Love's Lovely Counterfeit Part 5

"You know where you are, June?"

"Haven't the slightest idea."

They had nosed up behind a pleasant s.h.i.+ngled house, and stopped, and got out. "This is Solly's shack."

"Oh, my-are we safe?"

"I wouldn't bet on it."

"What are you doing?"

"Throwing off the burglar alarm. That'll help."

He peered under the eaves of a garage, found a switch, and threw it off. Then he led the way, by a narrow board walk, around front, and then down to a boathouse at the water's edge. "What in the world are you up to?"

"You'll see. We got to find that barrel."

Under the rubber mat he found a key, unlocked the little building, and they went inside. At the warm, stuffy smell he started to raise a window, but she stopped him. "I can stand a little heat, even if it's not as fresh as it might be. This morning air has me s.h.i.+vering."

"O.K. Now if you'll turn your back..."

"I won't look, but I refuse to go out."

Apparently in completely familiar territory, he took a pair of shorts from a rack, pitched them on a camp chair. Then he began dropping off his clothes, folding them neatly on another chair. In a moment or two he stood stark naked. Then he was in the shorts, finding a pair of canvas shoes to slip on his feet. "You'd better take your coat, Ben."

"Guess that wouldn't hurt."

"While we're paddling over, anyway."

"You handle a canoe?"

"Oh, well enough."

The way she s.h.i.+pped the paddles, however, rolled back the front door, and helped carry the canoe down to the float, indicated she was more expert than she said. When the boat was in the water she had him hold it a moment, while she raced back for the bag of shot she had spied near the camp chairs. "If you're going to be overboard, it'll keep the bow down."

"You better take stern right now."

"All right, you sit forward."

He climbed in the bow, his light overcoat around him, she in the stern. It was less than half a mile, straight across the water, from the shack to the bridge, and it didn't take them long to get there. Presently he slipped his paddle under the strut, caught the abutment, dropped his coat, and stood up.

"You getting out, Ben?"

"Yes."

"Then move the shot bag."

Holding the gunwale, he reached for the bag of shot, caught it, and hefted it forward, clear into the bow. It brought the bow down, but when he stepped on the narrow ledge that ran around the abutment, the boat righted itself. He stood, looking first at the bridge above him, then at the water below, s.h.i.+vering only slightly, managing quite a businesslike air. She swung the boat under the bridge, out of his way and out of sight from above. Then, marking a spot with his eye, he went off.

He was up in a flash, his eyes rolling absurdly, his breath coming in the gasps that only extreme cold can induce. Then a low moan escaped him, and he struck out for the ledge. A stroke or two brought him to it, and he tried to climb out, but couldn't. There were no handholds by which he could pull himself up, and not enough s.p.a.ce for his body while he drew up his legs. He gave one or two frantic kicks, as though he would throw himself out by main force. Then he turned and lunged for the boat. "Ben! Watch it!"

It wasn't the shriek of a girl afraid of a ducking. It was the low, vibrant command of a woman who remembered they were half a mile from car and clothes; that a canoe capsized with a bag of shot in the bow would certainly sink; that it would be no trouble for Mr. Caspar to guess what they were doing there; that life thereafter would take on a highly hazardous aspect. Her tone must have reached him, for the hand that was raised to grasp the gunwale didn't grasp it. It slapped back into the water, and he went under, gulping. He came up driving with arms and legs for the sh.o.r.e.

She shot the canoe onto the gravel just ahead of him, stepped to the bow, and jumped out. Seizing his hand, she ran him up and down the beach, until he was a little dry and a little pink, instead of blue. Then she whipped up his overcoat from the bow of the canoe, put it on him, and held it tight against him, her arms around his body. Only then did he begin to talk: a lame, chattering explanation of his sorry performance. It seemed that he had forgotten the peculiarity of the lake, that it remained at an icy temperature until Lowry Run dried up, in July, and the inflow of cold water stopped, giving the sun a chance. However, he said, just let him get his second wind and then he'd go down again.

She listened, and when his s.h.i.+vering stopped they climbed into the canoe and shoved off. They paddled back to the spot they had left and sat silent, he trying to screw up his courage to drop off his coat again and go off. The boat began to shake, s.h.i.+ver, and twist, but he didn't have the curiosity to look and see what she was doing back there. He stared vacantly, first at the sunlight that was now touching the hills back of the sh.o.r.e, then at the water. When the boat went down like an elevator, until the water was within a few inches of the gunwale, he gave a frightened yelp, and only then did he turn his head. The stern was sticking straight up in the air, and she was on the ledge, in pants and bra.s.siere, smiling at him.

"Hadn't you better move aft?"

"Guess that would be a good idea."

She was but a few feet away, and certainly quite an eyeful, but there was no desire in the look he gave her, after he had crawled aft, and adjusted feet, paddle, and coat to the feminine clothes that were draped over the strut. There was only relief; somebody else had taken over his dreadful task. She continued to smile, but checked all details in the boat with her eye, particularly that the shot in the bow made it easily manageable. Only when he was safely settled did she catch the truss above her, chin herself, pull up her feet, and complete the first stage of her climb. Then she reached the top of the parapet and stood there, a pink figurine in the pink morning sunlight, scanning the road for cars. His voice rumbled up, a little peevish: "Look, I'm getting dizzy. If you don't turn around you'll be going over backwards."

"I am am going over backwards." going over backwards."

"You're-what?"

"Well, what's the use of doing a front dive and winding up ten feet further out than I want to get? With a nice back dive I'll half circle around and come right down on the barrel. You haven't forgotten our darling little barrel, have you?"

"If you come down on it." you come down on it."

"Oh, I'll come down."

"Little cold down there, you'll notice."

"Oh, for a man, yes."

"Oh, a woman don't feel cold?"

"Not the way a man does, I've noticed it often. I don't care what the weather is, a man's got himself all bundled up in exactly twice as many clothes as a woman wears. Why, look in any street car, and-"

"You haven't forgotten our barrel, have you?"

"Oh, that." that."

A shadow crossed his face, and he looked up to see her in the sky, her arms out, her head back, her back arched in a perfect back dive. Then she floated over, and struck the water with a quick, foamy splash that shot high in the air. She was down a long time; then she came up, with gasps like the gasps that had shaken him. With one hand she pitched a barrel hoop into the canoe, with the other a lump of wet concrete.

"Know what I'm thinking?"

"Look, June, I'm I'm thinking. Cut the comedy." thinking. Cut the comedy."

"I'm thinking how funny you looked. When you came up. And you started to snort. And your eyes started to roll. You looked like a wet puppy."

"O.K., so I looked like a wet puppy."

"A wet wet puppy." puppy."

It had been Ben's turn to shoot the canoe up on the gravel, run the s.h.i.+vering swimmer up and down the sh.o.r.e, and wrap her in a coat. They had taken turns in the boathouse, to dress, and felt a little better when they were back in the car, their clothes on, the motor giving heat. But it wasn't until they got their breakfast that they felt like themselves again. They came to a bar-b-q place, and being afraid to go in together, for fear they might be recognized, they ran a little past it, and Ben went back for hot dogs and pasteboard containers full of scalding hot coffee. Then they ran into a woods, stopped the car, and sat there munching like a pair of wolves. Then she began to talk. He tolerated her kittenishness for a moment or two, but quickly returned to the business in hand.

"What day is today?"

"Sat.u.r.day."

"You have another meeting tonight?"

"The last of the campaign."

"Where?"

"Munic.i.p.al Stadium. We were going to have it at Civic Auditorium, but we've been drawing so much bigger crowds lately that we decided to make it a big outdoor rally."

"Then spill it."

"You're sure we found what we were looking for?"

"A barrel don't prove it yet. Maybe somebody else rolled a barrel down there, or one fell overboard while they were building the bridge. But it's as good as we can do, and sooner or later we got to take a chance."

"I was going to, anyway."

"Then I'll call the Pioneer." Pioneer."

"Beforehand?"

"Oh, I don't tell them all of it. I just say it's their pal Jack Horner again, and Rossi's body has been found, and you'll tell where at tonight's meeting. It'll build up the crowd."

"So I know what to tell the reporters."

"Let's go."

"I said you looked funny." said you looked funny."

"Some people got a funny sense of humor."

She reached out with her finger and smoothed the crease between his brows, imitating what he had once or twice done to her. However, he caught her hand and put it aside. "You ought not to be laughing at people. You're an idealist, or supposed to be."

"Can't an idealist think a chiseler looks funny?"

"That don't work."

"It might."

"No."

Chapter 5.

Lights were pleasantly soft in the big room at the Columbus, and humors were high, almost hectic. Sol had visitors: his wife, rather dressed up, and looking a little queer, with her old-world face under a stylish hat; Inspector Cantrell, of the city police, a dapper man in a double-breasted suit; a florid blonde named Irene, in a black satin dress, who had come with the Inspector; and Giulio, a barber. Giulio still wore his white coat, and had come, as a matter of fact, toward the end of the afternoon, to trim Sol's hair. But he had been prevailed upon to stay for dinner and a bellboy had been sent for his accordion; accompanying himself on this, he now gave a series of vocal selections, in a high tenor voice that kept breaking into grace notes. But he would get only two or three numbers sung when Sol would say: "Sing the Miserere," and he would have to launch into Trovatore, Trovatore, becoming chorus, soprano, tenor, and orchestra all rolled into one. It is only fair to say that this simplification of the number seemed to improve it. becoming chorus, soprano, tenor, and orchestra all rolled into one. It is only fair to say that this simplification of the number seemed to improve it.

Ben sat in the shadows, as did Lefty, Bugs, and Goose; they said little and laughed much, as befitted their rank. When eight o'clock came, Lefty tuned in the Munic.i.p.al Stadium, and cheers came out of the radio, as well as hints by the speakers of disclosures to come. Sol began to clown the discovery of Rossi's body, under the piano, in the radio, behind Giulio's chair. Once, when he yanked open a closet door, Mr. Cantrell's eyes narrowed suddenly at the unmistakable sheen of rifle b.u.t.ts. At each antic the blonde would scream with laughter, say, "Ain't he the limit," and pick up her highball gla.s.s. It would be hard to say what lay back of these monkeys.h.i.+nes; whether the whole Rossi question was absurd, whether June was thus due to make a fool of herself, or whether they covered real nervousness. At any rate, Sol was loud, silly, and irritating, for the grins around him were masks. Underneath, these revelers were worried.

Presently, to a volley of comedy from Sol, June was introduced and came on. She took perhaps five minutes on the subject at large, on teamwork, organization, getting voters to the polls next Tuesday, the necessity for electing Mr. Jansen. Then quietly she said she would tell why it was necessary to elect Mr. Jansen, and began to talk about Arch Rossi. She told of her visit that day to Mrs. Rossi, the boy's mother, and to his sister and three little brothers. She told what a good boy he had been, on the testimony of all, until he fell in with the Caspar gang. She told about the Castleton robbery, and the part Arch had played in it, of the way he had been shot, and how he had been brought to the Globe Hotel. She told how he had called up Bob Herndon, and had himself brought to the Columbus, so he could see Caspar, and ask for some decent medical attention.

"Do you know how Caspar answered that plea? Do you know what he did for this poor kid, this nineteen-year-old boy who had helped him get rich, who had kicked in with his share of the $11,000 that Caspar took for so-called 'protection' in Lake City? He took Arch out of the Columbus, for a destination I don't know, because the boy never got there. On the way he was shot and killed. Do you want to know where you can find Arch Rossi now? He's in a barrel of concrete, at the bottom of Koquabit Narrows. I paid a visit to that barrel this morning. I swam down to it, and saw it with my own eyes, between a yellow rowboat that's lying on the bottom, and a white kitten, with a stone tied around its neck, that somebody dropped there to drown. Here's a hoop I took off that barrel, and here's a handful of the concrete!"

It would have been interesting to study a photograph of the scene in the room, as the crowd in the park began to roar, and roar still louder, so that it was several minutes before June could go on. Sol, who had been increasingly comic during the first part of the speech, abruptly fell silent at the words "Koquabit Narrows." Cantrell jumped up and stood listening. Then he looked at Sol, and Lefty looked at Sol, and Goose looked at Sol. In spite of the forecasts in the afternoon papers, something had been said which was wholly unexpected. But Bugs looked at Ben and Ben looked at Bugs; obviously these two didn't know what Sol knew and the other three knew. Giulio and the blonde looked blankly at Mrs. Caspar; just as obviously they were completely in the dark. And Mrs. Caspar looked wearily at the floor, with the ancient dead pan of a woman who knows nothing and can guess all that matters.

"That does it, Solly."

It was Cantrell who spoke, and it was some seconds before Sol looked at him. Then, in a rasping hysterical whine, he said, "Well, come on, let's get out of here! Le's go, le's go!" Le's go, le's go!"

He grabbed his hat and went lurching out of the room. Mrs. Caspar, seeing cues that would have been invisible to anyone else, got up and followed. Cantrell motioned to the blonde, and they went out. Impatiently, Goose motioned to the barber, who went out like some sort of frightened rabbit, followed by Bugs, and in a moment by Goose and Lefty. Ben, for five minutes or so, was alone. Lighting a cigarette, he smoked reflectively, listening with half an ear to the rest of June's speech, and cutting off the radio when she finished. Once, hearing something, or thinking he heard something, he jumped and wheeled, but there was nothing behind him but the portable bar, with its dirty gla.s.ses. He sat down again with the air of a man who is trying to quiet down, to get a grip on himself. When Lefty came in he asked, "What's going on out there?"

"Are you deaf, Ben? Didn't you hear what she said?"

"It was in the papers."

"Not about the Narrows, it wasn't."

"If Sol put him there, why's he surprised?"

"Whatever it is, it's a break for you."

"How?"

"I didn't get no dinner. Let's eat."

Ben walked over, doubled up his fist, brushed Lefty's face with it. "You want that in the kisser?"

"Ben! Let me alone! I've-got the jitters."

"Then talk. How is it a break for me?"

"We been suspicioning you."

"You mean you have."

"O.K., then I have. You bet I have. It's somebody, and I don't know n.o.body I wouldn't suspicion. O.K., when she said the Narrows, that let you out. No way you could have known about that."

"And what's the idea of Solly's fainting fit?"

"He's not there."