As I Lay Dying Part 7

Anse dont say nothing. He sets humped up, mumbling his mouth. "If it was just up, we could drive across it," he says.

"Come on," Jewel says, moving the horse.

"Wait," Cash says. He looks at the bridge. We look at him, except Anse and the gal. They are looking at the water. "Dewey Dell and Vardaman and pa better walk across on the bridge," Cash says.

"Vernon can help them," Jewel says. "And we can hitch his mule ahead of ourn."

"You aint going to take my mule into that water," I say.

Jewel looks at me. His eyes look like pieces of a broken plate. I'll pay for your d.a.m.n mule. I'll buy it from you right now."

"My mule aint going into that water," I say.

"Jewel's going to use his horse," Darl says. "Why wont you risk your mule, Vernon?"

"Shut up, Darl," Cash says. "You and Jewel both."

"My mule aint going into that water," I say.

Darl

He sits the horse, glaring at Vernon, his lean face suffused up to and beyond the pale rigidity of his eyes. The summer when he was fifteen, he took a spell of sleeping. One morning when I went to feed the mules the cows were still in the tie-up and then I heard pa go back to the house and call him. When we came on back to the house for breakfast he pa.s.sed us, carrying the milk buckets, stumbling along like he was drunk, and he was milking when we put the mules in and went on to the field without him. We had been there an hour and still he never showed up. When Dewey Dell came with our lunch, pa sent her back to find Jewel. They found him in the tie-up, sitting on the stool, asleep.

After that, every morning pa would go in and wake him. He would go to sleep at die supper table and soon as supper was finished he would go to bed, and when I came in to bed he would be lying there like a dead man. Yet still pa would have to wake him in the morning. He would get up, but he wouldn't hardly have half sense: he would stand for pa's jawing and complaining without a word and take the milk buckets and go to the barn, and once I found him asleep at the cow, the bucket in place and half full and his hands up to the wrists in the milk and his head against the cow's flank.

After that Dewey Dell had to do the milking. He still got up when pa waked him, going about what we told him to do in that dazed way. It was like he was trying hard to do them; that he was as puzzled as anyone else.

"Are you sick?" ma said. "Dont you feel all right?"

"Yes," Jewel said. "I feel all right."

"He's just lazy, trying me," pa said, and Jewel standing there, asleep on his feet like as not. "Aint you?" he said, waking Jewel up again to answer.

"No," Jewel said.

"You take off and stay in the house today," ma said.

"With that whole bottom piece to be busted out?" pa said. 'If you aint sick, what's the matter with you?"

"Nothing," Jewel said. "I'm all right."

"All right?" pa said. "You're asleep on your feet this minute."

"No," Jewel said. "I'm all right."

"I want him to stay at home today," ma said.

"Ill need him," pa said. "It's tight enough, with all of us to do it."

"You'll just have to do the best you can with Cash and Darl," ma said. "I want him to stay in today."

But he wouldn't do it. "I'm all right," he said, going on. But he wasn't all right. Anybody could see it. He was losing flesh, and I have seen him go to sleep chopping; watched the hoe going slower and slower up and down, with less and less of an arc, until it stopped and he leaning on it motionless in the hot s.h.i.+mmer of the sun.

Ma wanted to get the doctor, but pa didn't want to spend the money without it was needful, and Jewel did seem all right except for his thinness and his way of dropping off to sleep at any moment. He ate hearty enough, except for his way of going to sleep in his plate, with a piece of bread halfway to his mouth and his jaws still chewing. But he swore he was all right.

It was ma that got Dewey Dell to do his milking, paid her somehow, and the other jobs around the house that Jewel had been doing before supper she found some way for Dewey Dell and Vardaman to do them. And doing them herself when pa wasn't there. She would fix him special things to eat and hide them for him. And that may have been when I first found it out, that Addie Bundren should be hiding anything she did, who had tried to teach us that deceit was such that, in a world where it was, nothing else could be very bad or very important, not even poverty. And at times when I went in to go to bed she would be sitting in the dark by Jewel where he was asleep. And I knew that she was hating herself for that deceit and hating Jewel because she had to love him so that she had to act the deceit.

One night she was taken sick and when I went to the barn to put the team in and drive to Tull's, I couldn't find the lantern. I remembered noticing it on the nail the night before, but it wasn't there now at midnight. So I hitched in the dark and went on and came back with Mrs Tull just after daylight. And there the lantern was, hanging on the nail where I remembered it and couldn't find it before. And then one morning while Dewey Dell was milking just before sunup, Jewel came into the barn from the back, through the hole in the back wall, with the lantern in his hand.

I told Cash, and Cash and I looked at one another.

"Rutting," Cash said.

"Yes," I said. "But why the lantern? And every night, too. No wonder he's losing flesh. Are you going to say anything to him?"

"Wont do any good," Cash said.

"What he's doing now wont do any good, either."

"I know. But he'll have to learn that himself. Give him time to realise that it'll save, that there'll be just as much more tomorrow, and he'll be all right. I wouldn't tell anybody, I reckon."

"No," I said. "I told Dewey Dell not to. Not ma, anyway."

"No. Not ma."

After that I thought it was right comical: he acting so bewildered and willing and dead for sleep and gaunt as a bean-pole, and thinking he was so smart with it. And I wondered who the girl was. I thought of all I knew that it might be, but I couldn't say for sure.

"Taint any girl," Cash said. "It's a married woman somewhere. Aint any young girl got that much daring and staying power. That's what I dont like about it."

"Why?" I said. "She'll be safer for him than a girl would. More judgment."

He looked at me, his eyes fumbling, the words fumbling at what he was trying to say. "It aint always the safe things in this world that a fellow . . . . . . ."

"You mean, the safe things are not always the best things?"

"Ay; best," he said, fumbling again. "It aint the best things, the things that are good for him ... A young boy. A fellow kind of hates to see . . . wallowing in somebody else's mire . . ." That's what he was trying to say. When something is new and hard and bright, there ought to be something a little better for it than just being safe; since the safe things are just the things that folks have been doing so long they have worn the edges off and there's nothing to the doing of them that leaves a man to say, That was not done before and it cannot be done again.

So we didn't tell, not even when after a while he'd appear suddenly in the field beside us and go to work, without having had time to get home and make out he had been in bed all night. He would tell ma that he hadn't been hungry at breakfast or that he had eaten a piece of bread while he was. .h.i.tching up the-team. But Cash and I knew that he hadn't been home at all on those nights and he had come up out of the woods when we got to the field. But we didn't tell. Summer was almost over then; we knew that when the nights began to get cool, she would be done if he wasn't.

But when fall came and the nights began to get longer, the only difference was that he would always be in bed for pa to wake him, getting him up at last in that first state of semi-idiocy like when it first started, worse than when he had stayed out all night.

"She's sure a stayer," I told Cash. "I used to admire her, but I downright respect her now."

"It aint a woman," he said.

"You know," I said. But he was watching me. "What is it, then?"

"That's what I aim to find out," he said.

"You can trail him through the woods all night if you want to," I said. "I'm not."

"I aint trailing him," he said.

"What do you call it, then?"

"I aint trailing him," he said. I dont mean it that way."

And so a few nights later I heard Jewel get up and climb out the window, and then I heard Cash get up and follow him. The next morning when I went to the barn, Cash was already there, the mules fed, and he was helping Dewey Dell milk. And when I saw him I knew that he knew what it was. Now and then I would catch him watching Jewel with a queer look, like having found out where Jewel went and what he was doing had given him something to really think about at last. But it was not a worried look; it was the kind of look I would see on him when I would find him doing some of Jewel's work around the house, work that pa still thought Jewel was doing and that ma thought Dewey Dell was doing. So I said nothing to him, believing that when he got done digesting it in his mind, he would tell me. But he never did.

One morning--it was November then, five months since it started--Jewel was not in bed and he didn't join us in the field. That was the first time ma learned anything about what had been going on. She sent Vardaman down to find where Jewel was, and after a while she came down too. It was as though, so long as the deceit ran along quiet and monotonous, all of us let ourselves be deceived, abetting it unawares or maybe through cowardice, since all people are cowards and naturally prefer any kind of treachery because it has a bland outside. But now it was like we had all--and by a kind of telepathic agreement of admitted fear---flung the whole thing back like covers on the bed and we all sitting bolt upright in our nakedness, staring at one another arid saying "Now is the truth. He hasn't come home. Something has happened to him. We let something happen to him."

Then we saw him. He came up along the ditch and then turned straight across the field, riding the horse. Its mane and tail were going, as though in motion they were carrying out the splotchy pattern of its coat: he looked like he was riding on a big pinwheel, bare-hacked, with a rope bridle, and no hat on his head. It was a descendant of those Texas ponies Flem Snopes brought here twenty-five years ago and auctioned off for two dollars a head and n.o.body but old Lon Quick ever caught his and still owned some of the blood because he could never give it away.

He galloped up and stopped, his heels in the horse's ribs and it dancing and swirling like the shape of its: mane and tail and the splotches of its coat had nothing whatever to do with the flesh-and-bone horse inside them, and he sat there, looking at us.

"Where did you get that horse?" pa said.

"Bought it," Jewel said. "From Mr Quick."

"Bought it?" pa said. "With what? Did you buy that thing on my word?"

"It was my money," Jewel said. "I earned it. You wont need to worry about it"

"Jewel," ma said; "Jewel."

"It's all right," Cash said. "He earned the money, He cleaned up that forty acres of new ground Quick laid out last spring. He did it single handed, working at night by lantern. I saw him. So I dont reckon that horse cost anybody anything except Jewel. I dont reckon we need worry."

"Jewel," ma said. "Jewel . . ." Then she said: "You come right to the house and go to bed."

"Not yet," Jewel said. "I aint got time. I got to get me a saddle and bridle. Mr Quick says he .,. ."

"Jewel," ma said, looking at him. I'll give--I'll give. . .give . . ." Then she began to cry. She cried hard, not hiding her face, standing there in her faded wrapper, looking at him and him on the horse, looking down at her, his face growing cold and a little sick looking, until he looked away quick and Cash came and touched her.

"You go on to the house," Cash said. "This here ground is too wet for you. You go on, now." She put her hands to her face then and after a while she went on, stumbling a little on the plow-marks. But pretty soon she straightened up and went on, She didn't look back. When she reached the ditch she stopped and called Vardaman. He was looking at the horse, land of dancing up and down by it.

"Let me ride, Jewel," he said. "Let me ride, Jewel."

Jewel looked at him, then he looked away again, holding the horse reined back. Pa watched him, mumbling his lip.

"So you bought a horse," he said. "You went behind my back and bought a horse. You never consulted me; you know how tight it is for us to make by, yet you bought a horse for me to feed. Taken the work from your flesh and blood and bought a horse with it." Jewel looked at pa, his eyes paler than ever. "He wont never eat a mouthful of yours," he said. "Not a mouthful. Ill kill him first. Dont you never think it. Dont you never."

"Let me ride, Jewel," Vardaman said. "Let me ride, Jewel." He sounded like a cricket in the gra.s.s, a little one. "Let me ride, Jewel."

That night I found ma sitting beside the bed where he was sleeping, in the dark. She cried hard, maybe because she had to cry so quiet; maybe because she felt the same way about tears she did about deceit, hating herself for doing it, hating him because she had to. And then I knew that I knew. I knew that as plain on that day as I knew about Dewey Dell on that day.

Tull

So they finally got Anse to say what he wanted to do, and him and the gal and the boy got out of the wagon. But even when we were on the bridge Anse kept on looking back, like he thought maybe, once he was outen the wagon, the whole thing would kind of blow Tip and he would find himself back yonder in the field again and her laying up there in the house, waiting to die and it to do all over again.

"You ought to let them taken your mule," he says, and the bridge shaking and swaying under us, going down into the moiling water like it went down through to the other side of the earth, and the other end coming up outen the water like it wasn't the same bridge a-tall and that them that would walk up outen the water on that side must come from the bottom of the earth. But it was still whole; you could tell that by the way when this end swagged, it didn't look like the other end swagged at all: just like the other trees and the bank yonder were swinging back and forth slow like on a big clock. And them logs sc.r.a.ping and b.u.mping at the sunk part and tilting end-up and shooting clean outen the water and tumbling on toward the ford and the waiting, slick, whirling, and foamy.

"What good would that a done?" I says. If your team cant find the ford and haul it across, what good would three mules or even ten mules do?"

"I aint asking it of you," he says. "I can always do for me and mine. I aint asking you to risk your mule. It aint your dead; I am not blaming you."

"They ought to went back and laid over until tomorrow," I says. The water was cold. It was thick, like slush ice. Only it kind of lived. One part of you knowed it was just water, the same thing that had been running under this same bridge for a long time, yet when them logs would come spewing up outen it, you were not surprised, like they was a part of water, of the waiting and the threat.

It was like when we was across, up out of the water again and the hard earth under us, that I was surprised. It was like we hadn't expected the bridge to end on the other bank, on something tame like the hard earth again that we had tromped on before this time and knowed well. Like it couldn't be me here, because I'd have had better sense than to done what I just done. And when I looked back and saw the other bank and saw my mule standing there where I used to be and knew that I'd have to get back there someway, I knew it couldn't be, became I just think of anything that could make me cross bridge ever even once. Yet here I was, and the fellow that could make himself cross it twice, couldn't be met, not even if Cora told him to.

It was that boy. I said "Here; you better take a holt of my hand" and he waited and held to me. I be dam if it wasn't Wee he come back and got me? like he -was saying They wont nothing hurt you; Like he was saying about a fine place he knowed, where Christmas come twice with Thanksgiving and lasts on through the winter and the spring and the summer, had all just stayed with him I'd be all right too.

When I looked back at my mule it was like he was one of these here spy-gla.s.ses and I could look at him standing there and see all the broad land and my house sweated outen it like & was the more the sweaty the broader the land; the more the sweat, the tighter the house because it would take a tight house for Cora, to hold Cora like a jar of milk in the spring; you've got to have a tight jar oaf you'll need a powerful spring, so if you have a big spring, why dies, you have the incentive to have tight, wellmade jars, because it is your milk, soar or not, because you would lather have milk that will sour than to have milk that wont, because you are a man.

And him holding to my hand, his hand that hot and confident; so that I was like to say: Look-a-here. Cant you see that mule yonder? He never had no business over here, so he never come, not being nothing but a mule. Because a fellow can see ever now and then that children have more sense than him. But he dont like to admit it to them until they have beards. After they have a beard, they are too busy because they dont know it they'll ever quite make it back to where they were in sense before they was haired, so you dont mind admitting then to folks that are worrying about the same thing that aint worth the worry that you are yourself.

Then we was over and we stood there, looking at Cash turning the wagon around. We watched them drive back down the road to where the trail tamed oil into the bottom. After a while the wagon was out of sight.

"We better get on down to the ford and git ready to help," I said.

"I give her my word," Anse says. "It is sacred on me. I know you begrudge it, but she will bless you in heaven."

"Well, they got to finish circ.u.mventing the land before they can dare the water," I said. "Come on."

"It's the turning back," he said. "It aint no luck in turning back."

He was standing there, humped, mournful, looking at the empty road beyond the swagging and swaying bridge. And that gal, too, with the lunch basket on one arm and that package under the other. Just going to town. Bent on it. They would risk the fire and the earth and the water and all just to eat a sack of bananas. "You ought to laid over a day," I said. It would a fell some by morning. It mought not a rained tonight. And it cant get no higher."

"I give my promise," he says. "She is counting on it."

Darl

Before us the thick dark current runs. It talks up to us in a murmur become ceaseless and myriad, the yellow surface dimpled monstrously into fading swirls travelling along the surface for an instant, silent, impermanent and profoundly significant, as though just beneath the surface something huge and alive waked for a moment of lazy alertness out of and into light slumber again.

It clucks and murmurs among the spokes and about the mules' knees, yellow, sk.u.mmed with flotsam and with thick soiled gouts of foam as though it had sweat, lathering, like a driven horse. Through the undergrowth it goes with a plaintive sound, a musing sound; in it the unwinded cane and saplings lean as before a little gale, swaying without reflections as though suspended on invisible wires from the branches overhead. Above the ceaseless surface they stand--trees, cane, vines--rootless, severed from the earth, spectral above a scene of immense yet circ.u.mscribed desolation filled with the voice of the waste and mournful water.

Cash and I sit in the wagon; Jewel sits the horse at the off rear wheel. The horse is trembling, its eye rolling wild and baby-blue in its long pink face, its breathing stertorous like groaning. He sits erect, poised, looking quietly and steadily and quickly this way and that, his face calm, a little pale, alert. Cash's face is also gravely composed; he and I look at one another with long probing looks, looks that plunge unimpeded through one another's eyes and into the ultimate secret place where for an instant Cash and Darl crouch flagrant and unabashed in all the old terror and the old foreboding, alert and secret and without shame. When we speak our voices are quiet, detached.