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[3] _Electra_. Von Hofmannsthal. Translated by A. Symons. Brentano, New York.
[4] Introduction to _Miss Julia_. Translated by E. Bjorkman.
Copyright, 1912, by Chas. Scribner's Sons, New York.
[5] _Hamburg Dramaturgy_, p. 370. Lessing. Bohn ed.
[6] P. 13. Harper & Bros., New York.
[7] _Chief Contemporary Dramatists_, pp. 517-546. T. H. d.i.c.kinson, ed. Houghton Mifflin Co., Boston.
[8] For all these plays, _idem_.
[9] Belles-Lettres Series. W. Strunk, ed. D. C. Heath & Co., Boston and New York.
[10] In the seventh edition, a scene, "The place of execution," is inserted to replace the original brief final scene which apparently took place in the "room." Belles-Lettres Series. Sir A. W. Ward, ed.
D. C. Heath & Co.
[11] _Letters of Bulwer-Lytton to Macready_, XXVIII. Brander Matthews, ed.
[12] _The Influence of Local Theatrical Conditions upon the Drama of the Greeks._ Roy C. Flickinger. _Cla.s.sical Journal_, October, 1911.
[13] See p. 83.
[14] Introduction to _Macbeth_. Cambridge ed. Houghton Mifflin Co., Boston.
[15] Introduction to Marlowe's _Edward II_. Tatlock and Martin. The Century Co.
[16] See _Play Production in America_. A. E. Krows. Henry Holt & Co., New York.
[17] _Plays_, pp. 33, 42. G. P. Putnam's Sons, New York.
[18] J. W. Luce & Co., Boston.
[19] _Theatre Complet_, vol. I. Calmann Levy, Paris.
[20] Belles-Lettres Series. Sir A. W. Ward, ed. D.C. Heath & Co., Boston and New York.
[21] Not often does a dramatist succeed in making real and supposed time agree as well as does Sir Arthur Pinero in Act III of _The Gay Lord Quex_. From seven to nine pages of absorbing action come between one chiming of the quarter hour and the next. Though a stopwatch would quickly reveal the somewhat disordered condition of that boudoir clock, an auditor, absorbed in the action of the moment, merely feels his tension increase if he notes the pa.s.sing of time.
[22] See p. 35.
[23] Eugene Scribe, adopted by Mrs. Burton Harrison. Dramatic Publis.h.i.+ng Co., Chicago.
[24] Mermaid Series. Chas. Scribner's Sons, New York.
[25] _Letters of Bulwer-Lytton to Macready_, LXIII. Brander Matthews, ed.
[26] Belles-Lettres Series. C. F. McClumpha, ed. D. C. Heath & Co., Boston and New York.
[27] Walter H. Baker & Co., Boston; W. Heinemann, London.
[28] _Plays._ G. P. Putnam's Sons, New York.
[29] Walter H. Baker & Co., Boston; W. Heinemann, London.
[30] Everyman's Library. Plumptre, ed.
[31] Walter H. Baker & Co., Boston; W. Heinemann, London.
[32] R. H. Russell & Co., New York.
[33] _The Influence of Local Theatrical Conditions upon the Drama of the Greeks._ R. C. Flickinger. _Cla.s.sical Journal_, October, 1911.
[34] _Troilus and Cressida._
[35] Samuel French, New York.
[36] Hurst & Blackett, Ltd., London.
[37] Penn Publis.h.i.+ng Co., Philadelphia.
[38] _Shakespeare's Library_, vol. VI. W. C. Hazlitt, ed. Reeves & Turner, London.
[39] Penn Publis.h.i.+ng Co., Philadelphia.
[40] Drama League Series. Doubleday, Page & Co., New York.
[41] _Life of Richard Steele_, vol. II, p. 368. G. Aitken. Wm.
Isbister, London.
[42] Methuen & Co., Ltd., London.
[43] _Plays Pleasant and Unpleasant._ Brentano, New York.
[44] _Plays._ G. P. Putnam's Sons, New York.
[45] _A Note on Act Division as practiced in the Early Elizabethan Drama._ Bulletin of Western Reserve University.
[46] _Play-Making_, p. 136. Wm. Archer. Small, Maynard & Co., Boston.
[47] _Letters of Henrik Ibsen_, p. 236; to Jonas Lie.
[48] Walter H. Baker & Co., Boston; W. Heinemann, London.
[49] P. Hervieu. Drama League Series. Doubleday, Page & Co., New York.
