Italian Duke's Virgin Mistress Part 1

The Italian Duke's Virgin Mistress.

By Penny Jordan.

'You will need a working wardrobe commensurate with your position,' Raphael informed her.

Charley looked at him. 'I have plenty of clothes at home that my sisters can send out to me.'

Raphael raised one eyebrow in a way that made her face burn. 'Let me guess: these clothes that you have at home are dull, plain garments that are two sizes too big for you? Si? They will not be suitable for your new role. You will be dealing with artists and craftsmen who value beauty,' he emphasised. 'Why does the thought of wearing beautiful clothes fill you with such panic? Most women-'

'I am not most women, and it does not fill me with panic,' Charley denied. But of course he was right. She couldn't tell him that she was afraid of beautiful clothes because she knew they would only underline how unworthy she was of wearing them.

'You have already agreed to work under my direction and to abide by my conditions,' Raphael reminded her.

'As your project manager, not with you telling me what to wear,' Charley retorted. 'Work clothes for me mean a st.u.r.dy pair of boots and a properly fitting hard hat.'

'You shall have those, of course, but I hardly think that even you would want to dress in such things for dinner.'

Best-selling Modern Romance author Penny Jordan brings you an exciting new trilogy... NEEDED: THE WORLD'S MOST ELIGIBLE BILLIONAIRES.

Three penniless sisters, pure and proud...but about to be purchased!

With bills that need to be paid, a house about to be repossessed and little twin boys to feed, sisters Lizzie, Charley and Ruby refuse to drown in their debts. They will hold their heads up high and fight to feed their family!

But three of the richest, most ruthless men in the world are about to enter their lives...

Pure, proud, but penniless, how far will the sisters go to save the ones they love?.

Lizzie's story-.

THE WEALTHY GREEK'S CONTRACT WIFE.

Ilios Manos is Greek and ruthless. A dangerous combination! Lizzie owes him thousands, but he'll take her as his wife in payment.

Charley's story- THE ITALIAN DUKE'S VIRGIN MISTRESS When project manager Charley is hired by demanding Raphael Della Striozzi, he's adamant she must have a makeover! Now the dowdy frump has been transformed, she's s.e.xy enough for another role: his mistress!

Look out for Ruby's story, coming soon!.

CHAPTER ONE.

'ARE you Charlotte Wareham, the project manager from Kentham Brothers?'

Charlotte-Charley-Wareham looked up from her laptop, blinking in the strong Italian spring suns.h.i.+ne. She had only just returned from a s.n.a.t.c.hed, very late lunch-a sandwich and a cup of delicious cappuccino in a local cafe. Her meeting with the two civic dignitaries responsible for the restoration project on a derelict public garden, to be completed for the five hundredth anniversary of the garden's creation, which she would be overseeing, had overrun badly.

The man now towering over her, whom she hadn't met before, and who seemed to have appeared out of nowhere, was plainly angry-very angry indeed-as he gestured towards the cheap faux stone urns and other replica samples she had s.h.i.+pped over for client inspection.

'And what, may I ask, are these vile abominations?' he demanded.

It wasn't his anger, though, that had a coil of shocked disbelief tightening her whole body. Dimly she recognised that the sharp, swift pang of sensation possessing her was instinctive female recognition of a man so alpha that no woman could or would even want to deny him.

This was a man born to stand head and shoulders above his peers-a man born to produce strong sons in his own image-a man born to take the woman of his choice to his bed and to give her such pleasure there that she would be bound to him by the mere memory for the rest of her life.

She must have been sitting in the sun for too long, Charley decided shakily. Such thoughts were certainly not something she was normally p.r.o.ne to-quite the opposite.

She made a determined effort to pull herself together, putting her laptop down, rising from the faux stone bench on which she had been sitting, and standing up to confront her interrogator.

He was tall and dark and as filled with furious rage as a volcano about to erupt. He was also, as her senses had already recognised, extraordinarily good-looking. His olive-toned skin was drawn smoothly over the tautly masculine bone structure of his face, and he was tall, dark-haired, with the kind of arrogantly proud chiselled features that spoke of patrician forebears. His unexpectedly steely grey-eyed gaze swept over her with open contempt, his look like a sculptor's chisel, seeking the exact spot in a piece of marble where it was most vulnerable.

Charley tried to look away from him and found instead that her gaze had somehow slipped to his mouth. Shocked by her own behaviour, she tried to drag her gaze away, but it refused to move. p.r.i.c.kles of warning quivered over her skin, but it was already too late. An unwanted jolt of awareness of him as a man had already struck through her like forked lightning coming out of a still, calm sky, and was all the more frightening for that unexpectedness. Her mouth had gone dry; a thousand tiny nerve-endings were pulsing beneath her skin. She could feel her lips softening and swelling as though in preparation for a lover's kiss, and he was looking at them now, his gaze narrowed and unreadable, but no doubt filled with arrogant disdain for her weakness. A man like this one would never look at her mouth the way she had looked at his. He would never be caught off guard by the sudden shock of knowing that his senses had torn free of his mind and were imagining what it would be like to feel her mouth against his.

Jerkily, her fingers trembling as she fought for self-control, Charley pulled down the sungla.s.ses perched on top of her head to cover her eyes, in an attempt to conceal the effect he was having on her. But it was too late. He had seen it-and the contempt she could see hardening his expression told her what he thought of her reaction to him. Her face, her whole body was burning with a mixture of shocked disbelief and humiliation as she battled to rationalise and understand what had happened to her. She simply didn't ever react to men like that, and it shocked her that she had done so now-and to this man of all men. She had an unnerving need to touch her own lips, to see if they actually were as softly swollen as they felt.

What had happened must be some kind of reaction to all the pressure and stress she had been under, Charley tried to rationalise. Why else would she be reacting in this uncharacteristic and dangerous way? Her senses, though, refused to be controlled. The artist's eye within her recognised the raw male power of the body that was cloaked by his undoubtedly expensive charcoal-grey suit. Beneath his clothes he would have the kind of torso, and everything that went with it, that the medieval artists for which Florence was so justly famous had so loved to sculpt and paint.

Too late she recognised that he was still waiting for her to respond to his question. In a bid to regain the ground she felt she had lost, Charley lifted her small pointed chin and told him, 'I do work for Kentham Brothers, yes.' She paused, trying not to wince as she looked at the haphazard line of pots and statues, their shoddiness laid bare by the stranger's disdain, and then continued, 'And the "vile abominations", as you call them, are in fact very good value for money.'

The look of contempt that twisted his mouth into bitter cynicism-not just at the samples but also at her-confirmed everything Charley already knew about herself. The truth was that she was as lacking in true beauty, style and elegance, and every other female attribute there was that a man might admire as the samples were lacking in anything truly artistic. And it was that knowledge-the knowledge that she had been judged and found wanting by a man who was no doubt a true connoisseur of her s.e.x-that prompted her to tell him defiantly, 'Not that it is really any of your business...' She paused deliberately before adding a questioning, 'Signor...?'

The dark eyebrows snapped towards the bridge of his arrogant, aquiline nose, the grey eyes turning molten platinum as he gave her an arrogantly lofty look and told her, 'It is not Signor anything, Ms Wareham. I am Raphael Della Striozzi-Duce di Raverno. Il Duce is the form of address most people of the town use to address me-as they have addressed my father and his father before him, going back for many centuries.'

Il Duce? He was a duke? Well, she wasn't going to let herself be impressed, Charley told herself, especially since he was obviously expecting her to be.

'Really?' Charley stuck her chin out determinedly-a habit she had developed as a child, to defend herself from parental criticism. 'Well, I should point out to you that this whole area is strictly off-limits to the general public, t.i.tled or unt.i.tled, for their own safety. There are notices in place. If you have issues with the restoration work which Kentham Brothers has been commissioned to do, I suggest that you take them up with the authorities,' she told him briskly.

Raphael stared at her in furious disbelief. She, this Englishwoman, was daring to attempt to deny him access to this garden?

'I am not the general public. It was a member of my family who originally bequeathed this garden to the town.'

'Yes, I know that,' Charley agreed. She had done her research on the garden very thoroughly when she had first been told about the contract. 'The garden was a gift to the townspeople from the wife of the first duke, in thanks to them for praying for the birth of a son after four daughters.'

Raphael's mouth hardened into a grim line, as he returned, 'Thank you, I am well aware of the history of my family.'

But it was only when he had looked into the matter more thoroughly that he had discovered the ornamentation this woman intended to replace with hideous examples of modern ma.s.s production had originally been created by some of the Renaissance's most gifted artists. Now abandoned, damaged and forgotten, the garden had been designed by a foremost landscaper of the day.

The realisation of how magnificent the garden must have been had stirred within him a sense of responsibility towards the current project. A responsibility he should have been aware of earlier, and which he now blamed himself for not shouldering before. The town might own the garden, but they carried the name of his family, and next year, when it was reopened to the public in celebration of its five hundredth year of existence, that connection was bound to be publicly referred to. Raphael took pride in the proper artistic maintenance of all the historic buildings and art treasures that had come down to him through his family, and the thought of the garden to which his family was connected being given a makeover more suited to an English suburban plot owned by people with dubious taste filled him with an anger that was currently directed towards Charlotte Wareham-with her make-up-less face, her sun-streaked mud-brown hair, and her obvious lack of interest or pride in her appearance. She was as ill equipped to match the fabled beauty of her renaissance peers as her revolting statues were of matching the magnificence of the originals that had once graced this garden.

He looked again at Charley, frowning as a second look forced him to revise his earlier a.s.sessment of her. Now he could see that her pink, lipstick-free mouth was soft, her lips full and well shaped, her nose and jaw delicately sculpted. He had initially thought her eyes, with their thick dark lashes, above cheekbones currently stained with angry colour, a light plain blue, but now, with her anger aroused, he could see they had become the extraordinarily brilliant blue-green of the Adriatic at its most turbulent.

It didn't matter what she looked like, Raphael told himself grimly.

Charley could feel her face starting to burn with memories of her parents warning her about thinking before she spoke or acted, and the unfeminine hastiness of her desire to answer back when challenged. She had believed that she had learned to control that aspect of her personality, but this man-this...this duke-had somehow or other managed to get under her skin and prove her wrong. Now she felt as though he had wrongfooted her, but she wasn't going to let him see that.

'Well, you may be the Duke of Raverno, but it says nothing in the paperwork I have seen about a duke having any involvement in this project. As I understand it, no matter what part your ancestors may have played in the garden in the past, it is the town that is now responsible for them and their restoration. You have no right to be here.'

She wasn't going to let him bully her, not for one minute-t.i.tle or no t.i.tle. She had had enough of that over these last few weeks, with her employer making her life such a misery that she longed to be able to hand in her notice. But she had to grin and bear it in the current financial climate. Her small household, which included her elder sister, her younger sister and her twin sons, desperately needed the money she earned-all the more so since her elder sister's interior design business was on the verge of collapse.

With so many people unemployed, she was lucky just to have a job-something her employer continually pointed out to her. She knew why he was doing that, of course. Times were hard; he wanted to cut back on his staff, and he had a daughter fresh out of university, working as an intern within the business, who'd thrown a complete hissy fit when she'd learned that Charley was going to be overseeing this new Italian contract.

If it hadn't been for the fact that she spoke Italian, and her boss's daughter did not, Charley knew she would already have lost her job. She would probably lose it anyway once this contract had been completed. So, she might have to let her employer treat her appallingly, because she desperately needed to keep her job, but she wasn't going to let this arrogant Italian do the same thing. Not when it was the town council she was answerable to and not him. And besides, challenging him made her feel much better about her unwanted awareness of him.

Raphael could feel the fury building up inside him-burning and boiling inside him like molten lava.

When the town council had announced that they planned to restore the dangerously dilapidated pleasure garden just outside the town walls, he had inst.i.tuted a search of the ducal archives for copies of the original plans for the garden, initially simply out of curiosity, thinking they might a.s.sist with the renovation. However, when he had returned from Rome to discover that for financial reasons the town had decided to replace the statues and other features originally designed and created by some of Florence's greatest renaissance artists he had been appalled-and his temper had been left on edge by the council's a.s.sertion that the garden would either have to be restored within the small budget available or the site completely flattened, because in its present state it const.i.tuted a danger to the public. And now here was this Englishwoman, whose challenge to him was igniting his fury to near uncontrollable levels.

Raphael might not welcome what was planned for the restoration of the garden, but he welcomed even less the effect this young woman responsible for managing the restoration was having on him. Such was the intensity of his anger that it was fostering within him a desire to punish her for daring to provoke it in him. And that could not be allowed. Not now or ever.

Anger and cruelty were the twin demons that together created men whose savage legacy could never be forgotten or forgiven. And the propensity to exhibit them flowed as surely through his veins as it had done through the ancestors who had pa.s.sed down that legacy to him-but with him that inheritance would end. He had vowed that as a thirteen-year-old, watching as his mother's coffin was placed in the family vault in Rome to join that of his father.

Raphael looked unseeingly towards the padlocked entrance to the gardens. He could feel the heavy, threatening shadow of those twin emotions at his back, following him, out of sight but always there, over his shoulder...

They ran through his family like a dark curse, waiting to escape. He had taught himself to imprison them with reason and ethical awareness, to deny them the arrogance and pride that were their life blood, but now, out of nowhere, simply by being here this Englishwoman had brought him to such a pitch of fierce pa.s.sion, with her tawdry, ugly replicas, her lack of awareness of what the garden should be, that the key to freeing them was now in the lock without him even being aware of putting it there. Forcing back his urge to physically take hold of her and force her to study the original plans of the garden, to see the damage she would be doing to such a historical a.s.set, was like trying to stem a river in full flood, straining every emotional and mental sinew he had.

The walls of his self-control had already been tested by his meeting with the town council as he had studied the plans they had so proudly showed him, while telling him what a bargain they had secured. And now here was this...this woman, so slender that he could have broken her with his bare hands, daring to deny him access to the garden his ancestor had originally created, expecting him to accept the shoddy, tawdry mockery of the artistic elegance and beauty that had once been.

'You have no right...' she had said. Well, he would make it his right-he would make the garden what it should be, and he would make her...

Make her what? A sacrifice to the darkness within his genes?

No! Never that. Nothing and no one would be allowed to threaten his control over that dark, dangerous capacity for savagely violent anger that ran through his veins and was patterned in his DNA.

He needed to speak to the local authorities and put before them the plan he was now formulating-for him to take control of the restoration project, so that it could be placed in more appropriate hands, and the sooner the better.

Unaware of what Raphael was thinking, Charley was both surprised and relieved when he started to stride away from her, moving to climb into a sleek, expensive-looking car parked several yards away, its bodywork the same steel-grey colour as his eyes.

CHAPTER TWO.

CHARLEY looked worriedly at her watch. Where was the haulier the town officials had a.s.sured her would arrive to collect the supplier's samples? In another fifteen minutes the taxi booked to take her to the airport in Florence would be here, and Charley was far too conscientious to simply get into it without ensuring the samples were safely on their way back to the suppliers. She was beginning to wish now that she had spoken with the carriers herself, instead of accepting the city official's offer to do so for her.

Her earlier run-in with 'The Duke' had left her feeling far more unsettled and on edge than she wanted to admit. It had been a long couple of days, filled with meetings and site inspections, and the realisation of the enormity of the task of restoring the garden. Privately, it had saddened her to examine the overgrown, brokendown site and recognise how beautiful it must once have been, knowing that the budget they had been given could not possibly allow them to return it to anything like its former glory. And now, instead of being able to indulge in a few days of relaxing in Florence, soaking up everything it had to offer, she had to fly straight back to Manchester because there was no way her boss would allow her any time off. Not that she could have afforded to stay in Florence, even if he had been willing to let her take some leave. Every penny was precious in their small household, and Charley wasn't about to waste money on herself when they were struggling just to keep a roof over their heads.

A van came round the corner of the dusty road and pulled up virtually alongside her with a screech of tyres. The doors of the van were thrown open and two young men got out, one of them going to the rear of the vehicle to open the doors and the other heading for the samples.

This was the freight authority that had been organised? Charley watched anxiously, her anxiety turning to dismay when she saw the rough manner in which the young men were handling the samples.

But worse was to come. When they reached the open rear doors of the van, to Charley's disbelief they simply threw two of the samples into it, causing both of them to break.

'Stop it! Stop what you are doing,' Charley demanded in Italian, rus.h.i.+ng to stand in front of the remaining samples.

'We have orders to remove this rubbish,' one of them told her, his manner polite, but quite obviously determined.

'Orders? Who from?'

'Il Duce,' he answered, edging past her to pick up another of the samples.

Il Duce! How dared he? Hard on the heels of her outraged anger came the knowledge that she must stop them-or face the wrath of both the supplier who had entrusted the samples to her and her employer.

'No. You can't do this. You must stop,' Charley protested frantically. There was close on a thousand pounds' worth of goods here, and the damage would be laid at her door. Out of the corner of her eye she saw a familiar grey car speed towards them, throwing up clouds of dust as its driver brought it to a halt on the roadside several yards away and then got out.

As soon as he was within earshot, Charley demanded, 'What's going on? Why are these men destroying the samples? The damage will have to be paid for, and-'

'They are acting on my orders, since I am now in charge of the restoration project, and it is my wish that they are disposed of.'

He was now in charge? It was his wish that they were disposed of? And would it also be his wish that she was disposed of-or rather that her services were dispensed with? Did she really need to ask herself that question?

Helplessly Charley watched as the final sample was loaded into the van.

'Where are they taking them? What you're doing is theft, you know.' She tried valiantly to protect the supplier's goods, but The Duke didn't deign to answer her, going to speak to the two young men instead. Charley looked at her watch again. She could do nothing about the samples now. But where was her taxi? If it didn't arrive soon not only would she be responsible for the loss of the samples, she would also miss her flight. She could just imagine how her boss was going to react. Only her fluency in Italian had prevented him from sacking her already, so that he could give his daughter her job.

She reached into her bag for her mobile. She would have to ring the council official who had organised the taxi for her.

The white van was speeding away, and The Duke had come back to her.

'There are matters we need to discuss,' he told her peremptorily.

'I'm waiting for a taxi to pick me up and take me to the airport.'

'The taxi has been cancelled.'

Cancelled? Charley was feeling sick with anxiety now, but she wasn't going to let it show-not to this man of all men.

'Follow me,' he commanded.

Follow him? Charley opened her mouth to object, and then closed it again as out of nowhere the knowledge came to her that this was a man who had the power to make a woman lose so much sense of herself that following him would be all she wanted to do. But not her, Charley a.s.sured herself-and yet wasn't that exactly what she was doing? Something about him compelled her to obey him, to follow him, as though...as though she was commanded by something outside her own rational control. Her whole body shuddered as immediately and physically as though he had actually touched her, and had found a reaction to that touch that she herself had not wanted to give. What was she thinking?

He was striding towards the car, leaving her with no option than to do as he had instructed her. He was opening the pa.s.senger door of the car for her.

He was taking her to the airport? And what had he meant when he had said that he was taking over the project?

She could all too easily picture him in Florence at the time of the Medicis, manipulating politics to suit his own purposes, with the aid of his sword if necessary, claiming whatever he wanted, be it wealth or a woman, and making it his possession. He had that air of darkness and danger about him. She s.h.i.+vered again, but this time not with angry resentment. This time the frisson of sensation that stroked her body was making her aware of him as a man, unnerving and alarming her.

He was not someone who would have any compa.s.sion for those weaker than him-especially if they were in his way, or if he had marked them out as his prey, Charley warned herself. Let him do his worst-think the worst of her. She didn't care. She had far more important things to worry about, like keeping her job and keeping her all-important salary flowing into the family bank account; like doing her bit and following the example of selfless sacrifice her elder sister Lizzie had set. Her sister always managed to make light of all that she had done for them, never revealing that she felt any hint of the shameful misery that Charley sometimes had to fight off because she had been forced to give up her private dreams of working in the world of fine art. Sometimes Charley admitted she felt desperately constricted, her artistic nature cruelly confined by the circ.u.mstances of her life.

Raphael slid into the driver's seat of the car, closing the door and then starting the engine.

The town council had been only too delighted to allow him to finance the restoration work on the garden, and to hand the whole project over to him. Had there been a trace of fear in their response to him as well as delighted grat.i.tude? They knew his family history as well as he did himself. They knew that it involved broken lives and bodies, and the inheritance of blood that belonged to a name that still today caused shudders amongst those who whispered it in secret with fear and loathing. Beccelli! Who, knowing the history of that name, would not shrink from it?