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Rootabaga Stories Part 14

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"Listen, Flim the Goose. What I am telling you is a secret of the fire-born. I do not know whether you understand. We have slept together a night on the sand flats next to the booming rollers, under the stub pines with the stars high over--and so I tell what the fathers of the fire-born tell their sons."

And that day Fire the Goat and Flim the Goose moved along the sand flat sh.o.r.e of the Big Lake of the Booming Rollers. It was a blue day, with a fire-blue of the sun mixing itself in the air and the water.

Off to the north the booming rollers were blue sea-green. To the east they were sometimes streak purple, sometimes changing bluebell stripes. And to the south they were silver blue, sheet blue.

Where the shadow hippodrome marched on the east sky that morning was a long line of blue-bird spots.

"Only the fire-born understand blue," said Fire the Goat to Flim the Goose. And that night as the night before they slept on a sand flat.

And again Fire the Goat took off his horns and laid them under his head while he slept and Flim the Goose took off his wings and laid them under his head while he slept.

And twice in the night, Fire the Goat whispered in his sleep, whispered to the stars, "Only the fire-born understand blue."

8. Two Stories About Corn Fairies, Blue Foxes, Flongboos and Happenings That Happened in the United States and Canada

_People_: Spink Skabootch A Man Corn Fairies

Blue Foxes Flongboos A Philadelphia Policeman Pa.s.senger Conductor Chicago Newspapers The Head Spotter of the Weather Makers at Medicine Hat

[Ill.u.s.tration]

How to Tell Corn Fairies If You See 'Em

If you have ever watched the little corn begin to march across the black lands and then slowly change to big corn and go marching on from the little corn moon of summer to the big corn harvest moon of autumn, then you must have guessed who it is that helps the corn come along.

It is the corn fairies. Leave out the corn fairies and there wouldn't be any corn.

All children know this. All boys and girls know that corn is no good unless there are corn fairies.

Have you ever stood in Illinois or Iowa and watched the late summer wind or the early fall wind running across a big cornfield? It looks as if a big, long blanket were being spread out for dancers to come and dance on. If you look close and if you listen close you can see the corn fairies come dancing and singing--sometimes. If it is a wild day and a hot sun is pouring down while a cool north wind blows--and this happens sometimes--then you will be sure to see thousands of corn fairies marching and countermarching in mocking grand marches over the big, long blanket of green and silver. Then too they sing, only you must listen with your littlest and newest ears if you wish to hear their singing. They sing soft songs that go pla-sizzy pla-sizzy-sizzy, and each song is softer than an eye wink, softer than a Nebraska baby's thumb.

And Spink, who is a little girl living in the same house with the man writing this story, and Skabootch, who is another little girl in the same house--both Spink and Skabootch are asking the question, "How can we tell corn fairies if we see 'em? If we meet a corn fairy how will we know it?" And this is the explanation the man gave to Spink who is older than Skabootch, and to Skabootch who is younger than Spink:--

All corn fairies wear overalls. They work hard, the corn fairies, and they are proud. The reason they are proud is because they work so hard. And the reason they work so hard is because they have overalls.

But understand this. The overalls are corn gold cloth, woven from leaves of ripe corn mixed with ripe October corn silk. In the first week of the harvest moon coming up red and changing to yellow and silver the corn fairies sit by thousands between the corn rows weaving and st.i.tching the clothes they have to wear next winter, next spring, next summer.

They sit cross-legged when they sew. And it is a law among them each one must point the big toe at the moon while sewing the harvest moon clothes. When the moon comes up red as blood early in the evening they point their big toes slanting toward the east. Then towards midnight when the moon is yellow and half way up the sky their big toes are only half slanted as they sit cross-legged sewing. And after midnight when the moon sails its silver disk high overhead and toward the west, then the corn fairies sit sewing with their big toes pointed nearly straight up.

If it is a cool night and looks like frost, then the laughter of the corn fairies is something worth seeing. All the time they sit sewing their next year clothes they are laughing. It is not a law they have to laugh. They laugh because they are half-tickled and glad because it is a good corn year.

And whenever the corn fairies laugh then the laugh comes out of the mouth like a thin gold frost. If you should be lucky enough to see a thousand corn fairies sitting between the corn rows and all of them laughing, you would laugh with wonder yourself to see the gold frost coming from their mouths while they laughed.

Travelers who have traveled far, and seen many things, say that if you know the corn fairies with a real knowledge you can always tell by the st.i.tches in their clothes what state they are from.

In Illinois the corn fairies st.i.tch fifteen st.i.tches of ripe corn silk across the woven corn leaf cloth. In Iowa they st.i.tch sixteen st.i.tches, in Nebraska seventeen, and the farther west you go the more corn silk st.i.tches the corn fairies have in the corn cloth clothes they wear.

In Minnesota one year there were fairies with a blue sash of corn-flowers across the breast. In the Dakotas the same year all the fairies wore pumpkin-flower neckties, yellow four-in-hands and yellow ascots. And in one strange year it happened in both the states of Ohio and Texas the corn fairies wore little wristlets of white morning glories.

The traveler who heard about this asked many questions and found out the reason why that year the corn fairies wore little wristlets of white morning glories. He said, "Whenever fairies are sad they wear white. And this year, which was long ago, was the year men were tearing down all the old zigzag rail fences. Now those old zigzag rail fences were beautiful for the fairies because a hundred fairies could sit on one rail and thousands and thousands of them could sit on the zigzags and sing pla-sizzy pla-sizzy, softer than an eye-wink, softer than a baby's thumb, all on a moonlight summer night. And they found out that year was going to be the last year of the zigzag rail fences.

It made them sorry and sad, and when they are sorry and sad they wear white. So they picked the wonderful white morning glories running along the zigzag rail fences and made them into little wristlets and wore those wristlets the next year to show they were sorry and sad."

Of course, all this helps you to know how the corn fairies look in the evening, the night time and the moonlight. Now we shall see how they look in the day time.

In the day time the corn fairies have their overalls of corn gold cloth on. And they walk among the corn rows and climb the corn stalks and fix things in the leaves and stalks and ears of the corn. They help it to grow.

Each one carries on the left shoulder a mouse brush to brush away the field mice. And over the right shoulder each one has a cricket broom to sweep away the crickets. The brush is a whisk brush to brush away mice that get foolish. And the broom is to sweep away crickets that get foolish.

Around the middle of each corn fairy is a yellow-belly belt. And stuck in this belt is a purple moon shaft hammer. Whenever the wind blows strong and nearly blows the corn down, then the fairies run out and take their purple moon shaft hammers out of their yellow-belly belts and nail down nails to keep the corn from blowing down. When a rain storm is blowing up terrible and driving all kinds of terribles across the cornfield, then you can be sure of one thing. Running like the wind among the corn rows are the fairies, jerking their purple moon shaft hammers out of their belts and nailing nails down to keep the corn standing up so it will grow and be ripe and beautiful when the harvest moon comes again in the fall.

Spink and Skabootch ask where the corn fairies get the nails. The answer to Spink and Skabootch is, "Next week you will learn all about where the corn fairies get the nails to nail down the corn if you will keep your faces washed and your ears washed till next week."

And the next time you stand watching a big cornfield in late summer or early fall, when the wind is running across the green and silver, listen with your littlest and newest ears. Maybe you will hear the corn fairies going pla-sizzy pla-sizzy-sizzy, softer than an eye wink, softer than a Nebraska baby's thumb.

[Ill.u.s.tration]

How the Animals Lost Their Tails and Got Them Back Traveling From Philadelphia to Medicine Hat

Far up in North America, near the Saskatchewan river, in the Winnipeg wheat country, not so far from the town of Moose Jaw named for the jaw of a moose shot by a hunter there, up where the blizzards and the chinooks begin, where n.o.body works unless they have to and they nearly all have to, there stands the place known as Medicine Hat.

And there on a high stool in a high tower on a high hill sits the Head Spotter of the Weather Makers.

When the animals lost their tails it was because the Head Spotter of the Weather Makers at Medicine Hat was careless.

The tails of the animals were stiff and dry because for a long while there was dusty dry weather. Then at last came rain. And the water from the sky poured on the tails of the animals and softened them.

Then the chilly chills came whistling with icy mittens and they froze all the tails stiff. A big wind blew up and blew and blew till all the tails of the animals blew off.

It was easy for the fat stub hogs with their fat stub tails. But it was not so easy for the blue fox who uses his tail to help him when he runs, when he eats, when he walks or talks, when he makes pictures or writes letters in the snow or when he puts a snack of bacon meat with stripes of fat and lean to hide till he wants it under a big rock by a river.

[Ill.u.s.tration: There on a high stool in a high tower, on a high hill sits the Head Spotter of the Weather Makers]

It was easy enough for the rabbit who has long ears and no tail at all except a white thumb of cotton. But it was hard for the yellow flongboo who at night lights up his house in a hollow tree with his fire yellow torch of a tail. It is hard for the yellow flongboo to lose his tail because it lights up his way when he sneaks at night on the prairie, sneaking up on the flangwayers, the hippers and hangjasts, so good to eat.

The animals picked a committee of representatives to represent them in a parleyhoo to see what steps could be taken by talking to do something. There were sixty-six representatives on the committee and they decided to call it the Committee of Sixty Six. It was a distinguished committee and when they all sat together holding their mouths under their noses (just like a distinguished committee) and blinking their eyes up over their noses and cleaning their ears and scratching themselves under the chin looking thoughtful (just like a distinguished committee) then anybody would say just to look at them, "This must be quite a distinguished committee."

Of course, they would all have looked more distinguished if they had had their tails on. If the big wavy streak of a blue tail blows off behind a blue fox, he doesn't look near so distinguished. Or, if the long yellow torch of a tail blows off behind a yellow flongboo, he doesn't look so distinguished as he did before the wind blew.

So the Committee of Sixty Six had a meeting and a parleyhoo to decide what steps could be taken by talking to do something. For chairman they picked an old flongboo who was an umpire and used to umpire many mix-ups. Among the flongboos he was called "the umpire of umpires,"

"the king of umpires," "the prince of umpires," "the peer of umpires."

When there was a fight and a snag and a wrangle between two families living next door neighbors to each other and this old flongboo was called in to umpire and to say which family was right and which family was wrong, which family started it and which family ought to stop it, he used to say, "The best umpire is the one who knows just how far to go and how far not to go." He was from Ma.s.sachusetts, born near Chappaquidd.i.c.k, this old flongboo, and he lived there in a horse chestnut tree six feet thick half way between South Hadley and Northampton. And at night, before he lost his tail, he lighted up the big hollow cave inside the horse chestnut tree with his yellow torch of a tail.

After he was nominated with speeches and elected with votes to be the chairman, he stood up on the platform and took a gavel and banged with the gavel and made the Committee of Sixty Six come to order.

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Rootabaga Stories Part 14 summary

You're reading Rootabaga Stories. This manga has been translated by Updating. Author(s): Carl Sandburg. Already has 660 views.

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