The Manual Of Detection Part 14

Unwin gestured to the man with the blond beard. "There," he said. "There!"

Emily swung the gun around, and the man with the blond beard stopped walking.

"Sir," Unwin said again. "My briefcase."

The man gave Emily a withering look and returned to the table. He dropped the case in front of Unwin.

"Your typewriter as well," Unwin said.

He set the typewriter down.

"Now sit."

Audibly grinding his teeth, the man with the blond beard sat. Emily kept the gun trained on him while Unwin removed the man's necktie and used it to bind his hands behind his back. It would not hold for long, Unwin thought, but it was the best he could do for now.

"Quickly," he said to Emily. "I need you to write a memo."

She put the pistol away, then sat and opened the typewriter, loaded a fresh sheet of paper.

The man with the blond beard snorted at all this but said nothing. Indeed, as Unwin began to dictate, he leaned forward a little, listening with apparent interest.

"To colon Benjamin Screed comma Detective comma floor twenty-nine return from colon Charles Unwin comma capital D capital E capital T capital E capital C capital T capital I capital V capital E comma floor twenty-nine comma temporarily floor forty return.

He took a deep breath and continued. "Sir comma despite the unhappy beginning of our a.s.sociation comma it is my hope that we may still find a way to work together as colleagues to our mutual satisfaction point. To that end comma I offer you the opportunity to a.s.sist me-"

But here Unwin frowned and said, "Emily, strike that. Resume: To that end comma I offer to a.s.sist you in solving a very important case comma or rather several important cases all at once point. In addition to delivering to you the killer of Edward Lamech comma I intend also to shed new light on cases now at rest in the Agency archives comma including The Oldest Murdered Man comma The Three Deaths of Colonel Baker comma and The Man Who Stole November Twelfth point. I trust this will be of interest to you comma as you are no doubt aware that our organization is in need of a new star detective comma and I can tell you I have no interest in the job point. If you find this satisfactory comma I leave it to you to choose our place of meeting point. I will come unarmed full stop."

Emily s.n.a.t.c.hed out the page, quickly typed a final draft, and said, "I'll go and find a messenger."

"No messengers, Emily. I don't think they can be trusted. This remains, as you once put it, an internal affair."

The man with the blond beard was grinning now. Straining against the bonds, he turned in his seat to watch them go. Unwin avoided the man's eyes, glancing back only once while he and Emily waited for the elevator to arrive. He had not even bothered to look at the doc.u.ment the man with the blond beard had typed. Whatever it contained-a false confession, a memory somehow plucked from his brain-it could not possibly matter after this. They believed he was a renegade, and now he was acting like one.

Unwin had worried that the elevator attendant might recognize him, that even he might have been notified of Unwin's fugitive status. But the white-haired little man only hummed to himself as the car descended, seemingly oblivious to his pa.s.sengers.

Emily drew close to Unwin and whispered, "Do you really know who killed Lamech?"

"No," he said. "But if I don't find out soon, I think it won't matter anyway."

Emily looked at her shoes. "I haven't been a very good a.s.sistant," she said.

They both were quiet, and the only sounds in the car were the elevator attendant's tuneless humming and the grating of the machinery above. Unwin knew that it was he, not Emily, who had failed. She had saved him from Detective Screed, had chosen the secret signal that saved him a second time. But outside the Gilbert Hotel, when she asked him what would happen to her once they found Sivart, he had failed to give her an answer.

Maybe he should have told her that he would remain a detective, that she would still be his a.s.sistant. Better yet, they could act as partners: the meticulous dreamer and his somnolent sidekick. Together they would untangle the knots Enoch Hoffmann and his villainous cohorts had tied in the city, in its dreams. Their suspects would be disarmed by his clerkly demeanor; she would ask the tough questions and do most of the driving. They would track down every error Sivart had committed, re-solve all the great cases, set the record straight. Their reports would be precise, complete, and timely: the envy of every clerk on the fourteenth floor.

But he had not even cleared his name yet, and Emily now would also be hunted.

She was still looking at her shoes when Unwin put a hand on her shoulder. "You are the finest a.s.sistant a detective could wish for," he said.

With a swift movement, as though the floor had tilted or the elevator slipped its cable, Emily fell fully into him and laid her head against his chest, wrapping her arms around his middle. Unwin stifled a gasp at the sudden and complete materialization of this young woman in his arms. He could smell her lavender perfume again, and beneath that the sharpness of her sweat.

Emily raised her lips close to his ear and said, "It's really something, don't you think? We have so much work to do, but we can't trust anyone. And when you get right down to it, we can barely trust each other. But it's better that way, I suppose. It keeps us thinking, keeps us guessing. Just a couple of shadows, that's what we are. Turn the light on and that's the end of us."

The elevator attendant had stopped humming, and Unwin caught himself wondering about bylaws again.

"Emily," he said, "do you remember anything of the dream you were having earlier?"

She moved back an inch and adjusted her gla.s.ses. "I remember birds, lots of them. Pigeons, I think. And a breeze. Open windows. There were papers everywhere."

The elevator attendant cleared his throat. "Floor twenty-nine," he said.

Emily slowly let go of Unwin, then stepped out onto the polished wood floor. The custodian had cleaned it to a s.h.i.+ne-not a trace of black paint remained.

"Emily?" Unwin said.

"Sir?"

"Do try to stay awake."

The attendant closed the door, and Unwin told him to take him to the archives. Clerks, and even detectives, were technically prohibited from entering, but the little man made no protest. He threw the lever and sat on his stool. "The archives," he said. "The long-term memory of our esteemed organization. Without it we are nothing but a jumble of trivialities, delusions, and windblown stratagems."

A bulb on the attendant's panel lit yellow, and he brought the car to a halt. Unwin found himself looking into the broad office of the fourteenth floor. His overclerk, Mr. Duden, stood in front of him. The round-faced man took a step back when he saw Unwin. "I'll get the next one," he said.

THAT ONLY UNDERCLERKS were permitted access to the Agency archives had instilled in Unwin a simmering resentment of his inferiors. He sometimes daydreamed about catching one of the affable little men on his way to lunch and accompanying him to the booth of a local eatery. There he would buy the man a sandwich, pickles, a gla.s.s of what-have-you, and gradually turn the conversation to the topic of their work-forbidden, of course, between employees of different departments. In time the underclerk's caginess would give way to happy disclosure; he was as proud of his work as Unwin was of his, after all. And so Unwin would come to learn the secrets of that place to which his completed case files, and the files of a hundred other clerks, were delivered each day, to be housed in perpetuity. All for the price of a roast beef on rye.

Of course Unwin never did anything of the sort. He was not a faker, not a sneak. At least he had been neither of those things until recently.

The elevator attendant had left him in a corridor one level below the subbas.e.m.e.nt. It ended at a small wooden door. Slowly, but not so slowly he would appear to be trespa.s.sing, Unwin opened it and stepped through.

The heart of the archives (for what else could this be?) smelled of cologne, of dust, of the withered-flower sweetness of old paper. Its ceiling, high as Central Terminal's sweeping vaults, was hung with cl.u.s.ters of electric lamps shaded in green gla.s.s, and the walls were made entirely of file drawers. The drawers were of the older sort, with bronze handles and paneling of dark wood. Rolling library ladders, each seven times the height of a man, provided access throughout. Eight ma.s.sive columns spanned the room, and these, too, were lined with file drawers and equipped with ladders.

Dozens of underclerks were at work here, browsing open drawers, jotting notes on index cards, ascending and descending ladders, wheeling them into new positions. They went back and forth between the files and a squat booth at the center of the room. Meanwhile, messengers in yellow suspenders appeared and disappeared through doors disguised to look like stacks of file drawers, some of them high in the walls. To access one of these, the messenger would climb a ladder, open the door with a telescoping pole he drew from his sack, then leap through the opening.

Unwin closed the door behind him-it, too, was disguised as a stack of file drawers-and walked along the wall searching for some indication of an organizational scheme. But the drawers were not labeled, nor were they divided into sections, alphabetical or otherwise. He chose one at waist height and opened it. The files were all dark blue, not the light brown he was accustomed to seeing. He removed one and found a card pasted to its front. Typed on the card were a series of phrases:

Stolen Journal Jilted Lover Vague Threats Long-Lost Sister Mysterious Double

The doc.u.ments inside were formatted according to some method that was wholly unfamiliar to him. Pages of handwritten notes identified a client, described his meeting with an Agency representative, and gave an account of his suspicions and fears. But where were the clues? Who was the detective a.s.signed to the case? How had the matter been resolved?

A nearby drawer slid open, and Unwin looked up to see an underclerk just a few steps away. The man grinned at him. He had round cheeks and wore a bowler hat and a scarlet cravat. Unwin returned the file and ran his fingers over the folder tabs, pretending to search for another.

But the underclerk came closer and bowed, and when Unwin did not look up at him, he bowed again, more deeply this time, and with the third bow he made a dispirited little huffing sound. Finally the underclerk spoke. "You must be the new fellow, yes, the new fellow?"

Unwin avoided answering by patting his palms against the folders and smiling.

"Why don't you tell me what you're looking for?" The underclerk's cheeks reddened. Apparently, the prospect of a.s.sisting someone else was a great embarra.s.sment to him.

"You're too kind." Unwin did not want to ask this man about the phonograph record, but he had to tell him something, so he said, "I'm looking for the Sivart case files. The Colonel Baker case would be a good start."

The underclerk frowned at that. "Sounds like you've got too many modifiers. What's the primary correlative?"

Unwin considered. "Faked death," he said.

The underclerk tapped one finger against his round, clean-shaven chin. "Now, I've been here almost two years, and I don't recall . . ." His cheeks went redder, until they matched the color of his cravat. "What did you say your name was?" he asked.

Unwin coughed and waved his hand, and pretended to study the files again. The underclerk went away very quietly and quietly closed the drawer he had opened a minute before. Then he started off toward the center of the room with a quick, resolute pace, more like a messenger than an underclerk.

Unwin closed the drawer and followed. The underclerk saw him pursuing and walked faster, so Unwin began to run. The underclerk ran, too, and by this time most everyone in the archive was watching them. Unwin could see the booth more clearly now. At its peak was a four-faced clock, nearly identical to the one at Central Terminal. Unwin checked his watch and saw that it matched to the very second the clock at the heart of the Agency archives. It was seventeen minutes after one o'clock in the afternoon. The underclerk drew up to the booth, pus.h.i.+ng others aside to reach the front. There was a lot of jostling and grumbling, but the others went quiet as he began to speak to someone inside the booth. Then they all turned to watch Unwin's approach. Some removed their hats and started fidgeting with the brims. They parted to let him through, and the one in the red cravat stood aside.

A woman was seated in the booth, surrounded by card catalogs. She was younger than Unwin, though older than Emily. She had straight brown hair and a wide, frowning mouth. She looked him over carefully, paying special attention to his hat.

"You're not an underclerk," she said.

"My apologies," said Unwin. "It is not my intention to deceive. I am a clerk of the fourteenth floor."

Now the underclerks began to chatter all at once. "Clerk!" they said, and, "Fourteenth floor!" They repeated the words until the woman hushed them with a wave of her hand.

"No," Unwin said, shaking his head, "I was was a clerk. I am hardly accustomed to the change myself. Just yesterday I was promoted to the rank of detective. In fact, I'm here on business of a detectorial nature." He showed her his badge. a clerk. I am hardly accustomed to the change myself. Just yesterday I was promoted to the rank of detective. In fact, I'm here on business of a detectorial nature." He showed her his badge.

Again the underclerks started talking, their voices rising higher as they pushed and pulled at their hats, nearly tearing them in half. "Detective!" they said, and one among them wailed, "What's a detective?"

"Quiet!" the woman shouted. She glared at Unwin. "This is highly irregular. You'd better come in."

She opened a door to the side of her window and ushered Unwin into the booth; some of the underclerks made as though to follow, but the woman closed it before any could slip through. Then she closed green shutters over her window. Unwin could still hear the pleas of the underclerks outside: "What's a detective?" they cried, and then, "What's promoted? promoted?" The few near the window scratched at the shutters with their fingernails; one was brazen enough to tap his knuckles against the door.

Unwin now saw that the card catalogs replicated in miniature the archives themselves. Each stack of file drawers outside had a corresponding stack within the booth; even the columns were represented by eight freestanding pillars. This explained the lack of references to content or indexing in the archive proper. The only key was here.

The woman reached under her desk, took a silver flask from its hiding place, and set out two tin cups. She poured a little brown liquid into each and pressed one into Unwin's hand. She drank. Unwin was unaccustomed to drinking whiskey straight, from a flask or otherwise. And though he did not find it altogether unpleasant, each sip was a keen surprise to his tongue.

The underclerks were silent now. They had either dispersed or agreed to stay quiet and listen in.

"You must forgive them," the woman said. "They've had a very trying week. We all have." She offered him her hand; her palm was cool and papery against his own. "Eleanor Benjamin," she said, "Chief Clerk of Mysteries."

"Charles Unwin, Detective."

"And, I suppose, the reason I lost my best staffer to the fourteenth floor yesterday. To promote someone from one department to another is atypical. To promote two people at once is absurd. I'm afraid we're all a little rattled down here."

"The woman who has taken my place used to work for you?" Unwin asked.

"Yes," said Miss Benjamin. "Only two months into the job and she was already the best underclerk I had."

This was a surprise even sharper than the whiskey. The woman in the plaid coat, Cleo Greenwood's daughter, had started working at the Agency long before the first time Unwin saw her at Central Terminal. She must have used the time to find and steal an unabridged copy of the Manual. Manual. But what else had she been up to? But what else had she been up to?

"I hardly know what to do without her," Miss Benjamin went on. "She went about her work so calmly that she kept everyone else calm, too. I'm certain one of these twittering old men will fall from his ladder someday. And they haven't even a.s.signed a replacement yet. The whole archive could fall into ruin."

She paused and looked up at the shutters, seeming to see through them and into an archive in flames, sheets of burning paper falling out of the sky, columns of file drawers collapsing under their own weight. Unwin wondered if she knew that the world outside the Agency office was already in the process of disintegrating.

"Why was she promoted?" Unwin asked. "Did anyone inform you?"

Miss Benjamin blinked away her vision. "I hardly see the relevance of that," she said, and poured more whiskey into their cups. "You know perfectly well that detectives are barred from the archives, Mr. Unwin. Only messengers are permitted to move freely from one floor to another. And under no circ.u.mstances should a detective be caught drinking whiskey with a chief clerk. So what are you doing down here?"

Answer questions with questions, he reminded himself-he had read that in the he reminded himself-he had read that in the Manual. Manual. "How many chief clerks are there?" "How many chief clerks are there?"

Miss Benjamin smiled. "I'm not unwilling to help you, Detective. I'm just saying that there's a price. Now, what were you looking for out there in my archive?"

Unwin found that he liked this chief clerk's plainspokenness, but he was not yet sure if he could trust her. "I was looking for my old case files," he said. This was not completely a lie-seeing those files would have been of interest, especially after all he learned since his first meeting with Edwin Moore.

Miss Benjamin laughed, and from outside the booth came the sound of shuffling feet.

"Are you surprised?" Unwin asked. "I've done plenty of case files. The Oldest Murdered Man, The Three Deaths of Colonel Baker."

"Yes, yes," said Miss Benjamin. "But you're talking post-detection, Mr. Unwin. Solutions. This"-she gestured to the card catalogs around her and, by extension, the file drawers beyond-"is Mysteries."

"Only Mysteries?"

"Only Mysteries! What did you expect, everything jammed into one archive? That would be an organizational nightmare. I am Chief Clerk of Mysteries, and the underclerks out there are familiar only with mysteries. It's why they don't know what a detective is-they don't need to. The vicissitudes of detection aren't part of their work. As far as they know, mysteries come here and stay here. It's why they're so nervous. Imagine having all the questions but none of the answers." Mysteries! What did you expect, everything jammed into one archive? That would be an organizational nightmare. I am Chief Clerk of Mysteries, and the underclerks out there are familiar only with mysteries. It's why they don't know what a detective is-they don't need to. The vicissitudes of detection aren't part of their work. As far as they know, mysteries come here and stay here. It's why they're so nervous. Imagine having all the questions but none of the answers."

"I don't have to imagine it," Unwin said.

"Three."

"What?"

"You asked me how many chief clerks there are. There are three. Miss Burgrave, Miss Palsgrave, and myself. Miss Burgrave is Chief Clerk of Solutions. It's her archive you meant to infiltrate, not mine." She lowered her eyelids and added, "Though it isn't a terrible thing, having someone to talk to. Your average underclerk doesn't know a woman from a pile of paper clips."

Unwin sipped from his whiskey-just as little as he could, because he already felt dizzy from it. "What about Miss Palsgrave's archive?" he asked. "What is kept there?"

"What I want to know is why a clerk, promoted though he may be, would want to see his own files. Don't you fellows know your cases back to front?"

"Yes," Unwin said. "But it's less a matter of content than of cross-referencing."

She was silent. He would have to give her at least part of the truth. "The case files are categorized as solutions, and rightly so. They are the finest, most thorough solutions imaginable. But what if an error, a purposeful error conceived for some dark purpose, had been inserted into one of those files? What if an aspect of a solution were thus rendered a mystery? What then, Miss Benjamin?"

"You would not have done such a thing."

"I have, Miss Benjamin. Many times, perhaps, though without realizing it. I believe that a man was murdered to keep it a secret. Somewhere in these archives are mysteries that have been pa.s.sed off as solutions, so they belong here, Miss Benjamin, in your archive. And they are deliberately being kept from you.

"Under normal circ.u.mstances, I could work through the messengers, calling up one file after another, checking references, piecing the puzzle together. But that would take time. And I don't know if I can trust the usual channels. Will you help me, Miss Benjamin? Will you tell me the way to the Archive of Solutions?"