Old Tin Sorrows Part 18

And our rulers wonder why Glory Mooncalled is a folk hero.

Both side walls were lined with paintings, none of them framed, all just leaning there, stacked three and four deep. They were every bit as good as Cook said they could be. Better, maybe. I'm no expert but they looked like the product of a driven genius.

They weren't cheerful paintings. They were the sp.a.w.n of darkness, visions of h.e.l.l. One caught my eye immediately and hit me like a blow in the gut. It was a swamp. Maybe not the swamp that became my home away from home during my stint, but a place just as horrible. And that painting was no simple, brooding landscape faintly touched with the dark side. Swamp things swarmed there the way they seemed after they'd driven you mad for months. Mosquitos the size of hornets, eyes that watched from the dark, stagnant water. Human bones.

In the foreground was a hanged man. The scavengers had been at him. A dark bird perched on his shoulder, pecked his face. Something about the way he hung left you certain he'd hanged himself rather than go on.

A couple of guys in the company had had killed themselves when they couldn't take it anymore. killed themselves when they couldn't take it anymore.

G.o.ds. I felt like I could fall into that painting and tumble right back through time.

I turned it around. It got to me that much.

Shaking, I went down the row on that side, then up the other. No other piece had the personal impact that one did but the same genius drove them. They'd have as much power for the right viewer.

'He was crazy,' I murmured.

I couldn't hear anything well but it seemed the horses below were restless.

I went around again, checking the paintings behind the ones displayed.

Most seemed less maniacal, more ill.u.s.trative, yet there was no doubt they portrayed places beheld by the same eye that had interpreted the war in the others. One I recognized as a view of Full Harbor contorted into a h.e.l.lish dreamscape, more proof that Snake had put his memories or haunts onto his canvases.

Snake hadn't been just a painter of places. The first portrait I encountered was of Jennifer, I'd guess, at the time the General had come home. She was indefinably younger and maybe more beautiful-yet interpreted by mad eyes.

I studied it hard but couldn't figure it out. Yet Snake had done something with Jennifer that gave me the creeps.

There were portraits of the others, too. Kaid looked old and tired and worn out and you got the feeling that death was watching over his shoulder. The General had some of the creepiness that illuminated Jennifer and something of the fox about him. Chain looked plain mean. Wayne looked like a greedy burgher. I got it! Part of it. Part of the interpretation was how Bradon had clothed them. That was the crude statement. But there were the faces, too, painted like the man had been able to read the bones and souls beneath.

There was a later portrait of Jennifer, crueler than the first but with the lady more beautiful. Then a couple of guys I hadn't met, presumably among the missing. Then one of Dellwood that reminded me of a ba.s.set hound. I guess Snake saying he was a faithful old dog without a soul or mind of his own. Then one of Peters, either a failure for the artist or observer. I couldn't read anything into it. Then one of Cook that must have been romantic excess because she came off like a saint, like a mother to the world. Then still another of Jennifer, almost repulsive in its portrayal of the dualities, beauty and horror.

Once I got over being startled, I examined it more closely. Part of the effect came at a subconscious level, almost. I don't know how he did it but he'd painted two faces, one over the other, the outer one of blinding beauty and the other the skull face of death. You didn't see that one without staring long and hard.

The horses were excited downstairs. I wondered why but was preoccupied with the magic-yeah, the sorcery- sorcery-of Snake Bradon's artistry.

If it was a sin that Jennifer's beauty should be hidden, it was the crime of the century that Bradon's paintings should go unseen, certain to fall victim to mold and moisture.

Before I left Jennifer, I vowed I'd find some way to bring the paintings out. Snake Bradon wouldn't go unremembered.

Had he been in love with Jennifer? She was the only subject he'd painted more than once, excepting a scene that looked like a before and after of a nonhuman holy place that had had the misfortune to stumble into the middle of a human battle. The later painting reeked of defilement by the corpses and ravens and bones. It felt like a parable of the world.

I blew my nose, hit the motherlode. Before it watered up again, I caught a whiff of a new odor. What? I shrugged and went on.

'd.a.m.n! Ah, d.a.m.n my eyes!' That was no curse, friends. That was a squeal of triumph.

Snake had painted my lady in white. He had caught her as the incarnation of beauty-yet she, too, had some of the creepiness he'd put into his portraits of Jennifer.

She was in a wind, running, frightened. A darkness lay behind her. You knew it was in pursuit, yet you could not define what it was. The harder you looked the harder it was to tell it was there. The woman looked right into your eyes. The artist's eyes. Her right hand was just starting the motion of reaching out for help. Her eyes said she knew the person she was looking at knew what was behind her.

It transfixed me. It had the impact of the swamp painting. And this time I couldn't figure out why, because this one couldn't be explained in terms of my own past.

I blew my nose again. I got another whiff of that odor. This time I recognized it.

Smoke!

The d.a.m.ned stable was on fire! No wonder the horses were excited!

I scrambled out of there, to the edge of the loft.

Flames roared at the end where Peters had been working. The animals had gotten out and run. I heard shouting outside. The heat was savage.

I wasn't trapped-yet. If I moved fast I could get clear.

I knew the mileage Morley would get out of the gesture as I dove into the hole leading to Snake's cache. He'd be on me for a year, risking my life over some daubs on canvas.

I slapped a dozen of those daub-hickeys into a pile as big as I could manage and dragged them out. The fire was spreading fast. Flames were almost to me when I burst out. The heat beat at me. I felt my eyebrows curl, my eyes dry out. I staggered away. The flames came after me.

'd.a.m.ned fool,' I muttered to myself. The heat seared the back of my neck. Now my eyes watered, nearly blinding me. My chances were slim enough without the d.a.m.ned paintings.

I couldn't let them go. They were that important. They were worth risking a life. Part of me already mourned those I'd had to leave behind.

The fire had spread below faster than it had up top. It was ahead of me now, at the end where Snake had lived. I wasn't going to get out that way.

I could see daylight through cracks between the vertical boards that formed the outside wail, rough-cut timber that had shrunk with the years till some of the gaps were half an inch wide. It was like looking through the bars at the gates of h.e.l.l. From the inside. That close. And so far.

As panic closed in, I threw myself that way.

The stable was old and d.a.m.ned near falling down, and, if it was half as rotten as it looked, I might be able to bust out. I hit the wall with my shoulder, low. Both creaked. Neither broke but I figured the wall had the edge. I got down on my back and shot my feet out. One board gave an inch. That gave me hope and maybe some manic strength. I let fly again. An eight-inch-wide board tilted outward, then fell away under its own weight. Mad as I was, I flipped Bradon's paintings out before trying to make the hole wide enough for me.

The smoke almost overcame me first, but I made it. I jumped.

I lay around panting a while, vaguely aware that I was out there alone, away from the hollering on the other side of the barn. I climbed a fencepost and got myself upright, looked around, counted limbs to make sure I hadn't left any behind. I was still alone. I gathered my priceless salvage.

If there are G.o.ds, they agreed with me about those paintings. They hadn't been damaged. I got them together, limped over to the cow barn, hid them in the hayloft. My fuddled sense of humor told me that was appropriate. Then I stumbled back around the far side of the stable.

The whole gang was running around like chickens, doing the hopeless, bringing buckets of water from the wellhouse. Only the General and Peters were absent.

'Garrett!' Jennifer squealed. 'What happened?'

I'm such a handsome devil, they just go to pieces when they see me. 'I was taking a nap in there,' I lied.

She got a little pale.

I gave her my heroic grin. 'Not to worry. I just busted through a wall and here I am.' A coughing jag hit me. Great timing. d.a.m.ned smoke. 'Can't stop the true of heart.'

'You could've been killed.'

'I could have. But I wasn't. Too light on my feet.'

Kaid said, 'Somebody tried to kill you, boy,' as he staggered past with a five-gallon bucket.

I looked at the growing inferno. That hadn't occurred to me, though it should have.

No. You don't kill somebody by setting a barn on fire. Too easy for him to get away. Maybe you start a fire to flush him out, but...That wouldn't have worked here. Too many witnesses.

Even in my fuzzy state, it was obvious the arsonist had wanted to get rid of the stable and whatever contents he'd been unable to find during a hasty search.

Wonderful. Snake's information had escaped me again.

Even Cook was out lugging water. But no Peters. I worked up a case of the suspicions before I recalled why he wasn't around.

h.e.l.l. Saucerhead was overdue. I said, 'You guys are wasting your time. Just keep it from jumping to the other buildings.'

'What the h.e.l.l you think we're doing, dips.h.i.+t?' Chain growled. 'If you're not going to help, get the h.e.l.l out of the way.'

Which was just the advice I needed. 'I'm going inside to treat these burns.' I had a few but didn't know how bad they were. Not too bad, I hoped. I didn't need them distracting me. The cold was bad enough.

I stumbled away. The others didn't pay any attention.

27.

I walked straight through to the front of the house, past the dueling champions and all the dead Stantnors. I'd been in that stable longer than I'd thought. Saucerhead was way overdue unless I'd guessed badly about how long it would take to recruit a doctor and jump a couple of fences through hoops.

I stepped out the front door. My burns, not bad, made their presence felt. I hoped that doctor would have something for the sting.

Nothing in sight. 'Saucerhead, what's holding you up? How long does it take to twist a guy's arm?'

A few raindrops. .h.i.t the steps leading to the porch. I glanced at the sky. Old slabs of lead again. I wondered if the Stantnor place ever had any other kind. It was getting to me.

The wind was rising. That wouldn't do the firefighters any good. Maybe their best hope was that the rain wouldn't play around.

It did become a steady fall. Not quite a downpour, but it should help. I guess that took fifteen minutes to develop. The wind started gusting, throwing water onto the porch. I started to retreat. A coach came out of the rain.

That d.a.m.ned Saucerhead. Now it was a hired coach.

It pulled up. People tumbled out. Peters galloped up the steps, followed by a tall, distinguished character whom I presumed to be the doctor. A weasely little character followed him, then Saucerhead and Morley Dotes. I asked Morley, 'Where the h.e.l.l you been? I been trying to find you all morning.'

He gave me a funny look. 'Home taking care of business.'

Saucerhead interrupted, 'Let's do it, Garret. This here is Doc Stones.' He indicated the weasely guy. Which goes to show you what it's worth, judging by appearances. 'He'll get an arm and leg off you for this. That's your fence there. We got an agreement. No names.'

'Fine with me. As long as he points a finger. Peters. Let's get upstairs.'

Peters wore a puzzled look. 'What's happening?'

'Somebody tried to burn the stable down. With me inside. Let's go. Doc, you got anything to take the sting out of burns?'

We moved inside as I asked. Saucerhead asked me, 'You want to give him the other arm and leg?'

'What took you so d.a.m.ned long, anyway?' Peters led the way, headed for the stairs.

'Morley. He fooled around finding a doc he thought would look like a fence's partner.'

That made sense. 'Yeah. I guess I can appreciate that. Morley, I thought you were going to prowl around the house, do the stuff I don't have time to do because I've got to be on stage all the time.'

He looked at me funny again, like I was maybe talking too much. So did Peters. Dotes said, 'I did what I could, Garrett. But I have a business to run and not a whole lot of time to spend working on the cuff.'

'But I heard you come in and go out a couple times.'

He stopped. 'I roamed around an hour after you hit the sack, didn't find squat, decided I better get back and see if Wedge had robbed me while my back was turned. I didn't go back to your room.'

I shuddered. The old cold rats pranced up and down my back. 'You didn't?'

'No.'

'Oh, my. But I'd swear I even saw you once.'

'It wasn't me.'

I was sure. I'd gotten up to use the chamberpot. I'd even grumbled a h.e.l.lo and gotten something growled in return. I told him that.

'It wasn't me, Garrett. I went home.' Dotes said it in a flat, disturbed voice.

'I'll take your word for it.' My voice was just as flat. 'So who was it?'

'Shape-changer?'

I'd run into one of those before. I didn't want to do that again. 'How? Changers have to kill the people they mimic. Then they absorb their souls, or whatever. And even then they can't always fool people who knew them.'

'Yes. And this one had me pat?'

'I was pretty d.a.m.ned tired. There was only one lamp burning. And I just walked through, not paying that much attention. But I'd have sworn it was you.'

'I don't like this. It makes me nervous, Garrett. Real nervous.'

Me too, yeah boy. All we needed was some villain prancing around able to pretend he was somebody else. That would complicate things real good.

Morley was just concerned about Morley Dotes, not everything else. He had troubles enough in life without having somebody else running around doing dirty deeds in his name and face.

I had a broader perspective on it. If somebody here could fake Morley, he could fake me or anybody else, any time. So none of us could ever be sure who we were dealing with. Which undermined the roots of reality. Some fun coming up.

Morley suggested, 'You'd better get out while you still can.'