If I Loved You, I Would Tell You This Part 8

The move to the cottage, four years earlier, had come with old age-Cliff's, not Jean's. The fifteen years between them had opened up as if blossoming, fifteen full-petal roses, expanding beyond what she had ever imagined possible, so that she and he were no longer in anything like the same stage of life. "Your father turned eighty and became an old man," she told her children, "while I turned sixty-five and became a full-time caregiver."

It was Cliff who had wanted to move to the country. He announced this-as was his habit, to announce, p.r.o.nounce, proclaim-on a particularly nasty January day, in Rochester. "I want to die somewhere beautiful," he told her by way of explanation, which was startling, if only because he had always seemed to be oblivious to his surroundings, at times enviably oblivious, given the places they had lived.

He didn't push her. Cliff Kurek was capable of pus.h.i.+ng, but their history was such that he had every reason to count on her acquiescence before it came to that. And this time there was no doubt. Jean had lived in small cities all her life, third-tier cities like Wilmington, Delaware, and Richmond, Virginia, Bridgeport, Connecticut, which was not third-tier at all but aspired to be. She had spent more than four decades accompanying-she dismissed the word following following, when it popped into her thoughts-this restless but oddly unambitious man while he jumped from job to job, lateral jumps, long rather than high, because it turned out that an itch could be as powerful a motivator as a lofty aspiration.

"Running toward or running away?" her own mother had asked when they were still young.

"Toward," Jean had answered without pause. And then, with an uncharacteristic snap, "Don't be ridiculous." But she couldn't imagine what she'd have said if instead of just looking skeptical, her mother had asked, "Toward what?"

It had never occurred to Jean that there would be a final move, not one acknowledged as such before the fact. For all the time Cliff spent planning, there never appeared to be an actual plan. The endgame had always seemed likely to be one of musical chairs. When the music stops, you are where you are, wherever you happen to be.

The notion of a country cottage settled in her thoughts as a watercolor, red bricks, climbing roses, the house the most intelligent of the three little pigs built, but with some age on it now; and the place they found in western Ma.s.sachusetts wasn't far off, solid enough to withstand huffs and puffs, small enough to feel manageable, large enough to hold visiting grandchildren, old enough to inspire optimism about what might, improbably, endure. They made an offer on the spot. Practiced at folding their tents, they moved with little trouble in just over a month, and country life soon began to seep into Jean's bones. She started going for long walks. She stopped wearing what little makeup she had worn. She took up gardening, literally put down roots. Her life became both more practical and more poetic. "Our cottage is nestled in the crook of three hills," she wrote on the change-of-address cards she sent, aware as she did of using words she had never used before. Though really, any description of this home seemed paltry. What was required was an explanation, the cottage having slipped in Jean's understanding from being a beautiful place to being something more like a mystical event; just as all the old cities blurred together into one cold, rainy day spent waiting for a bus running late.

She found the scarf in the closet of the large guest room where their daughter, Brooke, was to stay that night. Bright turquoise, covered in an extravagant pattern of pink feathers, it was one of those objects that no one in the family had ever claimed but that seemed unshakable, following them from place to place, never mind that Jean was certain she had given it to Goodwill at least three times. Five feet long, maybe a foot wide, it was the perfect shape. Though the puzzle, the paradox, was how to construct a sling with only one hand. There had been quite a bit of improvement since the stroke-Any more signs of life? her doctor would cheerfully ask-but she wasn't up to tying knots. She laid the scarf out on the bed, doubled it over, then stared at it for a bit, until she decided she could put it on the floor and use her knees to hold the fabric taut while she tied the ends together. her doctor would cheerfully ask-but she wasn't up to tying knots. She laid the scarf out on the bed, doubled it over, then stared at it for a bit, until she decided she could put it on the floor and use her knees to hold the fabric taut while she tied the ends together.

It took a few tries, and she felt ridiculous, as though she were playing Twister by herself, as though she were a bit demented, but eventually she managed to secure the ends together and wriggle her way into it, her left arm loosely cradled in a tropical neon blaze. It was a masterpiece of misdirection, she thought as she stood before the mirror and admired the effect.

Cliff laughed at the sight of her in the sling, great crags appearing on his droopy face. He hadn't always been so easily tickled, but in old age was p.r.o.ne to chuckles, as though he had finally gotten the joke.

She stood between him and the blaring television set, and turned all the way around, just once, a slow twirl made of many small steps. "Feast your eyes," she said. "The new me." She walked to the chair beside his. "I'm an awfully clumsy woman," she said, as she sat. "I'll be lucky if I don't break a hip next."

"Don't even think it," he said. "G.o.ddesses don't break their hips."

A lung infection, she had told him seven weeks earlier, to explain her overnight hospital stay. A cold gone bad. The decision to lie had barely registered as a decision, just fallen in line with the deaths of friends he would never see again anyway and various other bits of unhappy, unnecessary news. His world had been winnowed down to conform to his dwindling capacities; if it couldn't be expanded to experience joy, she surely wasn't expanding it in order to worry him. And any trace of doubt she might have felt was dispelled by his failure to notice the arm drooping by her side. In the old days, in their young days, there was nothing about her body she could have hidden from him, not the smallest b.u.mp or bruise, much less an entire limb gone useless.

"G.o.ddesses don't trip over trees," she said.

Brooke's early-morning email had read, in its entirety, I'm going to be there around four I'm going to be there around four, very much as though it were the second email, the one after the one in which the visit was proposed and she explained whether she was coming alone or with Ian and the kids. It read like a second email, but it was not. It was the first and only mention of her plan, the whole thing feeling distinctly hasty, as Brooke's actions often did. Her mother thought of her as ramshackle by nature, seeming to move through life in great loops of forward and backward progress, trailing loose ends behind her like maypole ribbons.

It was close to six when she materialized in the living room.

"I knocked and knocked," she said, reaching for the remote control by Cliff's side, pressing Mute. "My knuckles are raw from knocking. How can you stand it?" She frowned toward Jean's sling, her head tilted in a question.

"I tripped," Jean said. "That's all. I tripped on a tree root this morning and stupidly broke my fall with my wrist. It's just a sprain, if even that." Brooke nodded, a single nod, a sympathetic grimace appearing but quickly gone, leaving Jean feeling a little stung. It was a bit painful having her lie so easily accepted.

She had been going to tell her children the truth-originally-but then she had felt this disinclination to have anyone, to have them in particular, interfere. That was what she told herself, the word meddle meddle springing to mind. She didn't want them to meddle. There was this problem with the children, that they tended to waltz in and try to take over-briefly, for only as long as they chose to stay. They tended to give advice that sounded less like suggestions than demands on how Jean should manage the house, how she and Cliff should eat, what books on the aging body they should read-or, better yet, listen to on the devices they should buy. And then they went home. Initially, the lie had been to ward that off-or so Jean told herself. If there was also at work an intuition that the sympathies of others might somehow limit how sorry she could feel for herself, it was not a conscious one. springing to mind. She didn't want them to meddle. There was this problem with the children, that they tended to waltz in and try to take over-briefly, for only as long as they chose to stay. They tended to give advice that sounded less like suggestions than demands on how Jean should manage the house, how she and Cliff should eat, what books on the aging body they should read-or, better yet, listen to on the devices they should buy. And then they went home. Initially, the lie had been to ward that off-or so Jean told herself. If there was also at work an intuition that the sympathies of others might somehow limit how sorry she could feel for herself, it was not a conscious one.

"You should fence off whatever trips you up," Brooke said. "Maybe you should have lights out there." Jean gave a noncommittal nod.

She thought her daughter looked well. At forty-three, Brooke kept her hair a bra.s.sy auburn that Jean hated when she thought about it, hated on principle, but admired face-to-face. It brightened her skin, nudged her eyes from hazel to green. Her body, no longer thin, no longer seemed striving to be thin and had acquired a relaxed, logical quality, as though the wide hips and general sense of plenty were the obvious right choice. She had an appealing aura of overflow to her. She was-a word Jean hadn't thought of in years-a bit blowsy, and it suited her.

"Did you see?" Cliff asked, chuckling again. "It's that same d.a.m.ned scarf. Good thing we never threw it out."

"Though truly, I did throw it out. Several times." Jean kissed her leaning daughter's cheek.

"Well, you look very exotic. I wish the kids could see their flamboyant grandmother. You look like you got tangled up in someone else's dance costume. h.e.l.lo, Dad. How are you?" Brooke leaned into the pose of a hug, then quickly straightened. Jean recognized the tone, the question not really asked, the embrace not quite given, the legacy of a father so often preoccupied with planning his next move. Brooke turned back to her and smiled widely. "It's like Isadora Duncan's infamous scarf! Just be careful in the car."

"My secret life. You've found me out."

"It's always the quiet ones, isn't it?"

Brooke was still standing between Cliff and the TV, and though it had barely been a minute, Jean could see him growing, if not consciously impatient, physically twitchy. It was difficult for anyone else to understand how immersed he was in that world, to appreciate the degree to which caring about those flickers of color and light kept him from brooding on himself. It was one of the many features of their life that defined even the children as outsiders now. She was relieved when Brooke said it had been a h.e.l.l of a drive, that she needed a shower, maybe even a nap if there was time.

"There's plenty of time," Jean said. "We can eat whenever you're ready."

Brooke pressed the Mute b.u.t.ton again, and the TV blared on. "Is that better?" she boomed, much more loudly than necessary.

"We'll still be here," Cliff said, chortling a bit. "Until a better offer comes along."

The two of them resettled, one of Cliff's home shows on the TV. A family of five jumped up and down, squealing at the sight of their new family room. In the next half hour, a condo in South Beach went from sleek to unimaginably sleek. Cliff turned out to like design. He liked to talk about materials. He kept track of trends-stainless appliances, mission-style everything, bathroom vanities with double sinks. Granite counters. He could ballpark costs of renovations, costs of the homes themselves. He knew the names and little quirks of all the hosts, developed what Jean could only think of as relations.h.i.+ps with them.

"I'm thinking we should put in... granite counters," said the beautiful young decorator-Lani De Rosso-as though it were a novel idea. "What do you think of that?" she asked the owners.

"I think it's obvious, Lani," Cliff said. "I think it's what you always say. I think you should consider something new."

They ate at the maple kitchen table, Cliff at one end, his wife and daughter on either side. Dinner was roasted chicken pieces, cooked and delivered by Nancy Lewis, a neighbor from down the road. She had long pitched in now and then, but had become a regular and a confidante since the stroke. Jean added a last-second can of baby peas, s.n.a.t.c.hed from the back of the pantry. Brooke opened it. By themselves, they rarely ate side dishes, but that was one more expediency of old age best kept from the children.

Brooke cut Jean's chicken for her. "As long as I'm here, you might as well let me."

She gave no explanation for her sudden appearance. It wasn't Jean's way to push, and Cliff was long past knowing if her visit was sudden or if he'd just forgotten it was coming up. In a sense, everything was sudden for him.

They talked a little about Ian and the children, just details from the morning, email making it unnecessary to catch up on any real news. Hannah had been agitating to drive herself to school. Connor dreading the frog dissection on his schedule. Poor, sniffly Ian thinking he might be allergic to the cat-if one could develop allergies at forty-four. Brooke told a story about the pharmaceutical company where she worked, a ridiculous ad campaign sc.r.a.pped, a proposed slogan that would have made them a laughingstock. Cliff talked about his shows.

"The new thing is to paint every wall brown. Jeanie, did we ever, in forty-plus years, paint a wall brown?" She shook her head. "Turns out, we were supposed to." He frowned, shook his head. "You never do know."

"You weren't supposed to then," Jean said, as though then then covered their entire married life. "Brown was still ugly then." covered their entire married life. "Brown was still ugly then."

As they spoke, Brooke picked at her nail polish, an old habit, though Jean hadn't seen her do it in years. As a girl, she used to leave little piles of tiny pink and red bits around the house, like fancy-dress pencil shavings.

When Brooke volunteered to do the dishes-"As long as I'm here, you might as well let me," she said again-Jean mentioned the mice.

"I know it's odd that they're inside in June," she said, almost as though apologizing. "It's possible I haven't been as tidy since..." She caught herself. "It's possible I'm slipping in my old age. Anyway, be sure to clean any crumbs."

"I will clean all crumbs," Brooke said. She brushed the pile of red polish shards into her palm. "They'll never know we were here."

The squeal and groan of the stairs woke Jean during the night, but the low gurgle of her daughter's laugh pinned her to her bed. Five hours later, bleaching the kitchen counters once again, she would wonder why she had been so certain there was another person there. It could have been a phone call, a middle-of-the-night exchange of anecdotes with Ian, one of the children doing something amusing, or even Brooke laughing at her parents and their tiny world of Mute b.u.t.tons and home makeover reveals. But lying in the dark Jean had no doubt, no doubt that there was another person there, no doubt that this person and her daughter were lovers, no doubt at all-like glancing at the back cover of a book and inadvertently, irretrievably knowing too much.

Brooke appeared in the kitchen just before ten, wearing a light green sundress and s.h.i.+ny, strappy sandals, her hair still wet from the shower, her nails repolished smooth, and announced-when had she too become an announcer?-that she was walking the mile into town. She might see if there was a movie playing. She hadn't gone to a movie in months. They shouldn't keep lunch for her. They wouldn't, Jean said, then told her daughter that the movie always started at one o'clock. "Around here," she said, "people like that kind of thing. A regular schedule, I mean."

"I'll keep that in mind." From the living room, the television blared. "I really don't know how you stand that," Brooke said, and in the moments after she left, Jean wondered exactly what choice her daughter thought she had.

In the old days, of course, she would have told Cliff. Parenting is a conspiracy. But these were other days, so she left him to his shows.

The wooden staircase, with its steep treads and its audible objections and the slight curve toward the top, had lain in wait for some years now, a sleeping serpent stretched in their home, ready to snap. It had been something like love, something like the myopia of romance that had blinded them to the inevitable collusion between a staircase and time. It was a miracle Cliff could still manage it.

One unexpected revelation of old age was the degree to which death solved certain logistical problems-a feeble justification for its heartlessness, but a notion oddly present in one's thoughts. Short of death, the plan was to convert the living room into a bedroom. "When my knees go," Cliff had said, speaking in euphemism, the language of the unthinkable.

Upstairs, the guest bedroom door was closed, and for a moment Jean paused as though she might knock, but then she turned the small bra.s.s doork.n.o.b.

She felt ridiculous the moment she did. For the second day running, she was doing something absurd in this room. The bed was slept in, of course, though tidied. At its foot, a white nightgown draped over the milky-blue wooden chest. A red gla.s.s bottle, maybe perfume, sat on the windowsill. A battered pair of sneakers poked their toes out from under the dresser.

After only a very few moments, she closed the door, irritated with herself. What had she been planning to do in there? Sniff the sheets? She scurried downstairs, quickly, and then outside.

Late June, the garden was still more beautiful than demanding. By August, the weeds would win out. Heat and weeks of battling them would have beaten Jean. But now they were still almost courteous in their arrival, a weed here, a weed there. She could manage most of it on her feet, leaning over to yank one every couple of steps. In three weeks, she knew, she would be on her knees.

Jean had always been convinced that the price of the cottage had been for the structure itself, with the six acres of old farmland thrown in. It was Cliff's view that they were paying for the acreage, and the cottage had been more or less free. Either way, every year, Jean's cultivated garden encroached a tiny bit more on land long ago reclaimed by its own untended tendencies. Each April she hired a local boy to dig a new plot-as though the house were a tossed pebble and these long, curved beds the ripples that it caused. This spring it was roses, bare roots s.h.i.+pped up from Texas, tangled all together in a cardboard box.

She planted them at the end of April, six all the same variety, Winchester roses, white, double petals. It had seemed unimaginable that these thorn-speckled sticks might somehow-how?-explode into rosebushes. They would have to turn themselves inside out-a magician's trick.

April 27. The afternoon of her stroke. She'd been standing there with the boy, Nancy's son, Tyler Lewis from down the road, questioning him on whether the bushes seemed evenly s.p.a.ced, and he'd been saying you couldn't really call them bushes, could you, when they looked so much like kindling. She was rubbing her left hand as they spoke, not thinking it through, just sensing that it had gone asleep while she'd been patting the topsoil over the roots. She was trying to get the blood flowing, waiting for the pins and needles to begin, when gradually her thoughts turned from the bushes to that heavy, numb sensation. She wanted to lift the hand, just to look at it, but realized she could not. It hung there limp, covered in dirt, as though it were already dead and had been dug from the ground.

Tyler drove her to the hospital in his tin can car. His mother stayed with Cliff, and then with them both, for many days, seeming to enjoy Jean's deception, giving Cliff and anyone else who called detailed, fictional accounts of her recovery from her bronchial woes.

The sticks suited Jean's mood those first few weeks. Having planted roses, she was reaping thorns, the perfect bouquet for her solitary martyrdom. But then even they seemed to stop caring, caught up as they were in themselves, sprouting red nubs like potato eyes, spinning out into green stems, five-leaf cl.u.s.ters, buds in a hurry to exist, in a hurry to bloom, pink-tinged white, blus.h.i.+ng at their own exposure, insistently, ludicrously beautiful. Five of them anyway, a single one remaining bare-which looked peculiar, but turned out not to be.

They could be temperamental, she read online. It wasn't a sure thing they would wake from dormancy on command. What looked dead might actually be. After all, nature didn't make promises. On the other hand, mail-order plants were guaranteed. s.h.i.+pping season was over for the year, the Texan supplier told her, but Jean's name would go on a list. First thing next spring, they would send her a new Winchester. Though the bushes did sometimes wake up, the woman said, even after taking twice as long as the others. "They're jest jest funny things. They have their moods. funny things. They have their moods. Jest Jest like all the rest of us. Sometimes, they're like all the rest of us. Sometimes, they're jest jest playing dead." playing dead."

And sure enough, right after Brooke left for town, a full seven weeks after Jean had planted them, she saw a tiny reddish b.u.mp, the unmistakable beginning of what would become unfurling leaves and bursting blooms-as though the last of her commiserating friends were moving on.

When Brooke returned just before dinner, she was as unruffled as her bedroom had been. All but her hair, which was a mess. She disappeared upstairs for a few minutes, returning with the whole auburn ma.s.s twisted into an elegant knot, for whose benefit Jean couldn't imagine.

As they sat again around the table, neither she nor Brooke spoke very much, leaving Cliff, always happier speaking than trying to catch others' words, to recount the many transformations he had witnessed that day.

The noises didn't wake her; she was awake when she heard Brooke's door open, then Brooke on the stairs, the front door, the distant hum of a car growing louder, the front door again, the stairs, the click of Brooke's door.

Distinctly irritated, she rolled onto her side.

When the children were teenagers, she had dealt with their s.e.xual activities, those known to her at the time, by pretending ignorance. Some of it was her disinclination to have that conversation with them, and some of it was her sense that they were of reasonable ages, that if she wasn't going to object on principle, then she wasn't going to send them out of the house-or have Cliff send them, which is how it would have gone. No thinking parent was in a rush for their child to park out in the darkness somewhere. People had been known to get shot that way. Once in a while, some sound would escape from behind a closed door, a gasp or moan, a bawdy laugh, but those were somehow sanitized and neutralized as they registered in Jean's consciousness. Whatever s.e.x her children were having was no more real s.e.x to her than the stuff in their diapers had been real s.h.i.+t. Our children exist in some not quite human realm, she'd long before decided. They aren't exactly people to us.

So it wasn't parental squeamishness that made her turn the TV on now. And it wasn't a disinclination to hear evidence, further evidence, of her daughter's infidelity. Something else was producing this feeling, this pebble in her shoe, this grain of sand between her teeth. It was possibly, simply, the presence of s.e.x in her home, when for several years she had tried to forget it existed at all. An absurd, impossible task, maybe. But what choice did she have? What choice but to pretend there was no such thing?

It hadn't been until their second spring at the cottage that Jean had let herself understand, could no longer prevent herself from understanding, how thoroughly what felt to her like her first home felt to Clifford like his last. How each room, each wall, each patch of gra.s.s, tree, pebble, shaft of light was defined for them in these ways. How this sensation of not having to move not having to move twisted and s.h.i.+fted in Cliff into the sensation of twisted and s.h.i.+fted in Cliff into the sensation of not being able to move not being able to move, so what gave her joy hollowed him. These pleasures of hers, she knew, were indebted to his age, to the strength of his frailty, to the cessation of his restlessness. Finally, simply, to the proximity of his death.

They were in bed when she realized this or realized that she had known it all along. They were in bed together, with the television on, lying side by side, in a bedroom in which they had never made love, a bedroom in which, she had just admitted to herself, they never would.

If the idea that there would be an acknowledged final move had surprised her, the fact that there had been an unacknowledged last time making love was stunning. Some kind of bargain had been struck, somewhere, somehow. She had given things up to have other things. But she hadn't been consulted. She hadn't really bargained at all; life had preemptively done it for her, drawn up this deal.

So what choice did she have but to unbraid the different strands of love and learn devotion without desire again? Desire without devotion? Manage the business of s.e.x as she had when a girl, by herself. Forget that she knew any other way. What choice but to accept this cottage's chaste enchantment as being-as Cliff himself would say-part of the deal?

As she lay there, once again rehearsing all of this, a chord of two voices arced out into the air, over Cliff's regular, raspy breaths, over the late-night banter of a television host and his guest, through the wall Jean had built, was continually rebuilding, between her desires and her life as it must be lived.

In the morning, agitated, resolute, Jean left Clifford sleeping on his side and frowned her way through the familiar rituals. Teeth, face, toilet, clothes, performing any number of two-handed tasks with one hand, only just remembering to slip the sling on as she headed for the stairs.

She found her daughter in the garden, vibrant in a dark purple dress, bra.s.sy hair blowing, staring out toward an ancient, long-abandoned row of apple trees. As they stood side by side, the splash of color cradling Jean's arm looked as though it belonged to the other woman, as though some piece of Brooke had spilled onto Jean. They exchanged a few words about how beautiful the setting was. Much more so than anywhere they had ever lived as a family, Brooke said; and Jean responded that the bar hadn't been set very high, but yes, it was beautiful. For a moment, her mind drifted toward thoughts of a connection between Cliff's lifelong restlessness and Brooke's restless romance, affair, whatever it was. It could be a causal link: they had moved around so frequently, Brooke had never learned to stay with something. Maybe a genetic one: she was her father's daughter, after all; his restlessness might have taken this s.e.xual turn in her. But none of it much mattered, Jean thought, spooling her musings back in. By and large, she had outlived her own interest in why things had happened the way they had, in cause, with its eternal backward glance. She put her right hand on her daughter's shoulder. She had decided she would use the word company company. She would say, Brooke, I know you've been having company Brooke, I know you've been having company. But before she did, Brooke herself said, "We have company coming for dinner tonight. I hope that's okay. I'll cook, of course. A friend of mine turns out to be up here too, so I asked him over," and Jean, who had been knocked off script, found herself saying, "No. Of course. That's fine. Of course that's fine." And retreating to the house.

"You have to stand up to them," Cliff used to tell her. "Children need to know who's in charge."

But she had learned early on that she could not. She was incapable of battle, so if a child chose to fight, that child would win. Little things. Making them eat unfamiliar foods. Forcing them into clothes they had rejected. Ben had spat every ounce of medicine he was ever given across the room, if not directly into Jean's face. And Brooke would run away with both hands on her head, hiding in the empty cedar closet under the eaves when Jean tried to brush her hair. When Jean dangled bright metal b.u.t.terflies and ladybugs, attached to elastics, and cooed about how pretty they were, how pretty they would look affixed to Brooke's curls, Brooke arranged her face into an expression of such haughty disbelief that Jean told Cliff that their five-year-old daughter looked like an old Frenchman. The one time she took her to have the curls sheared into some manageable form-like a topiary creature, she couldn't help thinking-Brooke threw the kind of tantrum Jean had only heard about from friends, her body seeming both stiff and capable of moving in ways the presence of bones and ligaments would argue against, her screams so piercing that Jean found herself glancing toward the large mirrors, as though to catch the moment of shattering. And needless to say, they had driven home, mop of hair still intact.

Looking down from her bedroom window, Jean can see that hair from behind, loose and windblown, the artificial hue without Brooke's face to testify to its worth, unsettling against the garden's greens and grays.

His name was Aaron. He was a great huge man a bit older than Brooke, maybe fifty, bald, and-Jean thought-remarkably ugly, dressed in blue jeans and a pale yellow s.h.i.+rt that looked recently ironed. His handshake was firm. His arms were enormous. His eyes were obscured by an unending squint. His lower lip hung just to the left of his upper, as though he were perpetually reeling from a punch. The sheer physicality of him took her aback, the size of him and the specificity of his oddness. He banged his head on the dining room doorway, the cottage itself making some none too subtle point.

Brooke had cooked all afternoon-ruthlessly, Jean had thought, walking into the kitchen at one point. Now, she shuttled dish after dish to the table, refusing help from both her mother and her, what? lover, it seemed. Her enormous, homely lover. No dish had fewer than five ingredients, or fewer than three layers. Chicken, plums, almonds, in pastry. White, purple, and yellow potatoes, sliced thin, stacked into little striped towers, sprinkled with cream, dusted with nutmeg.

He was an engineer, a structural engineer. He talked about the bridges he had built, about span and tension. He talked about what had failed in the ones across the country that had recently fallen down. With Brooke's encouragement, he also spoke about his three sons. Jean, who felt a bewildered form of curiosity, feigned genuine interest, while Cliff, who had been interested in the bridges, did not, but poked at the structures on his plate as though unsure of how to transform their architecture into food.

The oldest boy was an avid reader, he said, a real intellectual. He would be applying to college in the fall. The second, the middle one, was an athlete, he told Jean-as though between them the two boys might make one whole boy. How odd it was, she thought, that parents so often did that, handed out attributes to their children like sections of the same cherry pie.

"Aaron's youngest son is in a wheelchair, Mom. He was in a diving accident, two years ago."

"Oh," Jean said. "How terrible. I'm sorry." She thought she saw Aaron's eyes flutter open for just a second. She thought she saw his cheeks grow redder.

"Well," he said. "It's been very difficult. It is. For him, I mean. He was just nine when it happened."

"And for you," Brooke said. She turned to her mother. "It was a quarry. Kids diving off the rocks. You can't imagine what's involved now."

"It must be very hard for you," Jean said. "He's your child. I'm so sorry. It must almost be worse for you. In some ways."

Aaron shook his head, the lower lip, askew, now jutting out. "I used to think that." He picked up his fork and tapped it on the table, twice, then a third time. "I used to see children, like him, with something wrong. And I would always feel worse for the parents." He shook his head again. "Because I think, I think what you're really afraid of is how you'd feel. If it was your kid. But it isn't like that," he said. "Not really. You know-I know-it's worse for him."

Jean said nothing. Across the table, Cliff was wearing the face he had developed for times like this when he couldn't quite hear a conversation and didn't want to seem rude-a thoroughly noncommittal expression, poised to s.h.i.+ft quickly should he suddenly catch some words. She hadn't been so ready, so poised, hadn't expected tragedy to join them at the table.

"He isn't an unhappy boy," Aaron said, as though reading her mind, banis.h.i.+ng that word, probably practiced at doing so. "His mother has done an incredible job."

"She used to work as a lawyer," Brooke said. "But she stopped when the accident happened."

"He doesn't have a sad life," Aaron said. "When I'm with him, I'm not..." He was looking across the table at Brooke. "It's when we're apart that I sag. He's going to camp this summer," he told Jean. "It's a big deal for him. My wife did months of research to find this place. It's amazing when you see what these kids do."

"It must be," Jean said. What more could she say? "I hope it works out well."

"He's a great kid. He'll do great."

Jean was out of conversation.

Cliff, at his end of the table, was staring off now, a vaguely worried expression on his face. Maybe just unused to company, Jean thought, or maybe disturbed by some unformed intuition that there was more going on here than he had been told.

"You'll be pleased to hear that I bought traps, and Aaron has volunteered to set them," Brooke said, suddenly bright-though looking at Jean diagnostically diagnostically, as though trying to determine how much she had guessed. "The mice," she said. "If you have peanut b.u.t.ter, we can use that. I'll do the dishes and he'll load the traps."

"In the pantry. No, in the refrigerator." Jean frowned. "It's the all-natural kind, half oil. I don't even know why we have it."

"Probably Ben." Brooke turned back to Aaron. "My brother's a granola type, a tree hugger. I think I've told you that."

"I thought your brother's name was Glen."

Brooke shot a look to her mother, tried a small, rueful smile.

"It's Ben," Jean said. "His name is Benjamin."