The Regent's Daughter Part 79

"Very well, you know the conservatory is beyond that gallery; stay, the doors are closed."

"Did you not say that with this card the servants would open them to me?"

"Yes; but it would be better to open them yourself--a servant might wait for your exit. If you are thus agitated before you strike the blow, what will it be afterward? Then the regent probably will not fall without defending himself--without a cry; they will all run to him, you will be arrested, and adieu your hope of the future. Think of Helene, who waits for you."

It is impossible to describe what was pa.s.sing in Gaston's heart during this speech. The duke, however, watched its effect upon his countenance.

"Well," said Gaston, "what shall I do? advise me."

"When you are at the door of the conservatory, the one which opens on to the gallery turning to the left--do you know?"

"Yes."

"Under the lock you will find a carved b.u.t.ton--push it, and the door will open, unless it be fastened within. But the regent, who has no suspicion, will not take this precaution. I have been there twenty times for a private audience. If he be not there, wait for him. You will know him, if there, by the black domino and the golden bee."

"Yes, yes; I know," said Gaston; not knowing, however, what he said.

"I do not reckon much on you this evening," replied the duke.

"Ah! monseigneur, the moment approaches which will change my past life into a doubtful future, perhaps of shame, at least of remorse."

"Remorse!" replied the duke. "When we perform an action which we believe to be just, and commanded by conscience, we do not feel remorse. Do you doubt the sanct.i.ty of your cause?"

"No, monseigneur, but it is easy for you to speak thus. You have the idea--I, the execution. You are the head, but I am the arm. Believe me, monseigneur," continued he in a hollow voice, and choking with emotion, "it is a terrible thing to kill a man who is before you defenseless--smiling on his murderer. I thought myself courageous and strong; but it must be thus with every conspirator who undertakes what I have done. In a moment of excitement, of pride, of enthusiasm, or of hatred, we take a fatal vow; then there is a vast extent of time between us and our victim; but the oath taken, the fever is calmed, the enthusiasm cools, the hatred diminishes. Every day brings us nearer the end to which we are tending, and then we shudder when we feel what a crime we have undertaken. And yet inexorable time flows on; and at every hour which strikes, we see our victim take another step, until at length the interval between us disappears, and we stand face to face. Believe me, monseigneur, the bravest tremble--for murder is always murder. Then we see that we are not the ministers of our consciences, but the slaves of our oaths. We set out with head erect, saying 'I am the chosen one:'

we arrive with head bowed down, saying, 'I am accursed.'"

"There is yet time, monsieur."

"No, no; you well know, monseigneur, that fate urges me onward. I shall accomplish my task, terrible though it be. My heart will shudder, but my hand will still be firm. Yes, I tell you, were it not for my friends, whose lives hang on the blow I am about to strike, were there no Helene, whom I should cover with mourning, if not with blood, oh, I would prefer the scaffold, even the scaffold, with all its shame, for that does not punish, it absolves."

"Come," said the duke, "I see that though you tremble, you will act."

"Do not doubt it, monseigneur; pray for me, for in half an hour all will be over."

The duke gave an involuntary start; however, approving Gaston's determination, he once more mixed with the crowd.

Gaston found an open window with a balcony. He stepped out for a moment to cool the fever in his veins, but it was in vain; the flame which consumed him was not to be extinguished thus.

He heard one o'clock strike.

"Now," he murmured, "the time is come, and I cannot draw back. My G.o.d, to thee I recommend my soul--Helene, adieu!"

Then, slowly but firmly, he went to the door, and pressing the b.u.t.ton, it opened noiselessly before him.

A mist came before his eyes. He seemed in a new world. The music sounded like a distant and charming melody. Around him breathed the sweetly perfumed flowers, and alabaster lamps half hidden in luxuriant foliage shed a delicious twilight over the scene, while through the interlacing leaves of tropical plants could just be seen the leafless gloomy trees beyond, and the snow covering the earth as with a winding sheet. Even the temperature was changed, and a sudden s.h.i.+ver pa.s.sed through his veins. The contrast of all this verdure, these magnificent and blossoming orange trees--these magnolias, splendid with the waxy blooms, with the gilded salons he had left, bewildered him. It seemed difficult to connect the thought of murder with this fair-smiling and enchanted scene. The soft gravel yielded to his tread, and plas.h.i.+ng fountains murmured forth a plaintive and monotonous harmony.

Gaston was almost afraid to look for a human form. At length he glanced round.

Nothing! he went on.

At length, beneath a broad-leaved palm, surrounded by blooming rhododendrons, he saw the black phantom seated on a bank of moss, his back turned toward the side from whence he was approaching.

The blood rushed to Gaston's cheeks, his hand trembled, and he vainly sought for some support.

The domino did not move.

Gaston involuntarily drew back. All at once he forced his rebellious limbs to move on, and his trembling fingers to grasp the knife they had almost abandoned, and he stepped toward the regent, stifling a sob which was about to escape him.

At this moment the figure moved, and Gaston saw the golden bee, which seemed like a burning gem before his eyes.

The domino turned toward Gaston, and as he did so, the young man's arm grew rigid, the foam rose to his lips, his teeth chattered, for a vague suspicion entered his breast.

Suddenly he uttered a piercing cry. The domino had risen, and was unmasked--his face was that of the Duc d'Olivares.

Gaston, thunderstruck, remained livid and mute. The regent and the duke were one and the same. The regent retained his calm majestic att.i.tude; looked at the hand which held the knife, and the knife fell. Then, looking at his intended murderer with a smile at once sweet and sad, Gaston fell down before him like a tree cut by the ax.

Not a word had been spoken; nothing was heard but Gaston's broken sobs, and the water of the fountains plas.h.i.+ng monotonously as it fell.

CHAPTER x.x.xIV.

THE PARDON.

"Rise, monsieur," said the regent.

"No, monseigneur," cried Gaston, bowing his forehead to the ground, "oh, no, it is at your feet that I should die."

"Die! Gaston! you see that you are pardoned."

"Oh, monseigneur, punish me, in Heaven's name; for you must indeed despise me if you pardon me."

"But have you not guessed?" asked the regent.

"What?"

"The reason why I pardon you."

Gaston cast a retrospective glance upon the past, his sad and solitary youth, his brother's despairing death, his love for Helene, those days that seemed so long away from her, those nights that pa.s.sed so quickly beneath the convent window, his journey to Paris, the duke's kindness to the young girl, and last, this unexpected clemency; but in all this he beheld nothing, he divined nothing.

"Thank Helene," said the duke, who saw that Gaston vainly sought the cause of what had happened; "thank Helene, for it is she who saves your life."

"Helene! monseigneur."

"I cannot punish my daughter's affianced husband."