John March, Southerner Part 49

"And would that be"--Barbara rose dreamily--"a real service to pop-a?"

Fair gave his arm. "I think it the best you can render; only, your father----" He began to smile, but she lifted a glance as utterly without fear as without hardihood and said:

"I understand. He must never know it's been done."

"That's more than I meant," he replied, as Fannie Halliday came up. The two girls went for their wraps.

"March?" said Ravenel, as he and Fair waited to escort them home. "O, no, he left some time ago with his mother."

On the way to the Halliday cottage Fair said to Barbara:

"I'm glad of the talk we've had."

"You can afford to be so, Mr. Fair. It showed your generosity against the background of my selfishness."

"Selfishness? Surely it isn't selfish to show a daughter's care and affection for a father."

By her hand on his arm he felt her shrink at the last word. "I love my father, yes. But you're making mistakes about me. Let's talk about Miss Fannie; she'll only be Miss Fannie about two weeks longer. You ought to stay to see her married, Mr. Fair."

"And you are to be bridesmaid! But I _must_ go to-morrow. I wish my father and mother could reach here in time on their way home from New Orleans, but when they get this far your bridal party will have been two days married and gone."

Barbara mused a moment. "You know, this plan for me to give a year to study in the North has been as much mine as pop-a's; but pop-a's entirely responsible for putting me into your father's and mother's care on the journey. I've been in a state of alarm ever since."

"Really, that's wrong! You're going to be a source of great pleasure to them. And you'll like them, too, very much. They are interesting in many ways and good in all, and as travelers they are perfect."

"You give me new courage, Mr. Fair. But"--she spoke more playfully--"I'm afraid of New England, yet. There's a sort of motherly quality in our climate that I can't expect to find there. Won't the snow be still on the ground?"

"Very likely; the higher mountain tops, at least, will be quite covered."

"Well, I'm glad that doesn't mean what I once thought it did. I thought the snow in New England covered the mountain tops the same way the waters covered them in the Deluge."

Fair looked down into his companion's face under the leafy moonlight and halted in a quick glow of inspiration. "When first you see New England, Miss Garnet, nature will have been lying for four months in white, sacramental silence. But presently you will detect a growing change----"

"A stealing out of captivity?"

"Yes!--each step a little quicker than the one behind it----" So he went on for a full minute in praise of the New England spring.

Barbara listened with the delight all girls have for flowers of speech plucked for themselves.

"You know," she responded, as they moved on again, "it doesn't come easy for us Southerners to think of your country as being beautiful; but we notice that nearly all the landscapes in our books are made in 'barren New England,' and we have a pri-vate cu-ri-os-i-ty to know how you all in-vent them."

"If New England should not charm you, Miss Garnet,"--Fair hurried his words as they drew near Ravenel and Fannie waiting at the cottage gate--"my disappointment would last me all my life."

"Why, so it would me," said Barbara, "but I do not expect it. Well, Fannie, Mr. Fair has at last been decoyed into praising his native land.

Think of----" She hushed.

A strong footstep approached, and John March came out of the gloom of the trees, saluting buoyantly. Ravenel reached sidewise for his hand and detained him.

"I took my mother away early," said March. "She can't bear a crowd long.

I was feeling so fatigued, myself, I thought a brisk walk might help me.

You still think you must go to-morrow, Mr. Fair? I go North, myself, in about a week."

The two girls expressed surprise.

"For the land company?" quickly prompted Fannie.

"Yes, princ.i.p.ally. I'll take my mother's poems along and give them to some good publisher. O no-o, it's not exactly a sudden decision; its taken me all day to make it. My mother--O--no, she seems almost resigned to my going, but it's hard to tell about my mother, Miss Garnet; she has a wonderful control of her feelings."

LII.

DARKNESS AND DOUBT

The paragraph in the _Courier_ which purported to tell the movements of Mrs. March silently left its readers to guess those of her son. Two men whose abiding-places lay in different directions away from Suez had no sooner made their two guesses than they proceeded to act upon them without knowledge of, or reference to, the other.

About an hour after dark on the night of the golden wedding both these men were riding, one northward, the other southward, toward each other on the Widewood road. Widewood house was between them. Both moved with a wary slowness and looked and listened intently, constantly, and in every direction.

When one had ridden within a hundred yards or so of the Widewood house and the other was not much farther away, the rider coming up from the southward stopped, heard the tread of the horse approaching in front, and in hasty trepidation turned his own animal a few steps aside in the forest. He would have made them more but for the tell-tale crackle of dead branches strewed underfoot by the March winds. He sat for a long time very quiet, peering and hearkening. But the other had heard, or at least thought he had heard, the crackle of dead branches, and was taking the same precautions.

The advantage, however, was with the rider from the south, who knew, while the other only feared, there was something ahead it were better to see than be seen by. About the same time the one concluded his ears might have deceived him, the other had divined exactly what had happened. Thereupon the shrewder man tied his horse and stole noiselessly to a point from whose dense shade he could see a short piece of the road and the house standing out in the moonlight.

The only two front windows in it that had shades were in Mrs. March's bed-chamber. The room was brightly lighted and the shades drawn down.

The rest of the house was quite dark. The man hiding so near these signs noted them, but drew no hasty conclusions. He hoped to consider them later, but his first need was to know who, or, at least where, the person was whom he had heard upon the road.

Though already well hidden he crouched behind a log, and upon the piece of road and every shadowy cover of possible approach threw forward an alert scrutiny supported by the whole force of his shrewdest conjectures. The sounds and silences that belong to the night in field and forest were far and near. Across the moon a mottled cloud floated with the slowness of a sleeping fish, a second, third, and fourth as slowly followed, the shadow of a dead tree crawled over a white stone and left it in the light; but the enigma remained an enigma still. It might be that the object of conjecture had fled in the belief that the conjecturer was none other than Widewood's master. But, in that same belief, who could say he might not be lying in ambush within close gunshot of the horse to which the conjecturer dared not now return? In those hills a man would sometimes lie whole days in ambush for a neighbor, and one need not be a coward to shudder at the chance of being a.s.sa.s.sinated by mistake. To wait on was safest, but it was very tedious.

Yet soon enough, and near and sudden enough, seemed the appearance of the man waited for, when at length, without a warning sound, he issued from the bushy shadow of a fence into the bright door-yard. In his person he was not formidable. He was of less than medium stature, lightly built, and apparently neither sinewy nor agile. But in his grasp was something long and slender, much concealed by his own shadow, but showing now a glint of bright metal and now its dark cylindrical end; something that held the eye of the one who watched him from out the shadow. Neither the features nor yet the complexion of the one he watched were discernible, but the eyes were evidently on a third window of the lighted room not at its front, but on a side invisible to the watcher. This person rose from his log and moved as speedily as he could in silence and shadow until he came round in sight of this window and behind the other figure. Then he saw what had so tardily emboldened the figure to come forward out of hiding. This window also had a shade, the shade was lowered, and on it the unseen lamp perfectly outlined the form of a third person. Without a mutter or the slightest gesture of pa.s.sion, the man under the window raised the thing in his grasp as high as his shoulder, lowered it again and glanced around. He seemed to tremble. The man at his back did not move; his gaze, too, was now fastened, with liveliest manifestations of interest, on the window-shade and the moving image that darkened it.

As the foremost of the two men began for the third time that mysterious movement which he had twice left unfinished, the one behind, now clearly discerning his intention, stole one step forward, and then a second, as if to spring upon him before he could complete the action. But he was not quick enough. The black and glistening thing rose once more to the level of its owner's shoulder, and the next instant on the still night air quivered the plaintive wail of--a flute.

At mortal risks both conjectured and unconjectured, it was an instrument of music, not of murder, which Mr. Dinwiddie Pettigrew was aiming sidewise.

LIII.

SWEETNESS AND LIGHT

Yet the pulse of the man behind him, who did not recognize him, began to quicken with anger. Almost at the flute's first note the image on the window-shade started and hearkened. A moment later it expanded to grotesque proportions, the room swiftly grew dark, and in another minute the window of a smaller one behind it shone dimly as with the flame of a lamp turned low. The flutist fluted on. From the melody it appeared that the musician had at some date not indicated, and under some unaccountable influence, dreamt that he dwelt in marble halls with va.s.sals and serfs at his side. The man at his back had come as near as the darkness would cover him, but there had stopped.

Presently the music ceased, but another sound, sweeter than all music, kissed, as it were, the serenader's ear. It was the wary lifting of a window-sash. He ran forward into the narrow shade of the house itself, and lost to the restraints of reason, carried away on transports of love, without hope of any reply, whispered, "Daphne!"

And a tender whisper came back--"Wait a minute."