Twelve Men Part 26

indicating an old man in a sun-tanned coat who happened to be pa.s.sing through the store at the time, "should do me a wrong--I don't care what it was, how great or how vile--if he should come to me and say, 'Burridge, I'm sorry,'" he executed a flas.h.i.+ng oratorical move in emphasis, and throwing back his head, exclaimed: "It's gone! It's gone!

There ain't any more of it! All gone!"

I stood there quite dumbfounded by his virility, as the air vibrated with his force and feeling. So manifestly was his reading of the Bible colored by the grief of his own heart that it was almost painful to tangle him with it. Goodness and mercy colored all his ideas, except in relation to his one-time followers, those who had formerly been his friends and now left him to himself.

"Do you still visit the poor and the afflicted, as you once did?" I asked him once.

"I'd rather not say anything about that," he replied sternly.

"But do you?"

"Yes, sir."

"Still make your annual New Year round?"

"Yes, sir."

"Well, you'll get your reward for that, whatever you believe."

"I've had my reward," he said slowly.

"Had it?"

"Yes, sir, had it. Every hand that's been lifted to receive the little I had to offer has been my reward."

He smiled, and then said in seemingly the most untimely way:

"I remember once going to a lonely woman here on New Year's Day and taking her a little something--basket of grapes or fruit of some kind it was. I was stopping a minute--never stay long, you know; just run in and say 'Happy New Year!' leave what I have and get out--and so said, 'Good morning, Aunt Mary!'

"'Good morning, Elihu,' says she.

"'Can't stay long, Aunt Mary,' I said. 'Just want to leave you these.

Happy New Year!'

"Well, sir, you know I was just turning around and starting when she caught hold of my sleeve and says:

"'Elihu Burridge,' she says, 'give me that hand!' and do you know, before I knew what she was about she took it up to her lips and kissed it! Yes, she did--kissed my hand!

"Now," he said, drawing himself up, with eyes bright with intense feeling, "you know whether I've had my reward or not, don't you?"

_"Vanity, Vanity," Saith the Preacher_

Sometimes a single life will clearly and effectively ill.u.s.trate a period. Hence, to me, the importance of this one.

I first met X---- at a time when American financial methods and American finances were at their apex of daring and splendor, and when the world was in a more or less tolerant mood toward their grandiose manners and achievements. It was the golden day of Mr. Morgan, Senior, Mr. Belmont, Mr. Harriman, Mr. Sage, Mr. Gates, Mr. Brady, and many, many others who were still extant and ruling distinctly and drastically, as was proved by the panic of 1907. In opposition to them and yet imitating their methods, now an old story to those who have read "Frenzied Finance,"

"Lawless Wealth," and other such exposures of the methods which produced our enormous American fortunes, were such younger men as Charles W.

Morse (the victim of the 1907 panic), F. Augustus Heinze (another if less conspicuous victim of the same "panic"), E.R. Thomas, an ambitious young millionaire, himself born to money, David A. Sullivan, and X----.

I refuse to mention his name because he is still alive although no longer conspicuous, and anxious perhaps to avoid the uncomfortable glare of publicity when all the honors and comforts which made it endurable in the first place are absent.

The person who made X---- essentially interesting to me long before I met him was one Lucien de Shay, a ne'er-do-well pianist and voice culturist, who was also a connoisseur in the matters of rugs, hangings, paintings and furniture, things in which X---- was just then most intensely interested, erecting, as he was, a great house on Long Island and but newly blossoming into the world of art or fas.h.i.+on or culture or show--those various things which the American multi-millionaire always wants to blossom or bloom into and which he does not always succeed in doing. De Shay was one of those odd natures so common to the metropolis--half artist and half man of fas.h.i.+on who attach themselves so readily to men of strength and wealth, often as advisors and counselors in all matters of taste, social form and social progress. How this particular person was rewarded I never quite knew, whether in cash or something else. He was also a semi-confidant of mine, furnis.h.i.+ng me "tips" and material of one sort and another in connection with the various publications I was then managing. As it turned out later, X---- was not exactly a multi-millionaire as yet, merely a fledgling, although the possibilities were there and his aims and ambitions were fast nearing a practical triumph the end of which of course was to be, as in the case of nearly all American multi-millionaires of the newer and quicker order, bohemian or exotic and fleshly rather than cultural or aesthetic pleasure, although the latter were never really exactly ignored.

But even so. He was a typical multi-millionaire in the showy and even gaudy sense of the time. For if the staid and conservative and socially well-placed rich have the great houses and the ease and the luxury of paraphernalia, the bohemian rich of the X---- type have the flare, recklessness and imagination which lend to their spendings and flutterings a sparkle and a s.h.i.+ne which the others can never hope to match.

Said this friend of mine to me one day: "Listen, I want you to meet this man X----. You will like him. He is fine. You haven't any idea what a fascinating person he really is. He looks like a Russian Grand Duke. He has the manners and the tastes of a Medici or a Borgia. He is building a great house down on Long Island that once it is done will have cost him five or six hundred thousand. It's worth seeing already. His studio here in the C---- studio building is a dream. It's thick with the loveliest kinds of things. I've helped buy them myself. And he isn't dull. He wrote a book at twenty, 'Icarus,' which is not bad either and which he says is something like himself. He has read your book ("Sister Carrie") and he sympathizes with that man Hurstwood. Says parts of it remind him of his own struggles. That's why he wants to meet you. He once worked on the newspapers too. G.o.d knows how he is making his money, but I know how he is spending it. He's decided to live, and he's doing it splendidly.

It's wonderful."

I took notice, although I had never even heard of the man. There were so very, very many rich men in America. Later I heard much more concerning him from this same de Shay. Once he had been so far down in the scale that he had to s.h.i.+ne shoes for a living. Once he had walked the streets of New York in the snow, his shoes cracked and broken, no overcoat, not even a warm suit. He had come here a penniless emigrant from Russia. Now he controlled four banks, one trust company, an insurance company, a fire insurance company, a great real estate venture somewhere, and what not. Naturally all of this interested me greatly. When are we indifferent to a rise from nothing to something?

At de Shay's invitation I journeyed up to X----'s studio one Wednesday afternoon at four, my friend having telephoned me that if I could I must come at once, that there was an especially interesting crowd already a.s.sembled in the rooms, that I would meet a long list of celebrities.

Two or three opera singers of repute were already there, among them an Italian singer and sorceress of great beauty, a veritable queen of the genus adventuress, who was setting the town by the ears not only by her loveliness but her voice. Her beauty was so remarkable that the Sunday papers were giving full pages to her face and torso alone. There were to be several light opera and stage beauties there also, a ba.s.so profundo to sing, writers, artists, poets.

I went. The place and the crowd literally enthralled me. It was so gay, colorful, thrillful. The host and the guests were really interesting--to me. Not that it was so marvelous as a studio or that it was so gorgeously decorated and furnished--it was impressive enough in that way--but that it was so gracefully and interestingly representative of a kind of comfort disguised as elegance. The man had everything, or nearly so--friends, advisors, servants, followers. A somewhat savage and sybaritic nature, as I saw at once, was here disporting itself in velvets and silks. The iron hand of power, if it was power, was being most gracefully and agreeably disguised as the more or less flaccid one of pleasure and friends.h.i.+p.

My host was not visible at first, but I met a score of people whom I knew by reputation, and listened to clatter and chatter of the most approved metropolitan bohemian character. The Italian sorceress was there, her gorgeous chain earrings tinkling mellifluously as she nodded and gesticulated. De Shay at once whispered in my ear that she was X----'s very latest flame and an expensive one too. "You should see what he buys her!" he exclaimed in a whisper. "G.o.d!" Actresses and society women floated here and there in dreams of afternoon dresses. The automobiles outside were making a perfect uproar. The poets and writers fascinated me with their praises of the host's munificence and taste. At a glance it was plain to me that he had managed to gather about him the very element it would be most interesting to gather, supposing one desired to be idle, carefree and socially and intellectually gay. If America ever presented a smarter drawing-room I never saw it.

My friend de Shay, being the fidus Achates of the host, had the power to reveal the inner mysteries of this place to me, and on one or two occasions when there were not so many present and while the others were chattering in the various rooms--music-, dining-, ball-, library and so forth--I was being shown the kitchen, pantry, wine cellar, and also various secret doors and pa.s.sages whereby mine host by pressing a flower on a wall or a spring behind a picture could cause a door to fly open or close which gave entrance to or from a room or pa.s.sage in no way connected with the others save by another secret door and leading always to a private exit. I wondered at once at the character of the person who could need, desire or value this. A secret bedroom, for instance; a lounging-room! In one of these was a rather severe if handsome desk and a steel safe and two chairs--no more; a very bare room. I wondered at this silent and rather commercial sanctum in the center of this frou-frou of gayety, no trace of the sound of which seemed to penetrate here. What I also gained was a sense of an exotic, sybaritic and purely pagan mind, one which knew little of the conventions of the world and cared less.

On my first visit, as I was leaving, I was introduced to the host just within his picture gallery, hung with many fine examples of the Dutch and Spanish schools. I found him to be as described: picturesque and handsome, even though somewhat plump, phlegmatic and lethargic--yet active enough. He was above the average in height, well built, florid, with a huge, round handsome head, curly black hair, keen black eyes, heavy overhanging eyebrows, full red lips, a marked chin ornamented by a goatee. In any costume ball he would have made an excellent Bacchus or Pan. He appeared to have the free, easy and gracious manner of those who have known much of life and have achieved, in part at least, their desires. He smiled, wished to know if I had met all the guests, hoped that the sideboard had not escaped me, that I had enjoyed the singing.

Would I come some evening when there was no crowd--or, better yet, dine with him and my friend de Shay, whose personality appeared to be about as agreeable to him as his own. He was sorry he could not give me more attention now.

Interestingly enough, and from the first, I was impressed with this man; not because of his wealth (I knew richer men) but because of a something about him which suggested dreams, romance, a kind of sense or love of splendor and grandeur which one does not often encounter among the really wealthy. Those cracked shoes were in my mind, I suppose. He seemed to live among great things, but in no n.i.g.g.ardly, parsimonious or care-taking way. Here was ease, largess, a kind of lavishness which was not ostentation but which seemed rather to say, "What are the minute expenses of living and pleasuring as contrasted with the profits of skill in the world outside?" He suggested the huge and Aladdin-like adventures with which so many of the great financiers of the day, the true tigers of Wall Street, were connected.

It was not long thereafter that I was once more invited, this time to a much more lavish affair and something much more sybaritic in its tone, although I was really not conscious of what it was to be like when I went there. It began at twelve midnight, and to this day it glitters in my mind as among the few really barbaric and exotic things that I have ever witnessed. Not that the trappings or hangings or setting were so outre or amazing as that the atmosphere of the thing itself was relaxed, bubbling, pagan. There were so many daring and seeking people there. The thing sang and was talked of for months after--in whispers! The gayety!

The abandon! The sheer intoxication, mental and physical! I never saw more daring costumes, so many really beautiful women (glitteringly so) in one place at one time, wonderful specimens of exotic and in the main fleshy or sensuous femininity. There was, among other things, as I recall, a large nickeled ice-tray on wheels packed with unopened bottles of champagne, and you had but to lift a hand or wink an eye to have another opened for you alone, ever over and over. And the tray was always full. One wall of the dining-room farther on was laden with delicate novelties in the way of food. A string quartette played for the dancers in the music-room. There were a dozen corners in different rooms screened with banks of flowers and concealing divans. The dancing and singing were superb, individual, often abandoned in character, as was the conversation. As the morning wore on (for it did not begin until after midnight) the moods of all were either so mellowed or inflamed as to make intentions, hopes, dreams, the most secret and sybaritic, the order of expression. One was permitted to see human nature stripped of much of its repression and daylight reserve or cant. At about four in the morning came the engaged dancers, quite the piece de resistance--with wreaths about heads, waists and arms for clothing and well, really nothing more beyond their beautiful figures--scattering rose leaves or favors. These dancers the company itself finally joined, single file at first, pellmell afterwards--artists, writers, poets--dancing from room to room in crude Bacchic imitation of their leaders--the women too--until all were singing, parading, swaying and dancing in and out of the dozen rooms. And finally, liquor and food affecting them, I suppose, many fell flat, unable to do anything thereafter but lie upon divans or in corners until friends a.s.sisted them elsewhere--to taxis finally. But mine host, as I recall him, was always present, serene, sober, smiling, unaffected, bland and gracious and untiring in his attention. He was there to keep order where otherwise there would have been none.

I mention this merely to indicate the character of a long series of such events which covered the years 19-- to 19--. During that time, for the reason that I have first given (his curious pleasure in my company), I was part and parcel of a dozen such more or less vivid affairs and pleasurings, which stamped on my mind not only X---- but life itself, the possibilities and resources of luxury where taste and appet.i.te are involved, the dreams of grandeur and happiness which float in some men's minds and which work out to a wild fruition--dreams so outre and so splendid that only the tyrant of an obedient empire, with all the resources of an enslaved and obedient people, could indulge with safety.

Thus once, I remember, that a dozen of us--writers and artists--being a.s.sembled in his studio in New York one Friday afternoon for the mere purpose of idling and drinking, he seeming to have nothing better to do for the time being, he suddenly suggested, and as though it had but now occurred to him, that we all adjourn to his country house on Long Island, which was not yet quite finished (or, rather, furnished), but which was in a sufficient state of completion to permit of appropriate entertainment providing the necessaries were carried out there with us.

As I came to think of this afterward, I decided that after all it was not perhaps so unpremeditated as it seemed and that unconsciously we served a very useful purpose. There was work to do, suggestions to be obtained, an overseer, decorator and landscape gardener with whom consultations were absolutely necessary; and nothing that X---- ever did was without its element of calculation. Why not make a gala affair of a rather dreary November task--

Hence--

At any rate the majority of us forthwith agreed, since plainly it meant an outing of the most lavish and pleasing nature. At once four automobiles were pressed into service, three from his own garage and one specially engaged elsewhere. There was some telephoning _in re_ culinary supplies to a chef in charge of the famous restaurant below who was _en rapport_ with our host, and soon some baskets of food were produced and subsequently the four cars made their appearance at the entryway below.

At dusk of a gray, cold, smoky day we were all bundled into these--poets, playwrights, novelists, editors (he professed a great contempt for actors), and forthwith we were off, to do forty-five miles between five-thirty and seven p.m.

I often think of that ride, the atmosphere of it, and what it told of our host's point of view. He was always so grave, serene, watchful yet pleasant and decidedly agreeable, gay even, without seeming so to be.

There was something so amazingly warm and exotic about him and his, and yet at the same time something so cold and calculated, as if after all he were saying to himself, "I am the master of all this, am stage-managing it for my own pleasure." I felt that he looked upon us all not so much as intimates or friends as rather fine birds or specimens of one kind and another, well qualified to help him with art and social ideas if nothing more--hence his interest in us. Also, in his estimation no doubt, we reflected some slight color or light into his life, which he craved. We had done things too. Nevertheless, in his own estimation, he was the master, the Can Grande. He could at will, "take us up or leave us out," or so he thought. We were mere toys, fine feathers, cap-and-bell artists. It was nice to, "take us around," have us with him. Smothered in a great richly braided fur coat and fur cap, he looked as much the Grand Duke as one might wish.

But I liked him, truly. And what a delicious evening and holiday, all told, he made of it for us. By leaving a trail of frightened horses, men and women, and tearing through the gloom as though streets were his private race-track--I myself as much frightened as any at the roaring speed of the cars and the possibilities of the road--we arrived at seven, and by eight were seated to a course dinner of the most gratifying character. There was no heat in the house as yet, but from somewhere great logs had been obtained and now blazed in the large fireplaces. There was no electricity as yet--a private plant was being installed--but candles and lamps blazed in lovely groups, casting a soft glow over the great rooms. One room lacked a door, but an immense rug took its place. There were rugs, hangings and paintings in profusion, many of them as yet unhung. Some of the most interesting importations of furniture and statuary were still in the cases in which they had arrived, with marks of s.h.i.+ps and the names of foreign cities upon the cases. Scattered about the great living-room, dining-room, music-room and library were enough rugs, divans and chairs as well as musical instruments--a piano among others--to give the place an air of completeness and luxury. The walls and ceilings had already been decorated--in a most florid manner, I must say. Outside were great balconies and verandahs commanding, as the following morning proved, a very splendid view of a very bleak sea. The sand dunes! The distant floor of the sea! The s.h.i.+ps! Upstairs were nine suites of one- and two-rooms and bath. The bas.e.m.e.nt was an intricate world of kitchen, pantry, engine-room, furnace, wine cellars and what not. Outside was a tawny waste of sand held together in places in the form of hummocks and even concealing hills by sand-binding gra.s.ses.

That night, because it was windy and dull and bleak, we stayed inside, I for one going outside only long enough to discover that there were great wide verandahs of concrete about the house, fit for great entertainments in themselves, and near at hand, hummocks of sand. Inside all was warm and flaring enough. The wine cellar seemed to contain all that one might reasonably desire. Our host once out here was most gay in his mood. He was most pleasantly interested in the progress of his new home, although not intensely so. He seemed to have lived a great deal and to be making the best of everything as though it were something to go through with.

With much talking on the part of us all, the evening pa.s.sed swiftly enough. Some of the men could play and sing. One poet recited enchanting bits of verse. For our inspection certain pieces of furniture and statuary were unpacked and displayed--a bronze faun some three feet in height, for one thing. All the time I was sensible of being in contact with some one who was really in touch with life in a very large way, financially and otherwise. His mind seemed to be busy with all sorts of things. There were two Syrians in Paris, he said, who owned a large collection of rugs suitable for an exhibition. He had an agent who was trying to secure the best of them for his new home. De Shay had recently introduced him to a certain Italian count who had a great house in Italy but could not afford its upkeep. He was going to take over a portion of its furnis.h.i.+ngs, after due verification, of course. Did I know the paintings of Monticelli and Mancini? He had just secured excellent examples of both. Some time when his new home was further along I must come out. Then the pictures would be hung, the statuary and furniture in place. He would get up a week-end party for a select group.

The talk drifted to music and the stage. At once I saw that because of his taste, wealth and skill, women formed a large and yet rather toy-like portion of his life, holding about as much relation to his inner life as do the concubines of an Asiatic sultan. Madame of the earrings, as I learned from De Shay, was a source of great expense to him, but at that she was elusive, not easily to be come at. The stage and Broadway were full of many beauties in various walks of life, many of whom he knew or to whom he could obtain access. Did I know thus, and so--such-and-such, and one?

"I'll tell you," he said after a time and when the wine gla.s.ses had been refilled a number of times, "we must give a party out here some time, something extraordinary, a real one. De Shay and Bielow" (naming another artist) "and myself must think it out. I know three different dancers"--and he began to enumerate their qualities. I saw plainly that even though women played a minor part in his life, they were the fringe and embroidery to his success and power. At one a.m. we went to our rooms, having touched upon most of the themes dear to metropolitan lovers of life and art.