At The Stroke Of Madness Part 11

"Lillian?"

She jumped at the sound of his voice at the door, dropping the T-s.h.i.+rt and turning to find him scowling at her.

"What the h.e.l.l are you doing here?"

"I was looking for you," she lied, immediately recognizing what an awful liar she was. For someone who lived inside her imagination, she should be better at coming up with stories.

"You never come out here."

"I guess I was feeling nostalgic. Maybe a little lonely for the old place." The lies only got worse. Even she wouldn't believe them. "Can I be honest with you, Wally?"

"That would be a good idea."

"I was looking for...I wanted to see if I could find...that old blue vase Mom had."

"What?"

"Yes, that blue ceramic one. Do you remember it?" Now, this was good. She could see that she had him trying to remember. "It was the one Aunt Hannah gave her."

"I don't know why you want that now." But the suspicion was gone from his voice. "I think it's up in the attic. I'll go see if I can find it."

He was a good guy. A good brother despite everything their mother had put them through. He couldn't possibly have done any of the things Lillian had imagined in her overzealous imagination. It simply wasn't possible. But as she heard him on the stairs, Lillian plucked the bloodied T-s.h.i.+rt up from out of the corner and stuffed it into her handbag.

CHAPTER 35.

Was.h.i.+ngton, D.C.

R. J. Tully paced in front of the brick apartment building, his hands in his pocket jingling change. He made himself stop. Leaned against the handrail and glanced up at the dark clouds. Any minute now they would surely burst open. Why didn't he own an umbrella?

In his younger days it had been a macho thing. Men didn't use umbrellas. Now as the breeze turned chilly and he lifted his jacket collar, he decided staying dry was more important than being macho. He remembered Emma telling him once that there was a fine line between being macho and being a dweeb. When had his fifteen-year-old daughter become so wise?

Tully checked his wrist.w.a.tch and searched the sidewalks and street. She was late. She was always late. Maybe she'd decided she didn't want to be alone with him. After all, they had done a good job avoiding that since Boston.

Boston...that seemed like ages ago. Then he saw her, walking a half block up the street, black trench coat, black heels, black umbrella and that silky strawberry-blond hair, and suddenly Boston didn't seem so long ago.

He waved when she finally looked his way. One of those wide, open-palmed, counterclockwise waves, like some idiot directing traffic. Something like a total dweeb might do. What was wrong with him? Why did he get all nervous around her? But she waved back. There was even a smile. And he tried to remember why they had decided to forget Boston.

"Sorry I'm late," Dr. Gwen Patterson said. "Have you been waiting long?"

"No, not at all." Suddenly he easily discounted the twenty minutes of pacing.

The building superintendent had given him the security code and key to Apartment 502, but he failed to mention the open freight elevator they needed to take up to the loft. Tully hated these things, metal gates instead of doors and nothing to hide the cables or m.u.f.fle the groan of the ancient hydraulic system. None of it seemed to faze Dr. Patterson.

"Have you ever been to her apartment before?" he asked, offering chitchat to fill the silence and take his mind off the screech of a pulley in need of a good oiling.

"She had a show about six months ago. I was here then. But that was the only time."

"A show?"

"Yes. Her loft is also her studio."

"Her studio?"

"She is an artist."

"Oh, okay. Sure, that makes sense."

"I'm surprised Maggie didn't tell you that."

Tully thought she sounded almost p.i.s.sed at O'Dell. He had to be mistaken, and he studied her profile as she watched the number at the top, indicating each floor as they ground past the levels. He decided to leave it alone.

He would have known soon enough about Joan Begley's profession. The loft looked more like a studio than living quarters, with track lighting focused on pedestals of sculptures and walls of framed paintings. In the corner, piles of canvases leaned against easels and more pedestals. Some of the canvases were filled with bright colors, others were whitewashed, waiting their turn. Chrome shelves held cl.u.s.ters of supplies, brushes still in jars of purple-green solution, paint tubes with missing caps, soldering tools and what looked like drill bits, alongside pieces of twisted metal and pipe. Interspersed among this mess were miniature clay figurines, thumbnail models of their larger finished counterparts. The only signs of living were an overstuffed sofa with matching pillows that tumbled onto the hardwood floor and in the distant corner a kitchen separated by a counter with empty take-out containers, discarded bottles of water, dirty tumblers and a stack of paper plates.

"Looks like she may have left in a hurry," Tully said, but was wondering how someone could live in the middle of her work s.p.a.ce. He knew he couldn't.

"You might be right. She seemed very upset about her grandmother's death."

"So you spoke to her before she left."

"Just briefly."

Tully ignored the art stuff, a challenge in itself, and began searching for a desk and computer. O'Dell had given him a list of things she needed him to check out.

"Where the heck did she keep a computer?" He glanced back at Dr. Patterson, who stayed at the wall of paintings, looking with a tilted head as if she could see something in the random splashes of paint. Tully could never figure out art, despite his ex-wife Caroline having dragged him to gallery after gallery, pointing out social injustices and brilliant interpretations of individual pain and struggle where Tully could see only blobs of black paint with a mishap of purple splattered through the center.

"Do you have any idea where she may have kept her computer?" he asked again.

"Check the armoire."

"The armoire? Oh, okay." The cherry wood monstrosity took up almost one wall, and when Tully began opening doors and drawers it grew, spreading out into the room with swiveling shelves and sliding hideaways and, yes, a small laptop computer that seemed to be swallowed up inside.

"Do you know if this was her only one?"

Dr. Patterson came over and ran her fingertips over the armoire's surface, almost a caress.

"No, I think she had a couple of them. She liked the mobility of laptops. Said she could go to the park or coffee shop."

"So she may have had one with her in Connecticut?"

"Yes, I'm sure she did. She e-mailed me from Connecticut."

He opened its lid, carefully, touching it on the sides with the palms of his hands, purposely not disturbing fingerprints or adding his own. Then he used a pen to press the on key.

"I should be able to get into her e-mail with a few tricks. It may take a while," he said, as he brought up her AOL program. He hesitated when the screen asked for a pa.s.sword. "I don't suppose you could save me some time. Any idea what she may have used as a pa.s.sword?"

"She wouldn't have used her name or any derivative of it." She stared at the screen and Tully thought he had lost her attention again when she added, "Try Pica.s.so. I believe it's one 'c' and two 's's. He was her favorite. She used to say she was a wh.o.r.e to Pica.s.so and his work. You may have noticed some of his blue-period influence in her paintings and the cubism influence in her sculptures. Especially her metal sculptures."

Tully nodded, though he wouldn't know cubism from ice cubes, and keyed in P-I-C-A-S-S-O, again using the tip of his pen. "No go."

"Hmm...maybe his first name, then."

Tully waited, then realized she thought he knew this. Geez! He should know this. If ever there was a time to impress her, this would be it. What the h.e.l.l was it? She wasn't helping. Was it a test? He stole a glance her way only to discover that her eyes had been distracted again, her face with the expression of someone lost in thought and trying to find the answers in the wall of paintings. And so even Tully's flash of brilliance was lost on her when he finally keyed in "Pablo."

"Nope. Pablo doesn't work, either," he announced, perhaps a bit too proud for someone who had just keyed in the wrong pa.s.sword. He waited. He glanced up at her again and waited some more. Finally he stood up, stretching his back, towering over her.

"I know what it is," she said suddenly, without turning her eyes from what looked like an anorexic, pasty self-portrait, a nude with the metal frame cutting her below the emaciated b.r.e.a.s.t.s. "Try Dora Maar," she told him, spelling it slowly while he keyed in the letters.

"Bingo." Tully watched AOL come to life, announcing, "You've got mail. " "How did you know that?"

"Joan started signing some of her paintings as Dora Maar. It's complicated. She was complicated. That one," Patterson pointed out, "reminded me."

"Why Dora Maar?"

"Dora Maar was Pica.s.so's mistress."

Tully shook his head and muttered, "Artists." He clicked on the New Mail. Nothing had been opened since Sat.u.r.day, the day Joan Begley supposedly disappeared. He clicked on Old Mail. One e-mail address stood out from the rest because there were so many, appearing every day, sometimes twice a day, but stopping the day she disappeared.

"This could be helpful," he said as he opened one of the e-mails from the Old Mail queue. "She has quite a few from someone with an e-mail address of Any idea who that might be?"

"That's what Maggie and I are hoping you'll be able to find out."

CHAPTER 36.

Joan felt sick to her stomach.

She had been famished, devouring the food he brought her earlier. Perhaps she had made herself sick, eating too fast. She had even been embarra.s.sed. Here he was holding her captive, possibly hoping to slice out her thyroid at any moment, and she couldn't wait to wolf down the cheese sandwich and potato chips. But she had always taken solace in food. Why would a time like this be any different?

Her wrists and ankles burned from a night of trying to pull and twist out of the restraints. Her throat felt raw and her voice had gone hoa.r.s.e from her yells and screams for help. Where was she that no one could hear her? And if Sonny didn't kill her, would anyone ever find her? No one was probably even looking for her. How pathetic was that? But true. There was no one in her life who would miss her if she disappeared. No one who would notice. All that hard work, losing weight and making herself look good, and for what? When it came right down to it she was still alone.

All along that had been her greatest fear, that she would lose all the weight and still not be happy. Oh, she certainly tried. Over and over again she tried, expecting happiness to arrive with the next man she met. And now she met plenty of men, each time hoping this one would somehow make her feel special, complete. And each time they left her feeling more empty and miserable.

It was something that Dr. P. had warned her about. That she could make a wonderful-looking package who would attract men just like she had always desired, but that someone would still be miserable on the inside.

d.a.m.n! She hated when Dr. P. was right, because yes, she was still miserable, but now she no longer had the extra weight to blame. Before, she could fall back on that excuse. If she couldn't attract a man, it was because of her weight. If she had no friends, it was because of her weight. If she wasn't a successful artist it was because no one wanted a contract with a fat artist.

She had transferred her tendency to find comfort from food to trying to find it in men. Maybe she could try explaining that to Sonny the next time he stopped by. Would that stop him from trying to slice out her hormone deficiency?

Oh, G.o.d! What had she done?

Suddenly her stomach felt as if she were being sliced in two. She tried to curl up to stop the pain but the restraints wouldn't let her. This pain was not from eating too fast. Could it be food poisoning? Had the mayonnaise in the sandwich gone bad? Now every muscle in her body tensed as she cringed against the cramp that turned her stomach inside out. What was happening to her? She had never felt like this before.

Finally the pain eased. She began to relax. Maybe it was from the panic. Maybe she just needed to stay calm. But not a minute later, her entire body braced itself for a second wave of cramps. And that's when she knew Sonny had poisoned her.

CHAPTER 37.

Maggie let Jacob Marley lead her to his office, down the hallway to the rear of the funeral home. Each time he attempted to place his hand on the small of her back she found a way to make him remove it, either by turning toward him or simply stopping short. She recognized the tactic as a leveling tool, a way for him to gain the upper hand. She couldn't help thinking that it was probably an occupational hazard. Maybe it worked with his clients, not the dead ones, of course, but the ones who would be vulnerable and making the spending decisions.

Now she watched as he offered his office's guest chair while he took a seat on the front corner of his desk where he would tower over her. That was when Maggie decided there was something about Jacob Marley she didn't like. What was worse, there was something about him she didn't trust.

She remained standing, pretending to be interested in the black-and-white photos that took up one wall, photos of a small boy, presumably young Jacob, an only child, with his mother and father.

"What is it that I can help you with, Maggie? You don't mind if I call you Maggie, do you?"

"Actually, when it's official business I prefer Agent O'Dell, thank you."

"Official business." He attempted a laugh, but it ended up sounding like a nervous cough. "That sounds serious."

Before she could bring up Joan Begley, he asked, "Is this about Steve Earlman?"

She had forgotten about the town butcher and only now realized Marley and Marley may have been the funeral home that hadn't managed to bury him. Or at least, not keep him buried. She leaned against the wall, studying Mr. Jacob Marley. She guessed him to be in his early thirties, a plain-looking man with a weak chin and narrow eyes, but in the expensive black suit and sitting high on the corner of his desk, he looked in control and poised. And he was concerned about Steve Earlman.

"I know it hasn't been released," he continued, "but rumor is that Steve's body showed up in one of those barrels. It's true, isn't it? That's what you're here to check on, right?"

He was fidgeting, swinging one foot. Marley didn't look like the type of man who allowed himself to perspire, and yet if she wasn't mistaken, there were beads of sweat forming on his upper lip. Now Maggie was curious. What exactly was Jacob Marley worried about?

"I really can't go into any details," she told him. "But if that were true, what explanation could there be for something like that happening?"

Maggie still believed the killer had access to the body before it made it out to the graveyard. Perhaps he had sneaked into the funeral home after hours. Had there been a break-in that Marley failed to report? Was that what had him worried?

"We buried him in a vault," he said, then quickly added, "the family requested a vault. You can see for yourself." He picked up a folder from his desk, handing it to her.