The Manual Of Detection Part 15

He was not sure what he was getting himself into, but Moore had told him that the key to understanding the phonograph record was here in the archives. If not in the first, then maybe in the second.

Miss Benjamin stood, and Unwin saw that she was tall, perhaps a foot taller than he was. She crossed her arms and looked worried. "There are several paths to the Archive of Solutions," she said, "but most will be too dangerous." She pushed her chair aside and lifted an edge of the frayed blue rug. A trapdoor was beneath. "This pa.s.sage is reserved for the use of the chief clerks. I don't think anyone but the three of us remembers it's here."

She lifted a bra.s.s ring and pulled the trapdoor open. A stairwell spiraled downward into the gloom.

"Thank you," he said.

Miss Benjamin took a step closer to him. With the shutters over the window, the air in the booth had grown warmer, and now Unwin found it difficult to breathe, especially when each breath carried with it the sweet aroma of the whiskey on Miss Benjamin's lips.

She said, "I do know a thing or two about detectives, Mr. Unwin. I know that with a few words you could have won my heart. But you're one of the n.o.ble ones, aren't you?"

Unwin did not contradict her, though he doubted that even the Manual Manual would contain the few words-whatever they were-to which Miss Benjamin was referring. would contain the few words-whatever they were-to which Miss Benjamin was referring.

"What about the third archive?" he said. "You didn't tell me about Miss Palsgrave."

Miss Benjamin stepped back. "I won't," she said. "This is Mysteries, after all, and Miss Palsgrave's work is her own."

Unwin put on his hat and started down the stairs. Miss Benjamin had seemed tall to him, and now, waist-deep in the floor, he looked up and found her terrible and magnificent, a towering, sulky idol in a brown wool skirt. "Good-bye, Miss Benjamin."

She capped her silver flask and sighed. "Watch out for the ninth step," she said, and Unwin had to duck as she kicked the trapdoor closed over his head.

THE STAIRS WERE LIT only by dim lamps that flickered as though to relay a coded message. There was no banister. The wooden steps creaked underfoot, and Unwin felt each with the toe of his shoe before stepping down. Was it a trick of the whiskey, that the walls of the pa.s.sage seemed to narrow as Unwin descended? Or had he always been a claustrophobe and only needed an experience like this to find out?

The ninth step appeared as st.u.r.dy as the others, but he skipped it as Miss Benjamin advised. Unwin found it difficult to stop counting anything once he had begun. Counting sheep, in fact, was his surest route to insomnia-by morning he could fill whole pastures with a vast and clamorous flock. Now he counted steps, and by the twentieth he felt certain the walls really were narrowing, and the ceiling was getting lower, too. How deep did the stairway go? Maybe Miss Benjamin had tricked him into an oubliette. She could have locked the trapdoor and sent a message to Detective Screed by now-but then, perhaps Mr. Duden already had.

The lamps were fewer in number here, and dimmer. He hoped Edwin Moore had known what he was talking about. Could the old man's memory be trusted at all? Unwin had to bend low to take the last several steps. The fifty-second was the last.

Here was a plain wooden door no more than four feet tall. From beyond it came a sound-a wild, incessant clattering, as of many people typing without pause. Unwin felt for a doork.n.o.b but could not find one. When he pushed, the door swung open on silent hinges. He ducked through and had to remain crouched on the other side because the ceiling was so low.

The room was barely larger than the desk in his own office, though finished all in dark wood that gleamed in the light from a chandelier. Where Unwin had expected a legion of underclerks, he saw one tiny woman, her silvery hair pinned in a mound atop her head, seated at a desk at the center of the room. He stooped over her, an uncouth giant in a too-small cave, but she did nothing to acknowledge his presence. Her typing was the quickest Unwin had ever seen-quicker than Emily's, quicker, even, than the man with the blond beard's. The sound of one key-clap was indiscernible from the next, and the carrier bell never ceased to reverberate, chiming the end of each line in rapid succession.

"Miss Burgrave?" Unwin said.

The woman stopped typing and peered at him, the wrinkles at the edges of her mouth and eyes fixed in severe concentration. She wore red lipstick, and her cheeks, soft and sagging, were the pink of pink roses. "Oh, it's you," she said, then went back to her work.

Her little hands were a hundred-fingered blur. The paper went into her typewriter from a single great roll that had been mounted to the front of her desk, then onto a second roll mounted just above the first. This system freed her of the need to pause and insert fresh sheets.

Unwin bent over to read what she was typing, but Miss Burgrave stopped again and stared at him, causing him to withdraw so quickly that he b.u.mped his head against the ceiling.

"This will not do," Miss Burgrave said. "You know what it means to be on a schedule, of course, so I will not rebuke you unnecessarily, as that would be tantamount to redundancy, which I already risk by speaking to you at all, and risk again by observing the risk, and so again by observing the observation. In this we could proceed endlessly. Will you not relent? Are you really so stubborn? I ask these questions rhetorically, and thus degrade further the value of my speech."

"I'm not sure I follow you, Miss Burgrave, but if perhaps you'd allow me into the archives-"

"If perhaps," she repeated, her wrinkles deepening. "Mr. Unwin, we shall brook no degree of mysteriousness on this floor. So that weak-kneed naif allowed you entrance through the trapdoor, and you believe that ent.i.tles you to further transgression-and with my a.s.sistance, at that." she repeated, her wrinkles deepening. "Mr. Unwin, we shall brook no degree of mysteriousness on this floor. So that weak-kneed naif allowed you entrance through the trapdoor, and you believe that ent.i.tles you to further transgression-and with my a.s.sistance, at that."

Unwin kept quiet now. In spite of himself, he glanced again at the typescript mounted to the desk.

"Facts," Miss Burgrave explained. "Dead facts, all questions beaten out of them, all lines of inquiry followed to their termini. Answers and answers to answers, the end of the road, of the world, maybe. Yes, that is how I feel sometimes, as though the world has already ended, the shades drawn over every window, the stars burned down to little black beads, the moon waned beyond waning, all life a dollop of ash, and still I remain at work, trying to explain what happened."

"Explain to whom?"

"Ah, now we come to something." Miss Burgrave rose from her chair, and Unwin saw that she stood no taller than a child. She waved Unwin out of her way and opened a panel hidden in the wall. From there she drew a book about the size of The Manual of Detection The Manual of Detection but bound in red rather than green. She turned to a certain page and, without having to search, read aloud a single paragraph: but bound in red rather than green. She turned to a certain page and, without having to search, read aloud a single paragraph:

Solutions, as distilled by the clerks so Entrusted, from the Reports of detectives so a.s.signed, and borne by messengers to the aforementioned Dominions, are there to be studied and Linked each to the other according to common significance, and so prepared for Review by the Overseer. It is solely to the Chief Clerk of Solutions to whom this Task falls, so let him work alone, unhindered by his subordinates in their Courses and his Seniors in their many Doings.

"Where are your underclerks, then?" Unwin asked.

Miss Burgrave sighed. She seemed to have abandoned something: a conviction, maybe, or a hope. She replaced the book and closed the panel, then gestured for Unwin to follow her through a door behind her desk. In the pa.s.sage beyond, Unwin was able to stand straight again. He heard the quiet commotion of clerkly work: the whisperings, the pen scratchings, the hurried footfalls. But those who made these sounds were nowhere visible in the long hall, nor in the many branches extending from it. Out of the walls protruded two rows of file drawers, one near the floor and the other at waist height, situated so that all their contents were visible. Now and then these drawers would disappear into the walls, only to return a moment later.

As they walked, Miss Burgrave explained, "We are now between the walls of the Archive of Solutions. My underclerks are without, accessing what files they require, according to the instructions I give them by various means, including notes, bellpulls, and color-coded signals. They do not know me, nor would I recognize them, except by the way each clears his throat."

She took a stepstool from a shadow, climbed it, and switched on a light that extended over one of the drawers. She squinted and adjusted the gla.s.ses on her nose. "This is what you are here for, no doubt."

Unwin perused the t.i.tles quickly. There they were, in chronological order-all the work he had done in his twenty years, seven months, and some-odd days at the Agency, every word of every case file, the great works and the lesser-known, the grand capers and the minor mysteries. They barely filled the single drawer.

Miss Burgrave watched attentively as Unwin drew out the file for The Oldest Murdered Man. A long card was fixed to the back of the file, covered with typed references to files elsewhere in the archives. Here was the original mystery, upstairs with Miss Benjamin, here the case files of other detectives overlapping with this one. And below them references to another archive, a third.

He said to Miss Burgrave, "These refer to files kept by Miss Palsgrave. What are they?"

Miss Burgrave winced. "For a Chief Clerk of Mysteries," she said, "that Miss Benjamin has a great deal to say. How I long for the days of Miss Margrave, who preceded her in the position. Now, there was a woman who knew how to keep a thing to herself. She died just a few days after she retired. Nothing unusual in that. Some people have little in them except the work. But it's something of a syndrome here at the Agency. Clerks and underclerks are immune, mind you. But anyone who knows anything about anything is granted a very short retirement. I will have my own before long, I suppose. And if laws of proportion apply, then my retirement shall be very short indeed. And your own watcher-which is to say your detective's watcher-is due to retire soon. A nice man, Ed Lamech. I'll miss him."

Unwin understood then that Miss Burgrave knew nothing about his recent promotion. And why would she? His promotion was a mystery even to him, and Miss Burgrave knew only the solutions. So she had not heard of Lamech's murder either.

"You hesitate to speak," Miss Burgrave said, "and I warned you once about our tolerance for mysteriousness on this floor."

He chose his words carefully. "It was the discovery of Lamech's death, among other mysteries, Miss Burgrave, that brought me here."

She covered her mouth with one small hand, steadying herself against the file drawer with the other. After a moment she said, "Now, Ed Lamech, he and I used to play cards together. That was before all this, of course. Miss Margrave and I shared a desk, and the archive was just two cardboard boxes at the back of the room: one for mysteries, one for solutions. Edwin Moore kept the files in order. There was a big table at the center of the room where the detectives would lay out mug shots and maps of the city. They smoked and talked big and planned stings; Ed was the loudest of the bunch, but he always had something nice to say. He knew how to make a person feel a little taller. Some nights we'd clear off the table and play a few hands, all of us together. Yes, I always thought Ed Lamech and I might sit down and play cards again, when we found the time."

She switched off the light and said, "Help me down the stepladder, Mr. Unwin," and he did, but when she reached the floor, she did not let go of his hand. "This way."

Unwin's eyes did not have time to adjust as Miss Burgrave pulled him more and more quickly through the darkness between the walls. When a drawer opened or closed, a band of light from the archive swept momentarily across the floor, but that was all, and Unwin knew he would not find his way back on his own. They came to a corridor that was almost entirely dark, from the walls of which no file drawers extended.

"You go that way," Miss Burgrave said, "and you tell Miss Palsgrave that I sent you, though I doubt she cares anymore about what I have to say."

She took her hand back and added, "She works here, but she's never been like the rest of us; not really. Her curriculum vitae is a curious one, to say the least. Be wary of her. Be polite."

Unwin said, "I will, Miss Burgrave. But please, tell me one thing. If you know your underclerks only by their coughs, how did you know me?"

"Oh, Mr. Unwin, don't you know you're one of my own children? Your work has given me some pleasure through the years. When you leave a thing, you leave it where no doubt can touch it. I will not wish you luck. Of your success or failure I will hear in due course."

Unwin heard her footsteps receding, glimpsed the silver of her hair as it pa.s.sed an open file drawer. And then Miss Burgrave was gone.

He went alone into the dark. The pa.s.sage sloped downward and curved to the left, tracing a spiral through the earth. Sometimes he kept his eyes open and sometimes he shut them; it made little difference. Miss Burgrave had been right about him: he left matters where no doubt could touch them. But that had been his flaw, to bind mystery so tightly, to obscure his detective's missteps with perfect files. Somehow Unwin had made false things true.

At last his hands found something solid. He felt around the wall, found there the cool roundness of a doork.n.o.b and beneath it the gap of a keyhole. He knelt and peered through.

At the center of a vast, dark room were two velvet chairs set on a round blue rug. A blue-shaded floor lamp was set between them, and in its light a phonograph was playing. The music was all drowsy strings and horns, and then a woman began to sing. He knew the melody.

It may be a crime, But I'm sure that you're mine In my dream of your dream of me.

The doork.n.o.b turned in his hand, and Unwin entered the third archive of the Agency offices.

THIRTEEN.

On Cryptography The coded message is a lifeless thing, mummified and entombed. To the would-be cryptologist we must offer the same advice we would give the grave robber, the spelunker, and the sorcerer of legend: beware what you dig up; it is yours.

A distance of perhaps fifty paces separated him from the chairs, one pink, the other pale green. Unwin felt drawn to the warmth of the electric light, to the languid music playing there, to the voice that could only have been Miss Greenwood's. It looked to him as though a cozy parlor had been set down in the middle of a cavern. He went toward it, feeling alone and insubstantial. He could not see his arms or his legs, could not see his own shoes. All he could see were the chairs, the lamp, and the phonograph. All he could hear was the music. distance of perhaps fifty paces separated him from the chairs, one pink, the other pale green. Unwin felt drawn to the warmth of the electric light, to the languid music playing there, to the voice that could only have been Miss Greenwood's. It looked to him as though a cozy parlor had been set down in the middle of a cavern. He went toward it, feeling alone and insubstantial. He could not see his arms or his legs, could not see his own shoes. All he could see were the chairs, the lamp, and the phonograph. All he could hear was the music.

The floor was flat and smooth. A floor like that should have set his shoes squeaking, but they were m.u.f.fled-by the darkness itself, Unwin thought. He kept his mouth shut tight. He did not want to let any of the darkness in.

He stopped at the edge of the blue rug and stood very still. Here was a boundary between worlds. In the one were chairs, and music, and light. In the other there were none of these things, nor even the words for chair, or music, or light.

He did not cross over, only observed from the safety of his wordless dark. Phonograph records were stacked in a cabinet near the green chair, and on top of the cabinet stood a row of books. One of the books looked exactly like the red volume that Miss Burgrave had taken from the secret panel in her office. But everything in the parlor was subjugated to that pink chair. It was nearly three times as large as the green one. Anyone sitting in it would seem a child in proportion. It was the most sinister piece of furniture Unwin had ever seen. He could not imagine sitting in it. He could not imagine sitting in the one that faced it.

He took a step back. The chair would spring upon him if he gave it the chance, devour him whole. If only he could call it by name, he thought, then it might be tamed. Or if he had not given his umbrella to Edwin Moore, he could open it and s.h.i.+eld himself from the sight.

From the farthest recesses of the room came a flash of light, bright and brief as the death of a little sun, and for the moment in which it burned, Unwin saw the walls in that region of the archive-saw that they were lined, not with filing cabinets but with shelves of phonograph records. The source of the light was a gigantic machine, a labyrinth of valves and pipes and pistons. It hissed and coughed steam into the air, resembling nothing so much as an oversize waffle iron. The light burst from the s.p.a.ce between two great plates, pressed together by the machine's operator. She had wide shoulders and thick forearms, and it might have been a trick of light or perspective, but she appeared impossibly large, a t.i.tanic blacksmith at her infernal forge.

Unwin knew that this was the chief clerk Miss Palsgrave. The pink chair could only have been hers.

By the time the vision faded, the song on the phonograph had come to an end. The needle reached the lead-out and rose by itself, and the record stopped turning.

The darkness was no longer oppressive to him, nor was Miss Palsgrave's colossal chair. Worse was the thought that Miss Palsgrave herself would come closer, to put on a new record.

He retreated farther into the darkness, and the air grew warmer as he walked. There was a stale, burning odor in the air, like electrical discharge or the breath of the oversleeping. From all around came coughing sounds, rasps, weird mumblings. Unwin was not alone. But did those who made the sounds know that he was among them?

Something snagged his foot, nearly tripping him. He knelt and searched with his hand, found a rubberized cord stretched over the floor. This he followed several feet to the leg of a table. The table was knee-high, and there was a lamp on top of it. He found the switch and flipped it.

The shaded bulb cast its dim yellow light over a low, narrow bed. Its occupant was an underclerk-he wore an unfas.h.i.+onable gray suit and lay with his bowler perched on his chest. The bed was made up with drab, olive-colored blankets, but the underclerk slept on top of them rather than beneath. His little mustache trembled with each softly whistled exhalation, and his feet were bare. On the floor beside the bed were a pair of furry brown slippers, like two rabbits.

A little machine whirred softly on the table beside the lamp. It was a phonograph, though of a simpler, more utilitarian design than the one at the center of the archive. A ghost-white record, like the one Unwin had found in Lamech's office, revolved under the needle. The phonograph produced no sound that he could hear; it had no amplifying bell. Instead it was equipped with a pair of bulbous headphones, which the underclerk wore as he slept.

Other beds nearby were arranged, like the desks of the fourteenth floor, in three long rows. In each of them an underclerk lay sleeping. Some made use of their blankets, some did not. Some slept in their suits, some in pajamas, and some had black sleeping masks strapped over their eyes. All wore identical headphones plugged in to quietly humming phonographs.

Unwin leaned close to the underclerk's head, gently lifted the earpiece, and listened. All he heard was static, but the static was richly patterned, rising and falling in waves, cresting, breaking, receding. In time other sounds became apparent. He heard a muted honking, like traffic at a distance of several city blocks or birds circling over the sea. He heard animals calling from the depths of that sea and smaller animals scuttling over the sand at its bottom. He heard someone turning the pages of a book.

The underclerk opened his eyes and looked at him. "They've sent extra help, have they? Not a moment too soon."

Unwin let go of the earpiece and stood straight.

The underclerk's eyes closed, and for a moment it seemed he might fall asleep again, but then he shook his head and removed the headphones. "It's unprecedented," he said. "What is it, almost two in the afternoon? And they're still sending fresh recordings."

He sat up and rubbed his face with both hands. "It's as though no one is waking up. But the subjects lack culpability modulations of any kind, and the delineations are too vivid to be self-generated. And then there's the smaller bunch, all sharing the same image array-a whole subset with nearly identical eidetic representations, and it's a juvenile construct to boot." He raised the arm of the phonograph and switched off the machine.

"What is it?" Unwin asked.

"What is what?"

"The repeated . . . eidetic representation," Unwin managed.

"Oh. It's a carnival." The underclerk smirked and rolled his eyes.

There was another flash of light from Miss Palsgrave's machine, and both men turned to look at it.

"At first I thought it was a transduction error," the underclerk said, whispering now. "But try telling that to her." her." He removed the phonograph record and slid it into its slipcase, slid his feet into the slippers beside the bed. Then he stood, tightened the blankets over the edges of the mattress, and fluffed the pillow. "Well," he said, "it's all yours. Feel free to recycle my report if you get one from the circus crowd. You'll grow tired of hearing it: 'Something to do, someplace to go.' What kind of liminal directive is that?" He removed the phonograph record and slid it into its slipcase, slid his feet into the slippers beside the bed. Then he stood, tightened the blankets over the edges of the mattress, and fluffed the pillow. "Well," he said, "it's all yours. Feel free to recycle my report if you get one from the circus crowd. You'll grow tired of hearing it: 'Something to do, someplace to go.' What kind of liminal directive is that?"

The underclerk clapped Unwin on the shoulder, then shuffled away into the dark. A minute later Unwin heard a door open and close, and he was alone again with the sleeping underclerks.

Unwin sat on the edge of the bed. He should have been exhausted, but his brain was moving as quickly as his feet had been. The underclerk had repeated the phrases the taxi driver and his pa.s.sengers had used to identify one another. They were swimming in the same strange dream-but for what purpose had Hoffmann devised it? Hopefully, Moore had made progress with his investigation.

Unwin looked back toward the center of the archive and saw Miss Palsgrave seated in her pink chair. She wore a lavender dress, and her hair was all soft brown curls. From this distance her eyes appeared as dark hollows. She seemed to be watching him.

Unwin stood and began to speak over the distance. "Miss Palsgrave, I-" but she immediately put a finger to her lips.

The nearest underclerks turned in their beds, and some mumbled in their sleep. One adjusted his headphones and said, "Trying to work here."

Miss Palsgrave began to turn the crank on her phonograph. When she finished, she set the needle down and Cleo Greenwood's voice, accompanied by an accordion, filled the archive again. Those underclerks who had been disturbed were perfectly quiet now, and Unwin, too, felt the effects of the music.

He set down his briefcase, switched off the light, and settled back onto the bed. It was comfortable despite its small size. He kicked off his shoes without bothering to untie them and swung his legs up onto the mattress. The pillow was very soft, and the blanket, once he had slipped beneath it, was the finest, most luxurious blanket in the world. It might have been made of silk, he thought.

He took off his hat and dropped it beside his shoes. He would never need any of those things again. He would stay down here where no one knew him and sleep through the rest of his days, and when he died, they could tuck him away into a long file drawer, write his name on the label, and close it up forever. His mind lingered for a time in the hinterlands of sleep, words drifting over the border as though on a warm wind, unfastened from their meanings. He had almost let the wind take him when a few of the words appeared in boldface and he woke himself by speaking aloud.

"Papers and pigeons," he said, and knew he had forgotten something important.

Fighting the effects of Miss Greenwood's mesmeric voice, he reached over the side of the bed and undid the clasp on his briefcase, found the record from Lamech's office, and drew it from its sleeve. He fitted it onto the turntable of the electric phonograph by the bed, fumbled with the machine's controls, and set it playing. Then he found the headphones and put them on.