The Angel Esmeralda Part 7

They saw a woman in a wheelchair who wore a f.u.c.k new york T-s.h.i.+rt. Gracie said she would probably trade the food they gave her for heroin, the dirtiest street scag available. The crew looked on, frowning. Gracie set her jaw, she narrowed her pale eyes and handed over the food anyway. They argued about this, not just the nuns but the crew as well. It was Sister Grace against everybody. Even the wheelchair woman didn't think she should get the food.

They saw a man with cancer who tried to kiss the latexed hands of Sister Edgar.

They saw five small children bunched on a bed being minded by a ten-year-old.

They went down the pa.s.sageways. The kids returned to the van for more food and they went single-file down the pa.s.sageways in the bleached light.

They talked to a pregnant woman watching a soap opera in Spanish. Edgar told her if a child dies after being baptized, she goes straight to heaven. The woman was impressed. If a child is in danger and there is no priest, Edgar said, the woman herself can administer baptism. How? Pour ordinary water on the forehead of the child, saying, "I baptize thee in the name of the Father and of the Son and of the Holy Ghost." The woman repeated the words in Spanish and English and everyone felt better.

They went down the pa.s.sageways past a hundred closed doors and Edgar thought of all the infants in limbo, unbaptized, babies in the seminether, h.e.l.l-bordered, and the nonbabies of abortion, a cosmic cloud of slushed fetuses floating in the rings of Saturn, or babies born without immune systems, bubble children raised by computer, or babies born addicted-she saw them all the time, bulb-headed newborns with crack habits, they resembled something out of peasant folklore.

They heard garbage cras.h.i.+ng down the incinerator chutes and they walked one behind the other, three boys and two girls forming one body with the nuns, a single sway-backed figure with many moving parts. They rode the elevators down and finished their deliveries in a group of tenements where boards replaced broken gla.s.s in the lobby doors.

Gracie dropped the crew at the Bird just as a bus pulled up. What's this, do you believe it? A tour bus in carnival colors with a sign in the slot above the winds.h.i.+eld reading SOUTH BRONX SURREAL. Gracie's breathing grew intense. About thirty Europeans with slung cameras stepped shyly onto the sidewalk in front of the boarded shops and closed factories and they gazed across the street at the derelict tenement in the middle distance.

Gracie went half berserk, sticking her head out of the van and calling, "It's not surreal. It's real, it's real. You're making it surreal by coming here. Your bus is surreal. You're surreal."

A monk rode by on a rickety bike. The tourists watched him pedal up the street. They listened to Gracie shout at them. They saw a man come along with battery-run pinwheels he was selling, brightly colored vanes pinned to a stick, and he held a dozen or so in his hands with others jutting from his pockets and clutched under his arms, plastic vanes spinning all around him-an elderly black fellow in a yellow skullcap. They saw this man. They saw the ailanthus jungle and the smash heap of mortified cars and they looked at the six-story slab of painted angels with streamers rippled above their cherub heads.

Gracie shouting, "This is real, it's real." Shouting, "Brussels is surreal. Milan is surreal. This is the only real. The Bronx is real."

A tourist bought a pinwheel and got back in the bus. Gracie pulled away muttering. In Europe the nuns wear bonnets like cantilevered beach houses. That's surreal, she said. A traffic jam developed not far from the Bird. The two women sat with drifting thoughts. Edgar watched children walk home from school, breathing air that rises from the oceans and comes windborne to this street at the edge of the continent. Woe betide the child with dirty fingernails. She used to drum the knuckles of her fifth-graders with a ruler if their hands were not bright as minted dimes.

A clamor rising all around them, weary beeping horns and police sirens and the great saurian roar of fire-engine klaxons.

"Sister, sometimes I wonder why you put up with all this," Gracie said. "You've earned some peace and quiet. You could live upstate and do development work for the order. How I would love to sit in the rose garden with a mystery novel and old Pepper curled at my feet." Old Pepper was the cat in the motherhouse upstate. "You could take a picnic lunch to the pond."

Edgar had a mirthless inner grin that floated somewhere back near her palate. She did not yearn for life upstate. This was the truth of the world, right here, her soul's own home, herself-she saw herself, the fraidy child who must face the real terror of the streets to cure the linger of destruction inside her. Where else would she do her work but under the brave and crazy wall of Ismael Munoz?

Then Gracie was out of the van. She was out of the seat belt, out of the van and running down the street. The door hung open. Edgar understood at once. She turned and saw the girl, Esmeralda, half a block ahead of Gracie, running for the Bird. Gracie moved among the cars in her clunky shoes and frump skirt. She followed the girl around a corner where the tour bus sat dead in traffic. The tourists watched the running figures. Edgar could see their heads turn in unison, pinwheels spinning at the windows.

All sounds gathered in the dimming sky.

She thought she understood the tourists. You travel somewhere not for museums and sunsets but for ruins, bombed-out terrain, for the moss-grown memory of torture and war. Emergency vehicles were ma.s.sing about a block and a half away. She saw workers pry open subway gratings in billows of pale smoke and she said a fast prayer, an act of hope, three years' indulgence. Then heads and torsos began to emerge, indistinctly, people coming into the air with jaws skewed open in frantic gasps. A short circuit, a subway fire. Through the rearview mirror she spotted tourists getting off the bus and edging along the street, poised to take pictures. And the schoolkids going by, barely interested-they saw tapes of actual killings on TV. But what did she know, an old woman who ate fish on Friday and longed for the Latin ma.s.s? She was far less worthy than Sister Grace. Gracie was a soldier, a fighter for human worth. Edgar was basically a junior G-man, protecting a set of laws and prohibitions. She heard the yammer of police cars pulsing in stalled traffic and saw a hundred subway riders come out of the tunnels accompanied by workers in incandescent vests and she watched the tourists snapping pictures and thought of the trip she'd made to Rome many years ago, for study and spiritual renewal, and she'd swayed beneath the great domes and prowled the catacombs and church bas.e.m.e.nts and this is what she thought as the riders came up to the street, how she'd stood in a subterranean chapel in a Capuchin church and could not take her eyes off the skeletons stacked there, wondering about the monks whose flesh had once decorated these metatarsals and femurs and skulls, many skulls heaped in alcoves and catty-corners, and she remembered thinking vindictively that these are the dead who will come out of the earth to lash and cudgel the living, to punish the sins of the living-death, yes, triumphant-but does she really want to believe that, still?

Gracie edged into the driver's seat, unhappy and flushed.

"Nearly caught her. We ran into the thickest part of the lots and then I was distracted, d.a.m.n scared actually, because bats, I couldn't believe it, actual bats-like the only flying mammals on earth?" She made ironic wing motions with her fingers. "They came swirling up out of a crater filled with medical waste. Bandages smeared with body fluids."

"I don't want to hear it," Edgar said.

"I saw, like, enough used syringes to satisfy the death wish of entire cities. Dead white mice by the hundreds with stiff flat bodies. You could flip them like baseball cards."

Edgar stretched her fingers inside the milky gloves.

"And Esmeralda somewhere in those shrubs and junked cars. I'll bet anything she's living in a car," Gracie said. "What happened here? Subway fire, looks like."

"Yes."

"Any dead?"

"I don't think so."

"I wish I'd caught her."

"She'll be all right," Edgar said.

"She won't be all right."

"She can take care of herself. She knows the landscape. She's smart."

"Sooner or later," Gracie said.

"She's safe. She's smart. She'll be all right."

And that night, under the first tier of scratchy sleep, Edgar saw the subway riders once again, adult males, females of childbearing age, all rescued from the smoky tunnels, groping along catwalks and led up companion ladders to the street-fathers and mothers, the lost parents found and gathered, s.h.i.+rt-plucked and bodied up, guided to the surface by small faceless figures with Day-Glo wings.

And some weeks later Edgar and Grace made their way on foot across a patch of leaf rot to the banks of the Bronx River near the city limits where a rear-ended Honda sat discarded in underbrush, plates gone, tires gone, windows lifted cleanly, rats ascratch in the glove compartment, and after they noted the particulars of abandonment and got back in the van, Edgar had an awful feeling, one of those forebodings from years long past when she sensed dire things about a pupil or a parent or another nun and felt stirrings of information in the dusty corridors of the convent or the school's supply room that smelled of pencil wood and composition books or the church that ab.u.t.ted the school, some dark knowledge in the smoke that floated from the altar boy's swinging censer, because things used to come to her in the creak of old floorboards and the odor of clothes, other people's damp camel coats, because she drew News and Rumors and Catastrophes into the spotless cotton pores of her habit and veil.

Not that she claimed the power to live without doubt.

She doubted and she cleaned. That night she leaned over the washbasin in her room and cleaned every bristle of the scrub brush with steel wool drenched in disinfectant. But this meant she had to immerse the bottle of disinfectant in something stronger than disinfectant. And she hadn't done this. She hadn't done it because the regression was infinite. And the regression was infinite because it is called infinite regression. You see how doubt becomes a disease that spreads beyond the pushy extrusions of matter and into the elevated s.p.a.ces where words play upon themselves.

And another morning a day later. She sat in the van and watched Sister Grace emerge from the convent, the rolling gait, the short legs and squarish body, Gracie's face averted as she edged around the front of the vehicle and opened the door on the driver's side.

She got in and gripped the wheel, looking straight ahead.

"I got a call from the friary."

Then she reached for the door and shut it. She gripped the wheel again.

"Somebody raped Esmeralda and threw her off a roof."

She started the engine.

"I'm sitting here thinking, Who do I kill?"

She looked at Edgar briefly, then put the van in gear.

"Because who do I kill is the only question I can ask myself without falling apart completely."

They drove south through local streets, the tenement brick smoked mellow in the morning light. Edgar felt the weather of Gracie's rage and pain-she'd approached the girl two or three times in recent weeks, had talked to her from a distance, thrown a bag of clothing into the pokeweed where Esmeralda stood. They rode all the way in silence with the older nun mind-reciting questions and answers from the Baltimore Catechism. The strength of these exercises, which were a form of perdurable prayer, lay in the voices that accompanied hers, children responding through the decades, syllable-crisp, a panpipe chant that was the lucid music of her life. Question and answer. What deeper dialogue might right minds devise? She reached her hand across to Gracie's on the wheel and kept it there for a digital tick on the dashboard clock. Who made us? G.o.d made us. Those clear-eyed faces so believing. Who is G.o.d? G.o.d is the Supreme Being who made all things. She felt tired in her arms, her arms were heavy and dead and she got all the way to Lesson 12 when the projects appeared at the rim of the sky, upper windows white with sunplay against the broad dark face of beaten stone.

When Gracie finally spoke she said, "It's still there."

"What's still there?"

"Hear it, hear it?"

"Hear what?" Edgar said.

"Ku-ku-ku-ku."

Then she drove the van down past the projects toward the painted wall.

When they got there the angel was already sprayed in place. They gave her a pink sweats.h.i.+rt and pink and aqua pants and a pair of white Air Jordans with the logo prominent-she was a running fool, so Ismael gave her running shoes. And the little kid named Juano still dangled from a rope, winched down from the roof by the old hand-powered hoist they used to grapple cars onto the deck of the truck. Ismael and others bent over the ledge, attempting to shout correct spellings down to him as he drifted to and from the wall, leaning in to spray the interlaced letters that marked the great gone era of wildstyle graffiti. The nuns stood outside the van, watching the kid finish the last scanted word and then saw him yanked skyward in the cutting wind.

ESMERALDA LOPEZ.

12 YEAR.

PETECTED IN HEVEN.

They all met on the third floor and Gracie paced the hollow room. Ismael stood in a corner smoking a Phillies Blunt. The nun did not seem to know where to begin, how to address the nameless thing that someone had done to this child she'd so hoped to save. She paced, she clenched her fists. They heard the ga.s.sy moan of a city bus some blocks away.

"Ismael. You have to find out who this guy is that did this thing."

"You think I'm running here? El Lay Pee Dee?"

"You have contacts in the neighborhood that no one else has."

"What neighborhood? The neighborhood's over there. This here's the Bird. It's all I can do to get these kids so they spell a word on the freaking wall. When I was writing we did subway cars in the dark without a letter misspell."

"Who cares about spelling?" Gracie said.

Ismael exchanged a secret look with Sister Edgar, giving her a snaggle smile from out of his history of dental neglect. She felt weak and lost. Now that Terror has become local, how do we live? she thought. The great thrown shadow dismantled-no longer a launched object in the sky named for a Greek G.o.ddess on a bell krater in 500 BC. What is Terror now? Some noise on the pavement very near, a thief with a paring knife or the stammer of casual rounds from a pa.s.sing car. Someone who carries off your child. Ancient fears called back, they will steal my child, they will come into my house when I'm asleep and cut out my heart because they have a dialogue with Satan. She let Gracie carry her grief and fatigue for the rest of that day and the day after and the two or three weeks after that. Edgar thought she might fall into crisis, begin to see the world as a spurt of blank matter that chanced to make an emerald planet here and a dead star there, with random waste between. The serenity of immense design was missing from her sleep, form and proportion, the power that awes and thrills. When Gracie and the crew took food into the projects, Edgar waited in the van, she was the nun in the van, unable to face the people who needed reasons for Esmeralda.

Mother of Mercy pray for us. Three hundred days.

Then the stories began, word pa.s.sing block to block, moving through churches and superettes, maybe garbled slightly, mistranslated here and there, but not deeply distorted-it was clear enough that people were talking about the same uncanny occurrence. And some of them went and looked and told others, stirring the hope that grows on surpa.s.sing things.

They gathered after dusk at a windy place between bridge approaches, seven or eight people drawn by the word of one or two, then thirty people drawn by the seven, then a tight silent crowd that grew bigger but no less respectful, two hundred people wedged onto a traffic island in the bottommost Bronx where the expressway arches down from the terminal market and the train yards stretch toward the narrows, all that industrial desolation that breaks your heart with its fretful Depression beauty-the ramps that shoot tall weeds and the old railroad bridge spanning the Harlem River, an openwork tower at either end, maybe swaying slightly in persistent wind.

Wedged, they came and parked their cars if they had cars, six or seven to a car, parking tilted on a high shoulder or in the factory side streets, and they wedged themselves onto the concrete island between the expressway and the pocked boulevard, feeling the wind come chilling in and gazing above the wash of madcap traffic to a billboard floating in the gloom-an advertising sign scaffolded high above the riverbank and meant to attract the doped-over glances of commuters on the trains that ran incessantly down from the northern suburbs into the thick of Manhattan money and glut.

Edgar sat across from Gracie in the refectory. She ate her food without tasting it because she'd decided years ago that taste was not the point. The point was to clean the plate.

Gracie said, "No, please, you can't."

"Just to see."

"No, no, no, no."

"I want to see for myself."

"This is tabloid. This is the worst kind of tabloid superst.i.tion. It's horrible. A complete, what is it? A complete abdication, you know? Be sensible. Don't abdicate your good sense."

"It could be her they're seeing."

"You know what this is? It's the nightly news. It's the local news at eleven with all the grotesque items neatly s.p.a.ced to keep you watching the whole half hour."

"I think I have to go," Edgar said.

"This is something for poor people to confront and judge and understand if they can and we have to see it in that framework. The poor need visions, okay?"

"I believe you are patronizing the people you love," Edgar said softly.

"That's not fair."

"You say the poor. But who else would saints appear to? Do saints and angels appear to bank presidents? Eat your carrots."

"It's the nightly news. It's gross exploitation of a child's horrible murder."

"But who is exploiting? No one's exploiting," Edgar said. "People go there to weep, to believe."

"It's how the news becomes so powerful it doesn't need TV or newspapers. It exists in people's perceptions. It becomes real or fake-real so people think they're seeing reality when they're seeing something they invent. It's the news without the media."

Edgar ate her bread.

"I'm older than the pope. I never thought I would live long enough to be older than a pope and I think I need to see this thing."

"Pictures lie," Gracie said.

"I think I need to see it."

"Don't pray to pictures, pray to saints."

"I think I need to go."

"But you can't. It's crazy. Don't go, Sister."

But Edgar went. She went with a shy quiet type named Janis Loudermilk, who wore a retainer for s.p.a.cey teeth. They took the bus and subway and walked the last three blocks and Sister Jan carried a portable phone in case they needed aid.