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Maurice appeared not to hear, and asked gravely:
"Gilberte, do you feel that your guardian angel is watching over you?"
"I, not at all. I have never thought of him, and yet I am not without religion. In the first place, people who have none are like animals. And then one cannot go straight without religion. It is impossible."
"Exactly, that's just it," said Maurice, his eyes on the violet stripes of his flowerless pyjamas; "when one has one's guardian angel one does not even think about him, and when one has lost him one feels very lonely."
"So you miss this...."
"Well, the fact is...."
"Oh, yes, yes, you miss him. Well, my dear, the loss of such a guardian angel as that is no great matter. No, no! he is not worth much, that Arcade of yours. On that famous day, while you were out getting him some clothes, he was ever so long fastening my dress, and I certainly felt his hand.... Well, at any rate, don't trust him."
Maurice dreamily lit a cigarette. They spoke of the six days' bicycle race at the winter velodrome, and of the aviation show at the motor exhibition at Brussels, without experiencing the slightest amus.e.m.e.nt.
Then they tried love-making as a sort of convenient pastime, and succeeded in becoming moderately absorbed in it; but at the very moment when she might have been expected to play a part more in accordance with a mutual sentiment, she exclaimed with a sudden start:
"Good Heavens! Maurice, how stupid of you to tell me that my guardian angel can see me. You cannot imagine how uncomfortable the idea makes me."
Maurice, somewhat taken aback, recalled, a little roughly, his mistress's wandering thoughts.
She declared that her principles forbade her to think of playing a round game with angels.
Maurice was longing to see Arcade again and had no other thought. He reproached himself for suffering him to depart without discovering where he was going, and he cudgelled his brains night and day thinking how to find him again.
On the bare chance, he put a notice in the personal column of one of the big papers, running thus:
"Arcade. Come back to your Maurice."
Day after day went by, and Arcade did not return.
One morning, at seven o'clock, Maurice went to St. Sulpice to hear Abbe Patouille say Ma.s.s, then, as the priest was leaving the sacristy, he went up to him and asked to be heard for a moment.
They descended the steps of the church together and in the bright morning light walked round the fountain of the _Quatre eveques_. In spite of his troubled conscience and the difficulty of presenting so extraordinary a case with any degree of credibility, Maurice related how the angel Arcade had appeared to him and had announced his unhappy resolve to separate from him and to stir up a new revolt of the spirits of glory. And young d'Esparvieu asked the worthy ecclesiastic how to find his celestial guardian again, since he could not bear his absence, and how to lead his angel back to the Christian faith. Abbe Patouille replied in a tone of affectionate sorrow that his dear child had been dreaming, that he took a morbid hallucination for reality, and that it was not permissible to believe that good angels may revolt.
"People have a notion," he added, "that they can lead a life of dissipation and disorder with impunity. They are wrong. The abuse of pleasure corrupts the intelligence and impairs the understanding. The devil takes possession of the sinner's senses, penetrating even to his soul. He has deceived you, Maurice, by a clumsy artifice."
Maurice objected that he was not in any way a victim of hallucinations, that he had not been dreaming, that he had seen his guardian angel with his eyes and heard him with his ears.
"Monsieur l'Abbe," he insisted, "a lady who happened to be with me at the time,--I need not mention her name,--also saw and heard him. And, moreover, she felt the angel's fingers straying ... well, anyhow, she felt them.... Believe me, Monsieur l'Abbe, nothing could be more real, more positively certain than this apparition. The angel was fair, young, very handsome. His clear skin seemed, in the shadow, as if bathed in milky light. He spoke in a pure, sweet voice."
"That, alone, my child," the Abbe interrupted quickly, "proves you were dreaming. According to all the demonologies, bad angels have a hoa.r.s.e voice, which grates like a rusty lock, and even if they did contrive to give a certain look of beauty to their faces, they cannot succeed in imitating the pure voice of the good spirits. This fact, attested by numerous witnesses, is established beyond all doubt."
"But, Monsieur l'Abbe, I saw him. I saw him sit down, stark naked, in an arm-chair on a pair of black stockings. What else do you want me to tell you?"
The Abbe Patouille appeared in no way disturbed by this announcement.
"I say once more, my son," he replied, "that these unhappy illusions, these dreams of a deeply troubled soul, are to be ascribed to the deplorable state of your conscience. I believe, moreover, that I can detect the particular circ.u.mstance that has caused your unstable mind thus to come to grief. During the winter in company with Monsieur Sariette and your Uncle Gaetan, you came, in an evil frame of mind, to see the Chapel of the Holy Angels in this church, then undergoing repair. As I observed on that occasion, it is impossible to keep artists too closely to the rules of Christian art; they cannot be too strongly enjoined to respect Holy Writ and its authorized interpreters. Monsieur Eugene Delacroix did not suffer his fiery genius to be controlled by tradition. He brooked no guidance and, here, in this chapel he has painted pictures which in common parlance we call lurid, compositions of a violent, terrible nature which, far from inspiring the soul with peace, quietude, and calm, plunge it into a state of agitation. In them the angels are depicted with wrathful countenances, their features are sombre and uncouth. One might take them to be Lucifer and his companions meditating their revolt. Well, my son, it was these pictures, acting upon a mind already weakened and undermined by every kind of dissipation, that have filled it with the trouble to which it is at present a prey."
But Maurice would have none of it.
"Oh, no! Monsieur l'Abbe," he cried, "it is not Eugene Delacroix's pictures that have been troubling me. I didn't so much as look at them.
I am completely indifferent to that kind of art."
"Well, then, my son, believe me: there is no truth, no reality, in any of the story you have just related to me. Your guardian angel has certainly not appeared to you."
"But, Abbe," replied Maurice, who had the most absolute confidence in the evidence of the senses, "I saw him tying up a woman's shoe-laces and putting on the trousers of a suicide."
And stamping his feet on the asphalt, Maurice called as witnesses to the truth of his words the sky, the earth, all nature, the towers of St.
Sulpice, the walls of the great seminary, the Fountain of the _Quatre eveques_, the public lavatory, the cabmen's shelter, the taxis and motor 'buses' shelter, the trees, the pa.s.sers-by, the dogs, the sparrows, the flower-seller and her flowers.
The Abbe made haste to end the interview.
"All this is error, falsehood, and illusion, my child," said he. "You are a Christian: think as a Christian,--a Christian does not allow himself to be seduced by empty shadows. Faith protects him against the seduction of the marvellous, he leaves credulity to freethinkers. There are credulous people for you--freethinkers! There is no humbug they will not swallow. But the Christian carries a weapon which dissipates diabolical illusions,--the sign of the Cross. Rea.s.sure yourself, Maurice,--you have not lost your guardian angel. He still watches over you. It lies with you not to make this task too difficult nor too painful for him. Good-bye, Maurice. The weather is going to change, for I feel a burning in my big toe."
And Abbe Patouille went off with his breviary under his arm, hobbling along with a dignity that seemed to foretell a mitre.
That very day, Arcade and Zita were leaning over the parapet of La b.u.t.te, gazing down on the mist and smoke that lay floating over the vast city.
"Is it possible," said Arcade, "for the mind to conceive all the pain and suffering that lie pent within a great city? It is my belief that if a man succeeded in realising it, the weight of it would crush him to the earth."
"And yet," answered Zita, "every living being in that place of torment is enamoured of life. It is a great enigma!
"Unhappy, ill-fated, while they live, the idea of ceasing to be is, nevertheless, a horror to them. They look not for solace in annihilation, it does not even bring them the promise of rest. In their madness they even look upon nothingness with terror: they have peopled it with phantoms. Look you at these pediments, these towers and domes and spires that pierce the mist and rear on high their glittering crosses. Men bow in adoration before the demiurge who has given them a life that is worse than death, and a death that is worse than life."
Zita was for a long time lost in thought. At length she broke silence, saying:
"There is something, Arcade, that I must confess to you. It was no desire for a purer justice or wiser laws that hurried Ithuriel earthward. Ambition, a taste for intrigue, the love of wealth and honour, all these things made Heaven, with its calm, unbearable to me, and I longed to mingle with the restless race of men. I came, and by an art unknown to nearly all the angels, I learned how to fas.h.i.+on myself a body which, since I could change it as the fancy seized me, to whatsoever age and s.e.x I would, has permitted me to experience the most diverse and amazing of human destinies. A hundred times I took a position of renown among the leaders of the day, the lords of wealth and princes of nations. I will not reveal to you, Arcade, the famous names I bore; know only that I was pre-eminent in learning, in the fine arts, in power, wealth, and beauty, among all the nations of the world. At last, it was but a few years since, as I was journeying in France, under the outward semblance of a distinguished foreigner, I chanced to be roaming at evening through the forest of Montmorency, when I heard a flute unfolding all the sorrows of Heaven. The purity and sadness of its notes rent my very soul. Never before had I hearkened to aught so lovely. My eyes were wet with tears, my bosom full of sobs, as I drew near and beheld, on the skirts of a glade, an old man like to a faun, blowing on a rustic pipe. It was Nectaire. I cast myself at his feet, imprinted kisses on his hands and on his lips divine, and fled away....
"From that day forth, conscious of the littleness of human achievements, weary of the tumult and the vanity of earthly things, ashamed of my vast and profitless endeavours, and deciding to seek out a loftier aim for my ambition, I looked upwards towards my skiey home and vowed I would return to it as a Deliverer. I rid myself of t.i.tles, name, wealth, friends, the horde of sycophants and flatterers and, as Zita the obscure, set to work in indigence and solitude, to bring freedom into Heaven."
"And I," said Arcade, "I too have heard the flute of Nectaire. But who is this old gardener who can thus woo from a rude wooden pipe notes that are so moving and so beautiful?"
"You will soon know," answered Zita.
CHAPTER XVI
WHEREIN MIRA THE SEERESS, ZePHYRINE, AND THE FATAL AMeDeE ARE SUCCESSIVELY BROUGHT UPON THE SCENE, AND WHEREIN THE NOTION OF EURIPIDES THAT THOSE WHOM ZEUS WISHES TO CRUSH HE FIRST MAKES MAD, IS ILl.u.s.tRATED BY THE TERRIBLE EXAMPLE OF MONSIEUR SARIETTE
Disappointed at his failure to enlighten an ecclesiastic renowned for his clarity of mind, and frustrated in the hope of finding his angel again on the high road of orthodoxy, Maurice took it into his head to resort to occultism and resolved to go and consult a seer. He would have undoubtedly applied to Madame de Thebes, but he had already questioned her on the occasion of his early love troubles, and her replies showed such wisdom that he no longer believed her to be a soothsayer. He therefore had recourse to a fas.h.i.+onable medium, Madame Mira. He had heard many examples quoted of the extraordinary insight of this seeress, but it was necessary to present Madame Mira with some object which the absent one had either touched or worn and to which her translucent gaze had to be attracted. Maurice, trying to remember what the angel had touched since his ill-fated incarnation, recollected that in his celestial nudity he had sat down in an arm-chair on Madame des Aubels'
black stockings and that he had afterwards helped that lady to dress.
Maurice asked Gilberte for one of the talismans required by the clairvoyante. But Gilberte could not give him a single one, unless, as she said, she herself were to play the part of the talisman. For the angel had, in her case, displayed the greatest indiscretion, and such agility that it was impossible always to forestall his enterprise. On hearing this confession, which nevertheless told him nothing new, Maurice lost his temper with the angel, calling him by the names of the lowest animals and swearing he would give him a good kick when he got him within reach of his foot. But his fury soon turned against Madame des Aubels; he accused her of having provoked the insolence she now denounced, and in his wrath he referred to her by all the zoological symbols of immodesty and perversity. His love for Arcade was rekindled in his heart, and burned with a more ardent flame than ever, and the deserted youth, with outstretched arms and bended knees, invoked his angel with sobs and lamentations.
During his sleepless nights it occurred to him that perhaps the books the angel had turned over before his incarnation might serve as a talisman. One morning, therefore, Maurice went up to the library and greeted Monsieur Sariette, who was cataloguing under the romantic gaze of Alexandre d'Esparvieu. Monsieur Sariette smiled, but his face was deathly pale. Now that an invisible hand no longer upset the books placed under his charge, now that tranquillity and order once more reigned in the library, Monsieur Sariette was happy, but his strength diminished day by day. There was little left of him but a frail and contented shadow.