The Manxman Part 5

Nevertheless, Caesar's principles grew more and more puritanical year by year. There were no half measures with Caesar. Either a man was a saved soul, or he was in the very belly of h.e.l.l, though the pit might not have shut its mouth on him. If a man was saved he knew it, and if he felt the manifestations of the Spirit he could live without sin. His cardinal principles were three--instantaneous regeneration, a.s.surance, and sinless perfection. He always said--he had said it a thousand times--that he was converted in Douglas marketplace, a piece off the west door of ould St. Matthew's, at five-and-twenty minutes past six on a Sabbath evening in July, when he was two-and-twenty for harvest.

While at Cornaa, Caesar had been a "local" on the preachers' plan, a cla.s.s leader, and a chapel steward; but at Sulby he outgrew the Union and set up a "body" of his own. He called them "The Christians." a t.i.tle that was at once a name, a challenge, and a protest. They wors.h.i.+pped in the long barn over Caesar's mill, and held strong views on conduct. A saved soul must not wear gold or costly apparel, or give way to softness or bodily indulgence, or go to fairs for sake of sport, or appear in the show-tents of play-actors, or sing songs, or read books, or take any diversion that did not tend to the knowledge of G.o.d. As for carnal transgression, if any were guilty of it, they were to be cut off from the body of believers, for the souls of the righteous must be delivered.

"The religion that's going among the Primitives these days is just Popery," said Caesar. "Let's go back to the warm ould Methodism and put out the Romans."

When Pete turned his face from Ballawhaine, he thought first of Caesar and his mill. It would be more exact to say he thought of Katherine and Grannie. He was homeless as well as penniless. The cottage by the water-trough was no longer possible to him, now that the mother was gone who had stood between his threatened shoulders and Black Tom. Philip was at home for a few weeks only in the year, and Ballure had lost its attraction. So Pete made his way to Sulby, offered himself to Caesar for service at the mill, and was taken on straightway at eighteenpence a week and his board.

It was a curious household he entered into. First there was Caesar himself, in a moleskin waistcoat with sleeves open three b.u.t.tons up, knee-breeches usually unlaced, stockings of undyed wool, and slippers with the tongues hanging out--a grim soul, with whiskers like a hoop about his face, and a shaven upper lip as heavy as a moustache, for, when religion like Caesar's lays hold of a man, it takes him first by the mouth. Then Grannie, a comfortable body in a cap, with an outlook on life that was all motherhood, a simple, tender, peaceable soul, agreeing with everybody and everything, and seeming to say nothing but "Poor thing! Poor thing!" and "Dear heart! Dear heart!" Then there was Nancy Cain, getting the name of Nancy Joe, the servant in name but the mistress in fact, a niece of Grannie's, a bit of a Pagan, an early riser, a tireless worker, with a plain face, a rooted disbelief in all men, a good heart, an ugly tongue, and a vixenish temper. Last of all, there was Katherine, now grown to be a great girl, with her gipsy hair done up in a red ribbon and wearing a black pinafore bordered with white braid.

Pete got on steadily at the mill. He began by lighting the kiln fire and cleaning out the pit-wheel, and then on to the opening the flood-gates in the morning and regulating the action of the water-wheel according to the work of the day. In two years' time he was a sound miller, safe to trust with rough stuff for cattle or fine flour for white loaf-bread.

Caesar trusted him. He would take evangelising journeys to Peel or Douglas and leave Pete in charge.

That led to the end of the beginning. Pete could grind the farmers'

corn, but he could not make their reckonings. He kept his counts in chalk on the back of the mill-house door, a down line for every stone weight up to eight stones, and a line across for every hundredweight.

Then, once a day, while the father was abroad, Katherine came over from the inn to the desk at the little window of the mill, and turned Pete's lines into ledger accounts. These financial councils were full of delicious discomfiture. Pete always enjoyed them--after they were over.

"John Robert--Molleycarane--did you say Molleycarane, Pete? Oh, Mylecharane--Myle-c-h-a-r-a-i-n-e, Molleycarane; ten stones--did you say ten? Oh, eight--e-i-g-h-t--no, eight; oatmeal, Pete? Oh, barley-male--meal, I mean--m-e-a-l."

In the middle of the night Pete remembered all these entries. They were very precious to his memory after Katherine had spoken them. They sang in his heart the same as song-birds then. They were like hymns and tunes and pieces of poetry.

Caesar returned home from a preaching tour with a great and sudden thought. He had been calling on strangers to flee from the wrath to come, and yet there were those of his own house whose faces were not turned Zionwards. That evening he held an all-night prayer-meeting for the conversion of Katherine and Pete. Through six long hours he called on G.o.d in l.u.s.ty tones, until his throat cracked and his forehead streamed. The young were thoughtless, they had the root of evil in them, they flew into frivolity from contrariness. Draw the harrow over their souls, plough the fallows of their hearts, grind the chaff out of their household, let not the sweet apple and the crabs grow on the same bough together, give them a Melliah, let not a sheaf be forgotten, grant them the soul of this girl for a harvest-home, and of this boy for a last stook.

Caesar was dissatisfied with the results. He was used to groaning and trembling and fainting fits.

"Don't you feel the love?" he cried. "I do--here, under the watch-pocket of my waistcoat."

Towards midnight Katherine began to fail. "Chain the devil,", cried Caesar. "Once I was down in the pit with the devil myself, but now I'm up in the loft, seeing angels through the thatch. Can't you feel the workings of the Spirit?"

As the clock was warning to strike two Katherine thought she could, and from that day forward she led the singing of the women in the choir among "The Christians."

Pete remained among the unregenerate; but nevertheless "The Christians"

saw him constantly. He sat on the back form and kept his eyes fixed on the "singing seat." Observing his regularity, Caesar laid a hand on his head and told him the Spirit was working in his soul at last. Sometimes Pete thought it was, and that was when he shut his eyes and listened to Katherine's voice floating up, up, up, like an angel's, into the sky.

But sometimes he knew it was not; and that was when he caught himself in the middle of Caesar's mightiest prayers crooking his neck past the pitching bald pate of Johnny Niplightly, the constable, that he might get a glimpse of the top of Katherine's bonnet when her eyes were down.

Pete fell into a melancholy, and once more took to music as a comforter.

It was not a home-made whistle now, but a fiddle bought out of his wages. On this he played in the cowhouse on winter evenings, and from the top of the midden outside in summer. When Caesar heard of it his wrath was fearful. What was a fiddler? He was a servant of corruption, holding a candle to disorderly walkers and happy sinners on their way into the devil's pinfold. And what for was fiddles? Fiddles was for play-actors and theaytres. "And theaytres is _there_," said Caesar, indicating with his foot one flag on the kitchen-floor, "and h.e.l.l flames is _there_," he added, rolling his toe over to the joint of the next one.

Grannie began to plead. What was a fiddle if you played the right tunes on it? Didn't they read in the ould Book of King David himself playing on harps and timbrels and such things? And what was harps but fiddles in a way of spak-ing? Then warn't they all looking to be playing harps in heaven? 'Deed, yes, though the Lord would have to be teaching her how to play hers!

Caesar was shaken. "Well, of course, certainly," he said, "if there's a power in fiddling to bring souls out of bondage, and if there's going to be fiddling and the like in Abraham's bosom--why, then, of course--well, why not?--let's have the lad's fiddle up at 'The Christians.'"

Nothing could have suited Pete so well. From that time forward he went out no more at nights to the cowhouse, but stayed indoors to practise hymns with Katherine. Oh, the terrible rapture of those nightly "practices!" They brought people to the inn to hear them, and so Caesar found them good for profit both ways.

There was something in Caesar's definition, nevertheless. It was found that among the saints there were certain weaker brethren who did not want a hymn to their ale. One of these was Johnny Niplightly, the rural constable, who was the complement of Katherine in the choir, being leader of the singing among the men. He was a tall man with a long nose, which seemed to have a perpetual cold. Making his rounds one night, he turned in at "The Manx Fairy," when Caesar and Grannie were both from home, and Nancy Joe was in charge, and Pete and Katherine were practising a revival chorus.

"Where's Caesar, dough?" he snuffled.

"At Peel, buying the stock," snapped Nancy.

"Dank de Lord! I mean--where's Grannie?"

"Nursing Mistress Quiggin."

Niplightly eased the strap of his beaver, liberated his lips, took a deep draught of ale, and then turned to Pete, with apologetic smiles, and suggested a change in the music.

At that Katherine leapt up as light as laughter. "A dance," she cried, "a dance!"

"Good sakes alive?" said Nancy Joe. "Listen to the girl? Is it the moon, Kitty, or what is it that's doing on you?"

"Shut your eyes, Nancy," said Katherine, "just for once, now won't you?"

"You can do what you like with me, with your coaxing and woaxing," said Nancy. "Enjoy yourself to the full, girl, but don't make a noise above the singing of the kettle."

Pete tuned his strings, and Katherine pinned up the tail of her skirt, and threw herself into position.

At the sound of the livelier preludings there came thronging out of the road into the parlour certain fellows of the baser sort, and behind them came one who was not of that denomination--a fair young man with a fine face under an Alpine hat. Heeding nothing of this audience, the girl gave a little rakish toss of her head and called on Pete to strike up.

Then Pete plunged into one of the profaner tunes which he had practised in the days of the cowhouse, and off went Katherine with a whoop. The boys stood back for her, bending down on their haunches as at a fight of gamec.o.c.ks, and encouraging her with shouts of applause.

"Beautiful! Look at that now! Fine, though, fine! Clane done, aw, clane!

Done to a dot! There's leaping for you, boys! Guy heng, did you ever see the like? Hommer the floor, girl--higher a piece! higher, then! Whoop, did ye ever see such a nate pair of ankles?"

"Hould your dirty tongue, you gobmouthed omathaun!" cried Nancy Joe. She had tried to keep her eyes away, but could not. "My goodness grayshers!"

she cried. "Did you ever see the like, though? s.c.r.e.w.i.n.g like the windmill on the schoolhouse! Well, well, Kitty, woman! Aw, Kirry, Kirry!

Wherever did she get it, then? Goodsakes, the girl's twisting herself into knots!"

Pete was pulling away at the fiddle with both hands, like a bottom sawyer, his eyes dancing, his lips quivering, the whole soul of the lad lifted out of himself in an instant.

"Hould on still, Kate, hould on, girl!" he shouted. "Ma-chree! Machree!

The darling's dancing like a drumstick!"

"Faster!" cried Kate. "Faster!"

The red ribbon had fallen from her head, and the wavy black hair was tumbling about her face. She was holding up her skirt with one hand, and the other arm was akimbo at her waist. Guggling, chuckling, crowing, panting, boiling, and bubbling with the animal life which all her days had been suppressed, and famished and starved into moans and groans, she was carried away by her own fire, gave herself up to it, and danced on the flags of the kitchen which had served Caesar for his practical typology, like a creature intoxicated with new breath.

Meantime Caesar himself, coming home in his chapel hat (his tall black beaver) from Peel, where he had been buying the year's stock of herrings at the boat's side, had overtaken, on the road, the venerable parson of his parish, Parson Quiggin of Lezayre. Drawing up the gig with a "Woa!"

he had invited the old clergyman to a lift by his side on the gig's seat, which was cus.h.i.+oned with a sack of hay. The parson had accepted the invitation, and with a preliminary "Aisy! Your legs a taste higher, sir, just to keep the pickle off your trousers," a "Gee up!" and a touch of the whip, they were away together, with the light of the gig-lamp on the hind-quarters of the mare, as they bobbed and screwed like a mill-race under the splash-h.o.a.rd.

It was Caesar's chance, and he took it. Having pinned one of the heads of the Church, he gave him his views on the Romans, and on the general encroachment of Popery. The parson listened complacently. He was a tolerant old soul, with a round face, expressive of perpetual happiness, though he was always blinking his little eyes and declaring, with the Preacher, that all earthly things were vain. Hence he was nicknamed Old Vanity of Vanities.

The gig had swept past Sulby Chapel when Caesar began to ask for the parson's opinion of certain texts.

"And may I presume, Pazon Quiggin, what d'ye think of the text--'Praise the Lord. O my soul, and all that is within me praise His Holy Name?'"

"A very good text after meat, Mr. Cregeen," said the parson, blinking his little eyes in the dark.

It was Caesar's favourite text, and his fire was kindled at the parson's praise. "Man alive," he cried, his hot breath tickling the parson's neck, "I've praiched on that text, pazon, till it's wet me through to the waistcoat."