The Love Potion Murders In The Museum Of Man Part 17

"Extravagance," I offered, finding my voice. I was, despite myself, under the woman's spell.

"Yes. Yes." She took off her long thick fur to reveal attire that, though quite casual, slowly mesmerized me. I mean the pre-faded expensive jeans over nylons and thick-heeled pumps, a low-cut black jersey that molded her b.r.e.a.s.t.s just so and displayed her gorgeous throat and neck. And then her l.u.s.trous blond hair piled wantonly on her head.

"You will stay for dinner?" Freddie Bain intoned.

"Of course. Norman needs a date."

So I had a partner for dinner while not really wanting either. I should have made some good excuse for excusing myself. I could have pleaded guilt or insanity or grief or all three. I felt complicit in some tawdry enterprise, but nor could I withstand the fantasy to hand, so to speak. Because Miss Tangent had me quite bedazzled, sitting next to me on the sofa, her shapely limbs articulate as she s.h.i.+fted around. In what remained of my detective's instincts, I understood then how she could have made slaves of Penrood and perhaps Ossmann. With my proclivity for self-delusion, I told myself I might be able to get her, in a weak moment, to tell me about what was happening in the Genetics Lab. But I can see, looking back, that all the weak moments were to be mine.

For the nonce, it was Mr. Bain who saved me from any overt foolishness. For reasons I cannot fathom, the man seemed determined to impress me. Gla.s.ses in hand, we began a tour of the art that hung both in the main room and along the balconied walls. Diantha kept glancing to me now, as though trying to divine whether I approved. I didn't. To me the stuff - Daliesque vistas foregrounded with muscle-bound blond men and great-breasted naked Valkyries with heroic b.u.t.tocks doing violence to subhumanoid forms - appeared to be utter kitsch. Or kitsch so kitschy it achieved a kind of parodic authenticity. Art as a serious joke, so to speak. Not that Mr. Bain betrayed any self-amus.e.m.e.nt as he led us around.

"And what do you think, Norman?" Miss Tangent had hooked her arm in mine, had taken virtual possession, and now delighted in putting me on the spot.

Influenced by Dali and perhaps by Wyeth, N.C., not Andrew, I responded, fending her off with a smattering of erudition.

The works on the third tier included a Werner Peiner landscape, an Ivo Saliger nude, and a large mural of muscular Aryans, men and women, at various kinds of outdoor work. "Looks like Communist art," I said to Miss Tangent out of earshot of our host. "I suppose you could call it National Socialist Realism." But my bon mot bon mot did not appear to register. did not appear to register.

Instead, Miss Tangent unhooked her arm and took me by the hand. "You want to see my favorite room?" I didn't have a chance to answer as she led me along the balcony to a door behind where the fireplace chimney joined the wall. It opened into a large bedroom with a row of pointed Gothic windows on either side. A rug comprising two polar bear pelts lay in front of a smaller fireplace while a bed capacious enough for giants to copulate on stood to one side under two angled gilt-framed mirrors. These hung from a ceiling where the beams stood out bold and formed with the joists a coffered effect. A painting over the fireplace depicted a knight in s.h.i.+ning armor and a large-limbed maiden vaguely of the Pre-Raphaelite school.

I didn't try to conceal my wonderment at it all. Because it wasn't until I glanced out of one of the windows that I realized we were in a kind of wide bridge between the main pile and the side of the mountain in the back.

"Is this the master's bedroom?" I asked, deliberately employing the Saxon genitive.

"Oh, no, that's upstairs. That's restricted territory. It looks like this only...it has a winding staircase that goes up to the top where there's a greenhouse and a pool." She gave her wide-mouthed laugh. "Maybe we'll all end up there...for a swim."

Which left my head swimming a little at the prospect. I walked over to the fireplace and, pretending some interest in Sir Galahad kneeling before the diaphanously clad beauty, asked, "Do you work for Freddie?"

"Don't we all?" Her laugh had a bitterness to it this time. "Oh, Norman, stop playing detective. It's a real turnoff."

"Miss Tangent..."

She had taken both of my hands in hers, and it seemed unmannerly to shake them off. "Seriously, Norman, you're off duty. Officially. Until morning. Then we'll straighten everything out for you."

But Miss Tangent remained very much on duty. She let go my hands and reached up to give me a kiss, opening my mouth with hers and for the barest moment entwining her tongue around mine. At the same time, she reached a hand down and brought it up softly against the crotch of my worsted trousers with a gesture so light and fleeting it might never have been. "I can tell, Norman, you're not the kind of older guy who needs much help."

I maintained enough presence of mind to ask, "Perhaps that's something you could tell me about?"

She pulled away. "If you're going to be a bore, I'm not going to get naughty with you. Or perhaps I'll just have to spank you."

It would be less than honest to say I wasn't tempted. Most immediately by this attractive woman, by the thought of a night with her on that vast bed, along with G.o.d knows what combinations of Diantha and Freddie Bain, the two polar bears, and the little old babushka, for all I knew. Because Miss Tangent's jean-clad haunches swung before me with maddening palpability as we descended the stairs to the main floor. And as real as they seemed, I felt a deeper, more irresponsible temptation. To simply let go. To smile, finally, to laugh, to loosen my bow tie and give in to the allurements s.h.i.+mmering around me.

Strangely enough, it was Freddie Bain who saved me. Not that I didn't have misgivings, about Diantha's situation, for instance. What kind of sordid, silken rat's nest had she gotten herself into? Perhaps, I kept thinking, I should have been more forthcoming about my suspicions before we went snooping around his gift shop.

All the while, vodka, and then wine from Georgia - the republic - kept flowing. We arranged ourselves at the dining table, which was nearly square. I sat across from the host, the host from h.e.l.l, as it turned out. I was sober enough, though, to realize that the meal the babushka set out on the dining table was far better than anything Mr. Bain served in his restaurant.

As we finished supping a chunky borscht and began some delectable piroshki, the discussion turned to the music issuing from well-hidden speakers. I recognized it as Wagner, but couldn't place it as his music seems to me one long continuum. Mr. Bain and I reenacted the WagnerBrahms debate in a minor key. I stood my ground, saying that Wagner was for hearing and Brahms was for listening to. Mr. Bain, imbibing heavily and growing ruddy of face, waxed dogmatic and craven at the same time, boring in on me, as though desperate for my affirmation of his tastes and ideas. Was it Diantha? I wondered. Did he want me to approve of him for her sake? Or was he just one of those men who cannot imagine others holding opinions different from his own?

I tried to involve the girls, as I thought of them, in other topics, including the food. The lamb shanks, baked to a turn in rosemary and served with a subtle gravy and garlic mashed potatoes, had me asking Diantha how to say thank you in Russian.

But Mr. Bain proved relentless. He wanted to talk about art, which turned out to be a subterfuge for talking about politics. I didn't mind when he excoriated twentieth-century art, especially the abstract stuff, calling it the greatest hoax of all time. I have heard those sentiments before. I comfortably demurred, confessing that I found a lot of the early Pica.s.so delightful. I declared a partiality for the works of Max Beckmann, saying I paid homage to his Self-Portrait in Tuxedo Self-Portrait in Tuxedo whenever I went to Cambridge. whenever I went to Cambridge.

"Beckmann!" He spit it out like an expletive along with bits of food he was chewing.

"And Gustav Klimt," I went on, baiting him a little. "I find his prost.i.tutes touching and beautiful."

"Degenerates," he said dismissively. "Weimar sc.u.m."

The pot, I thought, calling the kettle black. But I simply shook my head and tried to dissemble a distinct repugnance as I remarked to myself the congruence between my host's opinions and the s.h.i.+rt of scarlet silk beneath his tunic and the welling Wagner and the flames from the roaring blaze in the fireplace reflecting off the polished walls and the deplorable oils, the whole effect creating a h.e.l.lish Valhalla.

It got worse.

Mr. Bain leaned across the table and shook his head with exaggerated effect. "Do you know, Norman, who is the greatest artist of the twentieth century?"

"I have some opinions, but I'm not very pa.s.sionate about them," I replied.

"Adolf Hitler." He paused for effect. "Der Fuhrer." "Der Fuhrer."

"You're not serious," I said, rising to the bait with that queasy disquiet such topics elicit. Just a bad joke, I hoped. Because, guest or no, Miss Tangent or not, drunk or sober, I was not to be suborned into anything like admiration for or understanding of, however ironic, that archvillain.

Mr. Bain's smile had that Mephistophelean curve I had come to know. "Think of it, Norman. Think of it in terms of what we are told art must do. epater le bourgeoisie epater le bourgeoisie. Well, Mein Fuhrer Mein Fuhrer epatered them to the roots of their little beings. He epatered them like no one else has before or since. He made us stop and think what it means to be human. epatered them to the roots of their little beings. He epatered them like no one else has before or since. He made us stop and think what it means to be human.

"Or inhuman..."

It was not really a conversation. My host had turned declamatory, his words coming like something he had gone over in his mind or rehea.r.s.ed with others again and again.

"War is not art," I said.

"On the contrary. World War Two was his masterpiece. The world itself was his canvas. He drew his brush across it. He carved and painted with men and machines..."

"And madness."

"Yes, but inspired madness. Der Fuhrer Der Fuhrer was modern way beyond his time. While Pica.s.so and the others were dabbling at their little experiments with reality, Adolf Hitler conceived and executed a fantastic, glorious war. He created new levels of reality. Do you have any idea of what life was like during the battle for Stalingrad? Do you know that human beings experienced there another order of existence?" was modern way beyond his time. While Pica.s.so and the others were dabbling at their little experiments with reality, Adolf Hitler conceived and executed a fantastic, glorious war. He created new levels of reality. Do you have any idea of what life was like during the battle for Stalingrad? Do you know that human beings experienced there another order of existence?"

"Is that art?"

"By today's standards, certainly. Think of it in conceptual terms. Think of it as a kind of installation..."

"Not a permanent one, thank G.o.d." I turned to Miss Tangent, thinking she would at least smile at my rejoinder. But she was under the man's spell.

Mr. Bain leaned across the table and jabbed the air with his fork. "What do those poncy little critics keep telling us every time someone slices a cow in half or b.u.g.g.e.rs himself with a crucifix? They tell us it is art. And if we protest, we're told it's supposed supposed to disturb us. Well, by that standard...I mean to disturb us. Well, by that standard...I mean Der Fuhrer Der Fuhrer disturbed all of us, didn't he? He still disturbs us, doesn't he?" disturbed all of us, didn't he? He still disturbs us, doesn't he?"

I looked to Diantha and, even allowing for the amount we had all drunk, was appalled to see her apparently impressed with the rantings of this charlatan. Perhaps she had heard this all before. Which made it worse.

"You are pus.h.i.+ng the limits of irony," I said, hoping for some relieving laughter.

Freddie Bain shook his large head, and his expression showed a twist of demonic anger. "Irony? What makes you think I would stoop to irony? Art is supposed to show us as we really are. Der Fuhrer Der Fuhrer held up a mirror to mankind and we remain horrified at what we've seen in it." held up a mirror to mankind and we remain horrified at what we've seen in it."

"But the Holocaust," I said, my answering anger making me stumble over the words.

"The Holocaust." The man laughed, a laugh I can still hear. Then serious, boring in again. "The Holocaust was. .h.i.tler's masterstroke. With the Holocaust he made himself immortal. Look around you, Norman. His monuments are everywhere. Every time the Jews put up another memorial or try to get the Gentiles to acknowledge their suffering, they honor Hitler's achievement."

I took my napkin off my lap and put it on the table preparatory to rising. "Who are you?" I asked.

He ignored my question. "Think about it, Norman. Think of those he killed. The Jews. Stalin killed more people, many more. Stalin had them shot. He had them worked and starved and frozen to death. But who did he kill? Kulaks. For Christ's sake. Peasants with a couple of cows. A few intellectuals. Poets. Bureaucrats. Do you think if Hitler had killed twenty million Chinese anyone would care? Mao killed many more than that. No, Hitler killed Jews. The best and the brightest, no?"

I was reduced to shaking my head.

His eyes, cold and mocking in his inflamed face, bore into mine. "They wanted, my friend, to be chosen. Hitler chose them."

"I am not your friend."

"As you please. I regret to upset you."

But he clearly didn't. He was leaning even farther across the table, his voice a loud whisper. "Do you know what every Jew fears deep in his heart?"

"People like you."

"No, no, I am not jesting. They fear, my friend, deep in their hearts, that Hitler was right."

"That kind of fear is only human," I replied with some fervor. "Most people know in their hearts that Hitler was wrong."

"Don't be so sure, Mr. de Ratour. You would like to think, wouldn't you, that you would never have joined the Schutzstaffel Schutzstaffel, that you and those you know would be incapable of such a thing. But under different circ.u.mstances, in different times...People who thought of themselves as decent and law abiding and progressive joined the n.a.z.i Party. The same kind of people joined the Communist Party..."

Incredibly, he laughed. "They both got more than they bargained for, didn't they? They got right up to their noses in the blood of others. And when the party was over and the fingers started pointing, they scuttled for cover like c.o.c.kroaches." Then he turned serious. "But my father never did. He never hid what he was."

"Diantha, I think you should come along with me now."

"You see, Norman, what we really don't want to admit to ourselves is that evil can be fun. Think of all those films that have n.a.z.is and ex-n.a.z.is in them. That s.h.i.+ver of excitement when the swastika fills the screen."

"Hitler is dead."

"Then why do we have to keep killing him?"

I coughed to clear my throat. "I'm finding this conversation more than distasteful." I stood up to leave.

He rose to his feet as well. "You're running away, Norman. You're running away from yourself."

"You are not I."

"Do not be so sure, Norman." He made my name sounded like a mockery. He stood up as well and leaned across the table. "Tell me, are you a Christian?"

"I'm an Episcopalian," I responded, not sure I had answered his question.

"Yes. Then tell me, sir, where was your Episcopalian G.o.d when the trains pulled into Treblinka? Where was He when Stalin and Kaganovich, a Jew, by the way, deliberately starved to death six or seven million people in Ukraine? Where was He when the machine guns of the special units overheated at Babi Yar? Where was your Episcopalian G.o.d when Stalin worked and starved and froze to death those millions in the mines of Magadan? Where was He when Pol Pot murdered a quarter of his countrymen? When the Hutus sharpened their pangas and hacked to death half a million Tutsis? Tell me, sir, where was your almighty Episcopalian G.o.d then?"

Had I only heard the man's voice it might have sounded like a cri de coeur cri de coeur. But Freddie Bain was smiling broadly, was on the verge of mirth.

"G.o.d is not cruel."

"Then why did He create us as we are?"

"Man is free to be evil," I said.

"Then G.o.d, too, is free to be evil. Think about it, Mr. de Ratour. If we are made in the image and likeness of the Almighty, Mr. de Ratour, then like us He needs a good laugh now and again. And what could be funnier than looking down on ma.s.s murder? Hilarious. Knee-slapping. G.o.d-roaring. A scream. Face it, G.o.d is a joker. If He made us for anything, He made us for His amus.e.m.e.nt." At which point he laughed himself, his noise bouncing like the reflected flames off the surfaces curving around us.

"That, sir," I said though a clenched jaw, "is the most d.a.m.nable blasphemy I have ever heard."

"Not so, Norman. If not laughing, what else could He have been doing? And if G.o.d doesn't exist, then what difference does it make? We are but infinitesimal specks on a speck, our greatest and worst moments of history of no more significance than what happens on a petri dish."

"History judges," I said, grasping at straws.

"History comes and goes."

"You're mad" was the best I could do.

"Bah" was all he said to my pathetic response. Then, "And I want my tape." With that he turned unsteadily, but with a certain melodramatic flourish, and walked across to the fire. There, backlit by the flames, he stood and toyed with a cigar.

A moment later Miss Tangent went over to join him. I looked at Diantha. "I think you should come home with me now."

But she seemed under a spell. She looked across at Freddie Bain and said, "Oh, Dad, Freddie's just pulling your leg. He has his little rants. Everybody does. You should have heard Sixy get going about gays. He wanted to kill them all."

I implored her again, knowing it was futile. I was torn myself, in turn afflicted with the lowest form of l.u.s.t, with enough anger to want to burn the place down, and with an awful foreboding. Though I had no real proof, I was now certain Freddie Bain had a lot to do with what was happening at the Museum of Man. But I couldn't stay.

It was freezing and dark outside, with the upper reaches of his preposterous domicile looking like battlements against the night sky. I got in and started my cold old car. I had been shocked into sobriety but still drove with the exaggerated care of the technically drunk. I was full of reb.u.t.tal. In the after-arguments running in my head, I stood back, remained dignified, and said things like, If Hitler was an artist then art has no meaning If Hitler was an artist then art has no meaning. Or, The profundity of nihilism is an illusion The profundity of nihilism is an illusion. Or, better, Nihilism is the profundity of the unimaginative Nihilism is the profundity of the unimaginative. Why? he would ask. And I would respond: Because it is easy to imagine nothing, and evil is a form of nothingness Because it is easy to imagine nothing, and evil is a form of nothingness.

I stopped at a roadside diner to drink coffee and calm myself. I kept trying to convince myself that G.o.d is good. That the world is good. That people are good. The worst kinds of self-doubts gnawed at me, the kind from which you cannot escape into nice big abstractions like nihilism. Could I, I asked myself, have been a n.a.z.i under other circ.u.mstances? No, I said, no. At the same time, I knew my denial was an indulgence in the moral luxury afforded by hindsight.

I also wondered, as a more immediate concern, if I had done the right thing in walking away. Am I a coward? A moral coward and, where Miss Tangent is concerned, a s.e.xual coward?

I am confused. With Elsbeth gone only days, I scarcely know my own heart. I know I loved Elsbeth. I thought I loved Diantha. And perhaps I do. But now that love has been polluted with l.u.s.t for another. I sit here writing this with my head on a poker of pain wanting, in the depths of my corrupted being, feeling her lips and her touch, to be in that big bed with that mocking, maddening Lorelei.

32.

It is Monday, December 18, and Diantha has not returned home since Friday, and, frankly, I have become concerned for her welfare. She did call yesterday, mostly to tell me she wouldn't be going with me to the Curatorial Ball, which we held last night. She hinted and then proposed outright that she come and bring Freddie Bain and Celeste Tangent. I hesitated a moment, but then said no, that I didn't think it would be a good idea.

My evening at that grotesque fortress-c.u.m-mansion still resounds within me. I want, of course, to dismiss everything that madman said, but it lingers, like an intellectual infection. I keep running it around in my head. If we are made in the image and likeness of G.o.d, what percentage of our DNA, ontologically speaking, overlaps? Is G.o.d a joker? I'm sure the question is hardly a novel one, but I have wrestled with it repeatedly since that weird evening. Did G.o.d simply set in motion the awesome machinery of natural selection, then sit back and watch? Does He laugh at us?

It would have been worse, I'm sure, had I stayed the night. But I sometimes wonder. Miss Tangent, her eyes, her hair, her touch, also lingers, so that I suffer a kind of low-grade erotomania in which she and Diantha and Elsbeth tease and tempt and leave me. They invest my sleeping dreams, night visions bizarre and poignant, from which I awake in torments of l.u.s.t and despair. I would have thought grief something pure, a kind of suffering that renders one innocent.

And then it's all mangled and mingled with my workaday life, the heavy routine of being a museum director. Not to mention my role as a part-time murder investigator. Who is Freddie Bain? Had I stayed Friday night, might I have found out? Is he Moshe ben Rovich? It hardly seems likely, given his proclivities. How does Celeste Tangent fit into all this? It's obvious she works for him as a seductress. And Ossmann? Penrood? And myself, had I not suffered the rect.i.tude of indignation that night? What would he want with a powerful aphrodisiac? To sell it as an illegal drug, obviously. What might Diantha be able to tell me when she comes back? If she comes back.

Korky and I went to the ball together, not as dates, of course - I certainly didn't dance with him. Still, we raised a few eyebrows when we came in. I could hear their thoughts. Is Norman coming out or just swinging on the closet door? But as time goes by, I find myself caring less and less what people think. It has occurred to me, finally, that the standards of yesteryear, for better or worse, no longer apply.