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If I May Part 17

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As I entered the library, I wondered what it was that I had done; or, rather, what it was that I had looked as if I were doing. For that is my trouble--that I look guilty so easily. I never cash a cheque at the bank but I expect to feel a hand on my shoulder and to hear a stern voice saying, "You c.u.mmer longer me." If I walk through any of the big stores with a parcel in my hand I expect to hear a voice whispering in my ear, "The manager would like to see you quietly in his office." I have never forged or shoplifted in my life, but the knowledge that a real forger or shoplifter would try to have the outward appearance of a man as innocent as myself helps to give me the outward appearance of a man as guilty as he. When I settle a bill by cheque, my "face-of-a-man-whose-account-is-already-overdrawn" can be read across the whole length of the shop as soon as I enter the door.

Indeed, it is so expressive that I had to give up banking at c.o.x's during the war.

"Good morning," said the policeman. "I thought I'd better tell you that I found your dining-room window open at six o'clock this morning when I came on duty."

"Oh!" I said, rather disappointed.

For by this time I had prepared my speech from the dock, and it seemed a pity to waste it. There is no part quite so popular as that of the Wrongly Accused. Every hero of every melodrama has had to meet that false accusation at some moment during the play; otherwise we should not know that he was the hero. I saw myself in the dock, protesting my innocence to the last; I saw myself entering the witness box and remaining unshaken by the most relentless cross-examination; I saw my friends coming forward to give evidence as to my unimpeachable character....

And yet, after all, what could one's friends say? Imagine yourself in the dock, on whatever charge it may be, and imagine this and that friend coming forward to speak to you. What can they say?

What do they know? They know that you are a bore or not a bore, a grouser or not a grouser, generous or mean, sentimental or cynical, an optimist or a pessimist, and that you have or have not a sense of humour. None of these is a criminal offence. Is there anything else that your friends can say about you which can establish the likelihood of your innocence? Not very much. Nor should we be flattered if there were. When somebody says of us, "Oh, I can read old Jones like a book; I know him inside and out--for the most straightforward, simple creature," we protest indignantly. But if somebody says, "There's a lot more in Jones than you think; I shall never quite understand him," then we look modestly down our nose and tell ourselves that we are Jones, the Human Enigma. Women have learnt all about this. They realize that the best way to flatter us is to say earnestly, with a shake of the head, "Your face is such a mask; I shall never know what you're really thinking." How that makes us purr!

No, our friends cannot help us much, once we are in the dock. They will protest, good friends that they are, that we are utterly incapable of the crime of which we are accused (and in my case, of course, they will be right), but the jury will know that our friends do not really know; or at any rate the jury will guess that we have not asked those of our friends who did know to speak for us. We must rely on ourselves; on our speech from the dock; on our demeanour under cross-examination; on----

"Your dining-room window open," said the policeman reproachfully.

"I'm sorry," I said; "I won't leave it open again."

Fortunately, however, they can't arrest you for it. So I led the way out of the library and opened the front door. The policeman went quietly.

A Digression

My omnibus left the broad and easy way which leads to Victoria Station and plunged into the strait and narrow paths which land you into the river at Vauxhall if you aren't careful, and I peered over the back to have another look at its number. The road-mending season is in full swing now, but no amount of road-mending could account for such a comprehensive compa.s.s as we were fetching. For a moment I thought that the revolution had begun. "'Busful of Bourgeoisie Kidnapped" would make a good head-line for the papers. Or perhaps it was merely a private enterprise. We were to be held for ransom in some deserted warehouse on the margin of the Thames, into which, if the money were not forthcoming, we should be dropped with a weight at the feet on some dark and lonely night.... Fortunately the conductor came up at this stage of the journey and said "Ennimorfairplees," whereupon I laid my fears before him and begged him to let me know the worst. He replied briefly, "Sh.o.r.erpersher," and went down again. So that was it.

Why is the Shah of Persia so popular? Even in these days when kings are two a penny, and there is a never-ending procession of Napoleons and Nelsons to the Guildhall to receive swords and freedoms and honorary degrees, the arrival of a Shah of Persia stirs the imagination of the man in the street. He feels something of the old thrill. But in the nineties, of course, we talked about nothing else for weeks. "Have you seen the Shah?" was the popular catch-phrase of the day; there were music hall songs about him; he was almost as important as a jubilee.

It is curious that this should have been so, for a Shah of Persia is not really as important as that. There was never a catch-phrase, "Have you seen the French President?" or even "Have you seen the Tsar?" both of whom one would expect to take precedence of a Persian ruler. But they are more commonplace people. The Shah makes his appeal, not on account of his importance but on account of his romantic a.s.sociations. He fills the mind with thoughts of uncut rubies, diamond-studded swords, Arab chargers, veiled houris, and the very best Persian sherbet. One does not stand outside Victoria in the hope of seeing any of these things in the carriage with him, but one feels that is the sort of man he is, and that if only he could talk English like you or me, he could tell us a story worth the telling.

"Hooray for the Shah!"

Seated on my omnibus, and thinking of these things--(we had tacked by this time, and were beating up for Pimlico)--I remembered suddenly a little personal incident in connexion with the visit of that earlier Shah which is not without its moral for all of us. It teaches us the lesson that--well, we can settle this afterwards. Anyway, here is the story.

The Shah of Persia was in England, and all England was talking about him. Naturally, we were talking about him at my private school. I was about nine at the time; it is not the age at which one knows much about high politics, but it is almost the only age when one really knows where Persia is. I have no doubt that we "did" Persia in that term, out of honour to the Shah. One result of all this talk in the school about the Persian Potentate was (as you might expect) that a certain boy was nicknamed "The Shah," presumably on account of some magnificence of person or costume. Now it happened that the school was busying itself just then over some election--to the presidency of the Debating Society, or members.h.i.+p of the Games Committee, or something of that sort--and "The Shah" was a very popular candidate. I was one of his humble but admiring supporters.

Observe me, then, on the polling day, busily at work in a corner of the schoolroom. I am writing in bold capitals on a piece of exercise paper, "Vote for the shah." Having written it, I pinned it proudly up in a corner of the room, and stood back awhile to look at it. My first effort at electioneering. There was no immediate sensation, for everybody else was too busy over his own affairs to notice my little poster, and so I went about from one little knot of talkers to another, hanging shyly on the outskirts in the hope that, when it broke up, I might lead the way casually towards my masterpiece--"VOTE FOR THE SHAH."

Suddenly my attention was attracted to another boy, who, even as I had been a few minutes ago, was now busily writing. I kept my eye on him, and when he had finished his work, and was walking across the room with a piece of paper in his hand, I followed him eagerly. He was at least twelve; I was only nine. Can you wonder that he seemed to me almost the last word in wisdom? So I followed him. Could it really be that my poster had forstalled his? What glory if it were so! He pinned up his notice. He moved away, and I read it. It said: "VOTE FOR THE SHAR."

You can imagine my feelings. I went hot all over. "Shar," of course, not "Shah." How ever could I have been such an idiot as to have thought it was "Shah"? S-h-a-h obviously spelt shash, not shar. How nearly I had exposed my appalling ignorance to my fellows! "Vote for the--"; I blushed again, hardly able to think of it. And oh! how thankful I was now that everybody else had been too busy to read my poster. Hastily I went over to it, and tore it down; hastily I went back to my desk and wrote another poster. Observe me now again. I am writing in bold capitals on a piece of exercise paper: "VOTE FOR THE SHAR."

And the moral? Well, my omnibus has now; fetched its compa.s.s round Victoria, we are back on the main route again, and I think I must leave the moral to you.

High Finance

I know very little about the Stock Exchange. I know, of course, that stockbrokers wear very s.h.i.+ny top-hats, which they remove when they sing "G.o.d Save the King," as they invariably do in a crisis. When they go out to lunch, the younger ones leave their top-hats behind them, and take the air with plastered polls; and after lunch is over, young and old alike have a round of dominoes before placing threepence under the coffee-cup and returning to business. If business is slack, they tell each other jokes, which get into the papers with some such introduction as, "A good story going the round of the Stock Exchange." Probably it was going the round of the nurseries in 72, but the stockbrokers have been so busy making Consols go up and down that they have not been able to listen to it before. Anyway, the careful man always avoids a good story which is going the round of the Stock Exchange.

But apart from these minor activities of the City, the financial world has always been a mystery to me. To this day I do not understand why Consols go up and down. Perhaps they only go down now, but there was a time when they would be 78 1/4 in the morning, 78 1/2 after the Stock Exchange had returned from its coffee, and 78 when it went out to play dominoes again. When they thudded down to 78, this proved that the Government had lost the confidence of the country. But I never heard an explanation of it all which carried any conviction.

Once I asked a noted financial authority to tell me all about it in words of one syllable. He did his best. He said it was "simply a question of supply and demand." In that case one would expect umbrellas to go up and down according to the weather--I mean, of course, the price of umbrellas. But apparently umbrellas aren't so sensitive as stocks, which are the most sensitive things in the world.

In the happy days before the war, when the President of Nicaragua sent a stiff note to the President of Uruguay, Consols immediately dropped a quarter of a point. The President of Uruguay answered, "Sorry, my mistake," and Consols went back again. Evidently, several gentlemen, who would have bought Consols in the ordinary way on that Thursday, decided to buy Haricot Beans instead, as being, I suppose, more useful in the event of a war between Nicaragua and Uruguay. So Consols feeling the neglect, went down. But on the Friday, as soon as Uruguay had apologized, the gentlemen who had just sold the Haricot Beans hurried out to buy Consols, as being quite safe again now that there was no more chance of war. So Consols went cheerfully up again. You see?

But the financial problem is getting very much more difficult than this, The vagaries of Consols, or even of the reputed gold-mine in which I once had shares--(this is a sad story, but, fortunately, when they had dropped to six-and-sixpence, there was a demand for them by a man called Wilkinson, poor fellow, which arrested the fall just long enough for me to get out. They are now three a penny, so I hope Wilkinson found a demand, too)--well, then, even the vagaries of the West African market are a simple matter compared with the vagaries of the Exchange. The mystery of the mark, for instance, is so utterly beyond that, in trying to understand it, I do not even know where to begin. I see no mental foothold anywhere.

The mark, we are told, is now worth tuppence-ha'penny. Why? I mean, who said so? Who is it who arranges these things? Is it Rockefeller or one of the Geddeses or Samuel Gompers--a superman of some kind? Or is it a Committee of the Stock Exchange and Greenwich Observatory? And how does it decide? Does it put a mark up for auction and see what the demand is like? Or does it decide on moral grounds? Does it say contemptuously, "Oh, I should think about tuppence-ha'penny, and serve 'em dashed well right for losing the war"?

Let us go slowly, and see if we can make any sense of it. Suppose that I produce something worth a s.h.i.+lling, something, that is, which I can sell in this country for a s.h.i.+lling--a blank verse tragedy, say. Let us suppose also that, having received the s.h.i.+lling, I propose to buy a bag of nuts. A German offers me a mark for my tragedy. Now that mark has got to be spent in Germany by somebody; not, of course, necessarily by me. I probably hand it to Thomas Cook or his Son, who gives it to somebody else, who eventually takes it back to Germany again. Obviously, then, what I have to consider, when I am offered a mark instead of the customary s.h.i.+lling for my blank verse, is this: "Can this mark purchase a similar-sized bag of nuts in Germany?" If the answer is "Yes," then the mark is worth a s.h.i.+lling; if the answer is that it will only buy a bag of about a fifth of the English size, then the mark is worth tuppence-ha'penny.

Well, is everything in Germany five times as dear as it is in England?

No. Not by any means. If a mark is regarded as tuppence-ha'penny, everything is extraordinarily cheap; much cheaper than in England.

Also it occurs to me suddenly that if this were the way in which the pundits decided upon the price of the mark and the franc and the peseta and the cowrie-sh.e.l.l, then the price of living in every country would be exactly the same, and we should have nowhere to retire to when the taxes were too high. Which would be absurd. So we must have done the sum wrong. Let us try again.

The price of the mark (this is our new theory) depends on the amount of goods which Germany is exporting. A German offers me a mark for my tragedy, but if no other German has got anything to give me, or Thomas Cook or his Son, in exchange for that mark, then the mark is obviously no good to us. If, then, we say that the mark is worth tuppence- ha'penny, we mean that Germany is importing (or buying) five times as much as she is exporting (or selling). Similarly, when the rouble was about ten a penny, Russia was importing a hundred times as much as she was exporting. But she was not importing anything then because of the blockade. Therefore--no, it's no good. You see, we can't do it. We shall have to stand about on the Brighton road until one of those stockbrokers comes by. He will explain it to us.

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If I May Part 17 summary

You're reading If I May. This manga has been translated by Updating. Author(s): A. A. Milne. Already has 695 views.

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