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A Set of Six Part 9

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"Do I feed on their toil and their heart's blood? Am I a speculator or a capitalist? Did I steal my fortune from a starving people? No! They know this very well. And they envy me nothing. The miserable ma.s.s of the people is generous to its leaders. What I have acquired has come to me through my writings; not from the millions of pamphlets distributed gratis to the hungry and the oppressed, but from the hundreds of thousands of copies sold to the well-fed bourgeoisie. You know that my writings were at one time the rage, the fas.h.i.+on--the thing to read with wonder and horror, to turn your eyes up at my pathos . . . or else, to laugh in ecstasies at my wit."

"Yes," I admitted. "I remember, of course; and I confess frankly that I could never understand that infatuation."

"Don't you know yet," he said, "that an idle and selfish cla.s.s loves to see mischief being made, even if it is made at its own expense? Its own life being all a matter of pose and gesture, it is unable to realize the power and the danger of a real movement and of words that have no sham meaning. It is all fun and sentiment. It is sufficient, for instance, to point out the att.i.tude of the old French aristocracy towards the philosophers whose words were preparing the Great Revolution. Even in England, where you have some common-sense, a demagogue has only to shout loud enough and long enough to find some backing in the very cla.s.s he is shouting at. You, too, like to see mischief being made. The demagogue carries the amateurs of emotion with him. Amateurism in this, that, and the other thing is a delightfully easy way of killing time, and feeding one's own vanity--the silly vanity of being abreast with the ideas of the day after to-morrow. Just as good and otherwise harmless people will join you in ecstasies over your collection without having the slightest notion in what its marvellousness really consists."

I hung my head. It was a crus.h.i.+ng ill.u.s.tration of the sad truth he advanced. The world is full of such people. And that instance of the French aristocracy before the Revolution was extremely telling, too.

I could not traverse his statement, though its cynicism--always a distasteful trait--took off much of its value to my mind. However, I admit I was impressed. I felt the need to say something which would not be in the nature of a.s.sent and yet would not invite discussion.

"You don't mean to say," I observed, airily, "that extreme revolutionists have ever been actively a.s.sisted by the infatuation of such people?"

"I did not mean exactly that by what I said just now. I generalized.

But since you ask me, I may tell you that such help has been given to revolutionary activities, more or less consciously, in various countries. And even in this country."

"Impossible!" I protested with firmness. "We don't play with fire to that extent."

"And yet you can better afford it than others, perhaps. But let me observe that most women, if not always ready to play with fire, are generally eager to play with a loose spark or so."

"Is this a joke?" I asked, smiling.

"If it is, I am not aware of it," he said, woodenly. "I was thinking of an instance. Oh! mild enough in a way . . ."

I became all expectation at this. I had tried many times to approach him on his underground side, so to speak. The very word had been p.r.o.nounced between us. But he had always met me with his impenetrable calm.

"And at the same time," Mr. X continued, "it will give you a notion of the difficulties that may arise in what you are pleased to call underground work. It is sometimes difficult to deal with them. Of course there is no hierarchy amongst the affiliated. No rigid system."

My surprise was great, but short-lived. Clearly, amongst extreme anarchists there could be no hierarchy; nothing in the nature of a law of precedence. The idea of anarchy ruling among anarchists was comforting, too. It could not possibly make for efficiency.

Mr. X startled me by asking, abruptly, "You know Hermione Street?"

I nodded doubtful a.s.sent. Hermione Street has been, within the last three years, improved out of any man's knowledge. The name exists still, but not one brick or stone of the old Hermione Street is left now. It was the old street he meant, for he said:

"There was a row of two-storied brick houses on the left, with their backs against the wing of a great public building--you remember. Would it surprise you very much to hear that one of these houses was for a time the centre of anarchist propaganda and of what you would call underground action?"

"Not at all," I declared. Hermione Street had never been particularly respectable, as I remembered it.

"The house was the property of a distinguished government official," he added, sipping his champagne.

"Oh, indeed!" I said, this time not believing a word of it.

"Of course he was not living there," Mr. X continued. "But from ten till four he sat next door to it, the dear man, in his well-appointed private room in the wing of the public building I've mentioned. To be strictly accurate, I must explain that the house in Hermione Street did not really belong to him. It belonged to his grown-up children--a daughter and a son. The girl, a fine figure, was by no means vulgarly pretty.

To more personal charm than mere youth could account for, she added the seductive appearance of enthusiasm, of independence, of courageous thought. I suppose she put on these appearances as she put on her picturesque dresses and for the same reason: to a.s.sert her individuality at any cost. You know, women would go to any length almost for such a purpose. She went to a great length. She had acquired all the appropriate gestures of revolutionary convictions--the gestures of pity, of anger, of indignation against the anti-humanitarian vices of the social cla.s.s to which she belonged herself. All this sat on her striking personality as well as her slightly original costumes. Very slightly original; just enough to mark a protest against the philistinism of the overfed taskmasters of the poor. Just enough, and no more. It would not have done to go too far in that direction--you understand. But she was of age, and nothing stood in the way of her offering her house to the revolutionary workers."

"You don't mean it!" I cried.

"I a.s.sure you," he affirmed, "that she made that very practical gesture.

How else could they have got hold of it? The cause is not rich.

And, moreover, there would have been difficulties with any ordinary house-agent, who would have wanted references and so on. The group she came in contact with while exploring the poor quarters of the town (you know the gesture of charity and personal service which was so fas.h.i.+onable some years ago) accepted with grat.i.tude. The first advantage was that Hermione Street is, as you know, well away from the suspect part of the town, specially watched by the police.

"The ground floor consisted of a little Italian restaurant, of the flyblown sort. There was no difficulty in buying the proprietor out. A woman and a man belonging to the group took it on. The man had been a cook. The comrades could get their meals there, unnoticed amongst the other customers. This was another advantage. The first floor was occupied by a shabby Variety Artists' Agency--an agency for performers in inferior music-halls, you know. A fellow called Bomm, I remember. He was not disturbed. It was rather favourable than otherwise to have a lot of foreign-looking people, jugglers, acrobats, singers of both s.e.xes, and so on, going in and out all day long. The police paid no attention to new faces, you see. The top floor happened, most conveniently, to stand empty then."

X interrupted himself to attack impa.s.sively, with measured movements, a bombe glacee which the waiter had just set down on the table. He swallowed carefully a few spoonfuls of the iced sweet, and asked me, "Did you ever hear of Stone's Dried Soup?"

"Hear of what?"

"It was," X pursued, evenly, "a comestible article once rather prominently advertised in the dailies, but which never, somehow, gained the favour of the public. The enterprise fizzled out, as you say here.

Parcels of their stock could be picked up at auctions at considerably less than a penny a pound. The group bought some of it, and an agency for Stone's Dried Soup was started on the top floor. A perfectly respectable business. The stuff, a yellow powder of extremely unappetizing aspect, was put up in large square tins, of which six went to a case. If anybody ever came to give an order, it was, of course, executed. But the advantage of the powder was this, that things could be concealed in it very conveniently. Now and then a special case got put on a van and sent off to be exported abroad under the very nose of the policeman on duty at the corner. You understand?"

"I think I do," I said, with an expressive nod at the remnants of the bombe melting slowly in the dish.

"Exactly. But the cases were useful in another way, too. In the bas.e.m.e.nt, or in the cellar at the back, rather, two printing-presses were established. A lot of revolutionary literature of the most inflammatory kind was got away from the house in Stone's Dried Soup cases. The brother of our anarchist young lady found some occupation there. He wrote articles, helped to set up type and pull off the sheets, and generally a.s.sisted the man in charge, a very able young fellow called Sevrin.

"The guiding spirit of that group was a fanatic of social revolution. He is dead now. He was an engraver and etcher of genius. You must have seen his work. It is much sought after by certain amateurs now. He began by being revolutionary in his art, and ended by becoming a revolutionist, after his wife and child had died in want and misery. He used to say that the bourgeoisie, the smug, overfed lot, had killed them. That was his real belief. He still worked at his art and led a double life. He was tall, gaunt, and swarthy, with a long, brown beard and deep-set eyes. You must have seen him. His name was Horne."

At this I was really startled. Of course years ago I used to meet Horne about. He looked like a powerful, rough gipsy, in an old top hat, with a red m.u.f.fler round his throat and b.u.t.toned up in a long, shabby overcoat.

He talked of his art with exaltation, and gave one the impression of being strung up to the verge of insanity. A small group of connoisseurs appreciated his work. Who would have thought that this man. . . .

Amazing! And yet it was not, after all, so difficult to believe.

"As you see," X went on, "this group was in a position to pursue its work of propaganda, and the other kind of work, too, under very advantageous conditions. They were all resolute, experienced men of a superior stamp. And yet we became struck at length by the fact that plans prepared in Hermione Street almost invariably failed."

"Who were 'we'?" I asked, pointedly.

"Some of us in Brussels--at the centre," he said, hastily. "Whatever vigorous action originated in Hermione Street seemed doomed to failure.

Something always happened to baffle the best planned manifestations in every part of Europe. It was a time of general activity. You must not imagine that all our failures are of a loud sort, with arrests and trials. That is not so. Often the police work quietly, almost secretly, defeating our combinations by clever counter-plotting. No arrests, no noise, no alarming of the public mind and inflaming the pa.s.sions. It is a wise procedure. But at that time the police were too uniformly successful from the Mediterranean to the Baltic. It was annoying and began to look dangerous. At last we came to the conclusion that there must be some untrustworthy elements amongst the London groups. And I came over to see what could be done quietly.

"My first step was to call upon our young Lady Amateur of anarchism at her private house. She received me in a flattering way. I judged that she knew nothing of the chemical and other operations going on at the top of the house in Hermione Street. The printing of anarchist literature was the only 'activity' she seemed to be aware of there. She was displaying very strikingly the usual signs of severe enthusiasm, and had already written many sentimental articles with ferocious conclusions. I could see she was enjoying herself hugely, with all the gestures and grimaces of deadly earnestness. They suited her big-eyed, broad-browed face and the good carriage of her shapely head, crowned by a magnificent lot of brown hair done in an unusual and becoming style.

Her brother was in the room, too, a serious youth, with arched eyebrows and wearing a red necktie, who struck me as being absolutely in the dark about everything in the world, including himself. By and by a tall young man came in. He was clean-shaved with a strong bluish jaw and something of the air of a taciturn actor or of a fanatical priest: the type with thick black eyebrows--you know. But he was very presentable indeed. He shook hands at once vigorously with each of us. The young lady came up to me and murmured sweetly, 'Comrade Sevrin.'

"I had never seen him before. He had little to say to us, but sat down by the side of the girl, and they fell at once into earnest conversation. She leaned forward in her deep armchair, and took her nicely rounded chin in her beautiful white hand. He looked attentively into her eyes. It was the att.i.tude of love-making, serious, intense, as if on the brink of the grave. I suppose she felt it necessary to round and complete her a.s.sumption of advanced ideas, of revolutionary lawlessness, by making believe to be in love with an anarchist. And this one, I repeat, was extremely presentable, notwithstanding his fanatical black-browed aspect. After a few stolen glances in their direction, I had no doubt that he was in earnest. As to the lady, her gestures were unapproachable, better than the very thing itself in the blended suggestion of dignity, sweetness, condescension, fascination, surrender, and reserve. She interpreted her conception of what that precise sort of love-making should be with consummate art. And so far, she, too, no doubt, was in earnest. Gestures--but so perfect!

"After I had been left alone with our Lady Amateur I informed her guardedly of the object of my visit. I hinted at our suspicions. I wanted to hear what she would have to say, and half expected some perhaps unconscious revelation. All she said was, 'That's serious,'

looking delightfully concerned and grave. But there was a sparkle in her eyes which meant plainly, 'How exciting!' After all, she knew little of anything except of words. Still, she undertook to put me in communication with Horne, who was not easy to find unless in Hermione Street, where I did not wish to show myself just then.

"I met Horne. This was another kind of a fanatic altogether. I exposed to him the conclusion we in Brussels had arrived at, and pointed out the significant series of failures. To this he answered with irrelevant exaltation:

"'I have something in hand that shall strike terror into the heart of these gorged brutes.'

"And then I learned that, by excavating in one of the cellars of the house, he and some companions had made their way into the vaults under the great public building I have mentioned before. The blowing up of a whole wing was a certainty as soon as the materials were ready.

"I was not so appalled at the stupidity of that move as I might have been had not the usefulness of our centre in Hermione Street become already very problematical. In fact, in my opinion it was much more of a police trap by this time than anything else.

"What was necessary now was to discover what, or rather who, was wrong, and I managed at last to get that idea into Horne's head. He glared, perplexed, his nostrils working as if he were sniffing treachery in the air.

"And here comes a piece of work which will no doubt strike you as a sort of theatrical expedient. And yet what else could have been done? The problem was to find out the untrustworthy member of the group. But no suspicion could be fastened on one more than another. To set a watch upon them all was not very practicable. Besides, that proceeding often fails. In any case, it takes time, and the danger was pressing. I felt certain that the premises in Hermione Street would be ultimately raided, though the police had evidently such confidence in the informer that the house, for the time being, was not even watched. Horne was positive on that point. Under the circ.u.mstances it was an unfavourable symptom.

Something had to be done quickly.

"I decided to organize a raid myself upon the group. Do you understand?

A raid of other trusty comrades personating the police. A conspiracy within a conspiracy. You see the object of it, of course. When apparently about to be arrested I hoped the informer would betray himself in some way or other; either by some unguarded act or simply by his unconcerned demeanour, for instance. Of coa.r.s.e there was the risk of complete failure and the no lesser risk of some fatal accident in the course of resistance, perhaps, or in the efforts at escape. For, as you will easily see, the Hermione Street group had to be actually and completely taken unawares, as I was sure they would be by the real police before very long. The informer was amongst them, and Horne alone could be let into the secret of my plan.

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A Set of Six Part 9 summary

You're reading A Set of Six. This manga has been translated by Updating. Author(s): Joseph Conrad. Already has 668 views.

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