Protector. Part 39

"It sounded like A.J.'s daddy." Emily mimicked the sound as best she could. " 'How you doin', Emily?' " she said in a semi-gruff, punctuated cadence.

"That's the exact sound you heard?" Jane said. "You sure?"

"Yeah. Why?"

Jane knew that was nowhere near the sound of Weyler's smooth and more articulate voice. "Do you remember anything specific he said that night?"

"Just something about an accident," Emily's memory kicked in again. "It's ten o' clock . . . I can't hear what they're saying . . . Then he goes into the kitchen and everything's quiet until he comes back out . . . Then my daddy's voice . . . he's the first to yell . . . then my mommy yells out . . . I don't want to hear it so I grab my pillows off my bed and go to the closet . . . The clock says 10:04 when I go back to get the last pillow . . ."

Jane constructed a series of possible events. The Lawrences fought over a mysterious letter that terrified Patricia. In anger and fear, Patricia stashed the letter in the desk's secret compartment. Emily interrupted the fight, she was told to go back to bed and all remains quiet until, perhaps under the ruse of there being an accident down the street, either Patricia or David Lawrence let an unknown male into their house at 10:00 at night. It's someone they don't know but someone who is savvy enough to convince them that his plea is legitimate. He then walks alone into their kitchen, supposedly to use the phone. Jane visualized the scene. Knowing that the perp took precautions and covered his feet, hands and face, Jane deduced that he must have quickly done so behind the kitchen door. It all occurred in less than four minutes, which, for Jane, certainly indicated someone who knew exactly what he was doing. Charm yourself into the house, a.n.a.lyze the situation and then get down to the business of killing. Disable the strongest victim with your knife, then start on the second victim. In this case, Jane was now almost positive it was one perp and two knives. That fact spoke volumes as well. To her, it demonstrated that the killer was cunning and knew exactly how to throw off investigators. It also told her that whoever did this had to have the strength to wield two separate knives without cross contamination.

Jane started to put the pieces together. "Two nights ago at the carnival, you were doing okay until you saw the guy with that pig mask over his face."

"Yeah," Emily said, still humiliated by the experience.

"I want you to go back to that moment-"

"I don't want to!"

"Emily, it's just you and me sitting here. You're safe. The guy with the pig mask, it obviously triggered something inside you. Something important maybe."

"It wasn't the mask, at first. He was wearing all black.

That's what started it. And he had gloves on. Black gloves." Emily focused on the man at the carnival. "And there was something s.h.i.+ny in his hand. His right hand. I couldn't see what it was, but my heart started beating really hard. I had to hold my breath."

"Why hold your breath?"

Emily tried to fight it, but she felt herself drifting back in time. "I have to be quiet," she whispered as her breathing became more shallow.

"Why?" Jane asked, hating every second of it.

Emily closed her eyes. "So he doesn't hear me," she whispered.

"Where are you?"

There was a long pause before she spoke. "Hiding . . . in my closet. I turned off my Starlight Starbright . . . I have to be quiet . . ."

"How can you see him if you're in your closet?"

"Because . . . he opened the door and looked in . . ."

"Why doesn't he see you?"

"I'm hiding under all the pillows . . ."

"He's dressed in black?"

"Uh-huh."

"What's in his hand?"

"I don't know." Emily was fully engaged in the memory, hypnotized by Jane's voice. "I have to be so quiet . . ."

Jane nervously took several puffs on her cigarette, waiting for Emily to make the next move. Suddenly, the child took in a gulp of air, as if she were startled. "What is it?"

"His head's covered with a black sock . . ." Emily drew her hand to her head, unaware that she was now mimicking the individual instead of witnessing the event. "He's pulling at the sock. . . ." Emily began to yank at an imaginary sock around her head. "He doesn't like the sock . . . He's scratching his face through the sock . . ." Emily scratched helplessly at the imaginary sock on her head and face. "He wants to take it off . . ." Emily grabs the edge of the imaginary sock around her neck and begins to struggle with it. "Get it off!" The child neared hysteria when she got a strong grip on the illusory sock and yanked it off her head. As her head jerked backward, she opened her eyes, slamming back into reality. "Make it stop!" she screamed, standing up on the couch completely disoriented and heading backward over the edge.

Jane lunged toward Emily, pulling her back on to the couch. Emily shook violently as she held onto Jane. When Emily calmed down, Jane gently spoke up. "Did you see his face?"

"No," Emily said, burying her head in Jane's chest. "You think it's A.J.'s daddy?"

"No, it's not A.J.'s daddy."

Emily lifted her head and looked at Jane. "How do you know for sure?"

Jane purposely looked straight ahead. "I'm a detective. My gut tells me things. And I know that wasn't Amy's dad."

Emily pulled back from Jane. "How'd you know A.J.'s first name?"

Jane felt the floor fall out from underneath her feet. She kept staring straight ahead, poker-faced, but b.u.mbling inside like a lost child. "Lots of kids are named Amy. Like I said, I've got that detective gut."

Emily stared at Jane in stone cold silence. "What's your detective gut say the 'J' stands for?"

Jane craned her neck as if she were searching for the answer. "Juliet," she said, confidently turning to Emily.

"No. It stands for 'Joan.' "

Jane shrugged her shoulder, desperately trying to act nonchalant under Emily's prying eyes. "Well, one out of two, eh? So, how did you and A.J. meet?"

"I met her last year at my private school. We were in the same cla.s.s."

The pieces were fitting together very quickly. Did David see incriminating activity or someone important at Bill's office? Possibly. Did Bill confide sensitive information to David? Probably. Drug addicts like Bill can't keep their d.a.m.n mouths shut. And from what Jane could decipher from the limited contact she had with Stover, he was like all meth addicts: talkative and out of control. "Did you ever hear your dad tell your mom anything that he and A.J.'s dad talked about? You know, any names you can remember?"

"How come you're asking me these questions?" Jane realized her desperation was too obvious. Reluctantly, she pulled back. "I just thought that-"

"You said your gut told you that the voice I heard downstairs that night wasn't A.J.'s daddy. So, if he wasn't there that night, why do you care what kind of things he and my daddy talked about?"

Jane knew it was pointless to prod further. "Sorry. My detective mind never stops."

Emily sat back against the couch, fiddling with the b.u.t.tons on her pajama top. "I wonder what A.J.'s doing right now."

Jane turned away, feeling the tug of the moment pull hard on her. "Oh, I imagine she's thinking about you and wanting you to be happy and not worry about her."

"Is that what your detective gut says?"

"Yes. Exactly." Jane stood up, took a drag on her dying cigarette and snuffed it out in the ashtray. She walked across the living room and stared out the front picture window at Peachville's city trucks unloading red, white and blue street decorations. She didn't realize she was nervously rubbing the old scar across her right temple.

"What are you thinking about?" Emily said carefully.

"There's something I've got to do," Jane replied, locked in deep thought.

Emily a.n.a.lyzed Jane's posture and nervous behavior. "Why are you so scared?"

Jane turned to Emily. "Huh?"

"You only rub your scar when you're scared. What is it you have to do?"

Jane pulled her hand away from the scar. "I have to make an important phone call."

Jane checked her Glock before slipping it into her f.a.n.n.y pack. She started to walk out of her bedroom when she returned to her leather satchel and drew an extra clip from the side pocket. Placing the clip into the inside pocket of the f.a.n.n.y pack, she zipped it up and headed down the hallway. "Ready?"

Emily was seated on the couch. "You know, we never talked about the sleepover with Heather and her friends."

"We'll talk about it later. Come on."

"No," Emily stated, not moving an inch. "The sleepover means a lot to me."

Jane sat on the couch, doing her best to act diplomatic. "Look, you and I are up against the wall right now. I think we should keep the house off-limits to other people."

"It's one night. We can lock all the doors and you can sit up in your bedroom with your gun. I just want to feel normal again . . . even if it's just for a little bit."

Jane studied Emily's face. Her gut told her "no," but the kid's candid pet.i.tion was hard to argue with. "Okay," Jane replied reluctantly.

They drove off in the Subaru, Jane's heart beating hard the whole time. Pulling into the parking lot of The Pit Stop, she checked the time. It was Monday around noon. He should be home for lunch. This phone call was a long shot and risky as h.e.l.l. She would also have to check her pride at the door for the whole thing to work.

She got out of the car and dialed the number. The phone rang three times and then, "h.e.l.lo?"

Chapter 25.

"h.e.l.lo?" the voice repeated. It wasn't the voice Jane was expecting.

She hesitated, not sure what to do. Her knee-jerk reaction was to hang up, but she stayed on the line. "h.e.l.lo? Is someone there?"

"Yeah," Jane nervously said. "It's . . . it's Jane."

"Well, hi, Jane. This is a surprise."

Jane felt her stomach churning. "Yeah . . ."

"Listen, your brother's not here. But I'll certainly tell him you called."

"Well, the thing is Lisa . . . I was actually calling to ask Mike if he could ask you something." Jane realized she sounded like some tiresome high school kid.

"Ask me what?" Lisa replied with an ease to her voice.

Jane snapped into her cop mode. "Here's the drill, Lisa. I don't know you. I've only met you once and you seemed okay." Jane waited for Lisa to say anything but heard only silence. "Do you love Mike? Or is this some sort of cut and run deal?"

"Cut and run? I'm not following you. Are you okay, Jane?"

"Do you love my brother?" Jane asked pointedly.

"Yes, I do," Lisa said without hesitation.

"So, am I hearing that you want to be part of our family?" The words seemed foreign to Jane as they came out of her mouth.

"I'd like that very much, Jane. And I'd also like to get to know you better when you're comfortable with that."

"I'm going to be straight with you, Lisa. I don't usually do this sort of thing."

"What sort of thing?"

"I get to know people very well. At least, I like to think I do. I listen to the change in their voice to see if I can hear a lie . . . Oh, f.u.c.k." Jane knew she was rambling. "What I'm trying to say is that I get to know someone extremely well before I ever ask anything of them. Especially anything that could be dangerous."

"Jane, I-"

"You have to understand that I would never ask this of you unless I was as f.u.c.king desperate as I am right now."

"Jane," Lisa said kindly, "whatever you need to ask me, it's okay. Just ask."

Jane took a deep breath. "You said your brother used to be a bounty hunter?"

"Yeah, right. My older brother, Jeff."

"And now, he's a private investigator."

"Yes."

"I remember that you said that he does fraud and adultery cases."

"That's right."

"So, tell me. Does he have the b.a.l.l.s for a case that carries more weight?"

"What kind of weight are you talking about?"

"The mafia. The Texas mafia, to be exact. And the Denver PD. And perhaps how those two may be in bed together?"

There was a long, thoughtful pause on the other end of the line. Jane waited. "Gosh, Jane. I don't know. Are you in some sort of danger?"

"I don't give a s.h.i.+t what happens to me, Lisa. It's someone else I'm worried about." Jane stole a glance toward the Subaru and acknowledged Emily.

"The little girl?" Lisa said with deep concern in her voice.