The Trimmed Lamp, and other Stories of the Four Million Part 2

After the first embrace they drew their heads back as serpents do, ready to attack or to charm, with a thousand questions trembling on their swift tongues. And then Nancy noticed that prosperity had descended upon Lou, manifesting itself in costly furs, flas.h.i.+ng gems, and creations of the tailors' art.

"You little fool!" cried Lou, loudly and affectionately. "I see you are still working in that store, and as shabby as ever. And how about that big catch you were going to make--nothing doing yet, I suppose?"

And then Lou looked, and saw that something better than prosperity had descended upon Nancy--something that shone brighter than gems in her eyes and redder than a rose in her cheeks, and that danced like electricity anxious to be loosed from the tip of her tongue.

"Yes, I'm still in the store," said Nancy, "but I'm going to leave it next week. I've made my catch--the biggest catch in the world. You won't mind now Lou, will you?--I'm going to be married to Dan--to Dan!--he's my Dan now--why, Lou!"

Around the corner of the park strolled one of those new-crop, smooth-faced young policemen that are making the force more endurable--at least to the eye. He saw a woman with an expensive fur coat, and diamond-ringed hands crouching down against the iron fence of the park sobbing turbulently, while a slender, plainly-dressed working girl leaned close, trying to console her. But the Gibsonian cop, being of the new order, pa.s.sed on, pretending not to notice, for he was wise enough to know that these matters are beyond help so far as the power he represents is concerned, though he rap the pavement with his nightstick till the sound goes up to the furthermost stars.

A MADISON SQUARE ARABIAN NIGHT

To Carson Chalmers, in his apartment near the square, Phillips brought the evening mail. Beside the routine correspondence there were two items bearing the same foreign postmark.

One of the incoming parcels contained a photograph of a woman. The other contained an interminable letter, over which Chalmers hung, absorbed, for a long time. The letter was from another woman; and it contained poisoned barbs, sweetly dipped in honey, and feathered with innuendoes concerning the photographed woman.

Chalmers tore this letter into a thousand bits and began to wear out his expensive rug by striding back and forth upon it. Thus an animal from the jungle acts when it is caged, and thus a caged man acts when he is housed in a jungle of doubt.

By and by the restless mood was overcome. The rug was not an enchanted one. For sixteen feet he could travel along it; three thousand miles was beyond its power to aid.

Phillips appeared. He never entered; he invariably appeared, like a well-oiled genie.

"Will you dine here, sir, or out?" he asked.

"Here," said Chalmers, "and in half an hour." He listened glumly to the January blasts making an Aeolian trombone of the empty street.

"Wait," he said to the disappearing genie. "As I came home across the end of the square I saw many men standing there in rows. There was one mounted upon something, talking. Why do those men stand in rows, and why are they there?"

"They are homeless men, sir," said Phillips. "The man standing on the box tries to get lodging for them for the night. People come around to listen and give him money. Then he sends as many as the money will pay for to some lodging-house. That is why they stand in rows; they get sent to bed in order as they come."

"By the time dinner is served," said Chalmers, "have one of those men here. He will dine with me."

"W-w-which--," began Phillips, stammering for the first time during his service.

"Choose one at random," said Chalmers. "You might see that he is reasonably sober--and a certain amount of cleanliness will not be held against him. That is all."

It was an unusual thing for Carson Chalmers to play the Caliph. But on that night he felt the inefficacy of conventional antidotes to melancholy. Something wanton and egregious, something high-flavored and Arabian, he must have to lighten his mood.

On the half hour Phillips had finished his duties as slave of the lamp. The waiters from the restaurant below had whisked aloft the delectable dinner. The dining table, laid for two, glowed cheerily in the glow of the pink-shaded candles.

And now Phillips, as though he ushered a cardinal--or held in charge a burglar--wafted in the s.h.i.+vering guest who had been haled from the line of mendicant lodgers.

It is a common thing to call such men wrecks; if the comparison be used here it is the specific one of a derelict come to grief through fire. Even yet some flickering combustion illuminated the drifting hulk. His face and hands had been recently washed--a rite insisted upon by Phillips as a memorial to the slaughtered conventions. In the candle-light he stood, a flaw in the decorous fittings of the apartment. His face was a sickly white, covered almost to the eyes with a stubble the shade of a red Irish setter's coat. Phillips's comb had failed to control the pale brown hair, long matted and conformed to the contour of a constantly worn hat. His eyes were full of a hopeless, tricky defiance like that seen in a cur's that is cornered by his tormentors. His shabby coat was b.u.t.toned high, but a quarter inch of redeeming collar showed above it. His manner was singularly free from embarra.s.sment when Chalmers rose from his chair across the round dining table.

"If you will oblige me," said the host, "I will be glad to have your company at dinner."

"My name is Plumer," said the highway guest, in harsh and aggressive tones. "If you're like me, you like to know the name of the party you're dining with."

"I was going on to say," continued Chalmers somewhat hastily, "that mine is Chalmers. Will you sit opposite?"

Plumer, of the ruffled plumes, bent his knee for Phillips to slide the chair beneath him. He had an air of having sat at attended boards before. Phillips set out the anchovies and olives.

"Good!" barked Plumer; "going to be in courses, is it? All right, my jovial ruler of Bagdad. I'm your Scheherezade all the way to the toothpicks. You're the first Caliph with a genuine Oriental flavor I've struck since frost. What luck! And I was forty-third in line. I finished counting, just as your welcome emissary arrived to bid me to the feast. I had about as much chance of getting a bed to-night as I have of being the next President. How will you have the sad story of my life, Mr. Al Raschid--a chapter with each course or the whole edition with the cigars and coffee?"

"The situation does not seem a novel one to you," said Chalmers with a smile.

"By the chin whiskers of the prophet--no!" answered the guest. "New York's as full of cheap Haroun al Raschids as Bagdad is of fleas.

I've been held up for my story with a loaded meal pointed at my head twenty times. Catch anybody in New York giving you something for nothing! They spell curiosity and charity with the same set of building blocks. Lots of 'em will stake you to a dime and chop-suey; and a few of 'em will play Caliph to the tune of a top sirloin; but every one of 'em will stand over you till they screw your autobiography out of you with foot notes, appendix and unpublished fragments. Oh, I know what to do when I see victuals coming toward me in little old Bagdad-on-the-Subway. I strike the asphalt three times with my forehead and get ready to spiel yarns for my supper.

I claim descent from the late Tommy Tucker, who was forced to hand out vocal harmony for his pre-digested wheaterina and sp.o.o.pju."

"I do not ask your story," said Chalmers. "I tell you frankly that it was a sudden whim that prompted me to send for some stranger to dine with me. I a.s.sure you you will not suffer through any curiosity of mine."

"Oh, fudge!" exclaimed the guest, enthusiastically tackling his soup; "I don't mind it a bit. I'm a regular Oriental magazine with a red cover and the leaves cut when the Caliph walks abroad.

In fact, we fellows in the bed line have a sort of union rate for things of this sort. Somebody's always stopping and wanting to know what brought us down so low in the world. For a sandwich and a gla.s.s of beer I tell 'em that drink did it. For corned beef and cabbage and a cup of coffee I give 'em the hard-hearted-landlord--six-months-in-the-hospital-lost-job story.

A sirloin steak and a quarter for a bed gets the Wall Street tragedy of the swept-away fortune and the gradual descent. This is the first spread of this kind I've stumbled against. I haven't got a story to fit it. I'll tell you what, Mr. Chalmers, I'm going to tell you the truth for this, if you'll listen to it.

It'll be harder for you to believe than the made-up ones."

An hour later the Arabian guest lay back with a sigh of satisfaction while Phillips brought the coffee and cigars and cleared the table.

"Did you ever hear of Sherrard Plumer?" he asked, with a strange smile.

"I remember the name," said Chalmers. "He was a painter, I think, of a good deal of prominence a few years ago."

"Five years," said the guest. "Then I went down like a chunk of lead. I'm Sherrard Plumer! I sold the last portrait I painted for $2,000. After that I couldn't have found a sitter for a gratis picture."

"What was the trouble?" Chalmers could not resist asking.

"Funny thing," answered Plumer, grimly. "Never quite understood it myself. For a while I swam like a cork. I broke into the swell crowd and got commissions right and left. The newspapers called me a fas.h.i.+onable painter. Then the funny things began to happen. Whenever I finished a picture people would come to see it, and whisper and look queerly at one another."

"I soon found out what the trouble was. I had a knack of bringing out in the face of a portrait the hidden character of the original.

I don't know how I did it--I painted what I saw--but I know it did me. Some of my sitters were fearfully enraged and refused their pictures. I painted the portrait of a very beautiful and popular society dame. When it was finished her husband looked at it with a peculiar expression on his face, and the next week he sued for divorce."

"I remember one case of a prominent banker who sat to me. While I had his portrait on exhibition in my studio an acquaintance of his came in to look at it. 'Bless me,' says he, 'does he really look like that?" I told him it was considered a faithful likeness. 'I never noticed that expression about his eyes before,' said he; 'I think I'll drop downtown and change my bank account.' He did drop down, but the bank account was gone and so was Mr. Banker.

"It wasn't long till they put me out of business. People don't want their secret meannesses shown up in a picture. They can smile and twist their own faces and deceive you, but the picture can't.

I couldn't get an order for another picture, and I had to give up. I worked as a newspaper artist for a while, and then for a lithographer, but my work with them got me into the same trouble. If I drew from a photograph my drawing showed up characteristics and expressions that you couldn't find in the photo, but I guess they were in the original, all right. The customers raised lively rows, especially the women, and I never could hold a job long. So I began to rest my weary head upon the breast of Old Booze for comfort. And pretty soon I was in the free-bed line and doing oral fiction for hand-outs among the food bazaars. Does the truthful statement weary thee, O Caliph? I can turn on the Wall Street disaster stop if you prefer, but that requires a tear, and I'm afraid I can't hustle one up after that good dinner."

"No, no," said Chalmers, earnestly, "you interest me very much. Did all of your portraits reveal some unpleasant trait, or were there some that did not suffer from the ordeal of your peculiar brush?"

"Some? Yes," said Plumer. "Children generally, a good many women and a sufficient number of men. All people aren't bad, you know. When they were all right the pictures were all right. As I said, I don't explain it, but I'm telling you facts."

On Chalmers's writing-table lay the photograph that he had received that day in the foreign mail. Ten minutes later he had Plumer at work making a sketch from it in pastels. At the end of an hour the artist rose and stretched wearily.

"It's done," he yawned. "You'll excuse me for being so long. I got interested in the job. Lordy! but I'm tired. No bed last night, you know. Guess it'll have to be good night now, O Commander of the Faithful!"

Chalmers went as far as the door with him and slipped some bills into his hand.