The Machinery Of Light Part 41

It'll have to do. The ceiling of the inner Room is peeling away above her. She's streaking in toward another elevator now-one among so many, this one part of a funicular ramp that she's setting in motion, her mind working its controls as she leaps on and turns to face the receding hub of the inner Room, targeting her guns and mind on it, waiting for what she knows is about to emerge- They're cutting in behind the s.p.a.ceCom rearguard, stealing between the units that are struggling to throw up a defensive screen. Lynx has got the Com's cookbook thoroughly cracked by now. Besides, that rearguard has made its deployments largely focused on the incoming Eurasians. Lynx and Linehan reach a network of more shafts and get within the area where the bulk of the president's forces are moving. But even here, there's still a lot of fighting going on. It doesn't take them long to figure out why.

Lot of free agents," says the Operative.

He's got Maschler and Riley manning the guns while he works the zone. The train's racing out toward the center of the farside now, gathering speed with every minute, dropping ever farther. Velasquez is integrating her zone-readouts with those of the Operative. It's an exercise in extrapolation as the situation gets ever more chaotic. But the overall contours are unmistakable.

"Makes sense," says Velasquez.

"You're being sarcastic?"

"Not at all."

"What the h.e.l.l are you guys talking about?" demands Sarmax.

"Szilard's stirring up the refugees," says the Operative.

"Those who fled the new orders," says Velasquez.

Sarmax nods. Praetorians who made themselves scarce when Montrose took over. InfoCom soldiers who got the h.e.l.l out of there when Szilard f.u.c.ked their boss till she turned blue. Escaped convicts. Fleeing civvies. And the last of s.p.a.ceCom's marines. There's nowhere else to go but- "Deeper," says Sarmax.

Everyone's trying to get out of the way," says Jarvin.

Spencer nods as their train keeps on hurtling through the warrens. He's been picking up many of the same signals. The lunar underground is like a jungle that's being overrun by army ants. All of the denizens are on the move. Everyone's under pressure. Including all too many who thought they'd gotten out of the way for good ...

"Choosing the wrong side can be a b.i.t.c.h," says Jarvin.

"I guess you should know," says Spencer.

"And you should thank your lucky stars for that."

"You'd better put up or shut up. We need to find-"

"We're almost on top of it."

"And the Eurasians are almost on top of us." us."

She knows it all too well. Sinclair's going to be on her any moment. She can feel his mind breaking out beneath her. The thought of seeing his face in the flesh terrifies her-even more so than the structures of the outer Room that she's being hauled past-all the structures that she couldn't see for certain on the way in, and that are now flas.h.i.+ng past her eyes: vast pillars-that-aren't-pillars, some of them supporting impossibly gigantic terrariums suspended like ma.s.sive pods, glowing green with the flora they contain, all of them wrapped in the endless labyrinthine piping that coils everywhere like the entrails of some giant beast. She can't even see the inner Room below her now-she's set the controls of the elevator for maximum speed and is streaking up the funicular far faster than she descended. The real zone of this place is coming alive all around her, a texture she's never encountered. She wonders what its next move will be. She jury-rigs the controls of the elevator to push it beyond its safety margins, hurtling upward to where she begins to glimpse something that just might pa.s.s for ceiling.

Explosions rumbling through long kilometers of tunnel, distant noise of firing, endless shards of fragmented zone: Lynx continues to take stock. He's got a better read on the s.p.a.ceCom forces now. The elite marines remaining to Szilard are bunched into two groups: rearguard and everyone else. The real question is where Szilard himself is. And farther down the fighting is intensifying- "Not looking good," says a voice.

"Who the h.e.l.l's this?" says Lynx.

That'd be me," says the Operative.

"f.u.c.k's sake," says Lynx.

"Whatever," says the Operative. No zone now, all mental-and he's holding the channel open with almost no effort. He's surprised at just how adroit he's getting. It was strange to go through life for so long without any of this-even stranger to go through the next stage with the ability in latent form, just aware of the presence presence of Lynx and Sarmax, but with neither nuance or range beyond that. He's not even sure what's propelling him to these new heights. Maybe it's the influence of Velasquez. Maybe it's simply the onset of the end-times. Because now he knows how insignificant his abilities are compared to the real masters of the game. of Lynx and Sarmax, but with neither nuance or range beyond that. He's not even sure what's propelling him to these new heights. Maybe it's the influence of Velasquez. Maybe it's simply the onset of the end-times. Because now he knows how insignificant his abilities are compared to the real masters of the game.

"We're out of time," he says.

"That's why we're on the line," adds Velasquez.

"Who the h.e.l.l's that?" says Lynx.

"Your worst nightmare," replies Sarmax.

That's about how Spencer's feeling. He and Jarvin are doubling back and forth through the nearside rail-networks, trying to triangulate on the place that Jarvin is so sure of yet just can't seem to find. Judging by the shaking of this tunnel, the Eurasian machinery is only a few levels up now.

"Other way," says Jarvin.

"Again?"

"This time I'm sure."

"No kidding."

But Spencer turns the vehicle anyway, heads down the new pa.s.sage. Maglev gives way to rails-which give out after a few more klicks, leaving Spencer to power them onward by rockets. Lights flicker across the klicks. And finally- "Dead end."

"I don't think so," says Jarvin.

Spencer doesn't either. Because there's definitely some kind of machinery on the other side of this rock. Some kind of zone. But it's not like anything he's ever seen. And as to hacking it- "f.u.c.k!"

"What?" says Jarvin.

"That burns."

"It takes a light touch"-and Spencer feels Jarvin's mind brush by his, reach out onto the zone. A section of wall slides away. Spencer stares at the elevator car revealed-and then he claps slowly.

"Never doubted you," he says.

Jarvin looks at him, shrugs. "Makes one of us."

The ceiling of the outer Room hurtles toward her, the structures through which she's been pa.s.sing falling away like the tower tops of some vast, demented city. She has yet to see any sign of Sinclair coming after her. As far as she can tell, he's still exactly where he was to begin with-back in the hub. She's beginning to wonder if that's a decoy. He could be somewhere in the ceiling itself, hiding within the psychic emanations of the membrane, waiting for her. She's a.n.a.lyzing that membrane now-running her mind across it. She braces herself, runs the sequences on the trapdoors coming ever closer.

Okay," says the Operative. "We're all on the same line now."

Or at least the ones who count. Velasquez is speaking for her triad. As far as the Operative knows, she's speaking for Sarmax, too. That man seems happier than he's been in years. It's something that seems to amuse Lynx considerably, a few hundred klicks distant.

"Finally found your dream girl, huh? Too bad the world's gonna end in a couple more minutes-"

"Go f.u.c.k yourself," says Sarmax.

"Shut up," says the Operative. "All of you shut up and listen shut up and listen. Our only hope of getting through this is by combining all our forces. And that starts with us getting on the same f.u.c.king page. And we're in a combat situation, so here's how it's going to work: I'm going to make a series of statements, and if I say anything anything that that any any of you disagree with-or if you know something that puts that fact in a new light-then of you disagree with-or if you know something that puts that fact in a new light-then now's the time to f.u.c.king say it now's the time to f.u.c.king say it. Okay?"

No one says anything.

"Okay," he says. "Sinclair's in the Room and he's switching everything on."

Static. The Operative watches on the zone as their positions close upon one another ...

"He's got Haskell in there with him," he adds.

"We don't know that for sure," says Lynx.

The Operative laughs. "Don't we? He's f.u.c.king with the fabric of f.u.c.king reality fabric of f.u.c.king reality. Which is s.h.i.+fting under our f.u.c.king feet." under our f.u.c.king feet."

No one replies.

"So all this war, all this fighting-everything that ever mattered, everything that ever will-all of it is coming down to one thing: whether we can get into the Room before Sinclair finishes. .h.i.tting b.u.t.tons."

"But why hasn't he yet?" says Velasquez.

"A good question."

"It's the the question," she says. question," she says.

"And we can't wait for the answer-"

"Has it occurred to you that he's waiting for us?" asks Sarmax.

"Yes," says the Operative.

They mull that over "But I can't see why," he adds. "Haskell's the one who-"

"She may not even be alive," alive," says Sarmax. "He may have already says Sarmax. "He may have already processed processed her-" her-"

"Doesn't matter," says the Operative. "All that matters is that it's all converging. That's why the East's shock-troops are heading deeper as fast as they can deploy onto the lunar surface. That's why Szilard is-"

"-at the bottom," says Lynx.

A pause. "You sure about that?"

"His advance-guard's reached the f.u.c.king labyrinth." labyrinth."

Through the doors and membrane of the Room and that's where she is, too. Sinclair's f.u.c.king labyrinth. A maze of impossible deathtraps that guard the main entrance to the Room, nestled in between the two perimeters-waves of zone and psychic signals a.s.sail her brain, and she can barely tell where the walls are. It doesn't matter, though, because she's plowing ahead anyway, her suit-jets flaring as she dives between hyper-sharp filaments that spring out toward her, but she's maneuvering on pure future now-a moment ahead of all of it as she dodges past the first of the traps, ascending away from the Room ever farther into the maze to end all mazes.

They're plunging downward at unholy speeds, pressed up against the ceiling as they accelerate. Turns out this elevator's state-of-the-art maglev. They're rapidly closing the distance between them and Moon's core ...

"Does this bypa.s.s the front door?" says Spencer.

"I sure as s.h.i.+t hope so," says Jarvin. "His labyrinth's a killing zone. Nothing's getting through there."

Spencer gestures at the elevator. "So how do you know about this?" this?"

Jarvin shrugs. "A file I cracked and never wrote down. Sinclair's special entrance so he could bypa.s.s all the c.r.a.p."

"So we might run into him en route."

"Sooner or later, we're going going to run into him. And when we do, we're going to give him a little surprise." to run into him. And when we do, we're going to give him a little surprise."

"What the h.e.l.l are you talking about?"

"I want you to promise me something, Spencer: if it doesn't work-do not not let me fall alive into his hands." let me fall alive into his hands."

"If what what doesn't work?" doesn't work?"

"I was one of his handlers handlers, Spencer. And no matter what I've been telling you, the truth is that I know way way too much about what he's trying to do." too much about what he's trying to do."

"More than this? this? More than the f.u.c.king download we just got from the AI? We're talking about the ability to f.u.c.k with More than the f.u.c.king download we just got from the AI? We're talking about the ability to f.u.c.k with everything- everything-"

"And even that's nothing. He'll show no mercy to me. So if it all goes wrong-I need you to promise me you'll kill me before that happens."

"I might kill you long long before that happens." before that happens."

"Now we're talking," says Jarvin.

All their minds are linked now. They're maneuvering in upon the center of the s.p.a.ceCom position-Lynx and Linehan streaking in from the rear, the Operative and Riley and Maschler about to hit the flank. Sarmax and the Rain triad are getting out in front of where they think Szilard is. The plan's simplicity itself: take Szilard from every direction and take him out, take over his forces and use them as cannon fodder against the labyrinth and Room. Their firepower is a mere fraction of Szilard's elite marines, but they've got the upper ground on zone. And their minds are now operating at a level that nothing within the s.p.a.ceCom ranks can touch. They can't nail the minds of the Com troops. They're not that good. But they can put them under pressure all the same ...

And she can feel it-the emanations of those Rain minds like smoke wafting high above her, s.h.i.+mmering through the endless mist of labyrinth, spreading fear and confusion among the s.p.a.ceCom ranks. It's as she expected. No single one of the players is strong enough to stay alive solo, but combined their minds comprise a factor. As opposed to the minds of those now stumbling into the farside of the labyrinth-the s.p.a.ceCom advance forces. She can feel their spirits winking out like lights being extinguished as they make it barely inside the labyrinth before being liquidated, and it's all she can do to avoid the same fate herself; she twists and turns and pushes herself off walls and prays she won't hit one of the thousand dead ends or any of the ten thousand traps-prays that she wasn't seeing the faceless visage of Control looming before her. But G.o.d died a long time ago.

Pursuit," says Jarvin, and his voice has gone all taut.

Spencer picks it up too. Several kilometers back.

Another maglev car.

"Who the f.u.c.k is that?" he mutters: "Could be Sinclair himself," says Jarvin. For the first time he's starting to look less than calm ...

"Or guardians of this shaft," says Spencer. He and Jarvin are doing what they can to get in on the strange zone that const.i.tutes this whole route, running their hacks to commandeer the car they're in and keep the electricity running as they shoot down rails toward the depths of Moon. But that other car's making good progress all the same. It's several klicks back, and there's something more than a little strange about its zone-signature ... to the point where it's almost like it's not there ...

"Oh f.u.c.k," f.u.c.k," says Jarvin. says Jarvin.

Lynx and Linehan sweep in between the units guarding Szilard's inner position, heading straight toward it, exchanging fire, then drawing off-a feint that pulls a good chunk of Szilard's flank with it. Tunnels are folding up around them as the marines give chase. Lynx and Linehan start to double around, back toward Szilard's command post- What the f.u.c.k are you doing?" yells the Operative.

"Going for it," says Lynx.

The Operative can see he's not kidding. The plan was for Lynx and Linehan to make the feint and then let the rest of them get in there. But Lynx has never been one for playing second fiddle. And the Operative figures maybe that's just as well. If Szilard's still got anything up his sleeve, then maybe Lynx can be the one to find out first. The Operative signals to Riley and Maschler to get out on the hull as he maneuvers their vehicle in on the heart of the Com defenses ...

Still playing their f.u.c.king games," says Velasquez.

"They can't stop," says Sarmax.

Apparently. The final twenty klicks, and it's total chaos. Lynx and the Operative are veering around Szilard's mobile strongpoint like wolves around a campfire. Half the Com forces are fighting one another as their minds go. But the inner enclave of Szilard's handpicked marines are holding steady, defending their president, their ranks still unbroken. They're continuing to forge their way down toward the labyrinth. Which the advance guard has already penetrated- "And gotten annihilated," says Velasquez.

"Takes a special kind of maniac to go in there."

She's threading through the web of pa.s.sages and somehow it helps that she doesn't even know which ones are in her mind and which ones are carved in rock. All she knows is that Control's looming before her like a disembodied ghost.

"Turn back, Claire."