Until Thy Wrath Be Past Part 19

The bandy players register the signal. Hjalmar is not going to get involved.

One of them, Torgny Ylipaa, who has been sick to death of Tore Krekula's antics for a long time, gives him a dig in the chest.

"Go home to Mummy," he says.

Tore hits him back. Hard. Ylipaa falls over backwards.

"Go home yourself," Tore says.

Ylipaa is soon back on his feet. Tore raises his bandy stick, but one of the other lads grabs hold of it and prevents the blow. Ylipaa seizes his chance and punches Tore on the nose.

"Clear off home, I said."

Tore starts crying. Maybe his nose is bleeding. n.o.body is able to see. He runs away, clutching his face. He leaves his stick on the ice. One of the players picks it up and moves it to one side.

"Shall we get going, then?"

They resume playing.

It only takes a quarter of an hour. Isak Krekula appears. He walks straight across the bandy pitch to Hjalmar. White with fury. The game stops again, and now all the players and spectators watch as Isak grabs hold of his eldest son and drags him away without a word. He holds him firmly by the collar.

Isak utters not a word as he drags his son along the road through the village. But his heavy breathing reflects his fury as they reach the house. Hjalmar is scared stiff as his father frogmarches him down to the sauna. What on earth is he going to do?

"Father," he says. "Wait a minute. Father."

But Isak tells him to hold his tongue. He is not interested in explanations.

They are down at the jetty now. By the hole in the ice from which Hjalmar extracted a few buckets of water less than an hour ago.

Isak pulls off his son's woolly hat and throws it onto the sh.o.r.e. Hjalmar struggles, but the grip on his coat collar has grown tighter. His father forces him down onto his knees at the edge of the hole, and the next thing he knows, his head is underwater.

He struggles with his arms. The cold threatens to explode his head. He is strong, and manages to raise himself up and gasp for air, but his father soon subdues him again.

I'm going to die now, he thinks.

And he does. Suns.h.i.+ne flows into his head. It is a warm summer's day. He is walking barefoot through the forest; cones and needles stick into his feet, but his soles are hardened. His task is to bring home the horses from their summer pasture. There they are, in among the pine trees, rubbing their necks against each other. Flicking away troublesome flies with their tails. There is a smell of wild rosemary and soil warmed by the sun. Bark, moss, resin. Ants are marching across the path in front of him. The horses whinny a greeting when they see him.

When he comes to his senses, he is lying on the floor of the dressing room in the sauna. The fire is burning in the grate. He raises himself on all fours and sicks up the lake water. Then he lies down on his back.

Isak Krekula is standing over him, smoking a cigarette.

"In our family we stick together," he says. "Remember that next time."

Rebecka Martinsson opened the heavy doors of the town hall. She enjoyed the feel of the attractive handles, carved in the shape of shamans' drums.

Once inside she admired the s.p.a.cious hall with its high ceiling, its beautiful brick walls and the Sun Drum tapestry, resplendent in the colours of summer and autumn.

She reported to the reception desk.

"I need to consult the town archives," she said to the young duty officer.

She was asked to wait a moment. After a while a man appeared, dressed in black jeans and a black jacket. His shoes were highly polished brown leather. His hair dark and combed back from his face.

"Jan Viinikainen. I'm in charge of the archives," he said, shaking hands Swedish-style. "What can I do to be of a.s.sistance to the police?"

Martinsson raised an eyebrow.

"Oh," Viinikainen said, "you're a celebrity here in Kiruna. There was a lot written about you when you killed those pastors. Self-defence, I know."

Martinsson overcame her instinct to turn on her heel and leave.

He doesn't understand, she thought. People don't understand; they think they can say whatever they like without hurting my feelings.

"I'm not sure what I'm looking for," she said hesitantly. "I want to know everything about an old firm in Piilijarvi, Krekula's Haulage Contractors."

Viinikainen shrugged, stretching out his hands in a gesture suggesting helplessness.

"How old?" he said.

"They started in the '40s or thereabouts. I need everything you've got."

Viinikainen stood there and thought for a while. Then he beckoned to Martinsson to follow him. Descending a spiral staircase to the bas.e.m.e.nt, they pa.s.sed what must have been Viinikainen's office just outside the white-painted wrought-iron gate into the archives. Unlocking the entrance to the holy of holies and making a sweeping gesture, he invited Martinsson to precede him through the gate.

They pa.s.sed by row after row of archive shelves made of grey steel. Wherever Martinsson looked there were files of different shapes and sizes with cloth, plastic or metal binding. Paperback books, hard-bound books, old ma.n.u.scripts neatly and prettily packaged using string and wax seals which hung down over the edges of the shelves. On top of heavy oak doc.u.ment cupboards were old-fas.h.i.+oned typewriters made by Triumph and Facit. Card-index files were crammed alongside archival boxes made of brown cardboard. Here and there were paper scrolls in every imaginable size. In one of the interior rooms there were sliding archive shelves made of steel. Viinikainen switched on the mechanism that controlled their movements.

"You can slide the shelves apart like this," he said, pulling at a long black lever with a k.n.o.b on the end and making the shelf he was standing by slide slowly to one side. "If I were you I'd start with the trade register, or possibly the Swedish Commercial Directory. You'll find material from the Kiruna Technical Office over there."

Martinsson took off her coat and hung it up. Viinikainen withdrew to his desk.

Talk about looking for a needle in a haystack, she thought. I've no idea what I'm after. She wandered around, examining the shelves, glancing at the articles on phrenology from the '30s and '40s, payment records from Jukkasjarvi's Poor Relief Board, handicraft diaries from the Kiruna School Archives.

Stop whingeing, she told herself. Roll up your sleeves.

Seventy minutes later she found Krekula's Haulage Contractors in a register of hauliers in Kiruna munic.i.p.ality, listing how many and what kind of vehicles they had, persons authorized to sign on the firm's behalf, addresses and so on.

She searched a.s.siduously, untied bundles that hadn't been opened for sixty years, opened archival boxes that had been closed for just as long, turned up her nose when little clouds of dust wafted up from the doc.u.ments. In the end she had a splitting headache from all the dust and cellulose she'd been breathing in.

Viinikainen appeared and asked how she was getting on.

"Quite well," she said. "I've found a few things, at least."

Vera was waiting in the car. She stood up in her cage, wagging her tail affectionately when Martinsson got in.

"Thank you for being patient," Martinsson said. "Let's go for a spin."

She drove up Mt Luossavaara and let Vera out. The dog sat down immediately.

"I'm sorry, old girl," Martinsson said guiltily.

"Bad conscience, eh?" a voice said behind her.

It was Krister Eriksson. He was in his jogging clothes. An orange windcheater clashed with the pink parchment-like texture of his face.

When he smiled at Martinsson, she noticed his teeth. They were white and even. The only aspect of his face that was not damaged by fire.

"Well, well, who's this then?" he said, looking at Vera. "Tintin's going to be jealous."

"It's Hjorleifur Arnarson's dog. I had to take her on, otherwise she'd have been given a one-way ticket to canine heaven."

Eriksson nodded solemnly.

"And you've taken over the investigation, I gather. Wilma Persson will be pleased."

"I don't believe in all that stuff," Martinsson said embarra.s.sed.

He shook his head and winked.

"Have you been out jogging?" she said, changing the subject.

"Yep. I generally exercise my back by running up the hill to the old pithead. I've just finished."

Martinsson looked up at the abandoned structure at the top of the mountain, grey and hollow-eyed.

If buildings can be ghosts, then that one certainly is, she thought. No doubt it says boo to whoever dares to walk past it at night.

"Pretty impressive, isn't it?" Eriksson said, as if he had read her thoughts. "Would you like to take a closer look? I could do with a bit more exercise to ease my muscles. Hang on a minute. I'll get my track suit from the car."

He came back wearing a cheap mint-green track suit that looked at least twenty years old and a veteran of goodness knows how many sessions in the was.h.i.+ng machine.

My G.o.d, Martinsson thought. But perhaps he feels he looks so hideous anyway that he couldn't care less about the clothes he wears. It's a pity, she thought as he walked up the mountain a few paces in front of her, teasing Vera.

He was thin and in pretty good shape: he would look good in practically any clothes he chose to wear. Though not a track suit that looked as if it had been discarded by an aerobics instructor circa 1989.

"What are you smiling at?" he said cheerfully.

"The view," she lied impulsively. "I love this mountain. What a magnificent panorama!"

They stopped and looked down at Kiruna, spread out below them. The iron mine with its grey terraces forming the background to the town. The adnamvaara ma.s.sif to the north-west, with its typical pyramid-shaped peaks. The wind generators on the site of the abandoned Viscaria copper mine. The church faced with spruce cladding painted Falun red, designed to evoke a Lappish hut. The town hall with its iconic black clock tower an iron sh.e.l.l with protruding decorations. It always reminded Martinsson of mountain birches in winter, or a flock of reindeer horns. The horseshoe-shaped railway depot with its little red-painted workers' cottages. The tower blocks in Gruvvagen and Hogalidsgatan.

"Look at that! You can see the Kebnekaise ma.s.sif today."

He pointed to the light blue mountain range in the north-west.

"I can never work out which one is Keb," he said. "I'm told it's not the one that looks the highest."

She pointed. He leaned towards her in order to see what she was pointing at.

"That's Tuolpagorni," she said. "The peak with the little crater. And the one next to it, to the right, is Kebne."

He moved away from her.

"Please forgive me," he said. "I'm leaning all over you, stinking of sweat."

"No problem," she said, and felt a wave of emotion surge through her body.

"The highest mountain in Sweden," he said enthusiastically, s.c.r.e.w.i.n.g up his eyes and gazing at the ma.s.sif.

"The most beautiful building in Sweden, dating from 2001," Martinsson said, pointing at the church.

"The most beautiful building in Sweden, dating from 1964," Eriksson said, pointing at the town hall.

"The most beautiful town in Sweden," she said with a laugh. "The munic.i.p.al architect really tried his best to make the town a work of art. In those days they still designed towns so that a network of streets all led to the square and the town hall. But the streets of Kiruna were allowed to wander along the hillside as they pleased."

"I can't get my head round the fact that they're talking about moving the whole town."

"Nor can I. Haukivaara was such a perfect mountainside to build a town on."

"But if the seam of iron ore turns out to run under the town . . ."

". . . then the town has to move."

"That's what the authorities say," Eriksson said. "I don't come from Kiruna myself. But I have the impression that the locals aren't too worried. When I ask them what they think about the town having to move, they just shrug their shoulders. My next-door neighbour is eighty, and she thinks that of course the town ought to move to the west because that way she'd be closer to the shops. I think it's all very odd. The only person who seems to have a view is someone who'll be dead and buried when the move actually takes place."

"I think people are concerned," Martinsson said hesitatingly. "But the people of Kiruna have always been aware that the only reason we're here is that this is where the iron ore is. And if the mine isn't profitable any more, then we've no income to live off. So if the company needs to move the mine, well, there's nothing to argue about. So we accept the inevitable. But if we accept it, don't be misled into thinking that we don't care."

"But one thing doesn't exclude the other."

"No, I know. But I think we need time before we understand what it's really all about. Before we realize that although we have no choice, we can still regret that our town will never be the same again."

"There ought to be farewell concerts in the buildings that will be demolished," Eriksson said. "Weeping ceremonies. Music. Lectures. Story-telling."

"I'll be there," Martinsson said with a smile.

She remembered what it had been like when she'd walked up Mt Luossavaara with Mns Wenngren. He had felt cold and uncomfortable. She would have liked to point out the sites to him and talk about them. As she was doing now.

Martinsson was sitting on the kitchen sofa in Sivving Fjallborg's boiler room. She was wearing thick woollen socks and a knitted jumper that had once belonged to her father.

Fjallborg was standing over the cooker wearing one of Maj-Lis's ap.r.o.ns Martinsson had not seen before. It had blue and white stripes with frills round the bottom and the armholes.

He was heating up some smoked pike in a cast-iron pan. One of Maj-Lis's embroidered pot-holders was hanging from the handle. Almond potatoes were boiling in an aluminium saucepan.

"I need to make a phone call," Martinsson said. "Is that O.K.?"

"Ten minutes," Fjallborg said. "Then we'll eat."

Martinsson dialled Anna-Maria Mella's number. Mella answered immediately. A child could be heard crying in the background.

"Sorry," Martinsson said. "Is this a bad time?"