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A Practical Novelist Part 10

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As he crossed the hall with Clacher to the dining-room, a sound of laughter from upstairs struck on his ear. He stopped, and listened. It was repeated, and the laughing voices were Muriel's and another's. Entering the dining-room he hastily confided Clacher to the care of Briscoe and Dempster, who were discussing a bottle of port, and hurried away to Muriel's sitting-room. He went in without knocking, and another peal of laughter came to an early death. Frank and Muriel stood up as the door opened. She meant to fight; he recognised the falseness of their position, and felt, as he looked, exceedingly awkward.

'Father,' began Muriel, looking in Lee's direction, but past him, through the open door, 'you must not----'

She got no further; for she saw coming towards her room, in single file, Miss Jane, Dempster, Briscoe, and Clacher. It is pretty certain that none of these four persons knew exactly why they had come upstairs. Miss Jane probably expected some kind of scene to take place at which she might have an interest in a.s.sisting; Dempster followed her out of sheer stupidity; Briscoe came after Dempster because he was drunk; and Clacher after him because he was mad, and didn't know any better. When Miss Jane, arriving at the top of the staircase, saw Muriel's door open, she hesitated; but behind her there came such a motley procession that she had to go on. She stopped at the door; the others stood about her in a semi-circle, and the _tableau_ was complete.

Lee, the only individual of the seven who was thoroughly collected, said, looking round him meditatively, 'The situation is turning out better than it promised to. After all, what more can we do either in writing fiction or creating it than follow an indication, and let the rest come.'

He then motioned Miss Jane aside and, taking Briscoe's hand, led him into the room. The maudlin gravity with which that worthy bore himself, combined with a remarkable bulging about the pockets, made him a very comic figure, and raised a smile even on Muriel's face. But Lee took one of her hands and put it in one of Briscoe's, saying, 'Muriel, this is your future husband.'

She turned very pale; and almost fainted, when a hazy smile struggled into Briscoe's slack mouth and dull eyes, and he attempted to kiss her. She broke from him with a half-suppressed exclamation of disgust, and would have thrown her arms round Frank; but Lee seized her, and handed her over to her aunt who had entered the room.

'Leave my house,' he then said to Frank, with a gesture of authority.

It was a peculiar position for the young man, and Lee watched him with intense interest. Frank walked to Muriel, kissed her on the cheek, whispered something in her ear, and then pa.s.sed out through the little crowd at the door without looking to the right hand or the left.

'Very good!' exclaimed Lee. 'Perhaps that's the best thing he could have done.'

'But, Henry,' said Miss Jane, 'I think Mr. Dempster would like to marry Muriel.'

'Me!' shouted Dempster spirally. 'No; I a.s.sure you. My dear Miss Jane, I would as soon think of marrying you. Eh--ah--I mean well.'

Miss Jane's face quivered a second, but she said nothing, and left the room. Dempster, aghast at his dreadful mistake, followed her downstairs. Clacher, unable to make up his mind whether to stick by Briscoe or follow Dempster, sat down disconsolately on the top step, with his elbows on his knees and his head between his hands.

Lee also went out, signing to Briscoe to follow him. Then Lee locked Muriel into her room, and putting the key in his pocket, took Briscoe and Clacher to the library with him.

It was half-past nine when Muriel found herself a prisoner; and Frank had whispered that he would wait for her all night at the low wall.

CHAPTER VIII

BRISCOE SEES THINGS IN A NEW LIGHT

Food and drink were provided for Clacher in the library. It was a very large room, and he sat at a little table in the corner, out of hearing of the low tones in which Briscoe and Lee conversed.

Lee was exceedingly angry at Briscoe for having got tipsy, and rated him severely, getting no response, however, save laughter or a drunken 'You shut up.' At last, losing patience, he dashed a tumbler of water in the drunken man's face. Briscoe rose to strike; but Lee gave him another tumbler, and while he was still rubbing the water out of his eyes, a third, which knocked him down into his chair again, pretty well sobered and very surly. Lee was a man of great physical strength, and although on several occasions Briscoe had been able to control his will, a single bout at fisticuffs had shown, once for all, who was master in that branch of dialectic.

'My dear Briscoe,' said Lee, handing him his handkerchief to help to dry himself, 'this is really too bad of you. Do you think I don't know the meaning of those stuffed pockets of yours? You've been helping yourself, forgetting altogether the work of art in which we are engaged.'

'Heaven helps those that help themselves,' growled Briscoe, still a little maudlin and very crusty.

'A very good proverb indeed; but it has always seemed to me to require a gloss, as, say, "Help yourself, and Heaven will develop heroic qualities in you by opposing you." So you see I am interfering with you to give your acts a higher tone. You'll have to empty out your pockets, my boy. n.o.body need know; and, if they should, kleptomania is quite genteel.'

'Now, look here,' said Briscoe: 'I'm not fit for this almighty art of yours. By Jove, when I think of where I am, and what we're up to, I can hardly believe it's me! Just you give me as much money as you can, and let me slope quietly, and you'll get on far better without me. I never could grease myself and worm through the tight places--get through the world, as folks say; and I tell you it would be far better for you if I were away.'

'Briscoe, I have always admired your independent character,' said Lee. 'Neither can I get through the world; but there's another method which equally insures success, and that is, to transcend the world: death by starvation is then itself a glorious triumph--the triumph of the idea. I know what I mean, and, though I were to explain till doomsday, you wouldn't, so it don't matter.

You will confer a lasting benefit on the world if you stay and help with the work in which I am engaged. It is a glorious labour, apart from its artistic merit; for it is raising the tone of everybody about me. It is just what these people needed, especially Muriel and Frank--the dash of bitter that strengthens the sweet, the need for rebellion that wakens the soul, the spur that drives natures roughshod over convention, the----'

'Draw it mild,' interposed Briscoe sneeringly. 'To-morrow, or maybe to-night, Caroline will be down with the real man, and what will you do then?'

'I long for their arrival. That will be the great scene.'

'What'll you do?'

'Well, murder I merely glanced at. To turn them out of the house as impostors, though a simple solution of the matter for a short time, would only stave off a final settlement. This is what I intend: to shut up Chartres in one of the rooms, pinioned, and, if necessary, gagged, as a dangerous lunatic, until I can have him removed to a private asylum, which will be a matter of only a few hours; and, once there, we are safer than if he were in the grave.'

'How will you manage that?'

'The simplest thing in the world. You can't have read many novels or you wouldn't ask. Besides the novels, however, I have studied the lunacy laws; and I could put you, Briscoe--sensible, hard-headed fellow as you are--into an asylum to-morrow, and defy the world to take you out!'

'By Jove, there's a chance here!' said Briscoe. 'd.a.m.n it, man, banish your dreams, and do the thing as a downright piece of the finest villainy ever perpetrated.'

'I haven't the least objection, my dear Briscoe, that you should be a villain. There's not one, at present, in the work, and if you choose, still collaborating with me, to adopt such a role, I shall be very glad indeed.'

'I'll do it,' said Briscoe, rising. 'I'll go off to Glasgow and prepare the whole thing for to-morrow early.'

'The last train from Greenock left some time ago.'

'What! is it so late as that?'

'Yes; but you can go off to-morrow before breakfast.'

'Very well. But we're going to do this, mind! No shamming--no artistic flourishes--upright, downright villainy!'

'On your part, certainly.'

'And I'm to marry Muriel?'

'Oh, you must see that is impossible. The girl will fight to the death against it. Besides, it would be thoroughly inartistic. No, no. My intention is to bring about an elopement; and then to discover that you are Frank's father. You see? You're old enough.

He's only twenty-two, and you're over forty. The invention of antecedents and the getting up evidence will be most engrossing.

Of course I'll intercept these young people, and drive them to the very last resource. It will do them any amount of good.'

Briscoe put up his hand warningly, and Lee turned his head and saw Clacher standing behind him.

'Ah! my good friend,' he said, 'have you had enough?'

'Ay,' said Clacher.

'Do you remember what it is you want to do "Englified"?'

'No--yet.'

'Do you think you'll remember soon?'

'Mebbe, if ye'll let me alone, and gie me some mair drink.

Whusky.'

'Certainly,' said Lee, rising. 'You can have this room to yourself, and I shall send you whiskey.'

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A Practical Novelist Part 10 summary

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