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The Irish Fairy Book Part 5

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when there would be a moment's pause, and then the round of melody went on again.

Lusmore listened attentively, scarcely drawing his breath, lest he might lose the slightest note. He now plainly perceived that the singing was within the moat; and though at first it had charmed him much, he began to get tired of hearing the same round sung over and over so often without any change; so, availing himself of the pause when Da Luan, Da Mort, had been sung three times, he took up the tune, and raised it with the words augus Da Dardeen, and then went on singing with the voices inside of the moat, Da Luan, Da Mort, finis.h.i.+ng the melody, when the pause came again, with augus Da Dardeen.

The fairies within Knockgrafton, for the song was a fairy melody, when they heard this addition to the tune, were so much delighted that with instant resolve it was determined to bring the mortal among them whose musical skill so far exceeded theirs, and little Lusmore was conveyed into their company with the eddying speed of a whirlwind.

Glorious to behold was the sight that burst upon him as he came down through the moat, twirling round and round, with the lightness of a straw, to the sweetest music, that kept time to his motion. The greatest honour was then paid him, for he was put above all the musicians, and he had servants tending upon him and everything to his heart's content, and a hearty welcome to all; and, in short, he was made as much of as if he had been the first man in the land.

Presently Lusmore saw a great consultation going on among the fairies, and, notwithstanding all their civility, he felt very much frightened, until one, stepping out from the rest, came up to him and said:

Lusmore! Lusmore!

Doubt not, nor deplore, For the hump which you bore On your back is no more; Look down on the floor, And view it, Lusmore!

When these words were said, poor little Lusmore felt himself so light and so happy that he thought he could have bounded at one jump over the moon, like the cow in the history of the cat and the fiddle; and he saw, with inexpressible pleasure, his hump tumble down upon the ground from his shoulders. He then tried to lift up his head, and did so with becoming caution, fearing that he might knock it against the ceiling of the great hall where he was. He looked round and round again with the greatest wonder and delight upon everything, which appeared more and more beautiful; and, overpowered at beholding such a resplendent scene, his head grew dizzy and his eyesight grew dim. At last he fell into a sound sleep, and when he awoke he found that it was broad daylight, the sun s.h.i.+ning brightly, and the birds singing sweetly, and that he was lying just at the foot of Knockgrafton, with the cows and sheep grazing peaceably about him. The first thing Lusmore did, after saying his prayers, was to put his hand behind to feel for his hump, but no sign of one was there on his back, and he looked at himself with great pride, for he had now become a well-shaped, dapper little fellow, and, more than that, found himself in a full suit of new clothes, which he concluded the fairies had made for him.

Towards Cappagh he went, stepping out as lightly and springing up at every step as if he had been all his life a dancing-master. Not a creature who met Lusmore knew him without his hump, and he had a great work to persuade everyone that he was the same man--in truth he was not as far as the outward appearance went.

Of course it was not long before the story of Lusmore's hump got about, and a great wonder was made of it. Through the country for miles round it was the talk of everyone, high and low.

One morning, as Lusmore was sitting, contented enough, at his cabin door, up came an old woman to him, and asked him if he could direct her to Cappagh.

"I need give you no directions, my good woman," said Lusmore, "for this is Cappagh. And whom may you want here?"

"I have come," said the woman, "out of Decies country, in the county of Waterford, looking after one Lusmore, who, I have heard tell, had his hump taken off by the fairies; for there is a son of a gossip of mine who has got a hump on him that will be his death; and, maybe, if he could use the same charm as Lusmore the hump may be taken off him. And now I have told you the reason of my coming so far; 'tis to find out about this charm if I can."

Lusmore, who was ever a good-natured little fellow, told the woman all the particulars, how he had raised the tune for the fairies at Knockgrafton, how his hump had been removed from his shoulders, and how he had got a new suit of clothes into the bargain.

The woman thanked him very much and then went away, quite happy and easy in her own mind. When she came back to her gossip's house, in the county of Waterford, she told her everything that Lusmore had said, and they put the little hump-backed man, who was a peevish and cunning creature from his birth, upon a car, and took him all the way across the country. It was a long journey, but they did not care for that, so the hump was taken from off him; so they brought him just at nightfall, and left him under the old moat of Knockgrafton.

Jack Madden, for that was the humpy man's name, had not been sitting there long when he heard the tune going on within the moat much sweeter than before; for the fairies were singing it the way Lusmore had settled their music for them, and the song was going on, Da Luan, Da Mort, Da Luan, Da Mort, Da Luan, Da Mort, augus Da Dardeen, without ever stopping. Jack Madden, who was in a great hurry to get quit of his hump, never thought of waiting till the fairies had done, or watching for a fit opportunity to raise the tune higher than Lusmore had; so, having heard them sing it over seven times without stopping, out he bawls, never minding the time or the humour of the tune, or how he could bring his words in properly, augus Da Dardeen, augus Da Hena, thinking that if one day was good two were better, and that, if Lusmore had one suit of clothes given him, he should have two.

No sooner had the words pa.s.sed his lips than he was taken up and whisked into the moat with prodigious force, and the fairies came crowding round about him with great anger, screeching and screaming, and roaring out, "Who spoiled our tune? Who spoiled our tune?" And one stepped up to him above all the rest and said:

Jack Madden! Jack Madden!

Your words came so bad in The tune we felt glad in;-- This castle you're had in, That your life we may sadden; Here's two humps for Jack Madden!

And twenty of the strongest fairies brought Lusmore's hump and put it down upon poor Jack's back, over his own, where it became fixed as firmly as if it was nailed on with twelvepenny nails by the best carpenter that ever drove one. Out of their castle they then kicked him; and in the morning, when Jack Madden's mother and her gossip came to look after their little man, they found him half dead, lying at the foot of the moat, with the other hump upon his back. Well, to be sure, how they did look at each other, but they were afraid to say anything lest a hump might be put upon their shoulders. Home they brought the unlucky Jack Madden with them, as downcast in their hearts and their looks as ever two gossips were; and what through the weight of his other hump and the long journey he died soon after, leaving, they say, his heavy curse to anyone who would go to listen to fairy tunes again.

T. CROFTON CROKER.

The Stolen Child

There dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island, Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berries, And of reddest stolen cherries.

Come away, O human child!

To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand.

Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances, Mingling hands and mingling glances, Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And is anxious in its sleep.

Come away, O human child!

To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand.

Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout, And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams.

Come away, O human child!

To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand.

Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside; Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal-chest.

For he comes, the human child!

To the waters and the wild With a faery, hand in hand, From a world more full of weeping than he can understand.

W. B. YEATS.

Lay of Oisin on the Land of Youth

One day we, the Fianna, were all a.s.sembled, generous Fionn and all of us that lived were there; we were hunting on a misty morning nigh the bordering sh.o.r.es of Loch Lein, where through fragrant trees of sweetest blossoms, and the mellow music of birds at all times, we aroused the hornless deer of the best bounding, course, and agility; our hounds and all our dogs were close after in full chase.

'Twas not long till we saw, westwards, a fleet rider advancing towards us, a young maiden of most beautiful appearance, on a slender white steed of swiftest power. We all ceased from the chase on seeing the form of the royal maid; 'twas a surprise to Fionn and the Fianns, they never beheld a woman equal in beauty. A royal crown was on her head, and a brown mantle of precious silk, spangled with stars of red gold, covering her shoes down to the gra.s.s. A gold ring was hanging down from each yellow curl of her golden hair; her eyes were blue, clear, and cloudless, like a dewdrop on the top of the gra.s.s. Redder were her cheeks than the rose, fairer was her visage than the swan upon the wave, and more sweet was the taste of her balsam lips than honey mingled through red wine. A garment, wide, long, and smooth, covered the white steed; there was a comely saddle of red gold, and her right hand held a bridle with a golden bit. Four shoes, well shaped, were under him, of the yellow gold of the purest quality; a silver wreath was on the back of his head, and there was not in the world a steed better.

She came to the presence of Fionn, and spoke with a voice sweet and gentle, and she said, "O King of the Fianna, long and distant is my journey now."

"Who art thou thyself, O youthful princess! of fairest form, beauty, and countenance? Relate to us the cause of thy story, thine own name and thy country."

"Golden-headed Niamh is my name, O sage Fionn of the great hosts. Beyond the women of the world I have won esteem; I am the fair daughter of the King of Youth."

"Relate to us, O amiable princess, what caused thee to come afar across the sea--is it thy consort has forsaken thee, or what is the affliction that is on thyself?"

"'Tis not my husband that went from me; and as yet I have not been spoken of with any man, O King of the Fianna of highest repute; but affection and love I have given to thy son."

"Which of my children is he, O blooming daughter, to whom thou hast given love, or yet affection? Do not conceal from us now the cause, and relate to us thy case, O woman."

"I will tell thee that, O Fionn! Thy n.o.ble son of the well-tempered arms, high-spirited Oisin of the powerful hands, is the champion that I am now speaking of."

"What is the reason that thou gavest love, O beautiful daughter of the glossy hair, to my own son beyond all, and mult.i.tudes of high lords under the sun?"

"'Tis not without cause, O King of the Fianna! I came afar for him--but reports I heard of his prowess, the goodness of his person and his mien.

"Many a son of a king and a high chief gave me affection and perpetual love; I never consented to any man till I gave love to n.o.ble Oisin."

"By that hand on thee, O Patrick, though it is not shameful to me as a story, there was not a limb of me but was in love with the beautiful daughter of the glossy hair."

I, Oisin, took her hand in mine, and said in speech of sweetest tone, "A true, gentle welcome before thee, O young princess, to this country!

'Tis thou art the brightest and the fairest of form, 'tis thee I prefer as wife, thou art my choice beyond the women of the world, O mild star of loveliest countenance!"

"Obligations unresisted by true heroes, O generous Oisin, I put upon thee to come with myself now upon my steed till we arrive at the 'Land of Youth.' It is the most delightful country to be found, of greatest repute under the sun, trees drooping with fruit, and blossom and foliage growing on the tops of boughs. Abundant, there, are honey and wine and everything that eye has beheld; there will not come decline on thee with lapse of time; death or decay thou wilt not see. Thou wilt get feasts, playing, and drink; thou wilt get melodious music on the harp strings; thou wilt get silver and gold; thou wilt get also many jewels. Thou wilt get the royal diadem of the 'King of Youth,' which he never yet gave to any person under the sun; 'twill protect thee both night and day, in battle, in tumult, and in rough conflict. Thou wilt get a fitting coat of protecting mail, and a gold-headed sword apt for strokes, from which no person ever escaped alive who once saw the sharp weapon. Thou wilt get everything I promised thee, and delights, also, which I may not mention; thou wilt get beauty, strength, and power, and I myself will be thy wife."

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The Irish Fairy Book Part 5 summary

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