Rootabaga Stories Part 13

"Some walked p.u.s.s.yfoot, sliding easy and soft just like people in the daytime. Some walked clumping and clumping, coming down heavy on the heels and slow on the toes, just like people in the daytime.

"Some turned their toes in and walked pigeon-toe, some spread their toes out and held their heels in, just like people in the daytime.

Some ran glad and fast, some lagged slow and sorry.

"Now there was a little girl in the Village of Cream Puffs who came home from a dance that night. And she was tired from dancing round dances and square dances, one steps and two steps, toe dances and toe and heel dances, dances close up and dances far apart, she was so tired she took off only one slipper, tumbled onto her bed and went to sleep with one slipper on.

"She woke up in the morning when it was yet dark. And she went to the window and looked up in the sky and saw a Dancing Slipper Moon dancing far and high in the deep blue sea of the moon sky.

"'Oh--what a moon--what a dancing slipper of a moon!' she cried with a little song to herself.

"She opened the window, saying again, 'Oh! what a moon!'--and kicked her foot with the slipper on it straight toward the moon.

"The slipper flew off and flew up and went on and on and up and up in the moons.h.i.+ne.

"It never came back, that slipper. It was never seen again. When they asked the girl about it she said, 'It slipped off my foot and went up and up and the last I saw of it the slipper was going on straight to the moon.'"

And these are the explanations why fathers and mothers in the Rootabaga Country say to their girls growing up, "Never kick a slipper at the moon if it is the time of the Dancing Slipper Moon when the ends of the moon look like the toe and the heel of a dancer's foot."

7. One Story--"Only the Fire-Born Understand Blue"

_People_: Fire the Goat Flim the Goose Shadows

[Ill.u.s.tration]

Sand Flat Shadows

Fire the Goat and Flim the Goose slept out. Stub pines stood over them. And away up next over the stub pines were stars.

It was a white sand flat they slept on. The floor of the sand flat ran straight to the Big Lake of the Booming Rollers.

And just over the sand flat and just over the booming rollers was a high room where the mist people were making pictures. Gray pictures, blue and sometimes a little gold, and often silver, were the pictures.

And next just over the high room where the mist people were making pictures, next just over were the stars.

Over everything and always last and highest of all, were the stars.

Fire the Goat took off his horns. Flim the Goose took off his wings.

"This is where we sleep," they said to each other, "here in the stub pines on the sand flats next to the booming rollers and high over everything and always last and highest of all, the stars."

Fire the Goat laid his horns under his head. Flim the Goose laid his wings under his head. "This is the best place for what you want to keep," they said to each other. Then they crossed their fingers for luck and lay down and went to sleep and slept. And while they slept the mist people went on making pictures. Gray pictures, blue and sometimes a little gold but more often silver, such were the pictures the mist people went on making while Fire the Goat and Flim the Goose went on sleeping. And over everything and always last and highest of all, were the stars.

They woke up. Fire the Goat took his horns out and put them on. "It's morning now," he said.

Flim the Goose took his wings out and put them on. "It's another day now," he said.

Then they sat looking. Away off where the sun was coming up, inching and pus.h.i.+ng up far across the rim curve of the Big Lake of the Booming Rollers, along the whole line of the east sky, there were people and animals, all black or all so gray they were near black.

There was a big horse with his mouth open, ears laid back, front legs thrown in two curves like harvest sickles.

There was a camel with two humps, moving slow and grand like he had all the time of all the years of all the world to go in.

There was an elephant without any head, with six short legs. There were many cows. There was a man with a club over his shoulder and a woman with a bundle on the back of her neck.

And they marched on. They were going nowhere, it seemed. And they were going slow. They had plenty of time. There was nothing else to do. It was fixed for them to do it, long ago it was fixed. And so they were marching.

Sometimes the big horse's head sagged and dropped off and came back again. Sometimes the humps of the camel sagged and dropped off and came back again. And sometimes the club on the man's shoulder got bigger and heavier and the man staggered under it and then his legs got bigger and stronger and he steadied himself and went on. And again sometimes the bundle on the back of the neck of the woman got bigger and heavier and the bundle sagged and the woman staggered and her legs got bigger and stronger and she steadied herself and went on.

This was the show, the hippodrome, the spectacular circus that pa.s.sed on the east sky before the eyes of Fire the Goat and Flim the Goose.

"Which is this, who are they and why do they come?" Flim the Goose asked Fire the Goat.

[Ill.u.s.tration: Away off where the sun was coming up, there were people and animals]

"Do you ask me because you wish me to tell you?" asked Fire the Goat.

"Indeed it is a question to which I want an honest answer."

"Has never the father or mother nor the uncle or aunt nor the kith and kin of Flim the Goose told him the what and the which of this?"

"Never has the such of this which been put here this way to me by anybody."

Flim the Goose held up his fingers and said, "I don't talk to you with my fingers crossed."

And so Fire the Goat began to explain to Flim the Goose all about the show, the hippodrome, the mastodonic cyclopean spectacle which was pa.s.sing on the east sky in front of the sun coming up.

"People say they are shadows," began Fire the Goat. "That is a name, a word, a little cough and a couple of syllables.

"For some people shadows are comic and only to laugh at. For some other people shadows are like a mouth and its breath. The breath comes out and it is nothing. It is like air and n.o.body can make it into a package and carry it away. It will not melt like gold nor can you shovel it like cinders. So to these people it means nothing.

"And then there are other people," Fire the Goat went on. "There are other people who understand shadows. The fire-born understand. The fire-born know where shadows come from and why they are.

"Long ago, when the Makers of the World were done making the round earth, the time came when they were ready to make the animals to put on the earth. They were not sure how to make the animals. They did not know what shape animals they wanted.

"And so they practised. They did not make real animals at first. They made only shapes of animals. And these shapes were shadows, shadows like these you and I, Fire the Goat and Flim the Goose, are looking at this morning across the booming rollers on the east sky where the sun is coming up.

"The shadow horse over there on the east sky with his mouth open, his ears laid back, and his front legs thrown in a curve like harvest sickles, that shadow horse was one they made long ago when they were practising to make a real horse. That shadow horse was a mistake and they threw him away. Never will you see two shadow horses alike. All shadow horses on the sky are different. Each one is a mistake, a shadow horse thrown away because he was not good enough to be a real horse.

"That elephant with no head on his neck, stumbling so grand on six legs--and that grand camel with two humps, one bigger than the other--and those cows with horns in front and behind--they are all mistakes, they were all thrown away because they were not made good enough to be real elephants, real cows, real camels. They were made just for practice, away back early in the world before any real animals came on their legs to eat and live and be here like the rest of us.

"That man--see him now staggering along with the club over his shoulder--see how his long arms come to his knees and sometimes his hands drag below his feet. See how heavy the club on his shoulders loads him down and drags him on. He is one of the oldest shadow men.

He was a mistake and they threw him away. He was made just for practice.

"And that woman. See her now at the end of that procession across the booming rollers on the east sky. See her the last of all, the end of the procession. On the back of her neck a bundle. Sometimes the bundle gets bigger. The woman staggers. Her legs get bigger and stronger. She picks herself up and goes along shaking her head. She is the same as the others. She is a shadow and she was made as a mistake. Early, early in the beginnings of the world she was made, for practice.