The Complete Works of Robert Burns Part 278

FAIREST OF THE FAIR.

It is too barefaced to take Dr. Percy's charming song, and by means of transposing a few English words into Scots, to offer to pa.s.s it for a Scots song.--I was not acquainted with the editor until the first volume was nearly finished, else, had I known in time, I would have prevented such an impudent absurdity.

THE BLAITHRIE O'T.

The following is a set of this song, which was the earliest song I remember to have got by heart. When a child, an old woman sung it to me, and I picked it up, every word, at first hearing.

"O w.i.l.l.y, weel I mind, I lent you my hand To sing you a song which you did me command; But my memory's so bad I had almost forgot That you called it the gear and the blaithrie o't.--

I'll not sing about confusion, delusion or pride, I'll sing about a laddie was for a virtuous bride; For virtue is an ornament that time will never rot, And preferable to gear and the blaithrie o't.--

Tho' my la.s.sie hae nae scarlets or silks to put on, We envy not the greatest that sits upon the throne; I wad rather hae my la.s.sie, tho' she cam in her smock, Than a princess wi' the gear and the blaithrie o't.--

Tho' we hae nae horses or menzies at command, We will toil on our foot, and we'll work wi' our hand; And when wearied without rest, we'll find it sweet in any spot, And we'll value not the gear and the blaithrie o't.--

If we hae ony babies, we'll count them as lent; Hae we less, hae we mair, we will ay be content; For they say they hae mair pleasure that wins bu groat, Than the miser wi' his gear and the blaithrie o't--

I'll not meddle wi' th' affairs of the kirk or the queen; They're nae matters for a sang, let them sink, let them swim; On your kirk I'll ne'er encroach, but I'll hold it stil remote, Sae tak this for the gear and the blaithrie o't."

MAY EVE, OR KATE OF ABERDEEN.

"Kate of Aberdeen" is, I believe, the work of poor Cunningham the player; of whom the following anecdote, though told before, deserves a recital. A fat dignitary of the church coming past Cunningham one _Sunday_, as the poor poet was busy plying a fis.h.i.+ng-rod in some stream near Durham, his native country, his reverence reprimanded Cunningham very severely for such an occupation on such a day. The poor poet, with that inoffensive gentleness of manners which was his peculiar characteristic, replied, that he hoped G.o.d and his reverence would forgive his seeming profanity of that sacred day, "_as he had no dinner to eat, but what lay at the bottom of that pool_!" This, Mr.

Woods, the player, who knew Cunningham well, and esteemed him much, a.s.sured me was true.

TWEED SIDE.

In Ramsay's Tea-table Miscellany, he tells us that about thirty of the songs in that publication were the works of some young gentlemen of his acquaintance; which songs are marked with the letters D. C.

&c.--Old Mr. Tytler of Woodhouselee, the worthy and able defender of the beauteous Queen of Scots, told me that the songs marked C, in the _Tea-table_, were the composition of a Mr. Crawfurd, of the house of Achnames, who was afterwards unfortunately drowned coming from France.--As Tytler was most intimately acquainted with Allan Ramsay, I think the anecdote may be depended on. Of consequence, the beautiful song of Tweed Side is Mr. Crawfurd's, and indeed does great honour to his poetical talents. He was a Robert Crawfurd; the Mary he celebrates was a Mary Stewart, of the Castle-Milk family, afterwards married to a Mr. John Ritchie.

I have seen a song, calling itself the original Tweed Side, and said to have been composed by a Lord Yester. It consisted of two stanzas, of which I still recollect the first--

"When Maggy and I was acquaint, I carried my noddle fu' hie; Nae lintwhite on a' the green plain, Nor gowdspink sae happy as me: But I saw her sae fair and I lo'ed: I woo'd, but I came nae great speed; So now I maun wander abroad, And lay my banes far frae the Tweed."--

THE POSY.

It appears evident to me that Oswald composed his _Roslin Castle_ on the modulation of this air.--In the second part of Oswald's, in the three first bars, he has either hit on a wonderful similarity to, or else he has entirely borrowed the three first bars of the old air; and the close of both tunes is almost exactly the same. The old verses to which it was sung, when I took down the notes from a country girl's voice, had no great merit.--The following is a specimen:

"There was a pretty May, and a milkin she went; Wi' her red rosy cheeks, and her coal black hair; And she has met a young man a comin o'er the bent, With a double and adieu to thee, fair May.

O where are ye goin, my ain pretty May, Wi' thy red rosy cheeks, and thy coal black hair?

Unto the yowes a milkin, kind sir, she says, With a double and adieu to thee, fair May.

What if I gang alang with thee, my ain pretty May, Wi' thy red rosy cheeks, any thy coal-black hair; Wad I be aught the wa.r.s.e o' that, kind sir, she says, With a double and adieu to thee, fair May."

MARY'S DREAM.

The Mary here alluded to is generally supposed to be Miss Mary Macghie, daughter to the Laird of Airds, in Galloway. The poet was a Mr. John Lowe, who likewise wrote another beautiful song, called Pompey's Ghost.--I have seen a poetic epistle from him in North America, where he now is, or lately was, to a lady in Scotland.--By the strain of the verses, it appeared that they allude to some love affair.

THE MAID THAT TENDS THE GOATS.

BY MR. DUDGEON.

This Dudgeon is a respectable farmer's son in Berwicks.h.i.+re.

I WISH MY LOVE WERE IN A MIRE.

I never heard more of the words of this old song than the t.i.tle.

ALLAN WATER.

This Allan Water, which the composer of the music has honoured with the name of the air, I have been told is Allan Water, in Strathallan.

THERE'S NAE LUCK ABOUT THE HOUSE.

This is one of the most beautiful songs in the Scots, or any other language.--The two lines,

"And will I see his face again!

And will I hear him speak!"