The Spirit of America Part 1

The Spirit of America.

by Henry Van d.y.k.e.

PREFACE

This book contains the first seven of a series of twenty-six _conferences_, given in the winter of 1908-1909, on the Hyde Foundation, at the University of Paris, and repeated in part at other universities of France. They were delivered in English, and afterward translated into French and published under the t.i.tle of _Le Genie de l'Amerique_. In making this American edition it has not seemed worth while to attempt to disguise the fact that these chapters were prepared as lectures to be given to a French audience, and that their purpose, in accordance with the generous design of the founder of the chair, was to promote an intelligent sympathy between France and the United States. If the book finds readers among my countrymen, I beg them, as they read, to remember its origin. Perhaps it may have an interest of its own, as a report, made in Paris, of the things that seem vital, significant, and creative in the life and character of the American people.

INTRODUCTION

There is an ancient amity between France and America, which is recorded in golden letters in the chronicles of human liberty. In one of the crowded squares of New York there stands a statue of a young n.o.bleman, slender, elegant, and brave, springing forward to offer his sword to the cause of freedom. The name under that figure is La Fayette. In one of the broad avenues of Paris there stands a statue of a plain gentleman, grave, powerful, earnest, sitting his horse like a victor and lifting high his sword to salute the star of France. The name under that figure is Was.h.i.+ngton.

It is well that in both lands such a friends.h.i.+p between two great peoples should be

"Immortalized by art's immortal praise."

It is better still that it should be warmed and strengthened by present efforts for the common good: that the world should see the two great republics standing together for justice and fair play at Algeciras, working together for the world's peace at the Congress of the Hague.

But in order that a friends.h.i.+p like this should really continue and increase, there must be something more than a sentimental sympathy.

There must be a mutual comprehension, a real understanding, between the two peoples. Romantic love, the little _Amor_ with the bow and arrows, may be as blind as the painters and novelists represent him. But true friends.h.i.+p, the strong G.o.d _Amicitia_, is open-eyed and clear-sighted.

So long as Frenchmen insist upon looking at America merely as the country of the Sky-sc.r.a.per and the Almighty Dollar, so long as Americans insist upon regarding France merely as the home of the Yellow Novel and the Everlasting Dance, so long will it be difficult for the ancient amity between these two countries to expand and deepen into a true and vital concord.

France and America must know each other better. They must learn to look each into the other's mind, to read each the other's heart. They must recognize each other less by their foibles and more by their faiths, less by the factors of national weakness and more by the elements of national strength. Then, indeed, I hope and believe they will be good and faithful friends.

It is to promote this serious and n.o.ble purpose that an American gentleman, Mr. James Hazen Hyde, has founded two chairs, one at the University of Paris, and one at Harvard University, for an annual interchange of professors, (and possibly of ideas,) between France and America. Through this generous arrangement we have had the benefit of hearing, in the United States, MM. Doumic, Rod, de Regnier, Gaston Deschamps, Hugues Le Roux, Mabilleau, Anatole Leroy-Beaulieu, Millet, Le Braz, Tardieu, and the Vicomte d'Avenel. On the same basis Messrs.

Barrett Wendell, Santayana, Coolidge, and Baker have spoken at the Sorbonne and at the other French Universities. This year Harvard has called me from the chair of English Literature at Princeton University, and the authorities of the Sorbonne have graciously accorded me the hospitality of this _Amphitheatre Richelieu_, to take my small part in this international mission.

Do you ask for my credentials as an amba.s.sador? Let me omit such formalities as academic degrees, professors.h.i.+ps, and doctorates, and present my claims in more simple and humble form. A family residence of two hundred and fifty years in America, whither my ancestors came from Holland in 1652; a working life of thirty years which has taken me among all sorts and conditions of men, in almost all the states of the Union from Maine to Florida and from New York to California; a personal acquaintance with all the Presidents except one since Lincoln; a friends.h.i.+p with many woodsmen, hunters, and fishermen in the forests where I spend the summers; an entire independence of any kind of political, ecclesiastical, or academic partisans.h.i.+p; and some familiarity with American literature, its origins, and its historical relations,--these are all the claims that I can make to your attention.

They are small enough, to be sure, but such as they are you may find in them a partial explanation of the course which these lectures are to take.

You will understand that if I have chosen a subject which is not strictly academic, it is because the best part of my life has been spent out of doors among men. You will perceive that my failure to speak of Boston as the centre of the United States may have some connection with the accident that I am not a Bostonian. You will account for the absence of a suggestion that any one political party is the only hope of the Republic by the fact that I am not a politician. You will detect in my att.i.tude towards literature the nave conviction that it is not merely an art existing for art's sake, but an expression of the inner life and a factor in the moral character. Finally, you will conclude, with your French logicality of mind, that I must be an obstinate idealist, because I am going to venture to lecture to you on _The Spirit of America_. That is as much as to say that I believe man is led by an inner light, and that the ideals, moral convictions, and vital principles of a people are the most important factors in their history.

All these things are true. They cannot be denied or concealed. I would willingly confess them and a hundred more, if I might contribute but a little towards the purpose of these lectures: to help some of the people of France to understand more truly the real people of America,--a people of idealists engaged in a great practical task.

I

THE SOUL OF A PEOPLE

THE SPIRIT OF AMERICA

I

THE SOUL OF A PEOPLE

There is a proverb which affirms that in order to know a man you have only to travel with him for a week. Almost all of us have had experiences, sometimes happy and sometimes the reverse, which seem to confirm this saying.

A journey in common is a sort of involuntary confessional. There is a certain excitement, a confusion and quickening of perceptions and sensations, in the adventures, the sudden changes, the new and striking scenes of travel. The bonds of habit are loosened. Impulses of pleasure and of displeasure, suddenly felt, make themselves surprisingly visible.

Wishes and appet.i.tes and prejudices which are usually dressed in a costume of words so conventional as to amount to a disguise now appear unmasked, and often in very scanty costume, as if they had been suddenly called from their beds by an alarm of fire on a steamboat, or, to use a more agreeable figure, by the announcement in a hotel on the Righi of approaching sunrise.

There is another thing which plays, perhaps, a part in this power of travel to make swift disclosures. I mean the vague sense of release from duties and restraints which comes to one who is away from home. Much of the outward form of our daily conduct is regulated by the structure and operation of the social machinery in which we quite inevitably find our place. But when all this is left behind, when a man no longer feels the pressure of the neighbouring wheels, the constraint of the driving-belt which makes them all move together, nor the restraint of the common task to which the collective force of all is applied, he is "outside of the machine."

The ordinary sight-seeing, uncommercial traveller--the tourist, the globe-trotter--is not usually a person who thinks much of his own responsibilities, however conscious he may be of his own importance. His favourite proverb is, "When you are in Rome, do as the Romans do." But in the application of the proverb, he does not always inquire whether the particular thing which he is invited to do is done by the particular kind of Roman that he would like to be, if he lived in Rome, or by some other kind of Roman quite different, even contrary. He is liberated. He is unaccountable. He is a b.u.t.terfly visiting a strange garden. He has only to enjoy himself according to his caprice and to accept the invitations of the flowers which please him most.

This feeling of irresponsibility in travel corresponds somewhat to the effect of wine. The tongue is loosened. Unexpected qualities and inclinations are unconsciously confessed. A new man, hitherto unknown, appears upon the scene. And this new man often seems more natural, more spontaneous, more vivid, than our old acquaintance. "At last," we say to ourselves, "we know the true inwardness, the real reality of this fellow. He is not acting a part now. He is coming to the surface. We see what a bad fellow, or what a good fellow, he is. _In vino et in viatore veritas!_"

But is it quite correct, after all, this first impression that travel is the great revealer of character? Is it the essential truth, the fundamental truth, _la vraie verite_, that we discover through this gla.s.s? Or is it, rather, a novel aspect of facts which are real enough, indeed, but not fundamental,--an aspect so novel that it presents itself as more important than it really is? To put the question in brief, and in a practical form, is a railway train the place to study character, or is it only a place to observe characteristics?

There is, of course, a great deal of complicated and quarrelsome psychology involved in this seeming simple question,--for example, the point at issue between the determinists and libertarians, the philosophers of the unconscious and the philosophers of the ideal,--all of which I will prudently pa.s.s by, in order to make a very practical and common-sense observation.

Ordinary travel usually obscures and confuses quite as much as it reveals in the character of the traveller. His excitement, his moral detachment, his intellectual dislocation, unless he is a person of extraordinary firmness and poise, are apt to make him lose himself much more than they help him to find himself. In these strange and transient experiences his action lacks meaning and relation. He is carried away.

He is uprooted. He is swept along by the current of external novelty.

This may be good for him or bad for him. I do not ask this question. I am not moralizing. I am observing. The point is that under these conditions I do not see the real man more clearly, but less clearly. To paraphrase a Greek saying, I wish not to study Philip when he is a little exhilarated, but Philip when he is sober: not when he is at a Persian banquet, but when he is with his Macedonians.

Moreover, if I mistake not, the native environment, the chosen or accepted task, the definite place in the great world-work, is part of the man himself. There are no human atoms. Relation is inseparable from quality. Absolute isolation would be invisibility. Displacement is deformity. You remember what Emerson says in his poem, _Each and All_:--

"The delicate sh.e.l.ls lay on the sh.o.r.e: The bubbles of the latest wave Fresh pearls to their enamel gave, And the bellowing of the savage sea Greeted their safe escape to me.

I wiped away the weeds and foam, I fetched my sea-born treasures home, But the poor, unsightly, noisome things Had left their beauty on the sh.o.r.e With the sun and the sand and the wild uproar."

So I would see my man where he belongs, in the midst of the things which have produced him and which he has helped to produce. I would understand something of his relation to them. I would watch him at his work, the daily labour which not only earns his living but also moulds and forms his life. I would see how he takes hold of it, with reluctance or with alacrity, and how he regards it, with honour or with contempt. I would consider the way in which he uses its tangible results; to what purpose he applies them; for what objects he spends the fruit of his toil; what kind of bread he buys with the sweat of his brow or his brain. I would trace in his environment the influence of those who have gone before him. I would read the secrets of his heart in the uncompleted projects which he forms for those who are to come after him. In short, I would see the roots from which he springs, and the hopes in which his heart flowers.

Thus, and thus only, the real man, the entire man, would become more clear to me. He might appear more or less admirable. I might like him more, or less. That would make no difference. The one thing that is sure is that I should know him better. I should know the soul of the man.

If this is true, then, of the individual, how much more is it true of a nation, a people? The inward life, the real life, the animating and formative life of a people is infinitely difficult to discern and understand.

There are a hundred concourses of travel in modern Europe where you may watch "the pa.s.sing show" of all nations with vast amus.e.m.e.nt,--on the _Champs-Elysees_ in May or June, in the park of _Aix-les-Bains_ in midsummer, at the Italian Lakes in autumn, in the colonnade of Shepherd's Hotel at Cairo in January or February, on the Pincian Hill at Rome in March or April. Take your seats, ladies and gentlemen, at this continuous performance, this international _vaudeville_, and observe British habits, French manners, German customs, American eccentricities, whatever interests you in the varied entertainment. But do not imagine that in this way you will learn to know the national personality of England, or France, or Germany, or America. That is something which is never exported.

Some drop of tincture or extract of it, indeed, may pa.s.s from one land to another in a distinct and concentrated individuality, as when a Lafayette comes to America, or a Franklin to France. Some partial portrait and imperfect image of it, indeed, may be produced in literature. And there the reader who is wise enough to separate the head-dress from the head, and to discern the figure beneath the costume, may trace at least some features of the real life represented and expressed in poem or romance, in essay or discourse. But even this literature, in order to be vitally understood, must be interpreted in relation to the life of the men who have produced it and the men for whom it was produced.

Authors are not algebraic quant.i.ties,--_X_, _Y_, _Z_, &c. They express spiritual actions and reactions in the midst of a given environment.

What they write is in one sense a work of art, and therefore to be judged accurately by the laws of that art. But when this judgment is made, when the book has been a.s.signed its rank according to its substance, its structure, its style, there still remains another point of view from which it is to be considered. The book is a doc.u.ment of life. It is the embodiment of a spiritual protest, perhaps; or it is the unconscious confession of an intellectual ambition; or it is an appeal to some popular sentiment; or it is the expression of the craving for some particular form of beauty or joy; or it is a tribute to some personal or social excellence; or it is the record of some vision of perfection seen in

"The light that never was, on sea or land, The consecration, and the poet's dream."

In every case, it is something that comes out of a heritage of ideals and adds to them.