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Roadwork. Part 15

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"I won't take it," she said promptly.

"I know you won't. That's why I won't. I want you to take it."

"Because everybody isn't as nice as you?"

"That's right." He looked at her challengingly.

She shook her head in an exasperated way and stood up. "All right. But you're a bourgeois, you know that?"



"Yes."

She came over and kissed him on the mouth. It was exciting. He could smell her, and the smell was nice. He was almost instantly hard.

"Go on," he said.

"If you reconsider during the night-"

"I won't." He watched her go to the stairs, her feet bare. "Hey?"

She turned, her eyebrows raised.

"What's your name?"

"Olivia, if it matters. Stupid, isn't it? Like Olivia DeHaviland."

"No, it's okay. I like it. Night, Olivia."

"Night. "

She went up. He heard the light click on, the way he had always heard it when Mary went up before him. If he listened closely, he might be able to hear the quietly maddening sound of her sweater against her skin as she pulled it over her head, or the snap of the catch that held her jeans nipped in to her waist"

Using the s.p.a.ce Command module, he turned on the TV.

His p.e.n.i.s was still fully erect, uncomfortable. It bulged against the crotch of his pants, what Mary had sometimes called the rock of ages and sometimes the snake-that-turned-to-stone in their younger days, when bed was nothing but another playground sport. He pulled at the folds of his underwear and when it didn't go down, he stood up. After a while the erection wilted and he sat down again.

When the news was over, a movie came on-John Agar in Brain from Planet Arous Brain from Planet Arous. He fell asleep sitting in front of the TV with the s.p.a.ce Command module still clasped loosely in one hand. A few minutes later there was a stirring beneath the fly of his pants as his erection returned, stealthily, like a murderer revisiting the scene of an ancient crime.

December 7, 1973

But he did go to her in the night.

The dream of Mr. Piazzi's dog came to him, and this time he knew the boy approaching the dog was Charlie before the b.i.t.c.h struck. That made it worse and when Mr. Piazzi's dog lunged, he struggled up from sleep like a man clawing his way out of a shallow, sandy grave.

He clawed at the air, not awake but not asleep either, and he lost his sense of balance on the couch, where he had finally curled up. He tottered miserably on the edge of balance for a moment, disoriented, terrified for his dead son who died over and over again in his dreams.

He fell onto the floor, banging his head and hurting his shoulder, and came awake enough to know he was in his own living room and that the dream was over. The reality was miserable, but not actively terrifying.

What was he doing? A sort of gestalt reality of what he had done to his life came to him, a hideous overview. He had ripped it right down the middle, like a cheap piece of cloth. Nothing was right anymore. He was hurting. He could taste stale Southern Comfort in the back of his throat, and he burped up some acid-tasting sour stuff and swallowed it back.

He began to s.h.i.+ver and seized his knees in a futile effort to stop it. In the night everything was strange. What was he doing, sitting on the floor of his living room and holding his knees and shaking like an old drunk in an alley? Or like a catatonic, a f.u.c.king psycho, that was more like it. Was that it? Was he a psycho? Nothing sort of funny and whimsical like a fruitcake or a dork or a rubber crutch but an out-and-out psycho? The thought dumped him into fresh terror. Had he gone to a hoodlum in an effort to get explosives? Was he really hiding two guns out in the garage, one of them big enough to kill an elephant? A little whining noise came out of his throat and he got up tentatively, his bones creaking like those of a very old man.

He went up the stairs without allowing himself to think, and stepped into his bedroom. "Olivia?" he whispered. This was preposterous, like an old-time Rudolph Valentino movie. "Are you awake?"

"Yes," she said. She didn't even sound sleepy. "The clock was keeping me awake. That digital clock. It kept going click. I pulled the plug."

"That's all right," he said. It was a ludicrous thing to say. "I had a bad dream. " The sound of covers being thrown back. "Come on. Get in with me."

"I-".

"Will you shut up?"

He got in with her. She was naked. They made love. Then slept.

In the morning, the temperature was only 10 degrees. She asked him if he got a newspaper.

"We used to," he said. "Kenny Upslinger delivered it. His family moved to Iowa. "

"Iowa, yet," she said, and turned on the radio. A man was giving the weather. Clear and cold.

"Would you like a fried egg?"

"Two, if you've got them."

"Sure. Listen, about last night-"

"Never mind last night. I came. That's very rare for me. I enjoyed it. "

He felt a certain sneaking pride, maybe what she had wanted him to feel. He fried the eggs. Two for her, two for him. Toast and coffee. She drank three cups with cream and sugar.

"So what are you going to do?" she asked him when they had both finished.

"Take you out to the highway," he said promptly.

She made an impatient gesture. "Not that. About your life. "

He grinned. "That sounds serious."

"Not for me," she said. "For you."

"I haven't thought about it," he said. "You know, before"-he accented the word before before slightly to indicate all of his life and all of its parts he had sailed off the edge of the world-"before the ax fell, I think I must have felt the way some condemned man feels in the death house. Nothing seemed real. It seemed I was living in a gla.s.s dream that would go on and on. Now everything seems real. Last night that was very real. " slightly to indicate all of his life and all of its parts he had sailed off the edge of the world-"before the ax fell, I think I must have felt the way some condemned man feels in the death house. Nothing seemed real. It seemed I was living in a gla.s.s dream that would go on and on. Now everything seems real. Last night that was very real. "

I'm glad," she said, and she looked glad. "But what will you do now?"

"I really don't know."

She said: "I think that's sad. "

"Is it?" he asked. It was a real question.

They were in the car again, driving Route 7 toward Landy. The traffic near the city was stop and go. People were on their way to work. When they pa.s.sed the construction on the 784 extension, the day's operation was already cranking up. Men in yellow hi-impact plastic construction hats and green rubber boots were climbing into their machines, frozen breath pluming from their mouths. The engine of one of the orange city payloaders cranked, cranked, kicked over with a coughing mortar-explosion sound, cranked again, then roared into a choppy idle. The driver gunned it in irregular bursts like the sound of warfare.

"From up here they look like little boys playing trucks in a sandpile," she said.

Outside the city, traffic smoothed out. She had taken the two hundred dollars with neither embarra.s.sment nor reluctance-with no special eagerness, either. She had slit a small section of the CPO coat's lining, had put the bills inside, and had then sewed the slit back up with a needle and some blue thread from Mary's sewing box. She had refused his offer of a ride to the bus station, saying the money would last longer if she went on hitching.

"So what's a nice girl like you doing in a car like this?" he asked.

"Humh?" She looked at him, b.u.mped out of her own thoughts.

He smiled. "Why you? Why Las Vegas? You're living in the margins same as me. Give me some background."

She shrugged. "There isn't much. I was going to college at the University of New Hamps.h.i.+re, in Durham. That's near Portsmouth. I was a junior this year. Living off campus. With a guy. We got into a heavy drug thing."

"You mean like heroin?"

She laughed merrily. "No, I've never known anyone who did heroin. Us nice middle-cla.s.s druggies stick to the hallucinogens. Lysergic acid. Mescaline. Peyote a couple of times, STP a couple of times. Chemicals. I did sixteen or eighteen trips between September and November."

"What's it like?" he asked.

"Do you mean, did I have any 'bad trips'?"

"No, I didn't mean that at all," he said defensively.

"There were some bad trips, but they all had good parts. And a lot of the good trips had bad parts. Once I decided I had leukemia. That was scary. But mostly they were just strange. I never saw G.o.d. I never wanted to commit suicide. I never tried to kill anyone."

She thought that over for a minute. "Everybody has hyped the s.h.i.+t out of those chemicals. The straights, people like Art Linkletter, say they'll kill you. The freaks say they'll open all the doors you need to open. Like you can find a tunnel into the middle of yourself, as if your soul was like the treasure in an H. Rider Haggard novel. Have you ever read him?"

"I read She She when I was a kid. Didn't he write that?" when I was a kid. Didn't he write that?"

"Yes. Do you think your soul is like an emerald in the middle of an idol's forehead?"

"I never thought about it. "

"I don't think so," she said. "I'll tell you the best and the worst that ever happened to me on chemicals. The best was topping out in the apartment one time and watching the wallpaper. There were all these little round dots on the wallpaper and they turned into snow for me. I sat in the living room and watched a snowstorm on the wall for better than an hour. And after a while, I saw this little girl trudging through the snow. She had a kerchief on her head, a very rough material like burlap, and she was holding it like this-" She made a fist under her chin. "I decided she was going home, and bang! I saw a whole street in there, all covered with snow. She went up the street and then up a walk and into a house. That was the best. Sitting in the apartment and watching wallovision. Except Jeff called it headovision. "

"Was Jeff the guy you were living with?"

"Yes. The worst trip was one time I decided to plunge out the sink. I don't know why. You get funny ideas sometimes when you're tripping, except they seem perfectly normal. It seemed like I had had to plunge the sink. So I got the plunger and did it and all this to plunge the sink. So I got the plunger and did it and all this s.h.i.+t s.h.i.+t came out of the drain. I still don't know how much of it was real s.h.i.+t and how much was head s.h.i.+t. Coffee grounds. An old piece of sh.e.l.l. Great big hunks of congealed grease. Red stuff that looked like blood. And then the hand. Some guy's hand." came out of the drain. I still don't know how much of it was real s.h.i.+t and how much was head s.h.i.+t. Coffee grounds. An old piece of sh.e.l.l. Great big hunks of congealed grease. Red stuff that looked like blood. And then the hand. Some guy's hand."

"A what?"

"A hand. hand. I called to Jeff and said, Hey, somebody put somebody down the drain. But he had taken off someplace and I was alone. I plunged like h.e.l.l and finally got the forearm out. The hand was lying on the porcelain, all spotted with coffee grounds, and there was the forearm, going right down the drain. I went into the living room for a minute to see if Jeff had come back, and when I went into the kitchen again, the arm and the hand was gone. It sort of worried me. Sometimes I dream about it." I called to Jeff and said, Hey, somebody put somebody down the drain. But he had taken off someplace and I was alone. I plunged like h.e.l.l and finally got the forearm out. The hand was lying on the porcelain, all spotted with coffee grounds, and there was the forearm, going right down the drain. I went into the living room for a minute to see if Jeff had come back, and when I went into the kitchen again, the arm and the hand was gone. It sort of worried me. Sometimes I dream about it."

"That's crazy," he said, slowing down as they crossed a bridge that was under construction.

"Chemicals make you crazy," she said. "Sometimes that's a good thing. Mostly it isn't. Anyway, we were into this heavy drug thing. Have you ever seen one of those drawings of what an atom looks like, with the protons and neutrons and electrons going around?"

"Yes. "

"Well, it was like our apartment was the nucleus and all the people who drifted in and out were the protons and electrons. People coming and going, drifting in and out, all disconnected, like in Manhattan Transfer. " Manhattan Transfer. "

"I haven't read that one."

"You ought to. Jeff always said Dos Pa.s.sos was the original gonzo journalist. Freaky book. Anyway, some nights we'd be sitting around watching TV with the sound shut off and a record on the stereo, everyone stoned, people balling in the bedroom, maybe, and you wouldn't even know who the f.u.c.k everyone was. You know what I mean?"

Thinking of some of the parties he had wandered drunkenly through, as bemused as Alice in Wonderland, he said that he did.

"So one night there was a Bob Hope special on. And everybody was sitting around all smoked up, laughing like h.e.l.l at all those old one-liners, all those same stock expressions, all that good-natured kidding of the power-crazies in Was.h.i.+ngton. Just sitting around the tube like all the mommies and daddies back home and I thought well, that's what we went through Viet Nam for, so Bob Hope could close the generation gap. It's just a question of how you're getting high. "

"But you were too pure for all that. "

"Pure? No, that wasn't it. But I started to think of the last fifteen years or so like some kind of grotesque Monopoly game. Francis Gary Powers gets shot down in his U-2. Lose one turn. n.i.g.g.e.rs dispersed by fire hoses in Selma. Go directly to jail. Freedom riders shotgunned in Mississippi, marches, rallies, Lester Maddox with his ax handle, Kennedy getting blown up in Dallas, Viet Nam, more marches, Kent State, student strikes, women's liberation, and all for what? So a bunch of heads can sit around stoned in a crummy apartment watching Bob Hope? f.u.c.k that. So I decided to split."

"What about Jeff?"

She shrugged. "He has a scholars.h.i.+p. He's doing good. He says he's going to come out next summer, but I won't look for him until I see him. " There was a peculiar disillusioned expression on her face that probably felt like hardy forebearance on the inside.

"Do you miss him?"

"Every night."

"Why Vegas? Do you know someone out there?"

"No."

"It seems like a funny place for an idealist."

"Is that what you think I am?" She laughed and lit a cigarette. "Maybe. But I don't think an ideal needs any particular setting. I want to see that city. It's so different from the rest of the country that it must be good. But I'm not going to gamble. I'm just going to get a job."

"Then what?"

She blew out smoke and shrugged. They were pa.s.sing a sign that said: LANDY 5 MILES.

"Try to get something together," she said. "I'm not going to put any dope in my head for a long time and I'm going to quit these." She gestured her cigarette in the air, and it made an accidental circle, as if it knew a different truth. "I'm going to stop pretending my life hasn't started yet. It has. It's twenty percent over. I've drunk the cream."

"Look. There's the turnpike entrance."

He pulled over to the side.

"What about you, man? What are you going to do?"

Carefully, he said: "See what develops. Keep my options open."

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Roadwork. Part 15 summary

You're reading Roadwork.. This manga has been translated by Updating. Author(s): Stephen King. Already has 562 views.

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