The Parisians Part 6

Lemercier seated himself on a bench beside the path, and invited Alain to do the same. "She will return this way soon," said the Parisian, "and we can observe her more attentively and more respectfully thus seated than if we were on foot; meanwhile, what do you think of her? Is she French? is she Italian? can she be English?"

"I should have guessed Italian, judging by the darkness of the hair and the outline of the features; but do Italians have so delicate a fairness of complexion?"

"Very rarely; and I should guess her to be French, judging by the intelligence of her expression, the simple neatness of her dress, and by that nameless refinement of air in which a Parisienne excels all the descendants of Eve,--if it were not for her eyes. I never saw a Frenchwoman with eyes of that peculiar shade of blue; and if a Frenchwoman had such eyes, I flatter myself she would have scarcely allowed us to pa.s.s without making some use of them."

"Do you think she is married?" asked Alain.

"I hope so; for a girl of her age, if comme il faut, can scarcely walk alone in the Bois, and would not have acquired that look so intelligent,--more than intelligent,--so poetic."

"But regard that air of unmistakable distinction; regard that expression of face,-so pure, so virginal: comme il faut she must be."

As Alain said these last words, the lady, who had turned back, was approaching them, and in full view of their gaze. She seemed unconscious of their existence as before, and Lemercier noticed that her lips moved as if she were murmuring inaudibly to herself.

She did not return again, but continued her walk straight on till at the end of the alley she entered a carriage in waiting for her, and was driven off.

"Quick, quick!" cried Lemercier, running towards his own coupe; "we must give chase."

Alain followed somewhat less hurriedly, and, agreeably to instructions Lemercier had already given to his coachman, the Parisian's coupe set off at full speed in the track of the strange lady's, which was still in sight.

In less than twenty minutes the carriage in chase stopped at the grille of one of those charming little villas to be found in the pleasant suburb of A-----; a porter emerged from the lodge, opened the gate; the carriage drove in, again stopped at the door of the house, and the two gentlemen could not catch even a glimpse of the lady's robe as she descended from the carriage and disappeared within the house.

"I see a cafe yonder," said Lemercier; "let us learn all we can as to the fair unknown, over a sorbet or a pet.i.t verre." Alain silently, but not reluctantly, consented. He felt in the fair stranger an interest new to his existence.

They entered the little cafe, and in a few minutes Lemercier, with the easy savoir vivre of a Parisian, had extracted from the garcon as much as probably any one in the neighbourhood knew of the inhabitants of the villa.

It had been hired and furnished about two months previously in the name of Signora Venosta; but, according to the report of the servants, that lady appeared to be the gouvernante or guardian of a lady much younger, out of whose income the villa was rented and the household maintained.

It was for her the coupe was hired from Paris. The elder lady very rarely stirred out during the day, but always accompanied the younger in any evening visits to the theatre or the houses of friends.

It was only within the last few weeks that such visits had been made.

The younger lady was in delicate health, and under the care of an English physician famous for skill in the treatment of pulmonary complaints. It was by his advice that she took daily walking exercise in the Bois. The establishment consisted of three servants, all Italians, and speaking but imperfect French. The garcon did not know whether either of the ladies was married, but their mode of life was free from all scandal or suspicion; they probably belonged to the literary or musical world, as the garcon had observed as their visitors the eminent author M. Savarin and his wife; and, still more frequently, an old man not less eminent as a musical composer.

"It is clear to me now," said Lemercier, as the two friends reseated themselves in the carriage, "that our pearly ange is some Italian singer of repute enough in her own country to have gained already a competence; and that, perhaps on account of her own health or her friend's, she is living quietly here in the expectation of some professional engagement, or the absence of some foreign lover."

"Lover! do you think that?" exclaimed Alain, in a tone of voice that betrayed pain.

"It is possible enough; and in that case the Englishman may profit little by the information I have promised to give him."

"You have promised the Englishman?"

"Do you not remember last night that he described the lady, and said that her face haunted him: and I--"

"Ah! I remember now. What do you know of this Englishman? He is rich, I suppose."

"Yes, I hear he is very rich now; that an uncle lately left him an enormous sum of money. He was attached to the English Emba.s.sy many years ago, which accounts for his good French and his knowledge of Parisian life. He comes to Paris very often, and I have known him some time.

Indeed he has intrusted to me a difficult and delicate commission. The English tell me that his father was one of the most eminent members of their Parliament, of ancient birth, very highly connected, but ran out his fortune and died poor; that our friend had for some years to maintain himself, I fancy, by his pen; that he is considered very able; and, now that his uncle has enriched him, likely to enter public life and run a career as distinguished as his father's."

"Happy man! happy are the English," said the Marquis, with a sigh; and as the carriage now entered Paris, he pleaded the excuse of an engagement, bade his friend goodby, and went his way musing through the crowded streets.

CHAPTER VIII.

LETTER FROM ISAURA CICOGNA TO MADAME DE GRANTMESNIL.

VILLA D'-----, A------.

I can never express to you, my beloved Eulalie, the strange charm which a letter from you throws over my poor little lonely world for days after it is received. There is always in it something that comforts, something that sustains, but also a something that troubles and disquiets me.

I suppose Goethe is right, "that it is the property of true genius to disturb all settled ideas," in order, no doubt, to lift them into a higher level when they settle down again.

Your sketch of the new work you are meditating amid the orange groves of Provence interests me intensely; yet, do you forgive me when I add that the interest is not without terror? I do not find myself able to comprehend how, amid those lovely scenes of Nature, your mind voluntarily surrounds itself with images of pain and discord. I stand in awe of the calm with which you subject to your a.n.a.lysis the infirmities of reason and the tumults of pa.s.sion. And all those laws of the social state which seem to me so fixed and immovable you treat with so quiet a scorn, as if they were but the gossamer threads which a touch of your slight woman's hand could brush away. But I cannot venture to discuss such subjects with you. It is only the skilled enchanter who can stand safely in the magic circle, and compel the spirits that he summons, even if they are evil, to minister to ends in which he foresees a good.

We continue to live here very quietly, and I do not as yet feel the worse for the colder climate. Indeed, my wonderful doctor, who was recommended to me as American, but is in reality English, a.s.sures me that a single winter spent here under his care will suffice for my complete re-establishment. Yet that career, to the training for which so many years have been devoted, does not seem to me so alluring as it once did.

I have much to say on this subject, which I defer till I can better collect my own thoughts on it; at present they are confused and struggling. The great Maestro has been most gracious.

In what a radiant atmosphere his genius lives and breathes! Even in his cynical moods, his very cynicism has in it the ring of a jocund music,--the laugh of Figaro, not of Mephistopheles.

We went to dine with him last week. He invited to meet us Madame S-----, who has this year conquered all opposition, and reigns alone, the great S-----; Mr. T--------, a pianist of admirable promise; your friend M.

Savarin, wit, critic, and poet, with his pleasant, sensible wife; and a few others, who, the Maestro confided to me in a whisper, were authorities in the press. After dinner S----- sang to us, magnificently, of course. Then she herself graciously turned to me, said how much she had heard from the Maestro in my praise, and so and so. I was persuaded to sing after her. I need not say to what disadvantage. But I forgot my nervousness; I forgot my audience; I forgot myself, as I always do when once my soul, as it were, finds wing in music, and buoys itself in the air, relieved from the sense of earth. I knew not that I had succeeded till I came to a close, and then my eyes resting on the face of the grand prima donna, I was seized with an indescribable sadness, with a keen pang of remorse. Perfect artiste though she be, and with powers in her own realm of art which admit of no living equal, I saw at once that I had pained her: she had grown almost livid; her lips were quivering, and it was only with a great effort that she muttered out some faint words intended for applause. I comprehended by an instinct how gradually there can grow upon the mind of an artist the most generous that jealousy which makes the fear of a rival annihilate the delight in art.

If ever I should achieve S-----'s fame as a singer, should I feel the same jealousy?--I think not now, but I have not been tested. She went away abruptly. I spare you the recital of the compliments paid to me by my other auditors, compliments that gave me no pleasure; for on all lips, except those of the Maestro, they implied, as the height of eulogy, that I had inflicted torture upon S-----. "If so," said he, "she would be as foolish as a rose that was jealous of the whiteness of a lily. You would do yourself great wrong, my child, if you tried to vie with the rose in its own colour."

He patted my bended head as he spoke, with that kind of fatherly king-like fondness with which he honours me; and I took his hand in mine, and kissed it gratefully. "Nevertheless," said Savarin, "when the lily comes out there will be a furious attack on it, made by the clique that devotes itself to the rose: a lily clique will be formed en revanche, and I foresee a fierce paper war. Do not be frightened at its first outburst: every fame worth having must be fought for."

Is it so? have you had to fight for your fame, Eulalie? and do you hate all contests as much as I do?

Our only other gayety since I last wrote was a soiree at M. Louvier's.

That republican millionaire was not slow in attending to the kind letter you addressed to him recommending us to his civilities. He called at once, placed his good offices at our disposal, took charge of my modest fortune, which he has invested, no doubt, as safely as it is advantageously in point of interest, hired our carriage for us, and in short has been most amiably useful.

At his house we met many to me most pleasant, for they spoke with such genuine appreciation of your works and yourself. But there were others whom I should never have expected to meet under the roof of a Croesus who has so great a stake in the order of things established. One young man--a n.o.ble whom he specially presented to me, as a politician who would be at the head of affairs when the Red Republic was established--asked me whether I did not agree with him that all private property was public spoliation, and that the great enemy to civilization was religion, no matter in what form.

He addressed to me these tremendous questions with an effeminate lisp, and harangued on them with small feeble gesticulations of pale dirty fingers covered with rings.

I asked him if there were many who in France shared his ideas.

"Quite enough to carry them some day," he answered with a lofty smile.

"And the day may be nearer than the world thinks, when my confreres will be so numerous that they will have to shoot down each other for the sake of cheese to their bread."

That day nearer than the world thinks! Certainly, so far as one may judge the outward signs of the world at Paris, it does not think of such things at all. With what an air of self-content the beautiful city parades her riches! Who can gaze on her splendid palaces, her gorgeous shops, and believe that she will give ear to doctrines that would annihilate private rights of property; or who can enter her crowded churches, and dream that she can ever again install a republic too civilized for religion?

Adieu. Excuse me for this dull letter. If I have written on much that has little interest even for me, it is that I wish to distract my mind from brooding over the question that interests me most, and on which I most need your counsel. I will try to approach it in my next.

ISAURA.

FROM THE SAME TO THE SAME.

Eulalie, Eulalie!--What mocking spirit has been permitted in this modern age of ours to place in the heart of woman the ambition which is the prerogative of men? You indeed, so richly endowed with a man's genius, have a right to man's aspirations. But what can justify such ambition in me? Nothing but this one unintellectual perishable gift of a voice that does but please in uttering the thoughts of others. Doubtless I could make a name familiar for its brief time to the talk of Europe,--a name, what name? a singer's name. Once I thought that name a glory. Shall I ever forget the day when you first shone upon me; when, emerging from childhood as from a dim and solitary bypath, I stood forlorn on the great thoroughfare of life, and all the prospects before me stretched sad in mists and in rain? You beamed on me then as the sun coming out from the cloud and changing the face of earth; you opened to my sight the fairy-land of poetry and art; you took me by the hand and said, "Courage! there is at each step some green gap in the hedgerows, some, soft escape from the stony thoroughfare. Beside the real life expands the ideal life to those who seek it. Droop not, seek it: the ideal life has its sorrows, but it never admits despair; as on the ear of him who follows the winding course of a stream, the stream ever varies the note of its music,--now loud with the rush of the falls; now low and calm as it glides by the level marge of smooth banks; now sighing through the stir of the reeds; now babbling with a fretful joy as some sudden curve on the sh.o.r.e stays its flight among gleaming pebbles,--so to the soul of the artist is the voice of the art ever fleeting beside and before him.

Nature gave thee the bird's gift of song: raise the gift into art, and make the art thy companion.