The Domino Diaries Part 11

I let out the rest of the air in my lungs and shrugged as an American Express ad glared at both of us from above my meal tray. She paused and stared at me. Suddenly she reached down and unzipped her bag, revealing a large box of condoms.

"I can still get laid! I'm going to meet someone over there. I'm going to meet a few people maybe."

She looked out the window with the island finally in view and smiled. "Did you know that Cubans say life is a joke to be taken very seriously?"

"When Columbus arrived they told him the island was infinite, too."

"You know, we should have dinner some night...."

We touched down on Jose Mart Airport's runway. I'd been following the news since Castro entered the headlines with his illness, which was supposed to be an official state secret. They were throwing a party on Calle Ocho in Miami to celebrate the old man's impending demise. Many journalists a.s.sumed he was already dead.

I took a gypsy cab from the airport over to a wedding Ra had invited me to in her home town of San Antonio, a suburb outside Havana. The old Ford that picked me up was doing just fine until she began to overheat halfway back into the city.

"I knew she was angry about me listening to reggaeton at this hour." The driver shook his head, scrambling around the radio dial until he found the cla.s.sical composer Ernesto Lecuona. "Even at her age she requires a little seduction at night. Now she will punish us for denying her. Cubaneo." The driver shrugged and grinned at me in the rearview.

"Only in Cuba" was the translation of the driver's last remark, tearing at the old scab of daily life. Each new circ.u.mstance put its own new slant on the meaning.

And about thirty seconds later, when a father and son pulled over with their horse-drawn carriage to offer a hand, I wondered if Cubans had an expression for the converse: the positive things that happen here that would mostly never happen anywhere else. The closest word I know in Cuban slang is palanca, meaning when someone helps you out of a jam. And nearly every aspect of life here could const.i.tute a jam. Survival itself literally depends on daily palanca.

Other people came by to help. First some cyclists and then a motorcycle pulled over to the side of the road. Every Cuban is a proud mechanic. You wouldn't last long without being one. Everything that hasn't broken down soon will. The result of this condition is that while n.o.body has any money to replace anything, nearly everyone who sees trouble will stop and help.

I'd never been to the town Ra was from before, so I asked one stranger after another for directions to the little courtyard where the wedding was being held, got lost over and over, then saw Ra on the street waving at me before I even spotted her. Right after we sat down, out of nowhere, a sonic boom exploded over our heads as fighter jets broke the sound barrier. I jumped out of my chair until several people came over to laughingly explain that on Tuesdays and Fridays, the same time every night, the Cuban Air Force conducted test flights. "Tranquilo, chico! The gringos are not invading our island tonight. Relax, man!"

And then, surprising me even more, I did.

Weddings have always spooked me. I was looking around the room going over my usual refrain: Love is chemicals. Love is junk. Love is being addicted to someone's brand of junk. I'm surrounded by junkies. I grew up a twenty minutes' drive from the worst area in North America for drug use, a ghetto that the rest of my town was ashamed to admit existed, but here we were happy to celebrate an inst.i.tution attempting to reinforce a union of addiction as best we can.

People were sweaty and relaxed at the wedding. Despite the festivities being outdoors, the bathroom stunk out the whole place. The plumbing, as usual, was shot. Maybe it was strategic. It's hard to concentrate on the past or the future with that kind of stench permeating everything. The whole occasion wasn't dictated by a wedding photographer capturing the Hallmark version. n.o.body was posing for history. Lots of easy and hard tears came down on their own, without the usual cues prompting them. All the attendees had a certain amus.e.m.e.nt relating to how death and birth embroidered everything, with the different generations brought together. All that stuff just felt very human, with the burden of the joke shared by everybody.

Then a bird shat on the groom while he was reciting his vows. Everyone except me exploded in cheers. I was confused until Ra explained to me that if s.h.i.+t lands on you in Cuba (or you step in it), you're regarded as lucky. Good fortune and wealth was on the way! When it was clear Ra hadn't meant this statement ironically, I looked at the faces all around me. n.o.body at the wedding had ever dreamed of owning a car. None of my Cuban friends or their parents had ever opened a bank account in their lives. Ra had used a rag after she got her first period and her mother showed her how to rinse it out and use it again for the next month. And there was her boyfriend, the cat fisherman. "Cat cooked in lemon sauce was not that terrible," she had said.

After the vows everyone got up to dance to Elvis singing "Love Me Tender" while I sat down in an open chair and lit a cigarette.

After the wedding, around three in the morning, I got dropped off at a hotel in Miramar. Half an hour later Ral Castro's grandson strolled through the lobby like Hugh Hefner returning to the Playboy mansion. I noticed him enter-along with the entire hotel staff-with two bodyguards and three towering blondes in slip dresses and heels. I didn't know who he was at the time, but while he was making the rounds shaking hands, the bartender tipped me off about his ident.i.ty.

"He travels around with three models for girlfriends?" I asked him.

"Two of the models are his girlfriends. The other one-the one you keep staring at-is actually Fidel's granddaughter. I would stop staring if I was you."

It took a while for the information to sink in before I regained my senses and turned back around to face the bar and buy a pack of cigarettes from the bartender. I felt a hand on my shoulder.

"Yuma," Fidel's granddaughter addressed me. Yuma is one of the more derisive terms certain Cubans attach to American tourists behind their backs. But she used it with such unabashed provocation I couldn't keep a straight face. "I'd like to have one of your cigarettes."

"Yuma?"

"Yes, yuma."

"I've never been called a yuma by a girl who looks as much like a gringa as you do."

I reached over for my pack to give it to her when, in one horribly drawn-out sound, she cleared the phlegm from the back of her throat so forcefully I dropped the cigarettes on the ground. Cubans refer to this common gesture as "scratching your throat," but Fidel's granddaughter's effort sounded like heavy machinery working in a gravel pit. I was about as nauseated by the sound as I was turned on by the rest of her. The look on my face made the bartender blow Diet c.o.ke through his nose. I got out of my chair, knelt down, and picked up the cigarettes as she glared down over me.

"Why are you picking them up, yuma?" she moaned.

The bartender's face contorted in abject shame and I saw him put his hand to his brow.

"Yuma, I'm not smoking anything you dropped on the ground. Here's an elegant solution: buy another pack."

I followed her suggestion while the bartender conveniently hid his laughter by wiping the Diet c.o.ke from his face with a towel. I shook the pack toward her to free up a loose cigarette and she leaned over and pursed her lips over the b.u.t.t. When I went to light the cigarette with my Zippo, she did the truck driver throat-scratching thing again.

I looked into her eyes while the flame danced over her pupils.

"Thank you for the cigarette, yuma."

For the rest of her thirty minutes in the hotel bar she completely ignored me until she left with her group. She gave me a quick glance, followed by the shrug of one shoulder as she swung her purse over the other and strolled out the front entrance.

The next time I saw her, at a New Year's party in Centro Habana, she didn't have her entourage in tow. A lot of Cuban TV and radio personalities were there. It turned out she worked for Radio Havana as a writer. I didn't ask anyone at the party to confirm the bit about her being Castro's granddaughter. We noticed each other while she was dancing with another pretty girl in the cramped apartment.

After midnight of the New Year, I followed her outside to the balcony for a cigarette. She'd just been outside the country to visit Venice and told me she never wanted to travel again after the experience. I asked why.

She asked me if I'd ever read Invisible Cities by Italo Calvino. I shook my head. She told me a story from it about several men around the world who had an identical dream. They all saw the same naked girl from behind, with long hair, running through an unknown city. They chased after her, twisting and turning down the streets, but eventually lost her. After the dream all these men set out in search of that city where they'd seen her. They never found the city, but they found each other. So they decided to build a city like the one from their shared dream. Laying out the streets, each followed the pathways they took in pursuit of the girl. At the spot where they lost the fugitive's trail, they arranged s.p.a.ces and walls differently from the dream so she would be unable to escape. They all settled in the city waiting for the scene to be repeated one night, but none of them, asleep or awake, ever saw the woman again.

New men who'd had a similar dream arrived to this city. They, too, changed the streets, arcades, and stairways so that at the spot where the woman vanished, there remained no avenue of escape. But they never found her, either.

Then Castro's granddaughter stopped telling the story.

I asked her to finish, but I also wanted more privacy to take my revenge against her for that night at the hotel. She agreed to go for a walk.

We walked from the party toward my apartment, where I had access to a rooftop overlooking the busiest street at night in Centro Habana, Calle Neptuno, where I could hear rum-soaked dominoes being played deep into the night. When we climbed the stairs several floors to the roof looking out over the other rooftops in all directions and the Juliet girls on their balconies talking down to their Romeos and the chorus line of taxis below us, instead of trying to kiss her I chickened out and went back to fis.h.i.+ng for the end of the story.

"Tell me what happened with that city in the end," I asked her.

"Stop pretending like you brought me back here for the story when I can tell very easily you're already looking for a place to f.u.c.k me on this roof. Have some dignity, yuma."

She took off her s.h.i.+rt and glared at me. The dogs on the roof next door sounded the alarm and woke up the rooster to join in.

"Are you worried about Fidel finding out? You were quite bold when we met at the hotel. I wasn't sure if you knew my little secret or not."

It turned out n.o.body else had the dream of the girl and everyone else who saw the city left immediately because of the ugliness of such a place invented and designed as a trap.

Fidel's granddaughter asked me the next morning in bed if this was helpful tourist information.

19.

SHADOW BOXING.

Who controls the past controls the future. Who controls the present controls the past.

-George Orwell TEFILO STEVENSON WAS A CHAMPION of the Muhammad Alidominated 1970s, before my time. Mike Tyson was my era's champion. The most mysterious opponent who was ever mentioned to challenge Tyson for the heavyweight champions.h.i.+p was the Cuban boxer Felix Savn. Most of the world was only able to watch Savn every four years when he steamrolled through compet.i.tion with a stunningly lethal right hand.

One afternoon I was sitting in the bleachers next to a father and son for the first of three sets of boxing compet.i.tions taking place all day at Kid Chocolate. My high school gym might have cost more to build, but with hundreds of millions of dollars you couldn't re-create what Chocolate looked, let alone felt, like the afternoon when I saw Felix Savn enter the place. For a second he was framed by the murals and quoted pa.s.sages from Fidel, the chipped paint and haywire scoreboards, the rafters and leaky ceiling ... but then some of the faces in the crowd spotted him and smiled, nudging more and more people to share in the fun of spotting Savn.

The father next to me had just offered me a cigarette and was telling me that one day his son would fight here and make him proud. His boy was around ten and rolled his eyes.

"You need a light?" the father asked me.

Cuban tobacco in most cigarettes off the street is obscenely strong and vaguely sweet. I felt a little self-conscious smoking in front of his son, but I had forgotten that self-consciousness hadn't been invented in Cuba yet.

He asked if I was a boxer myself and flexed his muscles while his son laughed. The boy raised his fists to his face and glared menacingly at me until my laughter obliged him to give me a friendly shove.

Just then I heard the cheering subside for the fight that was going on and noticed an enormous, towering man in Cuban track pants stroll across the gym floor alone. I didn't have a good look at him.

"Quien es el?" I asked the dad, to make sure it was who I thought it was.

"Oh that's just Felix. He's a good friend."

"Savn?"

Savn, like Tefilo Stevenson, was a three-time heavyweight Olympic champion. Don King had offered him a lot more than the five million Tefilo Stevenson rejected to fight Muhammad Ali, for Savn to turn pro and fight Mike Tyson. The figure was somewhere in the neighborhood of twenty or twenty-five million. He turned it down flat. I'd seen an interview with him where he slowly made his way, speech impediment and all, to explain, "I may not be a millionaire because of what I turned down, but it's possible I made a million friends with my decision here."

Felix Savn was famous for being a little slow, but also the sweetest and baddest man in the country. There he was, all by himself, waving graciously to a few people who called out his name.

"Felix is working with one of the teams?" I asked.

"Claro."

"He's a friend of yours?"

"Familia."

"Familia?"

"Jes," the father broke into English, to emphasize his point. "I will introduce you. FeLIX! OYE!"

"f.u.c.k! Man, don't. What are you doing!"

"OYE! FeLIX!" Then leaning over to me, "Familia. My berry goo' frien'. Berry goo'." Felix, still in stride toward an empty chair near the ring, raised his hand to acknowledge the piercing scream of the man sitting next to me in the stands. Clearly he had no idea who he was looking at.

"I really think Felix wants to be left alone."

"Que va! Bulls.h.i.+t. Felix i' like my hermano. Let's get him over here and you can have a photo with Felix. Felix! OYE!" The pitch of this oye was pleading and defiant at the same time.

"Man, I don't even have a camera," I pleaded. "Let's leave him alone."

"I have a camera."

Felix waved again, but you could tell he dreaded what was to come next. Though it was unlikely he dreaded it half as much as I did.

The father abandoned his son's hand and got to his feet, shoved both hands in his mouth, and whistled with such ferocity Felix stopped, turned, and glared in our direction. It was a glare I had never seen Felix offer any opponent during the fourteen years he was flattening everybody in his boxing career. Right then Felix flashed the Lenny dreaming-of-the-rabbits grin.

"Please G.o.d stop," I pleaded with this man. "For the love of your child."

"OYE!".

"Your son."

"MADRE MIA, FeLIX!".

Felix squinted until he spotted us and frowned.

The father waved him over and grabbed me by the arm. "Coo, grab my f.u.c.king camera."

I did as he instructed, though I didn't even want a photograph with Felix Savn.

"FeLIX! OYE! Don't pretend like Miguel Antonio Torres has not known you since you were a child of seven! Get over here, you!"

Felix Savn, all six-foot-six and 240 pounds of him, one of the greatest fighters the world had ever produced, dropped his head and began the walk of shame over to us. The child of Miguel Antonio Torres could not have been more pleased with this glorious day, the day his father regained the heavyweight champions.h.i.+p for daddies everywhere.

"Miguelito, wait here for us. Papi must take care of this."

I was grabbed by the elbow and hauled down the stairs toward the first row. We were on a platform as Felix arrived, so I was eye level with the Cuban legend.

Felix sheepishly apologized and Miguel, five-four in sandals, reached up and slapped his cheek gently. I was introduced as a close family friend and Felix extended his hand, which looked as though it could palm a beach ball. As we shook hands I tried not to feel like a Muppet in the exchange.

Felix asked softly how I'd liked the tournament. His speech impediment wasn't quite a stutter, though he did have trouble enunciating his words.

The father mentioned a photo, and Felix warmly put his arm over my shoulder, which cued me to put mine over his. We had a considerable section of the crowd enjoying my awkwardness over holding Savn hostage. Miguel Antonio Torres stood before us with his camera pointed, and both Felix and I smiled at him. Our fixed smiles extended to nearly a minute until Felix, not breaking his grin, asked if there might be a good time to take the photo.

"Hijo de puta! Mierda!" Miguel screamed.

I asked if the disposable piece-of-s.h.i.+t camera was broken. Felix looked over at me and clenched his ma.s.sive jaw, striations spread out over the cheek like a cracked winds.h.i.+eld.

Click ...

The comedian Mitch Hedberg once opined, "I think Bigfoot is blurry, that's the problem. It's not the photographer's fault. Bigfoot is blurry, and that's extra scary to me." So are certain freakish moments in your life. Miguel's blurry photo of Felix and me standing together captured the moment crystal clear.