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Miss t.i.ta made no resistance to this. We found a bench less secluded, less confidential, as it were, than the one in the arbor; and we were still sitting there when I heard midnight ring out from those clear bells of Venice which vibrate with a solemnity of their own over the lagoon and hold the air so much more than the chimes of other places.
We were together more than an hour, and our interview gave, as it struck me, a great lift to my undertaking. Miss t.i.ta accepted the situation without a protest; she had avoided me for three months, yet now she treated me almost as if these three months had made me an old friend. If I had chosen I might have inferred from this that though she had avoided me she had given a good deal of consideration to doing so. She paid no attention to the flight of time--never worried at my keeping her so long away from her aunt. She talked freely, answering questions and asking them and not even taking advantage of certain longish pauses with which they inevitably alternated to say she thought she had better go in. It was almost as if she were waiting for something--something I might say to her--and intended to give me my opportunity. I was the more struck by this as she told me that her aunt had been less well for a good many days and in a way that was rather new. She was weaker; at moments it seemed as if she had no strength at all; yet more than ever before she wished to be left alone. That was why she had told her to come out--not even to remain in her own room, which was alongside; she said her niece irritated her, made her nervous. She sat still for hours together, as if she were asleep; she had always done that, musing and dozing; but at such times formerly she gave at intervals some small sign of life, of interest, liking her companion to be near her with her work. Miss t.i.ta confided to me that at present her aunt was so motionless that she sometimes feared she was dead; moreover she took hardly any food--one couldn't see what she lived on. The great thing was that she still on most days got up; the serious job was to dress her, to wheel her out of her bedroom. She clung to as many of her old habits as possible and she had always, little company as they had received for years, made a point of sitting in the parlor.
I scarcely knew what to think of all this--of Miss t.i.ta's sudden conversion to sociability and of the strange circ.u.mstance that the more the old lady appeared to decline toward her end the less she should desire to be looked after. The story did not hang together, and I even asked myself whether it were not a trap laid for me, the result of a design to make me show my hand. I could not have told why my companions (as they could only by courtesy be called) should have this purpose--why they should try to trip up so lucrative a lodger. At any rate I kept on my guard, so that Miss t.i.ta should not have occasion again to ask me if I had an arriere-pensee. Poor woman, before we parted for the night my mind was at rest as to HER capacity for entertaining one.
She told me more about their affairs than I had hoped; there was no need to be prying, for it evidently drew her out simply to feel that I listened, that I cared. She ceased wondering why I cared, and at last, as she spoke of the brilliant life they had led years before, she almost chattered. It was Miss t.i.ta who judged it brilliant; she said that when they first came to live in Venice, years and years before (I saw that her mind was essentially vague about dates and the order in which events had occurred), there was scarcely a week that they had not some visitor or did not make some delightful pa.s.seggio in the city. They had seen all the curiosities; they had even been to the Lido in a boat (she spoke as if I might think there was a way on foot); they had had a collation there, brought in three baskets and spread out on the gra.s.s. I asked her what people they had known and she said, Oh! very nice ones--the Cavaliere Bombicci and the Contessa Altemura, with whom they had had a great friends.h.i.+p. Also English people--the Churtons and the Goldies and Mrs. Stock-Stock, whom they had loved dearly; she was dead and gone, poor dear. That was the case with most of their pleasant circle (this expression was Miss t.i.ta's own), though a few were left, which was a wonder considering how they had neglected them. She mentioned the names of two or three Venetian old women; of a certain doctor, very clever, who was so kind--he came as a friend, he had really given up practice; of the avvocato Pochintesta, who wrote beautiful poems and had addressed one to her aunt. These people came to see them without fail every year, usually at the capo d'anno, and of old her aunt used to make them some little present--her aunt and she together: small things that she, Miss t.i.ta, made herself, like paper lampshades or mats for the decanters of wine at dinner or those woolen things that in cold weather were worn on the wrists. The last few years there had not been many presents; she could not think what to make, and her aunt had lost her interest and never suggested. But the people came all the same; if the Venetians liked you once they liked you forever.
There was something affecting in the good faith of this sketch of former social glories; the picnic at the Lido had remained vivid through the ages, and poor Miss t.i.ta evidently was of the impression that she had had a brilliant youth. She had in fact had a glimpse of the Venetian world in its gossiping, home-keeping, parsimonious, professional walks; for I observed for the first time that she had acquired by contact something of the trick of the familiar, soft-sounding, almost infantile speech of the place. I judged that she had imbibed this invertebrate dialect from the natural way the names of things and people--mostly purely local--rose to her lips. If she knew little of what they represented she knew still less of anything else. Her aunt had drawn in--her failing interest in the table mats and lampshades was a sign of that--and she had not been able to mingle in society or to entertain it alone; so that the matter of her reminiscences struck one as an old world altogether. If she had not been so decent her references would have seemed to carry one back to the queer rococo Venice of Casanova.
I found myself falling into the error of thinking of her too as one of Jeffrey Aspern's contemporaries; this came from her having so little in common with my own. It was possible, I said to myself, that she had not even heard of him; it might very well be that Juliana had not cared to lift even for her the veil that covered the temple of her youth. In this case she perhaps would not know of the existence of the papers, and I welcomed that presumption--it made me feel more safe with her--until I remembered that we had believed the letter of disavowal received by c.u.mnor to be in the handwriting of the niece. If it had been dictated to her she had of course to know what it was about; yet after all the effect of it was to repudiate the idea of any connection with the poet.
I held it probable at all events that Miss t.i.ta had not read a word of his poetry. Moreover if, with her companion, she had always escaped the interviewer there was little occasion for her having got it into her head that people were "after" the letters. People had not been after them, inasmuch as they had not heard of them; and c.u.mnor's fruitless feeler would have been a solitary accident.
When midnight sounded Miss t.i.ta got up; but she stopped at the door of the house only after she had wandered two or three times with me round the garden. "When shall I see you again?" I asked before she went in; to which she replied with promptness that she should like to come out the next night. She added however that she should not come--she was so far from doing everything she liked.
"You might do a few things that _I_ like," I said with a sigh.
"Oh, you--I don't believe you!" she murmured at this, looking at me with her simple solemnity.
"Why don't you believe me?"
"Because I don't understand you."
"That is just the sort of occasion to have faith." I could not say more, though I should have liked to, as I saw that I only mystified her; for I had no wish to have it on my conscience that I might pa.s.s for having made love to her. Nothing less should I have seemed to do had I continued to beg a lady to "believe in me" in an Italian garden on a midsummer night. There was some merit in my scruples, for Miss t.i.ta lingered and lingered: I perceived that she felt that she should not really soon come down again and wished therefore to protract the present. She insisted too on making the talk between us personal to ourselves; and altogether her behavior was such as would have been possible only to a completely innocent woman.
"I shall like the flowers better now that I know they are also meant for me."
"How could you have doubted it? If you will tell me the kind you like best I will send a double lot of them."
"Oh, I like them all best!" Then she went on, familiarly: "Shall you study--shall you read and write--when you go up to your rooms?"
"I don't do that at night, at this season. The lamplight brings in the animals."
"You might have known that when you came."
"I did know it!"
"And in winter do you work at night?"
"I read a good deal, but I don't often write." She listened as if these details had a rare interest, and suddenly a temptation quite at variance with the prudence I had been teaching myself a.s.sociated itself with her plain, mild face. Ah yes, she was safe and I could make her safer!
It seemed to me from one moment to another that I could not wait longer--that I really must take a sounding. So I went on: "In general before I go to sleep--very often in bed (it's a bad habit, but I confess to it), I read some great poet. In nine cases out of ten it's a volume of Jeffrey Aspern."
I watched her well as I p.r.o.nounced that name but I saw nothing wonderful. Why should I indeed--was not Jeffrey Aspern the property of the human race?
"Oh, we read him--we HAVE read him," she quietly replied.
"He is my poet of poets--I know him almost by heart."
For an instant Miss t.i.ta hesitated; then her sociability was too much for her.
"Oh, by heart--that's nothing!" she murmured, smiling. "My aunt used to know him--to know him"--she paused an instant and I wondered what she was going to say--"to know him as a visitor."
"As a visitor?" I repeated, staring.
"He used to call on her and take her out."
I continued to stare. "My dear lady, he died a hundred years ago!"
"Well," she said mirthfully, "my aunt is a hundred and fifty."
"Mercy on us!" I exclaimed; "why didn't you tell me before? I should like so to ask her about him."
"She wouldn't care for that--she wouldn't tell you," Miss t.i.ta replied.
"I don't care what she cares for! She MUST tell me--it's not a chance to be lost."
"Oh, you should have come twenty years ago: then she still talked about him."
"And what did she say?" I asked eagerly.
"I don't know--that he liked her immensely."
"And she--didn't she like him?"
"She said he was a G.o.d." Miss t.i.ta gave me this information flatly, without expression; her tone might have made it a piece of trivial gossip. But it stirred me deeply as she dropped the words into the summer night; it seemed such a direct testimony.
"Fancy, fancy!" I murmured. And then, "Tell me this, please--has she got a portrait of him? They are distressingly rare."
"A portrait? I don't know," said Miss t.i.ta; and now there was discomfiture in her face. "Well, good night!" she added; and she turned into the house.
I accompanied her into the wide, dusky, stone-paved pa.s.sage which on the ground floor corresponded with our grand sala. It opened at one end into the garden, at the other upon the ca.n.a.l, and was lighted now only by the small lamp that was always left for me to take up as I went to bed. An extinguished candle which Miss t.i.ta apparently had brought down with her stood on the same table with it. "Good night, good night!" I replied, keeping beside her as she went to get her light. "Surely you would know, shouldn't you, if she had one?"
"If she had what?" the poor lady asked, looking at me queerly over the flame of her candle.
"A portrait of the G.o.d. I don't know what I wouldn't give to see it."
"I don't know what she has got. She keeps her things locked up." And Miss t.i.ta went away, toward the staircase, with the sense evidently that she had said too much.
I let her go--I wished not to frighten her--and I contented myself with remarking that Miss Bordereau would not have locked up such a glorious possession as that--a thing a person would be proud of and hang up in a prominent place on the parlor wall. Therefore of course she had not any portrait. Miss t.i.ta made no direct answer to this and, candle in hand, with her back to me, ascended two or three stairs. Then she stopped short and turned round, looking at me across the dusky s.p.a.ce.
"Do you write--do you write?" There was a shake in her voice--she could scarcely bring out what she wanted to ask.
"Do I write? Oh, don't speak of my writing on the same day with Aspern's!"
"Do you write about HIM--do you pry into his life?"
"Ah, that's your aunt's question; it can't be yours!" I said, in a tone of slightly wounded sensibility.
"All the more reason then that you should answer it. Do you, please?"
I thought I had allowed for the falsehoods I should have to tell; but I found that in fact when it came to the point I had not. Besides, now that I had an opening there was a kind of relief in being frank. Lastly (it was perhaps fanciful, even fatuous), I guessed that Miss t.i.ta personally would not in the last resort be less my friend. So after a moment's hesitation I answered, "Yes, I have written about him and I am looking for more material. In heaven's name have you got any?"