I'll Bury My Dead Part 1

I'll Bury My Dead.

James Hadley Chase.

CHAPTER ONE.

I.

Harry Vince came into the outer office, and hurriedly shut the door behind him, cutting off the uproar of menas voices, each apparently trying to shout down the other, the sound of raucous laughter and the shuffling of many feet.

aSounds like a zoo in there, doesnat it? And - phew! - it smells like one, too,a he said, as he crossed the room, moving between the empty desks to where Lois Marshall sat at the telephone switchboard. He carried a bottle of champagne and two gla.s.ses which he set down carefully on a nearby desk. aYou donat know what youare missing, staying out here. You couldnat cut the atmosphere in there with a hacksaw.a He mopped his face with his handkerchief. aMr. English says you are to have some champagne. So here it is.a aI donat think I want any, thank you,a Lois said, smiling at him. She was a trim, good-looking girl around twenty-six or seven, dark, with severe eyebrows, steady brown eyes and the minimum of makeup. aIam not mad about the stuff, are you?a aOnly when someone else pays for it,a Vince returned as he expertly broke the wire cage and thumbed over the cork. aBesides, this is an occasion. We donat win the Light Heavyweight Champions.h.i.+p every day of the week.a The cork sailed across the room with a resounding pop! and he hurriedly tipped the foaming wine into a gla.s.s.

aThank goodness we donat,a Lois said. aHow long do you think theyare going to stay in there?a aUntil they get chucked out. They havenat finished the whiskey yet.a He handed her the gla.s.s. aHereas to Joe Ruthlin, the new Champ. May he continue to flatten them as he did tonight.a He poured champagne into the second gla.s.s.

aHereas to Mr. English,a Lois said quietly, and raised her gla.s.s.

Vince grinned.

aOkay. Hereas to Mr. English.a They drank, and Vince grimaced.

aMaybe youare right. Give me a straight Scotch any day. He put down his gla.s.s. Why didnat you let Trixie look after the board? Itas her job.a Lois lifted her elegant shoulders.

aThink of the company she would have to mix in. They know better than to bother me, but Trixie. . .a aTrixie would have loved it. She likes a guy to pat her f.a.n.n.y occasionally. She thinks it proves sheas desirable. Anyway, those apes in there are more or less harmless. Trixie would have taken care of herself if you had given her the chance.a aMaybe, but sheas still a kid. Sitting around in an office until long past midnight isnat the sort of life she should live.a aYou talk like a grandmother,a Vince said, grinning. aIf anyone has to stay late, itas always you.a Lois shrugged.

aI donat mind.a Vince studied her.

aDoesnat your boyfriend mind?a aDo we have to talk nonsense, Harry?a Her steady brown eyes were suddenly cold.

Recognizing the danger signals, Vince said, aYou were with Mr. English when he started this caper, werenat you?a aYes. We had only one small office, the typewriter was on hire and the furniture, what there was of it, wasnat paid for. Now we have this place a" thirteen offices and a staff of forty. Good going in five years, isnat it?a aI guess so.a Vince lit a cigarette. aHe has the magic touch all right. It doesnat seem to matter what he takes on. He has to make a success of it. Fight promotion this week, a circus last week, a musical show the week before that. Whatas he going to do next?a Lois laughed.

aHeall find something.a She looked up at Vince, seeing a square-shouldered man of medium height, around thirty-three, with a crew haircut, pale brown eyes that looked worried and uneasy, a good mouth and chin and a straight narrow nose. aYouave done pretty well for yourself, too, Harry.a He nodded.

aThanks to Mr. English. Iam not kidding myself. If he hadnat given me the chance, I would have been still sweating my guts out as an accountant with no prospects. You know, sometimes, I just canat believe Iam his general manager. I canat make out why the devil he ever gave me the job.a aHe has a good eye for talent,a Lois said. aHe didnat give you the job because he liked the way you wear your clothes, Harry. You earn your money.a aI guess I do,a Vince said, running his fingers through his close-cut hair. aLook at the awful hours we keep.a He glanced at his wrist.w.a.tch. Elevena"fifteen. aThis s.h.i.+ndigas going on until two o clock at least.a He finished his champagne, waved the bottle at Lois. aHave some more?a She shook her head.

aNo, thank you. Does he seem to be enjoying himself?a aYou know what heas like. Heas been standing around all evening watching the other guys drink. Every so often he puts in a word here and there. He acts like he has just dropped in on somebody elseas party. Abe Mendelssohn has been trying to corner him for the past hour, but heas having no luck.a Lois laughed.

aHe wants Mr. English to finance his women wrestlers.a aThatas not a bad idea,a Vince said. aIave seen some of those babes wrestle. I wouldnat mind getting a job as their trainer. Iad like to have the chance of showing them a few holds.a aBetter talk to Mr. English. He might give you the job.a The telephone buzzer sounded.

Lois pushed in a plug and picked up the harness she had laid on the desk.

aEnglish Promotions,a she said. aGood evening.a She listened while Vince watched her. He saw one of her dark eyebrows lift in surprise.

aIall ask him to speak to you, Lieutenant,a she said, and laid down the harness. aHarry, would you tell Mr. English Lieutenant Morilli of the Homicide Bureau is calling? He wants a personal word.a aThese coppers!a Vince said, grimacing. aWants some favour, Iall bet. A couple of fight dockets or free seats for a show. You donat want me to disturb Mr. English to talk to that chiseller, do you?a She nodded, her eyes serious.

aPlease tell him itas urgent, Harry.a He gave her a quick look, then slid off the desk.

aOkay.a He went across the big room and pushed open the door that led into Nick Englishas private office. The uproar of voices surged past him as he went in.

Lois said, aIam getting Mr. English now.a At the other end of the line Morilli grunted.

aBetter get his car to the door Miss Marshall,a he said. aWhen he hears what Iave got to tell him heall want some fast action.a Lois thanked him, plugged in another line and told the garage attendant who answered to have Mr. Englishas car at the front entrance right away. As she pulled out the plug, Nick English came out of his office, followed by Vince.

English was six foot three in his socks, and broad, giving the appearance of ma.s.siveness without fat. He was on the right side of forty, and his hair was jeta"black, cut short and inclined to curl. There were white streaks on each side of his temples that helped to soften an otherwise hard and relentless face. He had a high broad forehead, a short blunt nose, a thin mouth and a square dimpled chin. His eyes were wide set, pale blue and piercing. He was arresting to look at without being handsome, and gave an immediate impression of granite-hard strength.

Lois moved away from the switchboard, indicating a telephone on a nearby desk.

aLieutenant Morilli is on that line, Mr. English.a English lifted the receiver.

aWhatas on your mind, Lieutenant?a Lois moved quickly over to Vince.

aBetter get Chuck out here, Harry. I think heall be needed.a Vince nodded and went into the inner office.

Lois heard English say, aWhen did it happen?a She looked anxiously at the big man as he leaned over the desk, frowning into s.p.a.ce, his long fingers tapping on the blotter. She had known Nick English now for five years. She had first met him after he had thrown up an engineering job in South America and had opened a small office in Chicago to promote a gyroscope compa.s.s he had invented to be used in petroleum drilling operations. He had engaged her to run the office while he had walked the streets in search of the necessary capital to manufacture the compa.s.s.

There had been difficulties, but she had quickly learned that difficulties and disappointments only made English work harder. She discovered he had an undefeatable spirit. There had been times when she had gone without salary and he had gone without food. His optimism and determination had been infectious. She knew he must succeed. No one who worked as hard as he did could fail to succeed. But it had been a year of no rewards and constant setbacks and had forged a link between them that she had never forgotten, but at times, she wondered if he had forgotten. Finally the compa.s.s had been financed and had proved a success. English had sold his invention for two hundred thousand dollars plus a royalty on future sales that still brought him in a comfortable income.

He had then looked around for other inventions to promote, and during the next three years he built up a reputation for himself as a man who could get money out of a stone. With his newly acquired capital, he broadened his scope, and went into the entertainment business, promoting small shows and nightclub cabarets, and then branching out to bigger and more ambitious shows.

Money began to pour in, and he formed companies. More money poured in and he took over the lease of two theatres and a dozen nightclubs. Later, when money became almost an embarra.s.sment, he moved into the political field. It was his money that put Senator Henry Beaumont into power and was keeping him in office.

Looking at English now, Lois realized just how far he had come and what a power he had become, though she regretted his rise to a height where she could no longer be of real use to him, when she was just one of many who served him.

Vince came out of the inner office with Chuck Eagan, who drove Englishas car and did any job that English wanted done without argument or question. He was a small, jockey-sized man in his late thirties. He had sandy coloured hair, a red, freckled face, stony eyes and quick, smooth movements. He was looking at his worst at the moment: a tuxedo didnat suit him.

aWhatas cooking?a he asked out of the side of his mouth, edging up to Lois. aI was enjoying myself.a She shook her head at him.

English said into the telephone mouthpiece: aIall be right over. Leave things as they are until I get there. Iall be less than ten minutes.a Chuck stifled a groan.

aThe car?a he asked, looking at Lois.

aAt the door,a she told him.

English hung up. As he turned the three stiffened slightly, their eyes on his, waiting for instructions. His solid suntanned face told them nothing, but his blue eyes were hard as he said, aGet the car, Chuck. I want to be away at once.a aItas waiting, boss,a Chuck said. aIall meet you downstairs,a and he went out of the room.

aLet those jackals finish the case of Scotch, and then get rid of them,a English said to Vince. aTell them Iave been called away.a aYes, Mr. English,a Vince said and went into the inner office. As he opened the door the noise of laughter and voices came into the silent outer office with a violence that made English scowl.

aStick around, will you?a he said to Lois. aI may need you tonight. If you donat hear from me within an hour, go home.a aYes.a She looked searchingly at him. aHas something happened, Mr. English?a He looked at her, then moving over to her, he put his hand on her hip and smiled.

aDid you ever meet my brother, Roy?a She showed her surprise as she shook her head.

aYou havenat missed anything.a He gave her hip a little pat. aHeas just shot himself.a She caught her breath sharply.

aOh. Iam sorry.a aSave it,a he said, and moved toward the door. aHe doesnat deserve your sympathy and he wouldnat want mine. This could be messy. Stick around for an hour. If the press get it, stall them. Tell them you donat know where I am.a He took his hat and coat from a cupboard.

aDid Harry give you some champagne?a he asked, putting the hat on his head and giving the brim an irritable jerk.

aYes, Mr. English.a aGood. Well, so long for now. I may call you.a He threw his coat over his arm and went out, closing the door behind him.

II.

Chuck Eagan swung the big, glittering Cadillac into a downtown side street and reduced speed.

Halfway down the street on the right he saw two prowl cars parked outside a tall building that was in darkness, except for two lighted windows on the sixth floor.

He drew up behind the parked cars, cut the engine and got out as Nick English opened the rear door and untangled his long legs to the sidewalk.

Chuck looked enquiringly at him.

aWant me to come up, boss?a aMay as well. Keep in the background and keep your mouth shut.a English walked across the sidewalk to where two patrolmen stood on either side of the entrance to the building. They both recognized him, and saluted.

aThe Lieutenantas waiting for you, Mr. English,a one of them said. aThereas an elevator thatall take you up. Sixth floor.a English nodded and walked into the dimly lit, stone-floored lobby. He moved through a smell of garbage, faulty plumbing and the acid reek of stale perspiration. Facing the entrance was an ancient elevator scarcely big enough to hold four people.

Chuck slid back the grill and followed English into the elevator. He thumbed the automatic b.u.t.ton, and the cage started its jerky ascent.

English had left his overcoat in the car. He stood solidly on the b.a.l.l.s of his feet, his hands thrust into the pockets of his tuxedo, a smouldering cigar between his teeth, his eyes brooding and cold.

Chuck glanced at him, then glanced away.

Eventually the elevator jerked to a standstill at the sixth floor and Chuck pulled back the grill.

English stepped into a dimly lit pa.s.sage. Almost opposite him was an open door through which a light came, throwing a square of brightness on the dirty rubber floor of the pa.s.sage. Further along the pa.s.sage to the left was another door, showing a light through the frosted panel. To his right, at the end of the pa.s.sage, was yet another door without gla.s.s. A light showed under the gap between the bottom of the door and the floor.

Lieutenant Morilli came through the open doorway. He was a thickset man in his late forties. His lean hatchet face was pallid, and his small moustache looked startlingly black against his white complexion.

aSorry to break up the party, Mr. English,a he said, his voice pitched low. aBut I thought youad want to come down.a He had the hushed, deferential manner of an undertaker dealing with a wealthy client. aA very sad business.a English grunted.

aWho found him?a aThe janitor. He was checking to see if all the offices were locked. He called me, and I called you. I havenat been here myself much more than twenty minutes.a English made a sign to Chuck to stay where he was, and then walked into the shabby little room that served as an outer office. Across the frosted panel of the door was the legend: THE ALERT AGENCY, Chief Investigator: ROY ENGLISH.

The room consisted of a desk, a typistas chair, a covered typewriter, a filing cabinet and a strip of carpet. On the walls hung dusty handcuffs and faded testimonials in narrow black frames, some of them dated as far back as 1927.

aHeas in the other room,a Morilli said, following English into the outer office.

Two plainclothes detectives stood around awkwardly. They both said in a ragged chorus, aGood evening, Mr. English,a and one of them touched his finger to his hat.

English nodded at them, then walked across the room and paused in the doorway that led to the inner office. The room was a little larger than the outer office. Two big filing cabinets stood against the wall, opposite the window. A worn and dusty rug covered the floor. A big desk took up most of the room s.p.a.ce. A shabby armchair for the exclusive use of clients stood near the desk. Englishas eyes swept quickly over these details, noting with a little grimace the sordidness of the room.

His brother had been seated at the desk when he had died. He now lay across the desk, his head on the blotter, one arm hanging lifelessly, his fingers just touching the carpet, the other arm on the desk. His head and face rested in a pool of blood that had run across the desk and had conveniently dripped into the metal trash basket on the floor.

English looked at his brother for some seconds, his face expressionless, his eyes brooding.

Morilli watched him from the doorway.

English walked over to the desk, leaned forward to see the dead face more clearly. His shoe touched something hard, lying on the floor, and he glanced down. A .38 Police Special lay within a few inches of the dead manas fingers.

English stepped back.

aHow long has he been dead?a he asked abruptly.

aA couple of hours at a guess,a Morilli told him. aNo one heard the shot. Thereas a news service agency down the pa.s.sage. The teleprinters were working at the time, and the noise deadened the shot.a aThat his gun?a Morilli lifted his shoulders.

aIt could be. He has a pistol permit. Iall have it checked.a His eyes searched Englishas face. aI donat think thereas much doubt that it was suicide, Mr. English.a English moved around the room, his hands still in his pockets. The fragrant smell of his cigar followed him as he moved.

aWhat makes you say that?a Morilli hesitated; then, moving into the room, he closed the door behind him. aThings Iave heard. He was short of money.a English stopped walking up and down and fixed Morilli with his cold, hard eyes.

aDonat let me hold you up any longer, Lieutenant. Youall be wanting to get some action in here.a aI thought Iad wait until you came,a Morilli said uncomfortably.

aI appreciate that. But Iave seen all I want to see. Iall wait in the car. When youare through here, let me know. I want to look the place over, have a look at his papers.a aIt could take an hour, Mr. English. Would you want to wait that long?a English frowned.

aHave you told his wife yet?a he asked, jerking his head at the still body across the desk.

aIave told no one but you, Mr. English. Would you like me to take care of his wife? I could send an officer.a English shook his head.

aI guess Iall see her.a He hesitated, his frown deepening. aMaybe you donat know it, but Roy and I havenat exactly hit it off recently. I donat even know his home address.a aIave got it here,a Morilli said, his face expressionless. He picked up a wallet on the desk. aI went through his pockets as a matter of form.a He handed English a card. aKnow where it is?a English read the card.

aChuck will.a He flicked the card with his fingernail. aDid he have any money on him?a aFour bucks,a Morilli said.

English took the wallet from Morillias hand, glanced into it, then put it in his pocket.

aIall see his wife. Can you get one of your men to clean up here? I may be sending someone down to check his files.a aIall fix it, Mr. English.a aSo you heard he was short of money,a English said. aHow did you hear that, Lieutenant?a Morilli scratched the side of his jaw, his dark eyes uneasy. aThe commissioner mentioned it. He knew I knew him, and he told me to have a word with him. I was going to see him tomorrow.a English took the cigar from between his teeth and touched the ash off onto the floor.

aA word about what?a Morilli looked away.

aHe had been worrying people for money.a English stared at him.

aWhat people?a aTwo or three clients he had worked for last year. They complained to the commissioner. Iam sorry to tell you this, Mr. English, but he was going to lose his licence.a English nodded his head. His eyes narrowed.

aSo the commissioner wanted you to talk to him. Why didnat the commissioner speak to me instead of you, Lieutenant?a aI told him he should,a Morilli said, a faint flush rising up his neck and flooding his pale face. aBut he isnat an easy man to talk to.a English smiled suddenly; it wasnat a pleasant smile.

aNor am I.a aWhat Iave told you, Mr. English, is off the record,a Morilli said quickly. The commissioner would have my hide if he knew I. . .a aAll right, forget it,a English broke in. He looked at the body. aIt wonat bring him back to life, will it?a aThatas right,a Morilli said, relaxing a little. aStill off the record, he would have lost his licence at the end of the week.a aFor trying to raise money from old clients?a English asked sharply.

aI guess he was pretty desperate for money. He threatened one party. She wouldnat bring a charge, but it was near blackmail as d.a.m.n it.a The muscles either side of Englishas jaw stood out suddenly.

aWead better have a talk about this some other time. I wonat hold you up now. Iall see you in the morning.a aYes, Mr. English,a Morilli said.

As English crossed to the door, Morilli went on, aI hear your boy won his fight. Congratulations.a English paused.

aThatas right. By the way, I told Vince to put a bet on for you. A hundredas brought you three. Look in tomorrow and see Vince. Heall pay you cash.a His eyes met Morillias. aOkay?a Morilli flushed.

aWhy, thatas pretty nice of you, Mr. English. I meant to lay a bet.a aYeah, but you didnat have the time. I know how it is. Well, I didnat forget you. I like to look after my friends. Glad you won.a He walked into the outer office, and into the pa.s.sage. He jerked his head at Chuck and stepped into the elevator.

Morilli and the two detectives stood in the doorway and watched the elevator descend.