Love Lies Part 7

He is there. We lock eyes and my heart stops. He grins and it starts again. He's detonated a bomb of sensations. Effervescent shards of excitement, desire, fear and l.u.s.t ambush me. The muddles of emotions settle, almost painfully, in my head and knickers. I am freshly overwhelmed by his presence.

'Good morning,' he says, with a mock formality.

'Morning,' I mutter, my determination and confidence flooding out of me with every pa.s.sing moment.

He is sat facing the door, as though expecting me, which is impossible so expecting someone else maybe? Again, he's dressed casually in jeans and a simple blue T-s.h.i.+rt. He hasn't shaved or combed his hair. His crumpled, just-got-out-of-bed appearance is once more irresistible. His legs are splayed and I can't concentrate. I daren't move closer to him or else I'll be stood between his thighs, like some sort of lap dancer.

'What did you think of the concert?' he asks.

'I was glad we met before I went to it,' I admit truthfully.

'Was it that bad?' he asks with a grin, leaning forward hands on knees now.

I smile back. 'No, not at all. It was...' I search for a big enough word but can't think of one. I settle for 'Amazing. That's what I mean. I'd have been too overwhelmed to talk to you the way I did yesterday if I'd had any idea the power you have. You are so big. I knew it but hadn't seen what that meant up close. You're bigger than anything I could ever have imagined.'

'Now, that is no word of a lie. That's not just PR, that's true, that is.' He jokingly grabs his crotch, in case I miss his innuendo.

He's being obvious, just like when he humped the mike on stage last night. I'm not normally a fan of Benny Hill humour but I can't help but wonder if his cra.s.s bragging is true. I can't help but hope it is.

'I didn't mean that, exactly,' I say, although in a way I did. The s.e.xual energy he oozes is meshed with the creative performance. I can't pretend I don't find it attractive; me and several million others. 'It was all those girls. I was quite taken aback,' I add.

'What do you mean?'

We haven't taken our eyes off one another since the conversation began. The door behind me is still wide open, which is disconcerting considering the private nature of our exchange. I daren't close it until he invites me to do so.

'The flesh, the b.u.ms, the b.r.e.a.s.t.s. Just everywhere. Abundantly offered up.'

He laughs. 'What about it?'

'I don't want you to think I'm like those other women in the crowd.' The admission is awkward, mostly because to some extent I am just like them and I know it. I played strip poker with the man, shortly after meeting him for the first time. I wouldn't have done that with anyone else or under any other circ.u.mstances, would I? Plus, I'm stood in front of him in my s.e.xiest outfit. I'm wearing stockings for G.o.d's sake; I'm not playing what anyone could describe as hard to get.

'So how are you different from those women? You're made of flesh, you have a b.u.m, don't you?' He lets his gaze drop down from my eyes, to my b.o.o.bs, my legs, and slowly, oh so slowly, he drags his look of longing back up to meet my eyes. My cheeks turn scarlet.

'Yes and b.o.o.bs but I'm not here to flash them at you.'

'Shame, I'd guarantee you an appreciative audience.'

I can't help it, I smile, but then I bravely get to the heart of what I'm afraid of. 'Yeah, just the once, I imagine you would.'

'That's not what you are after?'

'I have a boyfriend,' I say, pretty much avoiding a direct answer. 'And I've never been into one-night stands, they're pointless; that's why I left in such a hurry yesterday.'

Scott nods. 'So why are you back here?'

'Because you sang to me.'

'I did, didn't I.'

'And so I thought maybe '

He interrupts. 'That you are different?'

'Yeah.' I stand on the knife edge, blade slicing my feet, waiting to see if I've got this all muddled.

'And so you are, Fern, so you are.' He beckons me. 'Close the door.'

19. Fern

We play cards again; this time we keep our clothes on and stick to matches. Yesterday our conversation was limited to small talk about the hand we held, the room temperature, which flavour crisps we prefer. Yesterday our flirting did not have a time-line. We had flirted in the moment, for the moment, and with no regard or expectations of what, if anything, might come after. Today, we have upped the ante. Our flirtation reaches a new level. It's not quite so glib. It feels a little more individual. It's the sort of flirting that definitely has consequences. Plus we talk without flirting at all, which in my mind is much more of a compliment, especially after watching the show last night. I know he can flirt with anyone, anywhere, any time. Talking is a big deal. He tells me normal stuff. Stuff about himself that demonstrates a confidence in me that fills me with pride and pleasure.

Scott tells me about what he did after the gig last night (he was whisked away on the helicopter and taken to a sw.a.n.ky hotel in West London). 'I fell asleep in the reception,' he says bright-eyed and amazed.

'I'm not surprised, you jumped around for hours on stage.'

'I know, but it's the first time ever ever that I've done a gig and then fallen into such a deep, relaxed slumber. No one could believe it. You see, I don't do relaxed. Saadi, my PA, commented on it. You'll have to meet her. I'd been on tenterhooks all afternoon. So f.u.c.king nervous about the gig. Having not performed live for two years I was all sort of ' that I've done a gig and then fallen into such a deep, relaxed slumber. No one could believe it. You see, I don't do relaxed. Saadi, my PA, commented on it. You'll have to meet her. I'd been on tenterhooks all afternoon. So f.u.c.king nervous about the gig. Having not performed live for two years I was all sort of '

'Scared?'

'Yeah, scared, and then it was all great.'

'That's why you slept so well,' I a.s.sure him. 'The slumber of a man who knows he's done a b.l.o.o.d.y great job.'

'No, it wasn't. I've had great gigs in the past and it's taken me hours to come down from them.'

'Is it because you didn't hit the bars? You mentioned you're clean.'

I resist adding 'at the moment'. I know he casually volunteered this information yesterday but I'm not sure how to handle myself around addicts and don't know what to say for the best. I don't want to say anything that sounds like I a.s.sume that he'll fall off the wagon but nor do I want to sound as though I think the job's done. I know enough to understand once an addict, always an addict, and that every day is a struggle. Life's just harder for people born with that gene. The way it's harder if you are born with the gene which gives you a terrible disease or a really ugly face, it's just that the ill and even the slap-a.r.s.ed ugly get more sympathy than addicts. I don't want to seem like I'm having a go.

'Yeah, that might have helped, but I think it was because of you,' says Scott. The 'you' is dropped like an atom bomb. It mushrooms and eclipses everything that has gone before.

'Me?' I'm stunned.

'Yeah. Come on. You know what I mean. You make me feel happy. Relaxed. Right in my skin. I can't explain it,' he says shyly.

I know exactly what he means. We stare at each other a bit stupidly, unsure what to do or say next. It's almost a relief when there's a knock at the door.

Scott's entourage file in and out of the dressing-room all morning. He introduces me to everyone and I try to hang on to as many names as I can but it's tricky. For a start, it appears there's a uniform of scruffy jeans and black T-s.h.i.+rts and, another thing, I keep thinking, Oh. My. G.o.d. I can't believe this. I'm in the same room as Scott Taylor! I'm spending a lot of effort and energy holding in my stomach and trying to touch up my makeup covertly at every given opportunity. This is undoubtedly really immature of me but cut me some slack. Scott Taylor is. .h.i.tting on me!

Besides Bob, the security guy, several runners, the occasional (carefully escorted) journalist, a photographer and the guys from catering, six or seven band members wander into his room at some point in the day. The band members all wrap Scott in elaborate hugs. Hugs that involve slapping hands, sticking out their tongues and even wiggling their b.u.ms. There are waves of affection flowing as everyone is pleased with yesterday's gig and excited about tonight's. I am not on the receiving end of hugs thank goodness. I'd be freaked out if I was deluged with mwahmwah air kisses from strangers but I am treated to a number of grateful and genuine smiles.

There are two male guitarists, one female, a drummer, a pianist and a couple of backing singers. Surprisingly, none of the band members are cla.s.sically good-looking. There's no sign of chiselled jaws or tight, defined abs, yet every last member is mesmerizing. They ooze commitment to their craft and joy with their lives and as such are totally exhilarating to be around. It's fair to presume they have all endured years of struggling as members of inconsequential bands at tiny gigs, waiting for the big break. Now they are Scott's band they have officially made it. It doesn't get any bigger. They are confident and focused. They glow with satisfaction so elusive in the streets I normally pound. It's fantastic to be around so many realized dreams. My friends are all struggling, waiting for something great to happen to them or resigned to the fact that it probably never will.

The production manager and two people from wardrobe also visit Scott. They remind him that tonight the concert is being filmed for TV and DVD. The production manager steals a quick glance my way and then says, 'You can't do the "Happy Birthday" thing tonight, Scott. It won't work on DVD.'

Scott stares at his employee for some time and then says, 'It's not Fern's birthday tonight, it was her birthday last night, so there is no danger of me singing "Happy Birthday" to her tonight. That would be silly.'

The production guy looks relieved and slightly miffed at the same time. He realizes that Scott is being vaguely condescending. Nothing mean; he's just flexing his muscles. A s.h.i.+ver of excitement runs up my back as I realize that Scott is flexing his muscles for my benefit. It's just like some kid showing he's the big boy in the playground in order to get the attention of the little girl with plaits; the little girl who doesn't normally join in kiss-chase. Although truthfully, I always joined in kiss-chase; shrinking violet, I ain't. Before I can wallow in the good feeling the production manager throws a bucket of cold ice.

He turns to me and says, 'Adam said hi.' He leaves the dressing-room before I can stammer a response.

Scott catches my eye but sensibly says nothing.

Adam, b.l.o.o.d.y h.e.l.l, Adam Adam. He knows knows I'm in here. What a nightmare. It's as though the production guy has just thrown a hair s.h.i.+rt on me. I itch with a terrible sensation of panic and unease. I really haven't given Adam any thought since I entered Scott's dressing-room. I'm shocked at myself that I have forgotten him so completely, so quickly; it's as though I'm on another planet, one lit by a dazzling, brilliant star. My old world the world I shared with Adam doesn't seem to even be in the same galaxy. I'm in here. What a nightmare. It's as though the production guy has just thrown a hair s.h.i.+rt on me. I itch with a terrible sensation of panic and unease. I really haven't given Adam any thought since I entered Scott's dressing-room. I'm shocked at myself that I have forgotten him so completely, so quickly; it's as though I'm on another planet, one lit by a dazzling, brilliant star. My old world the world I shared with Adam doesn't seem to even be in the same galaxy.

I stare at Scott and silently will him to rea.s.sure me. He reads my mind.

'You OK?' he asks.

'I think so,' I mutter.

'I could sack him,' Scott offers, casually.

'Adam?' I'm horrified.

'No, the production guy.' Scott grins at me to show that he's just joking anyway. He then steps forward and wraps me in a big hug. He strokes my hair and his touch is both comforting and wild. I barely understand it. Our bodies throb as one. I am aware of every single muscle, sinew, nerve; his and mine but I don't know where one starts and the other stops. 'I'm sorry for Adam,' he whispers in my ear. 'To have held you like this and then to have let you slip away, how does a man live with a mistake like that?'

Oh. My. G.o.d. What is Scott saying? Have I slipped away? I think I have.

The woman with the blonde bob who ma.s.saged Scott's shoulders yesterday turns out to be Saadi, his PA. She coughs, taps Scott on the shoulder and tells him that the ch.o.r.eographer needs to run through small changes to the dance routine. With painful reluctance Scott and I break apart. Bereft, we stare at one another until the ch.o.r.eographer practically drags Scott away and Saadi frogmarches me to the other end of the room.

'You OK?' she asks me, clicking her fingers in front of my face.

She has an Australian accent. I always warm to Australians. I think they are all my friends because they are the one nation with a positive cultural stereotype. I like the fact that they are known for their easy-going temperaments and their no-bulls.h.i.+t approach to life. In Britain you can know someone for years before you get the same level of honesty that you can get from an Australian after just two beers. It's not that we Brits are intrinsically mistrustful; it's just we live in fear of saying the wrong thing and therefore prefer not to say anything meaningful at all. The best of us hide behind impeccable manners, the worst of us think like an angry mob and covet ASBOs the way other nations covet Olympic medals.

'Never better,' I reply with a broad, open grin. It's true. I feel like a winner. I have never felt more excited and exciting in my entire life. This blows away when I got short-listed for a Blue Peter drawing compet.i.tion when I was eleven.

'Have you had s.e.x with him yet?' asks Saadi.

The question startles me; it certainly causes me to focus on her instead of staring dreamingly at the door Scott's just walked out through. Even for an Aussie, that question is upfront. She asked it in the same way the nurse who performs smears asks you to open your legs and relax; a clinical probing that seems cold and unnatural.

'No,' I stammer, hating myself for revealing so much. What has it to do with her?

'That's great,' she smiles. 'Do you mind holding off until Sunday?'

'Sunday?' I stutter, unsure why I'm having this conversation with Saadi. Surely this is a negotiation Scott and I should be having if s.e.x is ever going to be negotiated, that is, and yes, yes, yes I admit it, I hope it is. My body is throbbing for his after that tight hug.

'These gigs are really important to him. To us. To everyone. A lot of money is riding on them. A lot A lot. More than you could imagine in your wildest dreams. Just one night of s.e.x can ruin months and months of planning and hard, hard work.'

'Sorry?'

She smiles and pats my hand. Her hand is cool and makes me think of a strict and demanding schoolteacher. 'Look, I don't want to spoil his fun. Or yours, for that matter. It's just s.e.x complicates everything, unnecessarily so.'

This conversation is surreal. 'In what way?'

'Well, think about it. If it is good s.e.x then he stays up all night and is knackered and then he'll be completely out of sorts the next day.' An image of Scott and me writhing all over one another explodes into my mind. I think I must be grinning because Saadi smiles at me, indulgently. 'Yeah, but a good performance for you means a c.r.a.p one for the paying punters. Yet, if the worst happens and the s.e.x is rubbish, then he'll be fighting demons the following day. No one needs their ego kicking just before they stand up on stage in order to make ninety thousand people happy, do they?'

'It would be great s.e.x,' I a.s.sure her, hotly.

'No doubt,' says Saadi. She doesn't look as though she cares either way. 'I'm just asking for a little co-operation here. A bit of help. You can wait until Sunday, can't you? I wouldn't mention it if it wasn't in Scott's best interests.'

Saadi smiles, briefly, coolly. The conversation is over. In truth she isn't asking for my help; she's telling me how things are going to be. She picks up her plastic cup of coffee and clipboard and swiftly exits the room.

20. Fern

Scott returns but it takes about another twenty minutes before everyone else has left the room. Everyone except Bob, the security guy, that is, but I'm getting used to his constant presence. I can't ignore him the way Scott does I feel the need to keep making small talk with him but he's settled into his Sudoku now and it's almost as though Scott and I are alone. I'm still feeling weird about the conversation I've just had with Saadi and can't decide whether to mention it to Scott. If I do, I'm openly acknowledging the fact that everyone else (and therefore us, too) thinks s.e.x is a natural next step. I'm not sure I'm ready for that conversation. I have to finish things with Adam first. Cleanly and properly.

Is it the next natural step? Is that why I am here? To have s.e.x? Will it just be s.e.x? I'm not sure. I'd be mad to hope for more than that and yet the way he looks at me, the way he concentrates when I'm speaking if it was any other man I'd think there was more. Scott excites me, he delights me and yet he also lulls me and soothes me. It's practically a miracle but he manages to make me feel calm and lovely even when we are talking about my family and my schooling. He listens carefully as I tell him about my sister and brothers; he comments, 'You wish you were all closer, don't you? You have the same dream as your mum. One big happy family.'

I nod. 'Yeah, but I'm realistic now. I know that I have nothing in common with any of my siblings, with the possible exception of Rick. Even then it could be that I credit Rick with more feeling for me than he has because I want his silence to speak volumes. The odd thing is I know that we all love each other even though we don't like each other much. It's enough. It's got to be because it's all there is. What about you?'

'I have one brother. He's an accountant. I'm a rock star. What do you think?'

'I imagine he's screwed up with jealousy.'

'Or disgust,' adds Scott.

'Does he do your accounting?' I ask.

'No, I have a team for that.'

'You should ask him to be part of that team. Or to head it up. He might like to be involved,' I say enthusiastically.

Scott smiles at me the way some dads smile at their little girls; indulgently marvelling at their naivety and wondering why they wasted their money on school fees. My father never smiles at me like that. For one thing I didn't go to a posh fee-paying school and besides, if I do say something he believes to be gauche or ill-considered, he's more likely to mutter, 'You daft mare,' than he is to smile fondly at me.

'It's not realistic. My brother specializes in corporate accounting. I need accountants who specialize in royalty fees etc. Besides, he wouldn't like to work for me and I wouldn't like him to work for me. You can't be friends with people who work for you and while we're not what you call friends now, I live in hope that one day we might be. If he was to work for me that option would be closed down for ever.'

'Maybe we should introduce your brother to my big brother Bill, the trust fund manager, I bet they'd get on,' I say flippantly.

'Yeah, we should throw a dinner party.'

And while I know he's only joking I can't slow down the part of my brain that is visualizing the dinner party where our families meet. We'd be in Scott's apartment. I have no idea what his apartment looks like, how many he has or even where they might be scattered across the globe, but I'm pretty sure his apartment won't be anything like the flat I share with Jess and Adam. My family never visit me at my flat because it's hard to squeeze all the animals of the zoo into a bird cage. I'm certain Scott's apartment wouldn't feel claustrophobic, there'd never be stale milk in the fridge, dirty socks on the floor and the carpet wouldn't be stained with beer spills. There wouldn't be a carpet at all, there would be dark wooden floorboards and clean white walls, there'd be an entire wall of windows and the view would stretch out over all of London. The view from my bedroom window is of the back yard not even a back yard we are permitted to use, as (illogically) it belongs to the flat upstairs. It's not a loss, as there are often used condoms and empty cans in the back yard, thrown over the brick wall. If I stand on the wash basket in the bathroom and crane my neck to the right, I can see a bit of green; it's someone else's garden. But the last time I did, I fell off the wash basket and banged my foot on the side of the loo. It really hurt. I bet Scott's view of London is of the Houses of Parliament, the Eye and the fabulous bridges criss-crossing the Thames. London at its best, not the depressing, flabby underbelly that is my London.