Who? Part 45

"'But you?' gasped Lady Wilmersley.

"'I have the pistol. I am not afraid. I will follow you,' I a.s.sured her.

"I knew rather than saw that she picked up a jacket and bag which lay near the window. With a soft thud she dropped into the night. That is the last I saw of her. What became of her I do not know." Amy paused a moment.

"As Lord Wilmersley saw his wife disappear, he gave a cry like a wounded animal and rushed after her. I fired. He staggered back a few steps, then turning he ran into the adjoining room. I heard a splash but did not stop to find out what happened. Almost beside myself with terror, I fled from the castle. If you have any more questions to ask, you had better hurry."

She stopped abruptly, trembling from head to foot, and glanced wildly about her till her eyes rested on her husband. For a long, long moment she regarded him in silence. She seemed to be gathering herself together for a supreme effort.

All four men watched her in breathless suspense.

With her eyes still fastened on Cyril she fumbled in the bosom of her dress, then her hand shot out, and before any one could prevent her, she jabbed a hypodermic needle deep into her arm.

"What have you done?" cried Cyril, springing forward and wrenching the needle from her.

A beatific smile spread slowly over her face.

"You are--free," she gasped.

She swayed a little and would have fallen if Cyril had not caught her.

"Quick--a doctor," he cried.

"It is too late," she murmured. "Too late! Forgive me, Cyril.

I--loved--you--so----"

CHAPTER XXII

CAMPBELL RESIGNS

Under a yew tree, overlooking a wide lawn, bordered on the farther side by a bank of flowers, three people are sitting cl.u.s.tered around a tea-table.

One of them is a little old lady, the dearest old lady imaginable. By her side, in a low basket chair, a girl is half sitting, half reclining.

Her small figure, clad in a simple black frock, gives the impression of extreme youth, which impression is heightened by the fact that her curly, yellow hair, reaching barely to the nape of her neck, is caught together by a black ribbon like a schoolgirl's. But when one looks more closely into her pale face, one realises somehow that she is a woman and a woman who has suffered--who still suffers.

On the ground facing the younger woman a red-headed young man in white flannels is squatting tailor-fas.h.i.+on. He is holding out an empty cup to be refilled.

"Not another!" exclaims the little old lady in a horrified tone. "Why, you have had three already!"

"My dear Trevie, let me inform you once and for all that I have abandoned my figure. Why should I persist in the struggle now that Anita refuses to smile on me? When one's heart is broken, one had better make the most of the few pleasures one can still enjoy. So another cup, please."

Anita took no notice of his sally; her eyes were fixed on the distant horizon; she seemed absorbed in her own thoughts.

"By the way," remarked Campbell casually as he sipped his tea, "I spent last Sunday at Geralton." He watched Anita furtively. A faint flutter of the eyelids was the only indication she gave of having heard him, yet Guy was convinced that she was waiting breathlessly for him to continue.

"How is Lord Wilmersley?" asked Miss Trevor with kindly indifference.

"Very well indeed. He is doing a lot to the castle. You would hardly know it--the interior, I mean." Although he had pointedly addressed Anita, she made no comment. It was only after a long silence that she finally spoke.

"And how is Valdriguez?" she inquired.

"Much the same. She plays all day long with the dolls Cyril bought for her. She seems quite happy."

Again they relapsed into silence.

Miss Trevor took up her knitting, which had been lying in her lap, and was soon busy avoiding the pitfalls a heel presents to the unwary.

"I think I will go for a walk," said Anita, rising slowly from her seat.

There was a hint of exasperation in her voice which escaped neither of her hearers.

Miss Trevor peered anxiously over her spectacles at the retreating figure.

Campbell's rubicund countenance had grown strangely grave.

"No better?" he asked as soon as Anita was out of earshot.

Miss Trevor shook her head disconsolately.

"Worse, I think. I can't imagine what can be the matter with her. She seemed at one time to have recovered from her terrible experience. But now, as you can see for yourself, she is absolutely wretched. She takes no interest in anything. She hardly eats enough to keep a bird alive. If she goes on like this much longer, she will fret herself into her grave.

Yet whenever I question her, she a.s.sures me that she is all right. I really don't know what I ought to do."

"Has it never occurred to you that she may be wondering why Wilmersley has never written to her, nor been to see her?"

"Lord Wilmersley? Why--no. She hardly ever mentions him."

"She never mentions him," corrected Guy. "She inquires after everybody at Geralton except Cyril. Doesn't that strike you as very suspicious?"

"Oh, you don't mean that----"

He nodded.

"But she hardly knows him! You told me yourself that she had only seen him three or four times."

"True, but you must remember that they met under very romantic conditions. And Cyril is the sort of chap who would be likely to appeal to a girl's imagination."

"Lady Wilmersley in love! I can't believe it!" exclaimed Miss Trevor.

"I wish I didn't," muttered Guy under his breath.

She heard him, however, and laid her small, wrinkled hand tenderly on his shoulder.

"My poor boy, I guessed your trouble long ago."

"Don't pity me! It doesn't hurt any longer--not much at least. When one realises a thing is quite hopeless, one somehow ends by adjusting oneself to the inevitable. What I feel for her now is more wors.h.i.+p than love. I want above all things that she should be happy, and if Cyril can make her so, I would gladly speed his wooing."