Turn Left At The Trojan Horse Part 2

"And anyway, the people whom I would most want to call me a hero are my children."

Bill's father was one of five children. His grandfather was one of five children. His great-grandfather was one of five children. Not counting the two foster children they took in and the four exchange students they housed, Bill and Margaret have raised five daughters, as well. They all graduated from college and pursued advanced degrees. They were Dean's List students and multisport letter winners, and one was even an NAIA college basketball All-American. Successful shepherding, no doubt.

But he also has a son, and for a while his son strayed. Bill has never touched a drink in his life. Dry Bill is what they called him in college. He has never allowed beer, wine, or any sort of alcohol in his house. But his son-who, yes, is also named Bill-became an alcoholic and drug addict.

For the better part of a decade, the family dealt with the struggle. The father turned again to the Twenty-third Psalm for explanation and comfort. Even though I walk through the valley of the shadow of death, I fear no evil, for Thou are with me Even though I walk through the valley of the shadow of death, I fear no evil, for Thou are with me. The verse, he explains, refers to a practice in Palestine in which sheep were moved from winter quarters to spring and summer pastures, moving through valleys that were both life-giving and treacherous. The father focused on the "through" part of the verse, the suggestion that greener pastures await.

And then one day, the son woke up in a motel room in Idaho, full of self-loathing. He pulled out a Gideon Bible from the bedside stand and randomly opened it, his finger landing on Exodus 30. He interpreted the words according to his state of mind. Thou shall not offer strange incense...nor shall you pour a drink offering on it.... Thou shall not offer strange incense...nor shall you pour a drink offering on it.... He stood up, flushed his drugs down the toilet, poured out his booze, and called his dad. He stood up, flushed his drugs down the toilet, poured out his booze, and called his dad.

"He just celebrated his first complete year of being clean and sober," says the father, and I can only guess at the sense of relief that must provide. He smiles. "Do you have kids?"

I smile back.

My oldest son, Luke, was born nine months after my Who Wants to Be a Millionaire Who Wants to Be a Millionaire adventure. In fact, he was conceived in a Manhattan hotel room the morning after the show was taped. What can I say? It was a good twenty-four hours. Given the circ.u.mstances, we considered naming our newborn Regis. adventure. In fact, he was conceived in a Manhattan hotel room the morning after the show was taped. What can I say? It was a good twenty-four hours. Given the circ.u.mstances, we considered naming our newborn Regis.

That is, we considered it a really bad idea.

His brother, Jesse, arrived only eighteen months later. The first child was the result of a carefully orchestrated bit of coupling and timing, following a few months of frustration and worry. His brother's conception, on the other hand, was totally unexpected (although we are now grateful for the accidental miracle). We might have named them Luke and Fluke.

My sons are tiny, all innocence and devotion, energy and wonder. They are best pals who enjoy many shared enthusiasms, but I have grown to appreciate how their personalities have diverged. One is insightful, physical, and somewhat self-conscious. The other is inventive, artistic, and rather blissfully lacking in self-awareness. Two thousand years ago, Aristotle compared a child's mind to "a tablet which bears no actual writing." But he sorely underestimated human nature. My children are no more blank slates than was Odysseus when he first sailed from Troy.

But at this point in our lives, I am their journey-guide, and I revel in the role. For a few more years at least, they will view me as the ancients viewed Athena-a paragon of strength and wisdom, able to lift chairs over my head and open pickle jars and explain what happens when the toilet flushes.

"It's a heck of a lot easier for a four-year-old to see me as a hero than for a thirty-four-year-old to see you as one," I tell Bill.

"That's exactly right," he nods. "But you lay the foundation from which they launch. One of the primary goals of any parent is to prepare our lambs to be independent."

My sons will experience great lows and great highs. The valleys beckon, as do the tops of mountains. Will their failings and successes be a reflection on me? In spite of me? Will their estimation of their father diminish as their innocence fades and their wonder weakens? On their own hero's journey, will they heed the call for separation? Will they answer the call to return? And will they reach out to me when they need me?

So I have procreated myself into a position of leaders.h.i.+p. My sons look up to me, if only because I am much taller than they. Back when I wore a faux Indian costume and led a parade of preteens around a summer camp, I could pretend on some absurd level that I was a molder of men. But now it is the real thing. And if I want them to love and respect me, I think I have to regain a love and respect for myself.

I can't say it just doesn't matter.

IV

troy

I am near Troy, and a fall appears to be imminent.

I have reached the far corner of Oregon-unspoiled and virtually unoccupied Wallowa County. High into the Wallowa Mountains, past snow-capped Sacajawea Peak, along the h.e.l.ls Canyon Scenic Byway (those are the kinds of names this region seems to engender-Leap Lane, Starvation Creek, Seven Devils). North on Highway 3, past Joseph Canyon, where the Nez Perce Indians used to spend their winters-a breathtaking vista of great green folds of earth with the late-afternoon sun deepening every creva.s.se. Tradition has it that Chief Joseph was born and died here, despite his forced travels in between, and I can see why he fought so valiantly to stay. A left turn toward the setting sun, and all of the collected debris on my winds.h.i.+eld is suddenly backlit and blinding me, so that the handful of turn-of-the-century buildings that const.i.tute the tiny hamlet of Flora pa.s.ses by me as if in a dream.

And then the peril begins.

I start down. And down. The road tightens; the pavement becomes gravel; the gravel becomes loose, and then looser. I can hear stones pelting the Aspect's wheel rims and an incessant crunching as if I am driving on broken gla.s.s. A sign warns, somewhat paradoxically, PRIMITIVE ROAD: NO WARNING SIGNS PRIMITIVE ROAD: NO WARNING SIGNS. Here and there, I spot a lonely black Angus chewing absentmindedly by the roadside. Or a tiny, decrepit shack leaning half-hidden in the trees, remnants of a land rush amid land better suited to black bears and bighorn sheep.

For a few miles, I hug a hillside, enjoying a glorious view of a fertile valley below-wide gra.s.sy meadows rippling in the wind. Then comes the real descent. The road turns to dirt and the switch-backs curl tightly, so much so that I soon lose count of the twists and turns. The rains have made the dirt soft in spots. I can feel the Aspect pleading for traction. I can smell the brakes. There is no shoulder, and the drop-off is at least a thousand feet. Were another vehicle to arrive, heading in the other direction...I shake away the notion. Instead, I round a curve and come upon a herd of two dozen cows milling in the road. They stare at me with blank expressions, with no intention of moving. How did they get up here? I inch forward, and they scatter in slow motion. Returning to my white-knuckling, I spot a peregrine falcon hovering overhead, circling buzzard-like.

I suppose the situation is appropriate. Troy and death are forever linked, as the plains surrounding the legendary city are the setting for some of the most graphic and horrific descriptions of warfare in literary history. The violence in the Iliad Iliad is enough to make Mel Gibson blanch. Fifty-three Achaean soldiers and 199 Trojan warriors perish in Homer's epic, and the poet mentions most of the ill-fated by name and manner of death. They are killed by stomping horse hooves, by rocks to the head, by arrows through the jaw, by swords through the neck. Spears are thrust into hearts, and they quiver with the last heartbeat. Bowels gush. Brains scatter. Teeth spill out. Marrow spurts out of spines. is enough to make Mel Gibson blanch. Fifty-three Achaean soldiers and 199 Trojan warriors perish in Homer's epic, and the poet mentions most of the ill-fated by name and manner of death. They are killed by stomping horse hooves, by rocks to the head, by arrows through the jaw, by swords through the neck. Spears are thrust into hearts, and they quiver with the last heartbeat. Bowels gush. Brains scatter. Teeth spill out. Marrow spurts out of spines.

Homer is at his most skilled when describing some of the least desirable means of demise. Peneleos stabs Iloneus through the eye with a spear, slices his sword through the man's neck, and then lifts up the severed head "like a poppy head on a long stalk." Menelaus drives his sword into the forehead of Peisandros so that both of his eyes fall "bleeding in the dust at his feet." Soldiers topple "as a mountain-ash is felled on a far-seen summit" and lie "groaning and clutching at the blood-stained dust." Sometimes Homer extends similes for miles, as when Hector downs Patroclus "like a wild boar killed by a lion, when both are angry and both are parched with thirst, and they fight over a little mountain pool, until the lion is too strong for the panting boar."

Often, the poet transitions quickly from the brutality of war to the finality of its intentions, capping a b.l.o.o.d.y scene with words like "death surging in his eyes took him, hard destiny" or "life and spirit ebbed from the broken man." In the end, the Iliad Iliad emerges as a sort of existential tragedy in the sense that Achilles, who is at one point almost inhuman in his destruction and desecration, finally comes to realize that his own inevitable death is what binds him to the rest of humanity. emerges as a sort of existential tragedy in the sense that Achilles, who is at one point almost inhuman in his destruction and desecration, finally comes to realize that his own inevitable death is what binds him to the rest of humanity.

Which brings me back to me. For the past few days, I have been limping. I cannot for the life of me figure out how it happened, but somewhere along the line I injured my foot, so that if I step in the wrong manner I am rewarded with pain sharp enough to make me gasp and nearly collapse. Later, I will receive a diagnosis: calcific tendonitis in the back of my left foot. In other words, remarkably enough, an inflamed Achilles heel.

Of course, I am already well aware of my mortality. I just didn't expect to confront it on the fringes of Troy. Just a few days into my journey, and already I am risking life and limb (all right, not limb-just a sore foot) in pursuit of...what? A better handle on life? If I die in the process, the irony would just kill me. So would Amy.

On the other hand, there are worse places to give up the ghost. This ranks among the most stunning scenery I have ever seen. In fact, there is a story, often told in this part of the country, of a man who dies and rises to heaven, where he is surprised to find a group of people under lock and chain.

"Who are they?" the man asks Saint Peter.

"Oregonians," is the reply, "and they want to go back."

Finally, after some sixteen miles and ninety minutes, my world is flat once more. I arrive at a paved bridge over the Grande Ronde River, Oregon's largest tributary to the Snake River, and a sign: TROY TROY 2 2 MILES MILES. Quails skitter across the road as I come upon a handful of cabins leading to a sort of compound with a main building that looks as though it was constructed from the pines around it. The marquee says, s.h.i.+LO INN LODGE-CAFe-RV PARK-GAS s.h.i.+LO INN LODGE-CAFe-RV PARK-GAS. Isolation is the mother of diversification.

This remote piece of paradise is the end of the road (as Troy was, too, for Hector and Achilles and Patroclus and the rest, although certainly not Odysseus). I want this place to have profound origins, to have been named by an explorer with a poet's soul-a man who arrived here, where the Wenaha River feeds into the swiftly flowing Grande Ronde, and envisioned the h.e.l.lespont along the river Scamander; a man who saw the great hills rising on either side of this three-thousand-foot-deep canyon and recalled mighty-walled Troy; a man who glanced at the lush pine forests clinging to the sides of those hills and conjured up an image of arrows protruding from Achaean s.h.i.+elds.

Alas, the place, originally settled by Mormons at the turn of the century, was most likely named for an early resident. His name was Troy Grinstead.

There are hamlets named Troy in another thirty states, from Maine to California, and most of them have equally pedestrian origins. The Troy in North Carolina was named after a state legislator; the Troy in West Virginia took the name of the city's first postmaster; the one in Montana was actually named for a weight measurement-the troy-ounce-during the gold rush. Several of the Troys were named after the most famous Troy with which the settlers were familiar-that being, of course, Troy, New York.

Even when a Troy is named after the legendary city of King Priam, it still smacks of the unrefined American frontier. The story goes that a Greek railroad worker in Idaho offered a shot of whiskey to anyone who would vote for his choice. Troy received twenty-nine votes. Nine people still voted for Vollmer.

The lights are dim inside the lodge, and a woman saunters in from a back room to check me into the RV park. "Red" it says on her nametag, and in the faint light it looks as if the name might fit.

"Well, that was quite a harrowing drive."

She looks up from her paperwork. "Did you come down from Flora?"

I nod, and she lets out a little chuckle. "It was pouring rain earlier today. If it had still been raining, that road woulda been really slick." She offers a half-grin. "You got lucky."

There are twenty s.p.a.ces in the RV park; two of them are occupied. I choose lucky number 13 and park the Aspect with its rear b.u.mper almost hovering over the Grande Ronde (French for "big roundabout"). From the window in the rear bedroom, it looks as if I am on a riverboat.

The sun has ducked behind the hills, and the sky has morphed from a robin's-egg blue to an aluminum gray. Above me dozens of tiny swallows-almost Hitchc.o.c.kian in number-are darting and dive-bombing and gliding in grand arcs. They seem to be moving in layers of concentric circles, some flying low and frenetically, others amazingly high and moving in tranquil sweeps of the sky. The birds are hovering, but this time I resist the temptation to think of buzzards. I made it to Troy.

A lonely campground in Troy, Oregon

Morning arrives to the sound of the Grande Ronde murmuring, and I opt for breakfast at the cafe, where I am greeted by a half-dozen antlered animals peering from their mountings on a wall, as well as the torso of a bear, teeth bared, claws sharp, ready to pounce. Such is the attraction for most of the visitors here-hunting for elk in the hills, fly-fis.h.i.+ng for steelhead in the river.

Some locals, all in their seventies, invite me to sit with them at a small circular table in the center of the room. Sharon and Del are my neighbors at the RV park. They have a house about fifty miles south in the town of Joseph, but they spend most of their time in Troy, where Del pursues steelhead. Ginger and Harvey, dressed in complementary flannel, have a home on the mountain, having ranched in the area for many years. In all, the four of them have been married to their respective spouses a combined ninety-nine years.

"I remember my first impression of Troy," recalls Harvey with a smile. "I said, 'Wouldn't you hate to live somewhere where you have to drive up and down like that?'" Harvey turns to Ginger. "Didn't I say that?" He leans back in his chair. "We've lived here since 1987."

I tell them my tale of that very drive, and they all react with groans and raised arms, as if to tell me I don't know the half of it. They recount how frightened travelers constantly have trouble getting in and out of Troy. There was that time a frozen food truck plummeted over the bank, and a fertilizer truck, too. And that day when the pickup went over the edge, but the horse trailer-with two horses inside-stayed on the road, saving the truck from falling...

The door opens, and in strolls a fellow with longish silver hair and a white goatee, looking a bit like a cross between Kenny Rogers and Kid Rock. He is a good twenty years younger than the rest of them, but he pulls up a chair and slips into the conversation without missing a beat. His name is Dean E. Dean.

"My parents thought I was going to be dean of a college or something," he says, winking. Having retired from the army after two years in Vietnam, one in Korea and a stint patrolling the Czech and German border, Dean is a hunter, fisherman, and occasional river rafting guide. "If I have to work, I work a little," he admits. "I've lived here seventeen years, and I'm going to die here."

Harvey perks up and, to general laughter, asks, "When do you want it?"

Which returns the conversation to the harrowing road into Troy. My breakfast mates start listing the fatalities-that Kessler kid, that couple a few years back, those two folks in the yellow pickup...

"And then there's that kid who put that old Pontiac into Horseshoe Bend," says Dean. "That car's still there!"

At this, I have to interject, only half joking, "Now I'm scared to leave."

"It's scarier than that staying here," says Dean, with another wink. His smile stops halfway, and he shrugs, taking the conversation to the other side of the world. "You never think it's gonna be you. We lost twenty-six men once from rocket attacks-from mortars. But it wasn't me."

Del gives a grunt of acknowledgment. He was a gunner's mate in the navy in Korea.

"So maybe," I offer, "the lesson is to make the journey slow and easy..."

Dean nods and clasps his hands behind his head. "Down here, anyone who's in a hurry is in the wrong place."

The banter bears that out, its pace slow and steady, meandering without real purpose, occasionally taking an unexpected turn-just a leisurely drive down conversational switchbacks. There is no destination; the goal is simply to pa.s.s time and revel in commonalities.

Isn't that what my wife keeps telling me? She wants me to enjoy the moment. Take pleasure in life's journey. I always seem to be in such a rush to get to an amorphous Somewhere. Maybe that's why she was in such a hurry for me to leave for Anywhere. Good thing she told me to go to Ithaca before she was inspired to tell me to go to h.e.l.l.

A stooped elderly man shuffles into the cafe behind a walker. "That's Bud. We call him the Mayor," Dean whispers. "He's ninety-five, never been married. He's pretty amazing. He's going in for his last chemo treatment for bladder cancer, and he just bought a computer so he can research volcanoes. The man loves volcanoes."

He calls out to the old man. "You still driving?"

"I been drivin' for eighty years without an accident. Couple o' fender benders, but those don't count," Bud declares. "My driver's license is good till I'm a hundred and two."

"How about Ol' Man Brown," says Sharon, eliciting some knee-slapping. She turns to me. "I'm telling ya, he doesn't drive more than five miles per hour. When he comes by here, you wonder how he keeps the motor running."

This sort of t.i.ttle-tattle appears to be a necessity for survival in Troy, fifty miles from the nearest grocery store, a place so remote that when the garbage truck makes the trek to town every Thursday, it is an occasion for the locals to dump their trash at the inn and stay for a game of cards. So gossip here is sustenance.

"This used to be called the Lesbi Inn," says Dean, stretching his arms toward the rafters. "It used to be run by two gals and a guy. He was gay and so were they."

"Remember when that he/she pulled into the RV park?" Sharon asks. "We spent days trying to figure it out. We kind of determined he/she was male. He was strange."

Here, our waitress, a curly-haired woman named Mary, who has been hovering around the edges of the conversation, hands me a m.u.f.fin and interjects a recollection. "He had a set of legs I'd kill for, though. That was what p.i.s.sed me off."

"It's interesting," I say, as the laughter subsides. "As isolated as this place is, as hard as it is to get to, as much as you may come here to get away from it all, once you're here everybody knows everybody's business."

Everyone nods, and Dean speaks for the bunch. "We have a little saying here: You can't fart at one end of this canyon without someone knowing about it before you get to the other end."

I cross a footbridge over the Grande Ronde and make my way to a one-story building painted periwinkle. A red one would have more satisfied my expectations, because here is the proverbial one-room schoolhouse. I walk inside, where a woman named Marilyn is tidying up, and we chat for a while. It is a Sunday, but Marilyn picks up the phone to dial the teacher, who says she will be right over. She lives just down the road.

There are actually two rooms here, each connected to a narrow hallway in which the students' names are taped above their lockers-Jesse, Clint, Luis, Sophia, Karina, Emily, Big Salvador, Little Salvador. That is the entire population-kindergarten through eighth grade-of the Troy School.

One room is Troy's library, br.i.m.m.i.n.g with books. The garbage truck drivers, my breakfast companions had informed me, volunteer to transport boxes of books to the canyon on their regularly scheduled pickup days. Posted throughout are the fruits of the students' scientific labors-poster board summaries of experiments about exploding vinegar and a hypothesis that noncarbonated drinks freeze faster than carbonated drinks. Several dozen books sit on a cart, ready to be reshelved. I can't help but notice that one of them is a volume about mythology.

Through a doorway is the single cla.s.sroom, anachronistically adorned with eleven computers-more than one per child. There are drawings on the walls to accompany haikus created by the students. A poster of the solar system implores them to "Reach for the stars!" Through the window, I can see a playground and a couple of basketball hoops, each set at a different height, and a couple of grazing cows.

"The good thing about this being a one-room schoolhouse," says the teacher when she arrives, "is everything is a science project. Everything is history. Everything is an event. If I cook something, I'll make everybody try it. I'm making sus.h.i.+ at home right now. Or we have killdeer eggs hatching out on the playground, so we're turning it into a hypothesis of the eggs-when they were laid, how many do they think will hatch, how many will survive..."

Like the computers in the cla.s.sroom, Stephanie Haggard upends expectations, and not only because she is making sus.h.i.+ in rural Oregon. Only a few years older than I, broad shouldered, with her blond hair drawn tightly back from her face, she cuts an imposing figure. She is no matronly schoolmarm. Indeed, she tells me that she didn't set out to be a schoolteacher at all; back in Texas, she wanted a job with Border Patrol. But the children of Troy can thank whoever left some Betadine surgical scrub bottles on the steps of a medical clinic at Yellowstone National Park.

"I was working at Mammoth Clinic in Yellowstone, and I went downstairs to get some insurance papers. I stepped on a bottle, hyperextended, and fell down on concrete. I was in tremendous pain. I went to the Texas Back Inst.i.tute in Plano, Texas," she says. "I had some surgery. I'm t.i.tanium from the bellyb.u.t.ton down."

Which, of course, makes her even more more imposing-the bionic teacher, the Terminator educator. imposing-the bionic teacher, the Terminator educator.

"I got hired by Border Patrol, and I was hoping my back would be well enough for me to take the position. But the doctor said, 'You can either go in for the operation or take the position with Border Patrol. Not both. It's just going to get worse with Border Patrol.' And I wanted to go into the FBI. I had all these high hopes for a life of grand adventure." She lets out a barely audible sigh and shrugs. "So I figured I'd go to school in the meantime. I got my gifted and talented certification-differentiating the curriculum and customizing it to specific students. So actually, this fit in perfectly for what I was trained to do."

Stephanie's husband remains in Texas, where he coaches high school football. Her five-year-old daughter is finis.h.i.+ng the school year with him there, while her eleven-year-old daughter is the "Sophia" I saw on one of the lockers. She and her husband aren't separated, Stephanie explains. "After being a coach's wife for thirteen years, I don't see him anyhow during the school year. So this is no big deal."

"So...is this an adventure?"

She grins. "Absolutely. The best. And it's good clean living. Sometimes it's surreal. I have to pinch myself. I don't hear ambulances. I don't hear cars going by. I open my window at night, and I hear the Wenaha River. I don't lock my door. I know everybody. I went to high school in California, and I swore I would never raise my children there. I love Texas and the people, but I really wanted to get back to my roots. I lived in the town of Jardine, Montana, which is population twenty-four."

"Which makes Troy about twice as big."

She nods. "I'm used to this type of situation-a very rural community with a certain small-town etiquette where you have to both go with the flow and be your own person." She leans forward to make a point. "It took me one year to get my bearings, to knock down walls. But you know what? Parents today don't know who their children's friend's parents are. They don't know who their kids are playing with. I do. I know all the parents real well."

Stephanie points out the potential for boredom, but I can only envision the pressure. There is no comfort in the support system of fellow teachers and administrators, other than a teacher's aide who primarily focuses on the younger students. Stephanie's pupils range in age from near-toddlers to near-teens, so she doesn't have the luxury of focusing her attentions on one subject or age-group curriculum. She happens to be fluent in Spanish, which must be a G.o.dsend to the families of her four Hispanic students. So it is essentially a bilingual, multilevel cla.s.sroom with nowhere to hide any missteps or conflicts. I imagine it is like trying to play eight instruments at once.

From Troy, the students will go on to normal schooling, if it can be considered normal to take a two-hour commute to high school or to board with a family that houses students from rural areas for four hundred dollars a month. Meanwhile, in only her second year of her first teaching job, Stephanie claims to have learned how to make this system work: Explain the why of things, not just the what. Carve out a routine, especially at the beginning of the year, but be flexible. Let the children help. Allow the more athletic ones to lead a PE cla.s.s. Let a creative student lead an art cla.s.s. Take advantage of the maturity of the oldest kids, as most one-room schoolhouses do, but don't go overboard-they have their own learning to do, too.

Stephanie Haggard and the school in Troy

"You can get a good education from one room," she says. "For these kids, my goal for them is to graduate, to be productive citizens. That's why I got into teaching-because I got tired of the way schools were going. It honestly depends on the district policy. Who's making the red tape to cut through? See, they're teaching to a test now. Real learning is not taking place. They're cramming the children for finals. It's starting in kindergarten, and it's making me sick. Children are graduating and pa.s.sing a test, and they can't diagram a sentence. America is raising idiots!"

She laughs, and then seems to think she should tone down the rhetoric. "That's what I see, and it scares me. That's why I said I would only work for a certain type of school that will allow the children to be creative and grow as much as they need and help where they need it. Our kids will take a test, and they'll pa.s.s it. But if you're doing real teaching, learning will take place."