The Oriental Rug Part 3

PLATE VIII.

ANTIQUE KOULAH _Prayer Rug_ FROM THE COLLECTION OF MR. GEORGE H. ELLw.a.n.gER Size: 3.11 x 5.6]

These words in testimony to the beauties of Turkish rugs may be offered simply by way of guide-posts to lead to some museum. A few battered and torn war-flags of Gheordez or Ladiks are occasionally offered on the market, but the best of them lack all character and colour, and show only the bold design and holes and strings and naked warp.

Just which particular Turkish rugs are properly cla.s.sed as Anatolians it is hard to say, Anatolia being so large a province. The term as commercially used is only as comprehensive and expressive as "Iran"

applied to the Persians. It is generally misapplied to an uncertain cla.s.s of old, worn, and tarnished remnants or new coa.r.s.e prayer rugs, ruinous of harmony with their magenta discords. Yet many of the "mats" are rightly called Anatolians, and, premising a later chapter, one of the greatest delights of collecting was to look over a pile of them, with the never-failing hope of finding some bright particular gem. And these mats are truly the little gems of Turkish weaving, and in accordance with the Oriental fondness for jewels and precious stones the suggestion that they represent inlaid jewelled work has been well imagined. But here again we cry, "Eheu fugaces!" They have gone. It is idle to look over the pile.

There are no good ones for sale. One explanation of their scarcity is in the fact that the Armenian dealers have a weakness for these small pieces themselves, and are wont to indulge their fondness for colour and sheen by keeping the choice ones for their own use. So the mats of commerce are either new, coa.r.s.e, and crude and offensive with a.r.s.enical greens and aniline crimsons and magentas; or they are but soiled patches and bits of old rugs sewn together. _Caveat emptor!_ and let the buyer look at their backs before purchasing.

The old Melez rugs, with characteristics peculiar to themselves, are of almost like importance to the Koniahs and Koulahs. Frequently they have a suggestion of the Chinese in their figures and decorations. You will find symbolized dragons pictured on them, also the cypress tree; while in colour they form a cla.s.s by themselves, and exhibit shades of lavender, heliotrope, and violet such as no other kinds may boast. Whatever this dye may be, and whatever tone of mauve or lilac it may take, you will find it only in the Melez, a few Bergamas, or in some old Irans, whose race is practically extinct. Worthy modern Melez are still to be had, and will improve as they wear; if only they are firm in texture and do not flaunt the battle-flag colours of Solferino and Magenta.

[Ill.u.s.tration:

PLATE IX.

MELEZ _Forty or fifty years old_ FROM THE COLLECTION OF THE AUTHOR Size: 3.10 x 5.3]

The Bergamas come mostly in blues and reds, most prominently set out by soft ivory white. One of their recognized patterns is quite individual, and readily marks their cla.s.s. It is a square of small squares marked off like a big checker-board. Other small pieces are almost square, with the field in mosaic-work or flower blossoms. In the fine old specimens, which used to be, the Bergamas rioted in superb medallions or in a floriated central figure like a grand bouquet. As a cla.s.s, their merit is softness and richness. Their defect is that of the s.h.i.+raz, a p.r.o.neness to curl and puff themselves with pride. The fault is caused by the fact that their usually artistic selvedge is too tightly drawn. Skilful cutting of the selvedge and new fringing will correct the error.

Some old and some excellent new Bergamas have lately been in evidence in the stocks of the Oriental dealers. Howsoever or wheresoever they come, the collector may well take courage from their appearance and apply himself to the chase with renewed zest.

CHAPTER VIII

TURKOMAN OR TURKESTAN RUGS

The geography of the carpets and rugs thus far considered has included a very considerable area.

Any traveller or collector who may have journeyed in fact to the regions where they are made may well have stories to tell, for his wanderings will have led him into strange lands and wild places.

But the remaining cla.s.ses of rugs, which we are wont to see lying gracefully in front of our hearths, as tame and peaceful as kittens, have come from still farther and wilder regions of the world; and the wonder is that we see them at all or are permitted the privilege of treading on them. The Turkestan cla.s.s, so far as our subject is concerned, carries us east from Persia, through Afghanistan and Beluchistan even into China.

They are Oriental in very truth, and at first blush, it would seem, should be more crude and barbaric in their art. But as compared with the bold, rough, and rude weaves and patterns of the Russian Caucasians, they are, as a cla.s.s, most refined and delicate in design and fine in texture.

It has been said that "whoever has seen one Bokhara rug has seen them all." Their set designs and staple colouring have been so long familiar that we have lost respect for them. There are the well-known geometric figures for the centre, smaller similar figures for the borders, and a mosaic of diamonds or delicate traceries of branches for the ends. Choice examples, like the stars, differ from one another in glory only. The variations evolved from the one conventional design are almost infinite; and the many shades and tones of red which are used bring to mind the paintings of Vibert and his wonderful palette of scarlets, carmines, crimsons, maroons, and vermilions.

[Ill.u.s.tration:

PLATE X.

ANTIQUE BELUCHISTAN FROM THE COLLECTION OF THE AUTHOR Size: 4.10 x 8.3]

Some of the rare old Bokharas come in lovely browns and are almost priceless in value. Sad to say, it remained for an American vandal to discover a process of "dipping" or "was.h.i.+ng" an ordinary rug so as to imitate these rare originals, and many dealers unblus.h.i.+ngly sell these frauds. To wear imitation jewelry is far less reprehensible. Happily the trickery is generally distinguishable because the "dip" or stain, whatever it may be, is apt to run into the fringe or otherwise betray itself. The wise buyer will reject with scorn any rug, under whatsoever name offered, which shows no other colouring than various shades of chocolate brown. No such uniform brown dyeing ever characterized any cla.s.s of rugs. Even the brown Bokharas which are in museums show some other tints with their brown tones.

Good Bokharas, like good Kirmans, are undeniably beautiful and of great value, but the mere fact that both are considered staples in the rug trade tends to detract from their artistic value; and that they are so generally doctored, disguised, and perverted puts them in bad repute.

The Yamoud-Bokharas come in larger sizes than the others of their type; are not so fine in texture, but thicker and firmer. Their designs are larger and bolder, and they show a most becoming bloom. They also display green and even yellow in their colouring, which is not usual in Bokharas.

Their selvedge is beautifully characteristic. In Bokharas proper the adornment of the selvedge usually is on the warp; as in the Bergamas and Beluchistans. In Yamouds the selvedge is almost always carried out in wool with like skill as that given to the rest of the piece.

The Afghans are a coa.r.s.er edition of Bokharas, and may be mostly considered for utility. They come in large sizes, and almost square; have bold tile patternings, and in the finer examples are plush-like and silky. These are still to be had, but many modern ones are dyed with mineral dyes, and their bloom is meretricious. The chemist has waved his magic wand over them, not wisely but too well.

The Beluchistans are somewhat akin to the Bokharas, and like the latter rejoice in reds and blues in the darker tones, while they display greater variety in their designs. These are ordinarily crude and simple, but in the old exemplars they were of considerable variety, and their wealth of changing colours in sombre shades was rich beyond the dream of avarice.

"Lees of wine," "dregs of wine," "plum," "claret," "maroon,"--these are terms which have served to describe their prevailing colours. The adjectives are still applicable and may give some idea of the colourful effects which are obtained from their stains of brown and red and purple.

For decorative effect, their deeper tones make most harmonious contrast with the subdued and softened Persians and old Daghestans. In many specimens, new and old, white, both blue white and ivory, is used in startling contrast. It makes or mars the picture, according to the artistic skill of the weaver. The wool used in the good Beluchistans is particularly soft and silky, and lends to them their unique velvety sheen.

No other varieties show it so perfectly, although antique Kazaks have their particular plush, and the Mousuls with their depth of pile have a s.h.i.+mmer and s.h.i.+fting light which is their especial artistic feature. The distinction may not easily be formulated; but, nevertheless, the sheen of the Beluchistan is one beauty, while the play of light and shade on a Mousul is another pleasure to the eye.

In the Bergama rugs the weaver does not disdain to spend some toil and time upon the selvedge; and this, even in small specimens, is commonly four to six inches long, carefully woven in white and colour and with occasional ornamentation. In this selvedge a small, elongated triangle is frequently embossed in wool, with the commendable purpose of avoiding the "evil eye."

But in the Beluchistans the maker "enlarges his phylacteries, and increases the borders of his garments." He goes even to greater pains and trouble in the elaboration and finis.h.i.+ng of his selvedge. It is often prolonged to eight or ten inches in moderate-sized rugs, and is woven into most interesting patterns and stripes of colour. It is literally carried to extremes. It may seem an act of vandalism, but the wise and stoical collector will do well to eliminate all but two or three inches of it and have a skilful weaver overcast and fringe the ends. Selvedge, however adorned, is utilitarian only, and, like useless fringe, it must not be allowed to detract from the proportions and beauty of the piece itself.

For the comfort of the collector be it known that within the last year or two, many fine Beluchistan mats and small rugs have been secured somehow by the wholesalers and are in evidence in the retailers' stock.

Beluchistan, evidently, is one of the remote regions last to be drawn upon, scoured, ravaged, and exhausted. The opportunity should be improved by the provident buyer.

The Soumac or Cashmere rug calls for no further description than a Cashmere shawl. With the exception of choice antique specimens which time has chastened and mellowed into pictures in apricot, fawn, robin's-egg, and cream colours, the Cashmeres are rather matters of fact than of art.

What are known as Killims, or Kiz-Killims, the better cla.s.s, are hard fabrics akin to the Soumacs except that they have no nap on either side, and are double faced. They are mostly Caucasian and Kurdish, with the bold designs of those cla.s.ses, or they come in the beautiful, delicate patterns of the Sehnas. In their crudest and strongest Kazak figures they appear in the most brilliant pigments, with soft reds, rose, lake, and vermilion for contrasting colours, splashed together as on a painter's palette. Of course they lack the sheen of a rug, but their colour effects are marvellous. While generally used for portieres and coverings, they are perfect rugs for a summer cottage, being most durable, and are worthy of attention. Moreover, fine antique examples are still to be had. Some collector might be the first to make a specialty of them and garner them before they pa.s.s; the end of the Oriental weaver's pageant. The usual warning, however, must be given, that they are often cursed with the barbarous magentas hereinbefore mentioned, a colour which would ruin a rainbow.

The products of Samarkand are quite out of the ordinary, and thoroughly Chinese in character. Except by a.s.sociation and cla.s.sification they have no resemblance to the Turkestan or any other division. They form a cla.s.s by themselves, the legitimate successors of the old Chinese rugs, long gone by. They are very bold in design, and in colour tend to yellow, orange, and various soft reds. An inferior make of Samarkands often appears under the t.i.tle of Malgaras. They have neither quality nor colour to commend them.

But there are old Chinese rugs also. Most of them are in the conventional blue and white, with simple octagonal medallions, with no border to speak of, and with little strength of character. They are coa.r.s.ely woven and have been so commonly imitated by machine reproductions in English carpetry that even blue and white originals have small merit to boast of.

There were, and doubtless still are, Chinese rugs of far more importance.

Many are noted in the catalogue of a sale in New York City no longer ago than 1893. From one item remembered, they showed various beautiful colourings, far beyond the simple white and blue, and in design displayed much of the artistic strength, grace, and beauty of the old Chinese porcelains. It is a mystery where these rugs lie hidden. No one boasts of owning them or claims credit to even a modest $10,000 antique specimen.

CHAPTER IX

OF ORIENTAL CARPETS, SADDLE-BAGS, PILLOWS, etc.

However a man may justify himself for collecting rugs, regardless of his success, of his needs, or of his income, there would seem to be no danger of any one making a specialty of buying carpets. Except to millionaires or for clubs and palaces, s.p.a.ce would absolutely prohibit, if the housewife did not. The nearest that the enthusiast might approach to such an ambition would be in the acc.u.mulation of hall strips; which has its own temptations, quite within the possible.

And yet the term "carpet" is an elastic phrase, and any piece which exceeds six or seven feet in width and of greater length, is ent.i.tled by courtesy to be named a carpet. It may be said that a rug, like a baby, ceases to be a rug at an uncertain size, and then becomes a carpet. But carpets in the larger dimensions, ten by twelve feet or more, as ordinarily understood, are only herein considered. They are really articles of utility first and always, and must answer to certain measured requirements. Such is the accepted theory and practice. The buyer is wont to think that the merit or beauty of a carpet is of secondary consideration if only it fit the room. Here is a heresy. It is far better that the room should be made to fit or adapt itself to the perfect carpet.

If you would buy one, the best that you can do is to choose wisely. They are all of modern make, with very few exceptions. If you have one that is antique, you yourself have made it so, or you have inherited a ragged and neglected example of bygone years. The modern carpets, nevertheless, those still made to-day, are many of them superb pieces, far outcla.s.sing any small rugs of the same weaving.

[Ill.u.s.tration:

PLATE XI.

ANTIQUE ANATOLIAN PILLOWS FROM THE COLLECTION OF THE AUTHOR Sizes: 1.10 x 2.10, and 2.1 x 2.11]