The Memoirs of Jacques Casanova de Seingalt Volume VI Part 19

It was then May, and she was not to go to Valentia till September, so we shall hear what the letter contained later on.

I often saw the king's gentleman of the chamber, Don Domingo Varnier, another 'gentleman in the service of the Princess of the Asturias, and one of the princess's bed-chamber women. This most popular princess succeeded in suppressing a good deal of the old etiquette, and the tone of her Court had lost the air of solemnity common in Spanish society.

It was a strange thing to see the King of Spain always dining at eleven o'clock, like the Parisian cordwainers in the seventeenth century. His meal always consisted of the same dishes, he always went out hunting at the same hour, coming back in the evening thoroughly fatigued.

The king was ugly, but everything is relative, he was handsome compared with his brother, who was terrifically ugly.

This brother never went anywhere without a picture of the Virgin, which Mengs had painted for him. It was two feet high by three and a half broad. The figure was depicted as seated on the gra.s.s with legs crossed after the Eastern fas.h.i.+on, and uncovered up to the knees. It was, in reality, a voluptuous painting; and the prince mistook for devotion that which was really a sinful pa.s.sion, for it was impossible to look upon the figure without desiring to have the original within one's arms.

However, the prince did not see this, and was delighted to find himself in love with the mother of the Saviour. In this he was a true Spaniard; they only love pictures of this kind, and interpret the pa.s.sions they excite in the most favourable sense.

At Madrid I had, seen a picture of the Madonna with the child at her breast. It was the altarpiece of a chapel in the Calle St. Jeronimo. The place was filled all day by the devout, who came to adore the Mother of G.o.d, whose figure was only interesting by reason of her magnificent breast. The alms given at this chapel were so numerous, that in the hundred and fifty years, since the picture had been placed there, the clergy had been able to purchase numerous lamps and candlesticks of silver, and vessels of silver gilt, and even of gold. The doorway was always blocked by carriages, and a sentinel was placed there to keep order amongst the coachmen; no n.o.bleman would pa.s.s by without going in to pray to the Virgin, and to contemplate those 'beata ubera, quae lactaverunt aeterni patris filium'. But there came a change.

When I returned to Madrid I wanted to pay a visit to the Abbe Pico, and told my coachman to take another way so as to avoid the crush in front of the chapel.

"It is not so frequented now, senor," said he, "I can easily get by it."

He went on his way, and I found the entrance to the chapel deserted.

As I was getting out of the carriage I asked my coachman what was the reason of the change, and he replied,--

"Oh, senor! men are getting more wicked every day."

This reason did not satisfy me, and when I had taken my chocolate with the abbe, an intelligent and venerable old man, I asked him why the chapel in question had lost its reputation.

He burst out laughing, and replied,--

"Excuse me, I really cannot tell you. Go and see for yourself; your curiosity will soon be satisfied."

As soon as I left him I went to the chapel, and the state of the picture told me all. The breast of the Virgin had disappeared under a kerchief which some profane brush had dared to paint over it. The beautiful picture was spoilt; the magic and fascination had disappeared. Even the teat had been painted out; the Child held on to nothing, and the head of the Virgin no longer appeared natural.

This disaster had taken place at the end of the Carnival of 1768. The old chaplain died, and the Vandal who succeeded him p.r.o.nounced the painting to be a scandalous one, and robbed it of all its charm.

He may have been in the right as a fool, but as a Christian and a Spaniard he was certainly in the wrong, and he was probably soon convinced of the mistake he had made by the diminution in the offerings of the faithful.

My interest in the study of human nature made me call on this priest, whom I expected to find a stupid old man.

I went one morning, but instead of being old, the priest was an active, clever-looking man of thirty, who immediately offered me chocolate with the best grace imaginable. I refused, as was my duty as a stranger, and indeed the Spaniards offer visitors chocolate so frequently at all hours, that if one accepted it all one would be choked.

I lost no time in exordiums, but came to the point at once, by saying that as a lover of paintings I had been grieved at finding the magnificent Madonna spoilt.

"Very likely," he replied, "but it was exactly the physical beauty of the picture that rendered it in my eyes unfit to represent one whose aspect should purify and purge the senses, instead of exciting them.

Let all the pictures in the world be destroyed, if they be found to have caused the commission of one mortal sin."

"Who allowed you to commit this mutilation? The Venetian State Inquisitors, even M. Barberigo, though he is a devout man, would have put you under the Leads for such a deed. The love of Paradise should not be allowed to interfere with the fine arts, and I am sure that St. Luke himself (who was a painter, as you know) would condemn you if he could come to life again."

"Sir, I needed no one's leave or license. I have to say ma.s.s at that altar every day, and I am not ashamed to tell you that I was unable to consecrate. You are a man and a Christian, you can excuse my weakness.

That voluptuous picture drew away my thoughts from holy things."

"Who obliged you to look at it?"

"I did not look at it; the devil, the enemy of G.o.d, made me see it in spite of myself."

"Then you should have mutilated yourself like Origen. Your generative organs, believe me, are not so valuable as the picture you have ruined."

"Sir, you insult me."

"Not at all, I have no intention of doing so."

That young priest shewed me the door with such brusqueness that I felt sure he would inform against me to the Inquisition. I knew he would have no difficulty in finding out my name, so I resolved to be beforehand with him.

Both my fear and my resolve were inspired by an incident which I shall mention as an episode.

A few days before, I had met a Frenchman named Segur, who had just come out of the prisons of the Inquisition. He had been shut up for three years for committing the following crime:

In the hall of his house there was a fountain, composed of a marble basin and the statue of a naked child, who discharged the water in the same way as the well-known statue of Brussels, that is to say, by his virile member. The child might be a Cupid or an Infant Jesus, as you pleased, but the sculptor had adorned the head with a kind of aureole; and so the fanatics declared that it was a mocking of G.o.d.

Poor Segur was accused of impiety, and the Inquisition dealt with him accordingly.

I felt that my fault might be adjudged as great as Segur's, and not caring to run the risk of a like punishment I called on the bishop, who held the office of Grand Inquisitor, and told him word for word the conversation I had had with the iconoclast chaplain. I ended by craving pardon, if I had offended the chaplain, as I was a good Christian, and orthodox on all points.

I had never expected to find the Grand Inquisitor of Madrid a kindly and intelligent, though ill-favoured, prelate; but so it was, and he did nothing but laugh from the beginning to the end of my story, for he would not let me call it a confession.

"The chaplain," he said, "is himself blameworthy and unfit for his position, in that he has adjudged others to be as weak as himself; in fact, he has committed a wrong against religion. Nevertheless, my dear son, it was not wise of you to go and irritate him." As I had told him my name he shewed me, smilingly, an accusation against me, drawn up by someone who had witnessed the fact. The good bishop gently chid me for having called the friar-confessor of the Duke of Medina an ignoramus.

He had refused to admit that a priest might say ma.s.s a second time on a high festival, after breaking his fast, on the command of his sovereign prince, who, by the hypothesis, had not heard ma.s.s before.

"You were quite right in your contention," said the Inquisitor, "but yet every truth is not good to utter, and it was wrong to call the man an ignoramus in his presence. For the future you would do well to avoid all idle discussion on religious matters, both on dogma and discipline. And I must also tell you, in order that you may not leave Spain with any harsh ideas on the Inquisition, that the priest who affixed your name to the church-door amongst the excommunicated has been severely reprimanded. He ought to have given you a fatherly admonition, and, above all, enquired as to your health, as we know that you were seriously ill at the time."

Thereupon I knelt down and kissed his hand, and went my way, well pleased with my call.

To go back to Aranjuez. As soon as I heard that the amba.s.sador could not put me up at Madrid, I wrote to the worthy cobbler, Don Diego, that I wanted a well-furnished room, a closet, a good bed, and an honest servant. I informed him how much I was willing to spend a month, and said I would leave Aranjuez as soon as I heard that everything was ready.

I was a good deal occupied with the question of colonising the Sierra Morena; I wrote princ.i.p.ally on the subject of the civil government, a most important item in a scheme for a new colony. My articles pleased the Marquis Grimaldi and flattered Mocenigo; for the latter hoped that I should become governor of the colony, and that his emba.s.sy would thereby s.h.i.+ne with a borrowed light.

My labours did not prevent my amusing myself, and I frequented the society of those about the Court who could tell me most of the king and royal family. Don Varnier, a man of much frankness and intelligence, was my princ.i.p.al source of information.

I asked him one day whether the king was fond of Gregorio Squillace only because he had been once his wife's lover.

"That's an idle calumny," he replied. "If the epithet of 'chaste' can be applied to any monarch, Charles III. certainly deserves it better than any other. He has never touched any woman in his life except his wife, not only out of respect or the sanct.i.ty of marriage, but also as a good Christian. He has avoided this sin that his soul may remain pure, and so as not to have the shame of confessing it to his chaplain. He enjoys an iron const.i.tution, sickness is unknown to him, and he is a thorough Spaniard in temperament. Ever since his marriage he has paid his duty to his wife every day, except when the state of her health compelled her to call for a truce. In such seasons this chaste husband brought down his fleshly desires by the fatigue of hunting and by abstinence. You can imagine his distress at being left a widower, for he would rather die than take a mistress. His only resource was in hunting, and in so planning out his day that he should have no time left wherein to think of women. It was a difficult matter, for he cares neither for reading nor writing, music wearies him, and conversation of a lively turn inspires him with disgust.

"He has adopted the following plan, in which he will preserve till his dying day: He dresses at seven, then goes into his closet and has his hair dressed. At eight o'clock he says his prayers, then hears ma.s.s, and when this is over he takes chocolate and an enormous pinch of snuff, over which his big nose ruminates for some minutes; this is his only pinch in the whole day. At nine o'clock he sees his ministers, and works with them till eleven. Then comes dinner, which he always takes alone, then a short visit to the Princess of the Austurias, and at twelve sharp he gets into his carriage and drives to the hunting-grounds. At seven o'clock he takes a morsel wherever he happens to be, and at eight o'clock he comes home, so tired that he often goes to sleep before he can get his clothes off. Thus he keeps down the desires of the flesh."

"Poor voluntary martyr!"

"He thought of marrying a second time, but when Adelaide of France saw his portrait she was quite frightened and refused him. He was very mortified, and renounced all thoughts of marriage; and woe to the courtier who should advise him to get a mistress!"

In further speaking of his character Don Domingo told me that the ministers had good cause for making him inaccessible, as whenever anyone did succeed in getting at him and asked a favour, he made a point of granting it, as it was at such times that he felt himself really a king.

"Then he is not a hard man, as some say?"

"Not at all. Kings seldom have the reputation they deserve. The most accessible monarchs are the least generous; they are overwhelmed with importunate requests, and their first instinct is always to refuse."