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A Love Story Reversed Part 1

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A Love Story Reversed.

by Edward Bellamy.

I

The golden hands of the parlor clock point glimmeringly to an hour after midnight, and the house is still. The gas is turned almost out, but the flickering of the dying sea-coal fire in the grate fitfully illumines the forms and faces of two young women, who are seated before it, talking earnestly in low tones. It is apparent from their costumes that they have been spending the evening out.

The fair girl in the low chair, gazing pensively into the fire, is Maud Elliott, the daughter of the house. Not generally called handsome, her features are good and well balanced, and her face is altogether a sweet and wholesome one. She is rather tall, and the most critical admit that she has a fine figure. Her eyes are blue, and their clear, candid expression indicates an unusually sincere and simple character. But, unfortunately, it is only her friends who are fully conversant with the expression of her eyes, for she is very shy. Shyness in little people is frequently piquant, but its effect in girls of the Juno style is too often that of awkwardness. Her friends call Maud Elliott stately; those who do not like her call her stiff; while indifferent persons speak of her as rather too reserved and dignified in manner to be pleasing. In fact, her excess of dignity is merely the cloak of her shyness, and n.o.body knows better than she that there is too much of it. Those who know her at all well know that she is not dull, but with mere acquaintances she often pa.s.ses for that. Only her intimate friends are aware what wit and intelligence, what warmth and strength of feeling, her coldness when in company conceals.

No one better understands this, because no one knows her better or has known her longer, than her present companion before the fire, Lucy Mer-ritt. They were roommates and bosom friends at boarding-school; and Lucy, who recently has been married, is now on her first visit to her friend since that event. She is seated on a ha.s.sock, with her hands clasped over her knees, looking up at Maud,--an att.i.tude well suited to her _pet.i.te_ figure. She is going home on the morrow, or rather on the day already begun; and this fact, together with the absorbing nature of the present conversation, accounts for the lateness of the session.

"And so, Maud," she is saying, while she regards her friend with an expression at once sympathetic and amused,--"and so that is what has been making your letters so dismal lately. I fancied that nothing less could suggest such melancholy views of life. The truth is, I came on this visit as much as anything to find out about him. He is a good-looking fellow, certainly; and, from what little chance I had to form an opinion to-night, seems sensible enough to make it quite incredible that he should not be in love with such a girl in a thousand as you. Are you quite sure he is n't?"

"You had a chance to judge to-night," replied Maud, with a hard little laugh. "You overheard our conversation. 'Good-evening, Miss Elliott; jolly party, is n't it?' That was all he had to say to me, and quite as much as usual. Of course we are old acquaintances, and he 's always pleasant and civil: he couldn't be anything else; but he wastes mighty little time on me. I don't blame him for preferring other girls'

society. He would show very little taste if he did not enjoy Ella Perry's company better than that of a tongue-tied thing like me. She is a thousand times prettier and wittier and more graceful than I am."

"Nonsense," exclaimed Lucy. "She is a flirt and a conceited little minx.

She is not to be mentioned the same day with you; and he would think so, if he could only get to know you. But how in the world is he ever going to? Why, you seem to be shyer than ever, poor dear. You were actually distant, almost chilling, in your manner towards him to-night, although I know you didn't mean to be."

"I know it. Don't I know it!" groaned Maud. "I always am shyer and stiffer with him than with any one else. O Lucy! you can't guess what a dreadful thing it is to be shy. It is as if you were surrounded by a fog, which benumbs you, and chills all who approach you. I dare say he thinks that I actually dislike him. I could not blame him if he did. And I can't help it. I could never make him understand anything else, unless I told him in so many words."

The tears filled her eyes as she spoke, and hung heavy on the lashes.

Lucy took one of her hands in both of hers, and pressed and stroked it caressingly.

"I know you could n't, poor dear, I know you could n't," she said; "and you cannot tell him in so many words because, forsooth, you are a woman.

I often think, Maud, what a heap of trouble would be saved if women, when they cannot make themselves understood in other ways, were allowed to speak out as men do, without fear or reproach. Some day they will, when the world gets wiser,--at least I think so. Why should a woman have to hide her love, as if it were a disgraceful secret? Why is it any more a disgrace to her than to a man?"

"I can't quite see what good it would do me," said Maud, "even if women could 'speak out,' as you say. If a man did n't care for one already, I can't see how it would make him know that one cared for him. I should think she would prefer to keep her secret."

"That is n't what men do," replied Lucy. "If they have such a secret, they tell it right away, and that is why they succeed. The way half the women are induced to fall in love is by being told the men are in love with them; you know that."

"But men are different," suggested Maud.

"Not a bit of it: they 're more so, if anything," was the oracular response of the young wife. "Possibly there are men," she continued,-- "the story-tellers say so, anyhow,--who are attracted by repulsion and warmed by coldness, who like resistance for the pleasure of overcoming it. There must be a spice of the tyrant in such men. I wouldn't want to marry one of them. Fortunately, they're not common. I've noticed that love, like lightning, generally takes the path of least resistance with men as well as women. Just suppose now, in your case, that Mr. Burton had followed us home, and had overheard this conversation from behind that door."

"No, no," she added laughing, as Maud looked around apprehensively; "he is n't there. But if he had been there and had overheard you own that you were pining for him, what a lucky chance it would have been! If he, or any other man, once knew that a magnificent girl like you had done him the honor to fall in love with him, half the battle would be won, or I 'm no judge of men. But such lucky eavesdropping only happens in stories and plays; and for lack of it this youth is in a fair way to marry a chit of a girl who does not think half so much of him as you do, and of whom he will never think a quarter what he would of you. He is not, probably, entirely stupid either. All he wants, very likely, is just a hint as to where his true happiness lies: but, being a woman, you can't give it in words; and, being Maud Elliott, you can't give it in any other way, if you died for it. Really, Maud, the canon which makes it a woman's duty to be purely pa.s.sive in love is exasperating, especially as it does not represent what anybody really believes, but only what they pretend to believe. Everybody knows that unrequited love comes as often to women as to men. Why, then, should n't they have an equal chance to seek requital? Why have not they the same right to look out for the happiness of their lives by all honorable means that men have? Surely it is far more to them to marry the men they love than to a man to marry any particular woman. It seems to me that making suitable matches is not such an easy matter that society can afford to leave the chief part of it to the stupider s.e.x, giving women merely the right of veto. To be sure, even now women who are artful enough manage to evade the prohibition laid on their lips and make their preference known. I am proud to say that I have a royal husband, who would never have looked my way if I had not set out to make him do so; and if I do say it, who should n't, I flatter myself he has a better wife than he could have picked out without my help. There are plenty of women who can say the same thing; but, unluckily, it is the best sort of women, girls like you,--simple, sincere, n.o.ble, without arts of any sort,--who can't do this. On them the etiquette that forbids women to reveal their hearts except by subterfuge operates as a total disability. They can only sit with folded hands, looking on, pretending not to mind, while their husbands are run away with by others."

Maud took up the poker and carefully arranged the coals under the grate in a heap. Then she said: "Suppose a girl did what you 've been speaking of. I mean, suppose she really said such a thing to a man,--said that she cared for him, or anything like that,--what do you suppose he would think of her? Don't you fancy she would be in danger of making him think very cheaply of her?"

"If she thought he were that kind of a man," replied Lucy, "I can't understand her ever falling in love with him. Of course, I 'm not saying that he would necessarily respond by falling in love with her. She would have to take her chance of that; but I 'm sure, if he were a gentleman, she need have no fear of his thinking unworthily of her. If I had spoken to d.i.c.k in that way, even if he had never wanted to marry me, I know he would have had a soft spot for me in his heart all the rest of his life, out of which even his wife would not have quite crowded me. Why, how do we think of men whom we have refused? Do we despise them? Do we ridicule them? Some girls may, but they are not ladies. A low fellow might laugh at a woman who revealed a fondness for him which he did not return; but a gentleman, never. Her secret would be safe with him."

"Girls!" It was the voice of Mrs. Elliott speaking from the upper hall.

"Do you know how late it is? It is after one o'clock."

"I suppose we might as well go to bed," said Lucy. "There's no use sitting up to wait for women to get their rights. They won't get them to-night, I dare say; though, mark my word, some day they will."

"This affair of yours may come out all right yet," she said hopefully, as they went upstairs together. "If it does not, you can console yourself with thinking that people in general, and especially girls, never know what is good for them till afterward. Do you remember that summer I was at the beach, what a ninny I made of myself over that little Mr. Parker? How providential it was for me that he did not reciprocate. It gives me the cold s.h.i.+vers when I think what might have become of me if he' had proposed."

At the door of her room Lucy said again: "Remember, you are to come to me in New York for a long visit soon. Perhaps you will find there are other people in the world then."

Maud smiled absently, and kissed her good-night. She seemed preoccupied, and did not appear to have closely followed what her lively friend was saying.

The following afternoon, as she was walking home after seeing Lucy on the cars, she met a gentleman who lifted his hat to her. It was Arthur Burton. His office was on the one main street of the small New England city which is the scene of these events, and when out walking or shopping Maud often met him. There was therefore nothing at all extraordinary in the fact of their meeting. What was extraordinary was its discomposing effect upon her on this particular afternoon. She had been absorbed a moment before in a particularly brown study, taking no more notice of surrounding objects and persons than was necessary to avoid accidents. On seeing him she started perceptibly, and forthwith became a striking study in red. She continued to blush so intensely after he had pa.s.sed that, catching sight of her crimson cheeks in a shop window, she turned down a side street and took a quieter way home.

There was nothing particularly remarkable about Arthur Burton.

Fortunately there does not need to be anything remarkable about young men to induce very charming girls to fall in love with them. He was just a good-looking fellow, with agreeable manners and average opinions. He was regarded as a very promising young man, and was quite a favorite among the young ladies. If he noticed Maud's confusion on meeting him, he certainly did not think of a.s.sociating it in any way with himself.

For although they had been acquaintances these many years, and belonged to the same social set, he had never entertained the first sentimental fancy concerning her. So far as she had impressed him at all, it was as a thoroughly nice girl, of a good family, not bad-looking, but rather dull in society, and with very little facility in conversation; at least he had always found it hard to talk with her.

Ten days or a fortnight after Lucy Merritt's departure there was a little party at Ella Perry's, and both Arthur Burton and Maud were present. It was the custom of the place for the young men to escort the girls home after evening entertainments, and when the couples were rightly a.s.sorted, the walk home was often the most agreeable part of the evening. Although they were not engaged, Arthur imagined that he was in love with Ella Perry, and she had grown into the habit of looking upon him as her particular knight. Towards the end of the evening he jestingly asked her whom he should go home with, since he could not that evening be her escort.

"Maud Elliott," promptly suggested Ella, selecting the girl of those present in her opinion least likely to prove a diverting companion. So it chanced that Arthur offered his company to Maud.

It struck him, as she came downstairs with her wraps on, that she was looking remarkably pale. She had worn a becoming color during the evening, but she seemed to have lost it in the dressing-room. As they walked away from the house Arthur began, to the best of his ability, to make himself agreeable, but with very poor success. Not only was Maud, as usual, a feeble contributor of original matter, but her random answers showed that she paid little attention to what he was saying.

He was mentally registering a vow never again to permit himself to be committed to a tete-a-tete with her, when she abruptly broke the silence which had succeeded his conversational efforts. Her voice was curiously unsteady, and she seemed at first to have some difficulty in articulating, and had to go back and repeat her first words. What she said was:--

"It was very good in you to come home with me to-night. It is a great pleasure to me."

"You 're ironical this evening, Miss Elliott," he replied, laughing, and the least bit nettled.

It was bore enough doing the polite to a girl who had nothing on her mind without being gibed by her to boot.

"I 'm not ironical," she answered. "I should make poor work at irony. I meant just what I said."

"The goodness was on your part in letting me come," he said, mollified by the unmistakable sincerity of her tone, but somewhat embarra.s.sed withal at the decidedly flat line of remark she had chosen.

"Oh, no," she replied; "the goodness was not on my side. I was only too glad of your company, and might as well own it. Indeed, I will confess to telling a fib to one young man who offered to see me home, merely because I hoped the idea of doing so would occur to you."

This plump admission of partiality for his society fairly staggered Arthur. Again he thought, "She must be quizzing me;" and, to make sure, stole a sidelong glance at her. Her eyes were fixed straight ahead, and the pallor and the tense expression of her face indicated that she was laboring under strong excitement. She certainly did not look like one in a quizzing mood.

"I am very much flattered," he managed to say.

"I don't know whether you feel so or not," she replied. "I'm afraid you don't feel flattered at all, but I--I wanted to--tell you."

The pathetic tremor of her voice lent even greater significance to her words than in themselves they would have conveyed.

She was making a dead set at him. There was not a shadow of doubt any longer about that. As the full realization of his condition flashed upon him, entirely alone with her and a long walk before them, the strength suddenly oozed out of his legs, he felt distinctly cold about the spine, and the perspiration started out on his forehead. His tongue clung to the roof of his mouth, and he could only abjectly wonder what was coming next. It appeared that nothing more was coming. A dead silence lasted for several blocks. Every block seemed to Arthur a mile long, as if he were walking in a hasheesh dream. He felt that she was expecting him to say something, to make some sort of response to her advances; but what response, in Heaven's name, could he make! He really could not make love. He had none to make; and had never dreamed of making any to Maud Elliott, of all girls. Yet the idea of letting her suppose him such an oaf as not to understand her, or not to appreciate the honor a lady's preference did him, was intolerable. He could not leave it so.

Finally, with a vague idea of a compromise between the impossible alternative of making love to her, which he could n't, and seeming an insensible boor, which he wouldn't, he laid his disengaged hand upon hers as it rested on his arm. It was his intention to apply to it a gentle pressure, which, while committing him to nothing, might tend to calm her feelings and by its vaguely rea.s.suring influence help to stave off a crisis for the remainder of their walk. He did not, however, succeed in carrying out the scheme; for at the moment of contact her hand eluded his, as quicksilver glides from the grasp. There was no hint of coquettish hesitation in its withdrawal. She s.n.a.t.c.hed it away as if his touch had burned her; and although she did not at the same time wholly relinquish his arm, that was doubtless to avoid making the situation, on the street as they were, too awkward.

A moment before only concerned to evade her apparent advances, Arthur found himself in the position of one under rebuke for offering an unwarranted familiarity to a lady. There was no question that he had utterly misconstrued her previous conduct. It was very strange that he could have been such a fool; but he was quite too dazed to disentangle the evidence just then, and there was no doubt about the fact.

"Pardon me," he stammered, too much overcome with confusion and chagrin to be able to judge whether it would have been better to be silent.

The quickness with which the reply came showed that she had been on the point of speaking herself.

"You need not ask my pardon," she said. Her tones quivered with excitement and her utterance was low and swift. "I don't blame you in the least, after the way I have talked to you to-night. But I did not mean that you should think lightly of me. I have said nothing right, nothing that I meant to. What I wanted to have you understand was that I care for you very much." Her voice broke here, but she caught her breath and went right on. "I wanted you to know it somehow, and since I could not make you know it by ways clever girls might, I thought I would tell you plainly. It really amounts to the same thing; don't you think so?

and I know you 'll keep my secret. You need n't say anything. I know you 've nothing to say and may never have. That makes no difference. You owe me nothing merely because I care for you. Don't pity me. I'm not so much ashamed as you 'd suppose. It all seems so natural when it's once said.

You need n't be afraid of me. I shall never say this again or trouble you at all. Only be a little good to me; that's all."

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A Love Story Reversed Part 1 summary

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