The Harry Bosch Novels Vol Ii Part 3

"If you're looking for city council minutes, that's building A, across the lot. The one with brown trim."

Bosch held up his ID card.

"No, I want to pull a case."

He reached into his coat pocket while she walked up to the counter and bent forward to read his card. She was a small black woman with graying hair and gla.s.ses. The name tag affixed to her blouse said her name was Geneva Beaupre.

"Hollywood," she said. "Why didn't you just ask for it to be sent out in dispatch? There ain't no hurry on these cases."

"I was downtown, over at Parker ... I wanted to see it as soon as I could, anyway."

"Well, you got a number?"

From his pocket he pulled a piece of notebook paper with the number 61-743 written on it. She bent to study it and then her head jerked up.

"Nineteen sixty-one? You want a case from- I don't know where nineteen sixty-one is."

"It's here. I've looked at the file before. I guess there was someone else clerking here back then, but it was here."

"Well, I'll look. You're going to wait?"

"Yeah, I'll wait."

This seemed to disappoint her but Bosch smiled at her in the most friendly way he could muster. She took the paper with her and disappeared into the stacks. Bosch walked around the small waiting area by the counter for a few minutes and then stepped outside to smoke a cigarette. He was nervous for a reason he could not exactly place. He kept moving, pacing.

"Harry Bosch!"

He turned and saw a man approaching him from the helicopter hangar. He recognized him but couldn't immediately place him. Then it hit him: Captain Dan Was.h.i.+ngton, a former Hollywood patrol skipper who was now commander of the aerosquadron. They shook hands cordially and Bosch immediately hoped Was.h.i.+ngton did not know of his ISL situation.

"Howzit going in the 'wood?"

"Same old same old, Captain."

"You know, I miss that place."

"You're not missing much. How is it with you?"

"Can't complain. I like the detail but it's more like being an airport manager than a cop, I guess. It's as good a place to lay low as any other."

Bosch recalled that Was.h.i.+ngton had gotten into a political sc.r.a.p with the department weight and taken the transfer as a means of survival. The department had dozens of out-of-the-way jobs like Was.h.i.+ngton's, where you could lay up and wait for your political fortunes to change.

"What're you doing over here?"

There it was. If Was.h.i.+ngton knew Bosch was on leave, then admitting he was pulling an old case file would be admitting he was violating the leave order. Still, as his position in the aerosquad attested, Was.h.i.+ngton was not a straight-line company man. Bosch decided to run the risk.

"I'm just pulling an old case. I got some free time and thought I'd check a few things."

Was.h.i.+ngton narrowed his eyes and Bosch knew that he knew.

"Yeah ... well, listen, I gotta run, but hang in there, man. Don't let the book men get you down."

He winked at Bosch and moved on.

"I won't, Captain. You either."

Bosch felt reasonably sure Was.h.i.+ngton wouldn't mention their meeting to anybody. He stepped on his cigarette and went back inside to the counter, privately chastising himself anyway for having gone outside and advertised that he was there. Five minutes later he started hearing a squeaking sound coming from one of the aisles between the stacks. In a moment Geneva Beaupre appeared pus.h.i.+ng a cart with a blue three-ring binder on it.

It was a murder book. It was at least two inches thick, dusty, and with a rubber band around it. The band held an old green checkout card to the binder.

"Found it."

There was a note of triumph in her voice. It would be the major accomplishment of her day, Bosch guessed.

"Great."

She dropped the heavy binder on the counter.

"Marjorie Lowe. Homicide, 1961. Now ..." She took the card off the binder and looked at it. "Yes, you were the last to take this out. Let's see, that was five years ago. You were with Robbery-Homicide then ..."

"Yes. And now I'm in Hollywood. You want me to sign for it again?"

She put the card down in front of him.

"Yes. Put your ID number there, too, please."

He quickly did as he was told and he could tell she was studying him as he wrote.

"A lefty."

"Yeah."

He slid the card back across the counter to her.

"Thanks, Geneva."

He looked at her, wanting to say something else, but decided it might be a mistake. She looked back at him and a grandmotherly smile formed on her face.

"I don't know what you're doing, Detective Bosch, but I wish you good luck. I can tell it's important, you coming back to this after five years."

"It's been longer than that, Geneva. A lot longer."

Chapter 5

Bosch cleared all the old mail and carpentry books off the dining room table and placed the binder and his own notebook on top of it. He went to the stereo and loaded a compact disc, "Clifford Brown with Strings." He went to the kitchen and got an ashtray, then he sat down in front of the blue murder book and looked at it for a long time without moving. The last time he'd had the file, he had barely looked at it as he skimmed through its many pages. He hadn't been ready then and had returned it to the archives.

This time, he wanted to be sure he was ready before he opened it, so he sat there a long time just studying the cracked plastic cover as if it held some clue to his preparedness. A memory crowded into his mind. A boy of eleven in a swimming pool clinging to the steel ladder at the side, out of breath and crying, the tears disguised by the water that dripped out of his wet hair. The boy felt scared. Alone. He felt as if the pool were an ocean that he must cross.

Brownie was working through "Willow Weep for Me," his trumpet as gentle as a portrait painter's brush. Bosch reached for the rubber band he had put around the binder five years earlier and it broke at his touch. He hesitated only another moment before opening the binder and blowing off the dust.

The binder contained the case file on the October 28, 1961, homicide of Marjorie Phillips Lowe. His mother.

The pages of the binder were brownish yellow and stiff with age. As he looked at them and read them, Bosch was initially surprised at how little things had changed in nearly thirty-five years. Many of the investigative forms in the binder were still currently in use. The Preliminary Report and the Investigating Officer's Chronological Record were the same as those presently used, save for word changes made to accommodate court rulings and political correctness. Description Boxes marked NEGRO NEGRO had sometime along the line been changed to had sometime along the line been changed to BLACK BLACK and then and then AFRICAN-AMERICAN AFRICAN-AMERICAN. The list of motivations on the Preliminary Case Screening chart did not include DOMESTIC VIOLENCE DOMESTIC VIOLENCE or or HATRED/ PREJUDICE HATRED/ PREJUDICE cla.s.sifications as they did now. Interview summary sheets did not include boxes to be checked after Miranda warnings had been given. cla.s.sifications as they did now. Interview summary sheets did not include boxes to be checked after Miranda warnings had been given.

But aside from those kinds of changes, the reports were the same and Bosch decided that homicide investigation was largely the same now as back then. Of course, there had been incredible technological advances in the past thirty-five years but he believed there were some things that were always the same and always would remain the same. The legwork, the art of interviewing and listening, knowing when to trust an instinct or a hunch. Those were things that didn't change, that couldn't.

The case had been a.s.signed to two investigators on the Hollywood homicide table. Claude Eno and Jake McKittrick. The reports they filed were in chronological order in the binder. On their preliminary reports the victim was referred to by name, indicating she had immediately been identified. A narrative on these pages said the victim was found in an alley behind the north side of Hollywood Boulevard between Vista and Gower. Her skirt and undergarments had been ripped open by her attacker. It was presumed that she had been s.e.xually a.s.saulted and strangled. Her body had been dropped into an open trash bin located next to the rear door of a Hollywood souvenir store called Startime Gifts & Gags. The body was discovered at 7:35 A.M. A.M. by a foot patrol officer who walked a beat on the Boulevard and usually checked the back alleys at the beginning of each s.h.i.+ft. The victim's purse was not found with her but she was quickly identified because she was known to the beat officer. On the continuation sheet it was made clear why she was known to him. by a foot patrol officer who walked a beat on the Boulevard and usually checked the back alleys at the beginning of each s.h.i.+ft. The victim's purse was not found with her but she was quickly identified because she was known to the beat officer. On the continuation sheet it was made clear why she was known to him.

Victim had a previous history of loitering arrests in the Hollywood. (See AR 55-002, 55-913, 56-111, 59-056, 60-815 and 60-1121) Vice Detective Gilchrist and Stano described victim as a prost.i.tute who periodically worked in the Hollywood area and had been repeatedly warned off. Victim lived at El Rio Efficiency Apts. located two blocks northerly of crime scene. It was believed that the victim had been currently involved in call girl prost.i.tution activities. R/ O 1906 was able to make identification of the victim because of familiarity of having seen victim in the area in previous years.

Bosch looked at the reporting officer's serial number. He knew that 1906 belonged to a patrolman then who was now one of the most powerful men in the department. a.s.sistant Chief Irvin S. Irving. Once Irving had confided to Bosch that he had known Marjorie Lowe and had been the one who found her.

Bosch lit a cigarette and read on. The reports were sloppily written, perfunctory, and filled with careless misspellings. In reading them, it was clear to Bosch that Eno and McKittrick did not invest much time in the case. A prost.i.tute was dead. It was a risk that came with her job. They had other fish to fry.

He noticed on the Death Investigation Report a box for listing the next of kin. It said:

Hieronymus Bosch (Harry), son, age 11, McClaren Youth Hall. Notification made 10/ 28-1500 hrs. Custody of Department of Public Social Services since 7/ 60- UM. (See victim's arrest reports 60-815 and 60-1121) Father unknown. Son remains in custody pending foster placement.

Looking at the report, Bosch could easily decipher all of the abbreviations and translate what was written. UM stood for unfit mother. The irony was not lost on him even after so many years. The boy had been taken from a presumably unfit mother and placed in an equally unfit system of child protection. What he remembered most was the noise of the place. Always loud. Like a prison.

Bosch remembered McKittrick had been the one who came to tell him. It was during the swimming period. The indoor pool was frothing with waves as a hundred boys swam and splashed and yelled. After being pulled from the water, Harry wore a white towel that had been washed and bleached so many times that it felt like cardboard over his shoulders. McKittrick told him the news and he returned to the pool, his screams silenced beneath the waves.

Quickly leafing through the supplemental reports on the victim's prior arrests, Bosch came to the autopsy report. He skipped most of it, not needing the details, and settled on the summary page, where there were a couple of surprises. The time of death was placed at seven to nine hours before discovery. Near midnight. The surprise was in the official cause of death. It was listed as blunt-force trauma to the head. The report described a deep contusion over the right ear with swelling but no laceration that caused fatal bleeding in the brain. The report said the killer might have believed he strangled the victim after knocking her unconscious but it was the coroner's conclusion that she was already dead when the killer wrapped Marjorie Lowe's own belt around her neck and tied it off. The report stated further that while s.e.m.e.n was recovered from the v.a.g.i.n.a there were no other injuries commonly a.s.sociated with rape.

Rereading the summary with an investigator's eyes, Bosch could see the autopsy conclusions only muddied the waters for the original two detectives. The initial a.s.sumption based on the appearance of the body was that Marjorie Lowe was the victim of a s.e.x crime. That raised the specter of a random encounter- as random as the couplings of her profession- leading to her death. But the fact that strangulation occurred after death and that there was no convincing physical evidence of rape raised another possibility as well. They were factors from which it could also be speculated that the victim had been murdered by someone who then attempted to disguise his involvement and motivation in the randomness of a s.e.x crime. Bosch could think of only one reason for such misdirection, if that had been the case. The killer knew the victim. As he moved on, he wondered if McKittrick and Eno had made any of the same conclusions he had made.

There was an eight-by-ten envelope next in the file which was marked as containing crime scene and autopsy photos. Bosch thought about it a long moment and then put the envelope aside. As with the last time he had pulled the murder book out of the archives, he couldn't look.

Next was another envelope with an evidence inventory list stapled to it. It was almost blank.

EVIDENCE RECOVERED CASE 61-743 Latent fingerprints taken from leather belt with silver sea sh.e.l.ls.

SID report no. 1114 11/ 06/ 61

Murder weapon recovered- black leather belt with sea sh.e.l.ls attached. Property of victim.

Victims clothing, property. Filed w/ evidence custodian- Locker 73B LAPDHQ

1 blouse, white- blood stain 1 black skirt- torn at seam 1 pair black high heel shoes 1 pair black sheer stockings, torn 1 pair undergarments, torn 1 pair gold colored earrings 1 gold colored hoop bracelet 1 gold chain necklace w/ cross

That was it. Bosch studied the list for a long time before jotting the particulars down in his notebook. Something about it bothered him but he couldn't draw it out. Not yet. He was taking in too much information and he would have to let it settle some before the anomalies floated to the surface.

He dropped it for the moment and opened the evidence envelope, breaking the seal of a red tape that had cracked with age. Inside was a yellowed print card on which two complete fingerprints, from a thumb and an index finger, and several partials had been taped after being lifted with black powder from the belt. Also in the envelope was a pink check card for the victim's clothes, which had been placed in an evidence locker. The clothes had never been retrieved because a case had never been made. Bosch put both items aside, wondering what would have happened to the clothing. In the mid-sixties Parker Center had been built and the department moved out of the old headquarters. It was long gone now, falling to the wrecking ball. What happened to the evidence from unsolved cases?

Next in the file was a group of summary reports on interviews conducted during the first days of the investigation. Most of these were of people with peripheral knowledge of the victim or the crime. People like other residents in the El Rio Apartments and other women in the same profession as the victim. There was one short summary that caught Bosch's eye. It was from an interview conducted three days after the murder with a woman named Meredith Roman. She was described in the report as an a.s.sociate and sometime roommate of the victim. At the time of the report she also lived in the El Rio, one floor up from the victim. The report had been typed up by Eno, who seemed to be the clear-cut winner in illiteracy when comparing the reports of the two investigators a.s.signed to the case.

Meredith Roman (10-9-30) was interviewed at length this date at her apartment in the El Rio Efficiencies where she lived one floor above the victim's apartment. Miss Roman was able to provide this detective with very little useful information in relation to the activities of Marjorie Lowe during the period of the last week of live.

Miss Roman acknowledged that she has engaged in prost.i.tutional acts while in the company of the victim on numrus occa.s.sion in the previous eight years but she has no booking record to date. (later confirmed) She told the undersigned detective that such engagements were skeduled by a man named Johnny Fox, (2-2-33) who resides at 1110 Ivar in Hollywood. Fox, age 28, has no records of arrests but vice intelligence confirms he has been a suspect previously in cases of pandering, malicious a.s.sault and sales of heroin.

Miss Roman states that the last time she saw the victim was at a party on second floor of the Roosevelt Hotl on 10/ 21. Miss Roman did not attend party with victim but saw her there momentarily for a short conversation.

Miss Roman states that she now has plans to retire from the business of prost.i.tution and leave Los Angeles. She stated that she will provide detectives with a forwarding adress and telephone number so that she can be contacted if necessary. Her demenor was corperative with the undersigned.

Bosch immediately looked through the summaries again for the report on Johnny Fox. There was none there. He flipped to the front of the binder to the Chronological Record and looked for an entry that would indicate whether they had even talked to Fox. The CR was just a log of one-line entries with references to other reports. On the second page he found a single notation.

11-3 800-2000 Watched Fox apt. No show.

There was no other mention of Fox in the record. But as Bosch read through the CR to the end, another entry caught his eye.

11-5 940 A. Conklin called to skedule meeting.

Bosch knew the name. Arno Conklin had been a Los Angeles district attorney in the 1960s. As Bosch remembered it, 1961 was too early for Conklin to have been DA, but he would still have been one of the office's top prosecutors. His interest in a prost.i.tute's murder seemed curious to Bosch. But there was nothing in the binder that held an answer. There was no summary report of a meeting with Conklin. Nothing.

He noted that the misspelling of the word schedule schedule in the CR entry had been made earlier in the summary of the Roman interview typed by Eno. Bosch concluded from this that Conklin had called Eno to set the meeting. However, the significance of this, if any, he didn't know. He wrote Conklin's name down at the top of a page in his notebook. in the CR entry had been made earlier in the summary of the Roman interview typed by Eno. Bosch concluded from this that Conklin had called Eno to set the meeting. However, the significance of this, if any, he didn't know. He wrote Conklin's name down at the top of a page in his notebook.

Getting back to Fox, Bosch could not understand why he was not located and interviewed by Eno and McKittrick. It seemed that he was a natural suspect- the victim's pimp. Or, if Fox had been interviewed, Bosch could not understand why there was no report in the murder book on such a key part of the investigation.

Bosch sat back and lit a cigarette. Already, he was tense with the suspicion that things were amiss with the case. He felt the stirring of what he knew was outrage. The more he read the more he believed the case had been mishandled from the start.