The Gravedigger's Daughter Part 38

In the late winter of 1963 they would move from Malin Head Bay to Watertown, New York. This was keeping-going in a new way. Not by Greyhound bus and not poor and desperate but driven in Chet Gallagher's comfortable 1959 Cadillac wide and floating as a boat.

"We have a new life, now. A decent life. No one will follow us, here!"

Over a flurried weekend it was arranged: Hazel would be employed as a salesclerk at Zimmerman Brothers Pianos & Music Supplies in Watertown. And Zack would be taking piano lessons with the older Zimmerman brother who gave lessons to serious pupils only.

From Malin Head Bay they would move forty miles south to the much larger city of Watertown, where they knew no one. From the cramped and ill-smelling apartment above Hutt Pharmacy they would move to a two-bedroom apartment with freshly painted white walls on the second floor of a brownstone on Was.h.i.+ngton Street, a five-minute walk from Zimmerman's.

Hazel Jones would be paying her own rent for this apartment. Mr. Gallagher would not be paying her rent. Her salary at Zimmerman's was almost three times as much as her usherette's salary had been at the Bay Palace Theater.

"When you sell music, you are selling beauty. From now on, I will be selling beauty."

From now on, Zack would be taking serious piano lessons. Zack would have his own piano. Zack was a child-not-a-child.

From Bay Street Elementary, Zack would be transferred to a new school, North Watertown Elementary. Here, he was enrolled in second grade. There was the possibility, too, that he might be advanced another grade if he continued to excel in school.

One day, Mr. Gallagher had driven Zack and his mother to the Watertown school, where Zack spent several hours taking tests: reading, writing, arithmetic, matching up geometrical figures. The tests were not difficult, Zack completed them quickly. Afterward was an interview with the princ.i.p.al of North Watertown Elementary, and this too seemed to go very well.

It must have been, Chet Gallagher had made these arrangements, too. Mommy hinted this was so. Mommy a.s.sured Zack he would be very happy in the new school, happier than he'd been at the old.

"Mrs. Jones, do you have your son's birth certificate?"

"Yes. I do."

Such a doc.u.ment was required in the Watertown public school district for all children seeking enrollment. Zack's birth certificate declared that Zacharias August Jones had been born November 29, 1956, in Port Oriskany, New York. His parents were Hazel Jones and William Jones (now deceased).

The birth certificate, new-looking, was a fascimile, Hazel explained to the princ.i.p.al. For the original had been lost years ago in a house fire.

Goodbye to Malin Head Bay! Except he'd been tormented by older children, and never much encouraged by Mr. Sarrantini, Zack had liked living in the old river town.

Walking along the pebbly beach with Mommy, just the two of them. And s...o...b..und days at home, just the two of them. And that night in the Malin Head Inn, that had changed their lives.

Chet Gallagher was Mommy's friend, and Zack's friend, too. No sooner had Mommy and Zack moved into the new apartment in Watertown than there was the possibility that they might move again: to a house that Mr. Gallagher was negotiating to buy, or had already bought.

Too excited to sleep Zack lay very still in his bed listening to the adults speaking together in another room of the new apartment.

Through the wall he heard them. His fingers twitched striking notes on an invisible keyboard.

For speech is a kind of music. Even when words are blurred, their tone, their rhythm prevails.

...but wouldn't you want to, Hazel?

Yes, but...

What?

It wouldn't be right. If...

Bulls.h.i.+t. That's no reason.

People would talk.

So who gives a d.a.m.n, if people talk? What people? Who even knows you here?

At Zimmerman's, they know me. And they know you.

So what?

And there's Zack.

Let's ask him, then.

No! Please don't wake him, it would only make him upset. You know how he admires you.

Well, I admire him. He's a terrific kid.

He's had so much upset in his life, he's only six years old...

You want to get married, Hazel? That's it?

I...I don't know. I don't think...

Marry me, then. What the h.e.l.l.

They were not quarreling exactly. Hazel Jones was not one to quarrel. Her manner was soft, earnest. Her voice was liquidy and pleading like a song. Hearing Hazel Jones was like listening to a radio song. Gallagher, the man, was the one to lose his temper, unexpectedly. Especially when he'd been drinking. And often when he came to visit Hazel he'd been drinking. Zack would be drifting off to sleep, awakened suddenly by Gallagher's raised voice, the sound of a fist striking something, a chair being pushed away from a table, Gallagher on his feet swearing and headed for the door and Hazel Jones's voice pleading Chet, please. Chet! But away Gallagher would go like a waterfall of notes cascading along a keyboard, once the momentum begins it can't be stopped, heavy footsteps on the stairs, a man's pride wounded, wouldn't return for days, holed up back in Malin Head Bay and would not even telephone allowing Hazel Jones to know G.o.d d.a.m.n he could walk out of her life as he'd walked into it he could walk out of any woman's life as he'd walked into it and then what?

"Because I'm not a wh.o.r.e. I am not."

It was a small upright, the piano Gallagher bought for Zack. Insisting it was "secondhand""a bargain." Not a new piano, Gallagher had bought it at Zimmerman's at a discount. A gift for the boy, Gallagher said Hazel need feel no indebtedness.

"It isn't a Steinway, it's a Baldwin. Really, Hazel. It didn't cost much."

The keys were not ivory but plastic, glaring white. The wood was veneer, though very smooth, teak-colored. The piano was the size of the battered piano in the Bay Street Junior High School but had a far clearer tone. Zack was stunned by the gift. Zack had seemed almost to recoil from it, at first, overcome. Hazel had seen in the child's face the stricken look of an adult woman. Like no normal child in such a circ.u.mstance, Zack had begun to cry.

Hazel thought uneasily He feels the burden of the gift. He won't be equal to it.

The deliverymen had brought the piano to ZACHARIAS JONES. On a card prominently attached to the piano was Gallagher's scrawl Gallagher spoke, in his teasing way, of the house he was buying in Watertown: "The feature that will attract you most, Hazel, is its two separate entrances: we can come and go without seeing each other for weeks."

She hated it, the child was eavesdropping on her. No business of a child's, Mommy's private life. Nudging her with his elbow hard enough to hurt. "But why, Mommy? Don't you like Mr. Gallagher?" and Hazel said evasively, "Yes. I like Mr. Gallagher." And the child said, in that pleading-bullying way of a willful child, "He's real nice, isn't he? Mommy?" and Hazel said, "A man can seem nice, Zack. Before you come to live with him."

Between mother and child there pa.s.sed the shadow of that man. In their shared speech that man was never given a name and Hazel had to wonder if Zack remembered his father's name.

It was not a name to be uttered aloud. Yet, still it haunted her in weak moments.

Niles Tignor.

Wondering if Zack recalled his own, early name. So many times uttered in Mommy's voice, in love.

Niley.

As if somehow Niley had been her firstborn. And this older, more difficult and willful Zacharias was another child whom she could not love quite so much.

Zacharias was growing from her, she knew. His allegiance was s.h.i.+fting from Mommy to the adult man in their lives, Gallagher. She supposed it was inevitable, it was altogether normal. Yet she must protect her son, as she must protect herself.

Saying, as she stroked his warm forehead, "I don't think that we are ready to live with a man, Zack. I don't think that we can trust a man. Not yet." Speaking so frankly was not Hazel's favored mode of speech with her child, she worried she would regret it.

"But when, Mommy?"

"Someday, maybe. I can't promise."

"Next month? Next week?"

"Certainly not next week. I said"

"Mr. Gallagher told me"

"Never mind what Mr. Gallagher told you, he has no right to talk to you behind my back."

"Wasn't behind your back! He told me!"

Suddenly Zack was angry. It was like snapping your fingers, how quickly the child became angry. Demanding to know why couldn't they live with Mr. Gallagher if he wanted them! n.o.body else wanted them did they! n.o.body else wanted to marry them! If Mr. Gallagher was buying a house for them! Hazel was stunned to see the rage in her son's hot little face, a contorted little fist of a face, and the threat of violence in his flailing fists. He wants a father. He thinks I am keeping his father from him.

She tried to speak calmly. It was not Hazel Jones's style to become emotional in response to others' emotions.

"Honey, it's none of your business. What pa.s.ses between Mr. Gallagher and me is none of your business, you're just a child."

Now Zack was truly furious. Shouted outrageously he was not a child, he was not a d.a.m.n stupid child he was not.

He pushed out of her arms and ran from her, trembling. He did not strike her with his fists but pushed from her as if he hated her, slammed into his room and shut the door against her as she stared after him dazed and shaken.

The tantrum pa.s.sed. Zack emerged from his room and went at once to the piano. Already that day he'd practiced for two hours. Now he would play and replay his lesson for Mr. Zimmerman, then reward himself (Hazel supposed this was the logic, a bargain) with random playing, more advanced compositions in his John Thomson's Modern Course for the Piano book or jazz/boogie-woogie Chet Gallagher style.

Hazel teased him: "Play 'Savin' All My Love For You.'"

Maybe. Maybe he would.

Hazel took comfort, hearing her son at the piano. Preparing dinner for the two of them. Even when Zack played loudly or carelessly or repeated sequences of notes compulsively as if to punish both himself and her she thought We are in the right place in all the world, Hazel Jones has brought us here.

14.

"When you sell music, you are selling beauty."

Never had Hazel Jones been so proud of any work of hers. Never so smiling, exalted. Light flashed from her young face like a shard of sunlight reflected in a mirror. Her eyes blinked rapidly overcome by the moisture of grat.i.tude, disbelief.

Zimmerman Brothers Piano & Music Supply was an old Watertown establishment, housed in a shabbily elegant brownstone on South Main Street in a part-residential, part-commercial neighborhood of distinguished old apartment buildings and small shops. The first thing you saw, approaching Zimmerman's, was the graceful bay window in which a Steinway grand piano was on permanent display. At dusk, and on dreary winter days, the bay window was lighted. The piano shone.

Hazel stopped to stare. The piano was so beautiful, she was left feeling weak, shaken. The thought came to her Not a one of them can follow you here.

From Milburn, she meant. That life. Soon she would be twenty-seven years old, the gravedigger's daughter who had been meant to die at thirteen.

What a joke, her life! That good, decent, kindly man Gallagher believed he loved her, who had not the slightest knowledge of her.

She felt a pang of guilt, for deceiving him. But how much more powerfully, a strange giddy pleasure.

In the early morning especially, when she walked to the music store hearing her high heels strike the sidewalk in brisk Hazel Jones staccato, she found herself thinking of the stone house in the cemetery. Her brothers Herschel, August. How old would they be now, if they were living: Herschel in his mid-thirties, August nearly as old. She wondered if she would know them. If they would now recognize her in Hazel Jones.

They would be proud of her, she believed. Both her brothers had liked her. They would wish her wellwouldn't they? Herschel would shake his head, disbelieving. But he would be happy for Hazel Jones, she knew.

And there were the adult Schwarts.

Jacob Schwart would be d.a.m.ned impressed with Zimmerman's. The very look of the brownstone, the store. And it was a large store, with parquet floors in the piano display room, and piped-in cla.s.sical music. Though Jacob Schwart despised Germans. As he despised the well-to-do. Never could Jacob Schwart resist mocking, belittling any accomplishment of his daughter.

You are ignorant now. You know nothing of this h.e.l.lhole the world.

Hazel Jones did know. But no one in Watertown would guess Hazel Jones's knowledge.

Anna Schwart would be proud of her! Working in a store that sold pianos!

Though Hazel Jones, like the other female salesclerks, was not entrusted with piano sales: that was the province of Edgar Zimmerman.

Hazel sold music instruction books, sheet music, cla.s.sical records. Such musical instruments as guitars, ukeleles. Zimmerman Brothers was a major outlet for ticket sales for local concerts, recitals, musical performances of all kinds and these tickets Hazel proudly sold as well. Sometimes, she was given two free tickets to these events, and she and Zack went together.

"A new life, Zack. We have begun our new life."

In honor of this new life Hazel often wore white gloves arriving at Zimmerman's. In emulation of President Kennedy's glamorous socialite wife she sometimes wore a black pillbox hat with a gossamer veil. Gloves and hat she removed when she arrived at the store. Of course she wore high-heeled shoes and nylon stockings without a run and always she was perfectly groomed as a young woman in an advertis.e.m.e.nt. Her hair was now a deep chestnut color, so clean and fiercely brushed it crackled with static electricity, worn shoulder-length with bangs across her forehead.

There were fine white scars at her hairline, hidden beneath the bangs. No one but her son had ever seen. And very likely, her son had forgotten.

At Zimmerman's, there were two other female employees: middle-aged, busty Madge and Evelyn. Madge was a receptionist for Edgar Zimmerman who ran the store, and something of an accountant. Evelyn was a salesclerk specializing in lesson books and sheet music, known to every public school music teacher in the county. Both Madge and Evelyn wore shapeless dark dresses, often with cardigan sweaters draped over their shoulders. They were rather short women, hardly more than five feet tall. By contrast, Hazel Jones was a tall, striking young woman who wore only clothes that fitted her figure to advantage. She had not many clothes but understood shrewdly how to vary her "outfits": a long pleated black wool skirt with a matching bolero top, embroidered in red rosebuds; a long gray flannel skirt with a kick pleat in back, waist cinched in by a black elastic belt; fussily feminine "translucent" blouses; crocheted sweaters with tiny jewels or pearls; tight-fitting dresses made of s.h.i.+ny fabrics. Behind her gla.s.s-topped counter Hazel sometimes resembled a Christmas ornament, all glittering innocence. Her employer Edgar Zimmerman was bemused to note how when a customer entered the store, if that customer was male, he would glance quickly at Evelyn, at Madge if she was out on the floor, and at Hazel, and make his way without hesitation to Hazel who stood pert and smiling in expectation.

"h.e.l.lo, sir! May I be of a.s.sistance?"

Sometimes, Hazel was observed behind her counter in a posture of sudden unease. As if she'd heard someone calling her name at a distance or had glimpsed, through the store window, a pa.s.sing figure that alarmed her. "Hazel? Is something wrong?" Edgar Zimmerman might ask, if he didn't feel he was being intrusive at that moment; but Hazel Jones would immediately wake from her trance to a.s.sure him, smilingly, "Oh no! Nothing at all, Mr. Zimmerman. 'A goose walked over my grave'I guess."

The remark was so silly, so senseless, Edgar Zimmerman exploded into laughter.

So funny! Hazel Jones had that rare gift, to make an aging melancholy-at-heart gentleman laugh like an adolescent boy.