Jaffery Part 30

"Oh, I do," she cried pa.s.sionately. "I do. It's a work of genius. It's Adrian in all his maturity, in all his greatness!"

The door opened.

"Dinner is served, madam," said Franklin.

CHAPTER XV

When, by way of comforting Jaffery, I criticised Doria's outburst, he fell upon me as though about to devour me alive. After what he had done for her, said I, given up one of the great chances of his career, carried her bodily from London to Nice, and made her a present of a brilliant novel so as to save Adrian's memory from shame, she ought to go on her knees and pray G.o.d to shower blessings on his head. As it was, she deserved whipping.

Jaffery called me, among other things, an amazing a.s.s--he has an Eastern habit of, facile vituperation--and roared about the drawing-room. The ladies, be it understood, had retired.

"You don't seem to grip the elements of the situation. You haven't the intelligence of a rabbit. How in Hades could she know I've written the rotten book? She thinks it's Adrian's. And she thinks I've spoiled it.

She's perfectly justified. For the little footling services I rendered her on the journey, she's idiotically grateful--out of all proportion.

As for Persia, she knows nothing about it--"

"She ought to," said I.

"If you tell her, I'll break your neck," roared Jaffery.

"All right," said I, desiring to remain whole. "So long as you're satisfied, it doesn't much matter to me."

It didn't. After all, one has one's own life to live, and however understanding of one's friends and sympathetically inclined towards them one may be, one cannot follow them emotionally through all their bleak despairs and furious pa.s.sions. A man doing so would be dead in a week.

"It doesn't seem to strike you," he went on, "that the poor girl's mental and moral balance depends on the successful carrying out of this ghastly farce."

"I do, my dear chap."

"You don't. I wrote the thing as best I could--a labour of love. But it's nothing like Tom Castleton's work--which she thinks is Adrian's. To keep up the deception I had to crab it and say that the faults were mine. Naturally she believes me."

"All right," said I, again. "And when the book is published and Adrian's memory flattered and Doria is a.s.sured of her mental and moral balance--what then?"

"I hope she'll be happy," he answered. "Why the blazes do you suppose I've worried if it wasn't to give her happiness?"

I could not press my point. I could not commit the gross indelicacy of saying: "My poor friend, where do you come in?" or words to that effect.

Nor could I possibly lay down the proposition that a living second husband--stretching the imagination to the hypothesis of her taking one--is but an indifferent hero to the widow who spends her life in burning incense before the shrine of the demiG.o.d husband who is dead. We can't say these things to our friends. We expect them to have common sense as we have ourselves. But we don't, and--for the curious reason, based on the intense individualism of s.e.xual attraction, that no man can appreciate, save intellectually, another man's desire for a particular woman--we can't realize the poor, fool hunger of his heart. The man who pours into our ears a torrential tale of pa.s.sion moves us not to sympathy, but rather to psychological speculation, if we are kindly disposed, or to murderous inclinations if we are not. On the other hand, he who is silent moves us not at all. In any and every case, however, we entirely fail to comprehend why, if Neaera is obdurate, our swain does not go afield and find, as a.s.suredly he can, some complaisant Amaryllis.

I confess, honestly, that during this conversation I felt somewhat impatient with my dear, infatuated friend. There he was, casting the largesse of his soul at the feet of a blind woman, a woman blinded by the bedazzlement of a false fire, whose flare it was his religion to intensify. There he was doing this, and he did not see the imbecility of it! In after time we can correlate incidents and circ.u.mstances, viewing them in a perspective more or less correct. We see that we might have said and done a hundred helpful things. Well, we know that we did not, and there's an end on't. I felt, as I say, impatient with Jaffery, although--or was it because?--I recognised the bald fact that he was in love with Doria to the maximum degree of besottedness.

You see, when you say to a man: "Why do you let the woman kick you?" and he replies, with a glare of indignation: "She has deigned to touch my unworthy carca.s.s with her sacred boot!" what in the world are you to do, save resume the interrupted enjoyment of your cigar? This I did. I also found amus.e.m.e.nt in comparing his meek wooing, like that of an early Italian amorist, with his rumbustious theories as to marriage by capture and other primitive methods of bringing woman to heel.

Doria, seeing him unresentful of kicking, continued to kick (when Barbara wasn't looking--for Barbara had read her a lecture on the polite treatment of trustees and executors) and made him more her slave than ever. He fetched and carried. He read poetry. He was Custodian of the Sacred Rubbers, when the gra.s.s was damp. He s.h.i.+elded her from over-rough incursions on the part of Susan. He chanted the responses in her Litany of Saint Adrian. He sacrificed his golf so that he could sit near her and hold figurative wool for her to unwind. It was very pretty to watch them. The contrast between them made its unceasing appeal. Besides, Doria did not kick all the time; there were long spells during which, touched by the giant's devotion, she repaid it in tokens of tender regard. At such times she was as fascinating an elf as one could wish to meet on a spring morning. He could bring, like no one else, the smile into her dark, mournful eyes. There is no doubt that, in her way and as far as her Adrian-bound emotional temperament permitted, she felt grateful to Jaffery. She also felt safe in his company. He was like a great St. Bernard dog, she declared to Barbara.

These idyllic relations continued unruffled for some days, until a letter arrived from the eminent novelist to whom, with Doria's approval, Jaffery had sent the proofs.

"A marvellous story," was the great man's verdict; "singularly different from 'The Diamond Gate,' only resembling it in its largeness of conception and the perfection of its kind. The alteration of a single word would spoil it. If an alien hand is there, it is imperceptible."

At this splendid tribute Jaffery beamed with happiness. He tossed the letter to Barbara across the breakfast table.

"No alien hand perceptible. Ho! ho! ho! But it's stunning, isn't it? I do believe the old fraud of a book is going to win through. This ought to satisfy Doria, don't you think so?"

"It ought to," said Barbara. "I'll send it up to her room."

But Doria with Adrian's impeccability on the brain--and how could a work of Adrian's be impeccable when an alien hand, however imperceptible, had touched it?--was not satisfied. Towards noon, when she came downstairs, she met Jaffery on the terrace, with a familiar little knitting of the brow before which his welcoming smile faded.

"It's all right up to a point," she said, handing him back the letter.

"n.o.body with the rudiments of a brain could fail to recognise the merits of Adrian's work. But no novelist is possessed of the critical faculty."

"Then why," asked Jaffery, after the way of men, "did you ask me to send him the novel?"

"I took it for granted he had common sense," replied Doria, after the way of women.

"And he hasn't any?"

"Read the thing again."

Jaffery scanned the page mechanically and looked up: "Well, what's to be done now?"

"I should like to compare the proofs with Adrian's original ma.n.u.script.

Where is it?"

Here was the question we had all dreaded. Jaffery lied convincingly.

"It went to the printers, my dear, and of course they've destroyed it."

"I thought everything was typed nowadays."

"Typing takes time," replied Jaffery serenely. "And I'm not an advocate of feather-beds and rose-water baths for printers. As I wanted to rush the book out as quickly as possible, I didn't see why I should pamper them with type. Have you the original ma.n.u.script of 'The Diamond Gate'?"

"No," said Doria.

"Well--don't you see?" said Jaffery, with a smile.

For the first time I praised Old Man Jornicroft. He had brought up his daughter far from the madding mechanics of the literary life. To my great relief, Doria swallowed the incredible story.

"It was careless of you not to have given special instructions for the ma.n.u.script to be saved, I must say. But if it's gone, it's gone. I'm not unreasonable."

"I think you are," said Barbara, who had been arranging flowers in the drawing-room, and had emerged onto the terrace. "You made Jaffery submit his careful editing to an expert, and you're honourably bound to accept the expert's verdict."

"I do accept it," she retorted with a toss of her head and a flash of her eyes. "Have I ever said I didn't? But I'm at liberty to keep to my own opinion."

Jaffery scratched his whiskers and beard and screwed up his face as he did in moments of perplexity.

"What exactly do you want changed?" he asked.