Rhoda Fleming Part 42

"Well, you've been and kept yourself pretty secret," the old man pursued. "I suppose your husband's proud? He's proud, ain't he? He's of a family, I'll be bound. Is he of a family? How did he like your dressing up like a mill'ner gal to come down in the City and see me?"

Dahlia's guile was not ready. "He didn't mind," she said.

"He didn't mind, didn't he? He don't mind your cutting of your hair so?--didn't mind that?"

She shook her head. "No."

Anthony was down upon her like a hawk.

"Why, he's abroad!"

"Yes; I mean, he did not see me."

With which, in a minute, she was out of his grasp; but her heart beat thick, her lips were dry, and her thoughts were in disorder.

"Then, he don't know you've been and got shaved, and a poll like a turnip-head of a thief? That's something for him to learn, is it?"

The picture of her beauty gone, seared her eyes like heated bra.s.s. She caught Anthony's arm with one firm hand to hold him silent, and with the other hand covered her sight and let the fit of weeping pa.s.s.

When the tears had spent themselves, she relinquished her hold of the astonished old man, who leaned over the table to her, and dominated by the spirit of her touch, whispered, like one who had accepted a bond of secresy: "Th' old farmer's well. So's Rhoda--my darkie la.s.s. They've taken on a bit. And then they took to religion for comfort. Th' old farmer attends Methody meetin's, and quotes Scriptur' as if he was fixed like a pump to the Book, and couldn't fetch a breath without quotin'.

Rhoda's oftenest along with your rector's wife down there, and does works o' charity, sicknussin', readin'--old farmer does the preachin'.

Old mother Sumfit's fat as ever, and says her money's for you. Old Gammon goes on eatin' of the dumplins. Hey! what a queer old ancient he is. He seems to me to belong to a time afore ever money was. That Mr.

Robert's off...never been down there since he left, 'cause my darkie la.s.s thought herself too good for him. So she is!--too good for anybody.

They're going to leave the farm; sell, and come to London."

"Oh, no!" exclaimed Dahlia; "not going to leave the dear old farm, and our lane, and the old oaks, leading up to the heath. Are they? Father will miss it. Rhoda will mourn so. No place will ever be like that to them. I love it better than any place on earth."

"That's queer," said Anthony. "Why do you refuse to go, or won't let your husband take you down there; if you like the place that raving-like? But 'queer''s your motto. The truth is this--you just listen. Hear me--hus.h.!.+ I won't speak in a bawl. You're a reasonable being, and you don't--that's to say, you do understand, the old farmer feels it uncomfortable--"

"But I never helped him when I was there," said Dahlia, suddenly shrinking in a perceptible tremble of acute divination. "I was no use. I never helped him--not at all. I was no--no use!"

Anthony blinked his eyes, not knowing how it was that he had thus been thrown out of his direct road. He began again, in his circ.u.mlocutory delicacy: "Never mind; help or no help, what th' old farmer feels is--and quite nat'ral. There's sensations as a father, and sensations as a man; and what th' old farmer feels is--"

"But Rhoda has always been more to father than I have," Dahlia cried, now stretching forward with desperate courage to confront her uncle, distract his speech, and avert the saying of the horrible thing she dreaded. "Rhoda was everything to him. Mother perhaps took to me--my mother!"

The line of her long underlie drawn sharp to check her tears, stopped her speaking.

"All very well about Rhoda," said Anthony. "She's everything to me, too."

"Every--everybody loves her!" Dahlia took him up.

"Let 'em, so long as they don't do no harm to her," was Anthony's remark. There was an idea in this that he had said, and the light of it led off his fancy. It was some time before he returned to the attack.

"Neighbours gossip a good deal. O' course you know that."

"I never listen to them," said Dahlia, who now felt bare at any instant for the stab she saw coming.

"No, not in London; but country's different, and a man hearing of his child 'it's very odd!' and 'keepin' away like that!' and 'what's become of her?' and that sort of thing, he gets upset."

Dahlia swallowed in her throat, as in perfect quietude of spirit, and pretended to see no meaning for herself in Anthony's words.

But she said, inadvertently, "Dear father!" and it gave Anthony his opening.

"There it is. No doubt you're fond of him. You're fond o' th' old farmer, who's your father. Then, why not make a entry into the village, and show 'em? I loves my father, says you. I can or I can't bring my husband, you seems to say; but I'm come to see my old father. Will you go down to-morrow wi' me?"

"Oh!" Dahlia recoiled and abandoned all defence in a moan: "I can't--I can't!"

"There," said Anthony, "you can't. You confess you can't; and there's reason for what's in your father's mind. And he hearin' neighbours'

gossip, and it comes to him by a sort of extractin'--'Where's her husband?' bein' the question; and 'She ain't got one,' the answer--it's nat'ral for him to leave the place. I never can tell him how you went off, or who's the man, lucky or not. You went off sudden, on a morning, after kissin' me at breakfast; and no more Dahly visible. And he suspects--he more'n suspects. Farm's up for sale. Th' old farmer thinks it's unbrotherly of me not to go and buy, and I can't make him see I don't understand land: it's about like changeing sovereigns for lumps o' clay, in my notions; and that ain't my taste. Long and the short is--people down there at Wrexby and all round say you ain't married. He ain't got a answer for 'em; it's cruel to hear, and crueller to think: he's got no answer, poor old farmer! and he's obliged to go inter exile.

Farm's up for sale."

Anthony thumped with his foot conclusively.

"Say I'm not married!" said Dahlia, and a bad colour flushed her countenance. "They say--I'm not married. I am--I am. It's false. It's cruel of father to listen to them--wicked people! base--base people! I am married, uncle. Tell father so, and don't let him sell the farm. Tell him, I said I was married. I am. I'm respected. I have only a little trouble, and I'm sure others have too. We all have. Tell father not to leave. It breaks my heart. Oh! uncle, tell him that from me."

Dahlia gathered her shawl close, and set an irresolute hand upon her bonnet strings, that moved as if it had forgotten its purpose. She could say no more. She could only watch her uncle's face, to mark the effect of what she had said.

Anthony nodded at vacancy. His eyebrows were up, and did not descend from their elevation. "You see, your father wants a.s.surances; he wants facts. They're easy to give, if give 'em you can. Ah, there's a weddin'

ring on your finger, sure enough. Plain gold--and, Lord! how bony your fingers ha' got, Dahly. If you are a sinner, you're a bony one now, and that don't seem so bad to me. I don't accuse you, my dear. Perhaps I'd like to see your husband's banker's book. But what your father hears, is--You've gone wrong."

Dahlia smiled in a consummate simulation of scorn.

"And your father thinks that's true."

She smiled with an equal simulation of saddest pity.

"And he says this: 'Proof,' he says, 'proof's what I want, that she's an honest woman.' He asks for you to clear yourself. He says, 'It's hard for an old man'--these are his words 'it's hard for an old man to hear his daughter called...'"

Anthony smacked his hand tight on his open mouth.

He was guiltless of any intended cruelty, and Dahlia's first impulse when she had got her breath, was to soothe him. She took his hand. "Dear father! poor father! Dear, dear father!" she kept saying.

"Rhoda don't think it," Anthony a.s.sured her.

"No?" and Dahlia's bosom exulted up to higher pain.

"Rhoda declares you are married. To hear that gal fight for you--there's ne'er a one in Wrexby dares so much as hint a word within a mile of her."

"My Rhoda! my sister!" Dahlia gasped, and the tears came pouring down her face.

In vain Anthony lifted her tea-cup and the m.u.f.fin-plate to her for consolation. His hus.h.i.+ngs and soothings were louder than her weeping.

Incapable of resisting such a protest of innocence, he said, "And I don't think it, neither."

She pressed his fingers, and begged him to pay the people of the shop: at which sign of her being probably moneyless, Anthony could not help mumbling, "Though I can't make out about your husband, and why he lets ye be cropped--that he can't help, may be--but lets ye go about dressed like a mill'ner gal, and not afford cabs. Is he very poor?"

She bowed her head.

"Poor?"