristers. Such wigs are made of horse-hair, cleaned and curled with care, and woven on silk threads, and shaped to fit the head with exactness. The cost of a barrister's wig of frizzed hair is from five to six guineas.

An eminent counsel in years agone wished to make a motion before Judge c.o.c.kburn, and in his hurry appeared without a wig. "I hear your voice,"

sternly said his Lords.h.i.+p, "but I cannot see you." The barrister had to obtain the loan of a wig from a learned friend before the judge would listen to him.