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Plays by August Strindberg Volume II Part 53

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MR. X. Why, I could see it.

MR. Y. How? How could you see it?

MR. X, Oh, with a little practice. It is an art, like many others.

But don't let us talk of it any more. [He looks at his watch, arranges a doc.u.ment on the table, dips a pen in the ink-well, and hands it to MR. Y.] I must be thinking of my tangled affairs.

Won't you please witness my signature on this note here? I am going to turn it in to the bank at Malmo tomorrow, when I go to the city with you.

MR. Y. I am not going by way of Malmo.

MR. X. Oh, you are not?

MR. Y. No.

MR. X. But that need not prevent you from witnessing my signature.

MR. Y. N-no!--I never write my name on papers of that kind--

MR. X.--any longer! This is the fifth time you have refused to write your own name. The first time nothing more serious was involved than the receipt for a registered letter. Then I began to watch you. And since then I have noticed that you have a morbid fear of a pen filled with ink. You have not written a single letter since you came here--only a post-card, and that you wrote with a blue pencil. You understand now that I have figured out the exact nature of your slip? Furthermore! This is something like the seventh time you have refused to come with me to Malmo, which place you have not visited at all during all this time. And yet you came the whole way from America merely to have a look at Malmo! And every morning you walk a couple of miles, up to the old mill, just to get a glimpse of the roofs of Malmo in the distance.

And when you stand over there at the right-hand window and look out through the third pane from the bottom on the left side, yon can see the spired turrets of the castle and the tall chimney of the county jail.--And now I hope you see that it's your own stupidity rather than my cleverness which has made everything clear to me.

MR. Y. This means that you despise me?

MR. X. Oh, no!

MR. Y. Yes, you do--you cannot but do it!

MR. X. No--here's my hand.

(MR. Y. takes hold of the outstretched hand and kisses it.)

MR. X. [Drawing back his hand] Don't lick hands like a dog!

MR. Y. Pardon me, sir, but you are the first one who has let me touch his hand after learning--

MR. X. And now you call me "sir!"--What scares me about you is that you don't feel exonerated, washed clean, raised to the old level, as good as anybody else, when you have suffered your punishment. Do you care to tell me how it happened? Would you?

MR. Y. [Twisting uneasily] Yes, but you won't believe what I say.

But I'll tell you. Then you can see for yourself that I am no ORDINARY criminal. You'll become convinced, I think, that there are errors which, so to speak, are involuntary--[twisting again]

which seem to commit themselves--spontaneously--without being willed by oneself, and for which one cannot be held responsible-- May I open the door a little now, since the storm seems to have pa.s.sed over?

MR. X. Suit yourself.

MR. Y. [Opens the door; then he sits down at the table and begins to speak with exaggerated display of feeling, theatrical gestures, and a good deal of false emphasis] Yes, I'll tell you! I was a student in the university at Lund, and I needed to get a loan from a bank. I had no pressing debts, and my father owned some property--not a great deal, of course. However, I had sent the note to the second man of the two who were to act as security, and, contrary to expectations, it came back with a refusal. For a while I was completely stunned by the blow, for it was a very unpleasant surprise--most unpleasant! The note was lying in front of me on the table, and the letter lay beside it. At first my eyes stared hopelessly at those lines that p.r.o.nounced my doom--that is, not a death-doom, of course, for I could easily find other securities, as many as I wanted--but as I have already said, it was very annoying just the same. And as I was sitting there quite unconscious of any evil intention, my eyes fastened upon the signature of the letter, which would have made my future secure if it had only appeared in the right place. It was an unusually well- written signature--and you know how sometimes one may absent- mindedly scribble a sheet of paper full of meaningless words. I had a pen in my hand--[picks up a penholder from the table] like this. And somehow it just began to run--I don't want to claim that there was anything mystical--anything of a spiritualistic nature back of it--for that kind of thing I don't believe in! It was a wholly unreasoned, mechanical process--my copying of that beautiful autograph over and over again. When all the clean s.p.a.ce on the letter was used up, I had learned to reproduce the signature automatically--and then--[throwing away the penholder with a violent gesture] then I forgot all about it. That night I slept long and heavily. And when I woke up, I could feel that I had been dreaming, but I couldn't recall the dream itself. At times it was as if a door had been thrown ajar, and then I seemed to see the writing-table with the note on it as in a distant memory--and when I got out of bed, I was forced up to the table, just as if, after careful deliberation, I had formed an irrevocable decision to sign the name to that fateful paper. All thought of the consequences, of the risk involved, had disappeared?

no hesitation remained--it was almost as if I was fulfilling some sacred duty--and so I wrote! [Leaps to his feet] What could it be? Was it some kind of outside influence, a case of mental suggestion, as they call it? But from whom could it come? I was sleeping alone in that room. Could it possibly be my primitive self--the savage to whom the keeping of faith is an unknown thing-- which pushed to the front while my consciousness was asleep-- together with the criminal will of that self, and its inability to calculate the results of an action? Tell me, what do you think of it?

MR. X. [As if he had to force the words out of himself] Frankly speaking, your story does not convince me--there are gaps in it, but these may depend on your failure to recall all the details-- and I have read something about criminal suggestion--or I think I have, at least--hm! But all that is neither here nor there! You have taken your medicine--and you have had the courage to acknowledge your fault. Now we won't talk of it any more.

MR. Y. Yes, yes, yes, we must talk of it--till I become sure of my innocence.

MR. X. Well, are you not?

MR. Y. No, I am not!

MR. X. That's just what bothers me, I tell you. It's exactly what is bothering me!--Don't you feel fairly sure that every human being hides a skeleton in his closet? Have we not, all of us, stolen and lied as children? Undoubtedly! Well, now there are persons who remain children all their lives, so that they cannot control their unlawful desires. Then comes the opportunity, and there you have your criminal.--But I cannot understand why you don't feel innocent. If the child is not held responsible, why should the criminal be regarded differently? It is the more strange because--well, perhaps I may come to repent it later.

[Pause] I, for my part, have killed a man, and I have never suffered any qualms on account of it.

MR. Y. [Very much interested] Have--you?

MR. X, Yes, I, and none else! Perhaps you don't care to shake hands with a murderer?

MR. Y. [Pleasantly] Oh, what nonsense!

MR. X. Yes, but I have not been punished,

ME. Y. [Growing more familiar and taking on a superior tone] So much the better for you!--How did you get out of it?

MR. X. There was n.o.body to accuse me, no suspicions, no witnesses.

This is the way it happened. One Christmas I was invited to hunt with a fellow-student a little way out of Upsala. He sent a besotted old coachman to meet me at the station, and this fellow went to sleep on the box, drove the horses into a fence, and upset the whole _equipage_ in a ditch. I am not going to pretend that my life was in danger. It was sheer impatience which made me hit him across the neck with the edge of my hand--you know the way--just to wake him up--and the result was that he never woke up at all, but collapsed then and there.

MR. Y. [Craftily] And did you report it?

MR. X. No, and these were my reasons for not doing so. The man left no family behind him, or anybody else to whom his life could be of the slightest use. He had already outlived his allotted period of vegetation, and his place might just as well be filled by somebody more in need of it. On the other hand, my life was necessary to the happiness of my parents and myself, and perhaps also to the progress of my science. The outcome had once for all cured me of any desire to wake up people in that manner, and I didn't care to spoil both my own life and that of my parents for the sake of an abstract principle of justice.

MR. Y. Oh, that's the way you measure the value of a human life?

MR. X. In the present case, yes.

MR. Y. But the sense of guilt--that balance you were speaking of?

MR. X. I had no sense of guilt, as I had committed no crime. As a boy I had given and taken more than one blow of the same kind, and the fatal outcome in this particular case was simply caused by my ignorance of the effect such a blow might have on an elderly person.

MR. Y. Yes, but even the unintentional killing of a man is punished with a two-year term at hard labour--which is exactly what one gets for--writing names.

MR. X. Oh, you may be sure I have thought of it. And more than one night I have dreamt myself in prison. Tell me now--is it really as bad as they say to find oneself behind bolt and bar?

MR. Y. You bet it is!--First of all they disfigure you by cutting off your hair, and if you don't look like a criminal before, you are sure to do so afterward. And when you catch sight of yourself in a mirror you feel quite sure that you are a regular bandit.

MR. X. Isn't it a mask that is being torn off, perhaps? Which wouldn't be a bad idea, I should say.

MR. Y. Yes, you can have your little jest about it!--And then they cut down your food, so that every day and every hour you become conscious of the border line between life and death. Every vital function is more or less checked. You can feel yourself shrinking.

And your soul, which was to be cured and improved, is instead put on a starvation diet--pushed back a thousand years into outlived ages. You are not permitted to read anything but what was written for the savages who took part in the migration of the peoples. You hear of nothing but what will never happen in heaven; and what actually does happen on the earth is kept hidden from you. You are torn out of your surroundings, reduced from your own cla.s.s, put beneath those who are really beneath yourself. Then you get a sense of living in the bronze age. You come to feel as if you were dressed in skins, as if you were living in a cave and eating out of a trough--ugh!

MR. X. But there is reason back of all that. One who acts as if he belonged to the bronze age might surely be expected to don the proper costume.

MR. Y. [Irately] Yes, you sneer! You who have behaved like a man from the stone age--and who are permitted to live in the golden age.

MR. X. [Sharply, watching him closely] What do you mean with that last expression--the golden age?

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Plays by August Strindberg Volume II Part 53 summary

You're reading Plays by August Strindberg. This manga has been translated by Updating. Author(s): August Strindberg. Already has 794 views.

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