Delirium Part 10

I'm desperate to keep riding the wave of good feeling, to fix things between Hana and me, even if it's only for a month. "Listen, Hana"-I feel like I'm working the words past an enormous lump in my throat; I'm almost as nervous as I was before the evaluations-"they're playing The Defective Detective The Defective Detective in the park tonight. Double feature, Michael Wynn. We could go if you want." in the park tonight. Double feature, Michael Wynn. We could go if you want." The Defective Detective The Defective Detective is this film franchise Hana and I used to love when we were little, about a famous detective who's actually incompetent, and his dog sidekick: The dog always ends up solving the crimes. A lot of actors have played the lead role, but our favorite was Michael Wynn. When we were kids, we used to pray to get matched with him. is this film franchise Hana and I used to love when we were little, about a famous detective who's actually incompetent, and his dog sidekick: The dog always ends up solving the crimes. A lot of actors have played the lead role, but our favorite was Michael Wynn. When we were kids, we used to pray to get matched with him.

"Tonight?" Hana's smile falters, and my stomach sinks. Stupid, stupid, Stupid, stupid, I think. I think. It doesn't matter anyway. It doesn't matter anyway.

"It's okay if you can't. No worries. Just an idea," I say quickly, looking away so she won't see how disappointed I am.

"No-I mean, I want want to, but-" Hana sucks in a breath. I hate this, hate how awkward we both are. "I kind of have this party"-she corrects herself quickly-"this to, but-" Hana sucks in a breath. I hate this, hate how awkward we both are. "I kind of have this party"-she corrects herself quickly-"this thing thing I'm supposed to go to with Angelica Marston." I'm supposed to go to with Angelica Marston."

My stomach gets that hollowed-out feeling. It's amazing how words can do that, just shred your insides apart. Sticks and stones may break my bones, but words can never hurt me-such bulls.h.i.+t. "Since when do you hang out with Angelica Marston?" bulls.h.i.+t. "Since when do you hang out with Angelica Marston?"

Again, I'm not trying to sound bitter, but I realize I sound like someone's whiny little sister, complaining about being left out of a game. I bite my lip and turn away, furious with myself.

"She's actually not that bad," Hana says mildly. I can hear it in her voice; she feels sorry for me. This is worse than anything. I almost wish we were screaming at each other again, like we did the day at her house-even that would be better than her careful tone of voice, the way we're dancing around each other's feelings. "She's not really stuck-up. Just shy, I guess."

Angelica Marston was a junior last year. Hana made fun of her for the way she wore her uniform. It was always perfectly pressed and spotless, the collar of her b.u.t.ton-down turned down exactly, her skirt hitting exactly at the knee. Hana said Angelica Marston had a stick up her b.u.t.t because her father was a big scientist at the labs. And she did did kind of walk that way, all constipated and careful. kind of walk that way, all constipated and careful.

"You used to hate her," I squeak out. My words don't seem to be asking my brain for permission before popping out of my mouth.

"I didn't hate hate her," Hana says, like she's trying to explain algebra to a two-year-old. "I didn't her," Hana says, like she's trying to explain algebra to a two-year-old. "I didn't know know her. I always thought she was a b.i.t.c.h, you know? Because of her clothes and stuff. But that's all her parents. They're super strict, really protective and stuff." Hana shakes her head. "She's not like that at all. She's... different." her. I always thought she was a b.i.t.c.h, you know? Because of her clothes and stuff. But that's all her parents. They're super strict, really protective and stuff." Hana shakes her head. "She's not like that at all. She's... different."

That word seems to vibrate in the air for a second: different different. For a second I have an image of Hana and Angelica, arms linked, trying not to laugh, sneaking through the streets after curfew: Angelica fearless and beautiful and fun, just like Hana. I push the image out of my head. Down the street one of the kids kicks the can, hard. It skitters between two dented silver garbage cans that have been set out in the road, a makes.h.i.+ft goal. Half of the kids start jumping up and down, pumping their fists; the others, Jenny included, gesticulate and yell something about offsides. It occurs to me for the first time how ugly my street must look to Hana, all the houses squished together, half of them missing windowpanes, porches sagging in the middle like old beaten-down mattresses. It's so different from the clean, quiet streets in West End, from the silent, gleaming cars and the gates and the green hedges.

"You could come tonight," Hana says quietly.

A rush of hatred overwhelms me. Hatred for my life, for its narrowness and cramped s.p.a.ces; hatred for Angelica Marston, with her secretive smile and rich parents; hatred for Hana, for being so stupid and careless and stubborn, first and foremost, and for leaving me behind before I was ready to be left; and underneath all those layers something else, too, some white-hot blade of unhappiness flas.h.i.+ng in the very deepest part of me. I can't name it, or even focus on it clearly, but somehow I understand that this-this other thing-makes me the angriest of all.

"Thanks for the invitation," I say, not even bothering to keep the sarcasm out of my voice. "Sounds like a blast. Will there be boys there too?"

Either Hana doesn't notice the tone of my voice-which is doubtful-or she chooses to ignore it. "That's kind of the whole point," she says, deadpan. "Well, and the music."

"Music?" I say. I can't help but sound interested. "Like the last time?"

Hana's face lights up. "Yeah. I mean, no. Different band. But these guys are supposed to be amazing-even better than last time." She pauses, then repeats quietly, "You could come with us."

Despite everything, this gives me pause. In the days after the party at Roaring Brook Farms, s.n.a.t.c.hes of music seemed to follow me everywhere: I heard it winging in and out of the wind, I heard it singing off the ocean and moaning through the walls of the house. Sometimes I woke up in the middle of the night, drenched in sweat, my heart pounding, with the notes sounding in my ears. But every time I was awake and trying to remember the melodies consciously, hum a few notes or recall any of the chords, I couldn't.

Hana's staring at me hopefully, waiting for my response. For a second I actually feel bad for her. I want to make her happy, like I always did, want to see her give a whoop and put her fist in the air and flash me one of her famous smiles. But then I remember she has Angelica Marston now, and something hardens in my throat, and knowing that I'm going to disappoint her gives me a kind of dull satisfaction.

"I think I'll pa.s.s," I say. "But thanks anyway."

Hana shrugs, and I can tell she's fighting to look like it's no big deal. "If you change your mind..." She tries to smile but can't keep it up for longer than a second. "Tanglewild Lane. Deering Highlands. You know where to find me."

Deering Highlands. Of course. The Highlands is an abandoned subdivision off-peninsula. A decade ago the government discovered sympathizers-and, if the rumors are true, even some Invalids-living together in one of the big mansions out there. It was a huge scandal, and the bust the result of a yearlong sting operation. When all was said and done, forty-two people had been executed and another hundred thrown in the Crypts. Since then Deering Highlands has been a ghost town: avoided, forgotten, condemned.

"Yeah, well. You know where to find me." I gesture lamely down the street.

"Yeah." Hana looks down at her feet, hops from one to the other. There's nothing else to say, but I can't stand to turn around and just walk away. I have a terrible feeling this is the last time I'll see Hana before we're cured. Fear seizes me all at once, and I wish I could backpedal through our conversation, take back all the sarcastic or mean things that I said, tell her I miss her and I want to be best friends again.

But just when I'm about to blurt this out, she gives me a quick wave and says, "Okay, then. See you around," and the moment collapses in on itself and with it, my chance to speak.

"Okay. See you."

Hana starts off down the road. I'm tempted to watch her go. I get the urge to memorize her walk-to imprint her in my brain somehow, just as she is-but as I'm watching her waver in and out of the fierce sunlight, her silhouette gets confused with another one in my head, a shadow weaving in and out of darkness, about to walk off the cliff, and I don't know who I'm looking at anymore. Suddenly the edges of the world are blurring and there's a sharp pain in my throat, so I turn around and walk quickly toward the house.

"Lena!" she calls out to me, just before I reach the gate.

I spin around, heart leaping, thinking maybe she'll be the one to say it. I miss you. Let's go back. I miss you. Let's go back.

Even from a distance of fifty feet, I can see Hana hesitating. Then she makes this fluttering gesture with her hand and calls out, "Never mind." This time when she turns around she doesn't waver. She walks straight and quickly, turns a corner, and is gone.

But what did I expect?

That's the whole point, after all: There's no going back.

Chapter Thirteen.

In the years before the cure was perfected, it was offered on a trial basis only. The risks attached to it were great. At the time one out of every hundred patients suffered a fatal loss of brain function after the procedure.

Nonetheless, people swarmed the hospitals in record number, demanding to be cured; they camped outside the laboratories for days at a time, hoping to secure a procedural slot.

These years are also known as the Miracle Years because of the quant.i.ty of lives that were healed and made whole, and the number of souls brought out of sickness.

And if there were people who died on the operating table, they died for a good cause, and no one can lament them....

-From "The Miracle Years: The Early Science of the Cure," A Brief History of the United States of America A Brief History of the United States of America, by E. D. Thompson, p. 87 When I get into the house it's even hotter than usual: a wet, suffocating wall of heat. Carol must be cooking. The house smells like browned meat and spices-mixed with the normal summer smells of sweat and mildew, it's kind of nauseating. For the past few weeks we've been eating dinner out on the porch: runny macaroni salads, cold cuts, and sandwiches from my uncle's deli counter.

Carol pokes her head out of the kitchen as I go by. Her face is red and she's sweating big-time. Dark swaths of sweat have left pit stains on her pale blue blouse, navy crescents.

"Better get changed," she says. "Rachel and David will be here any second."

I'd completely forgotten my sister and her husband were coming over for dinner. Normally I see Rachel four or five times a year, tops. When I was younger, especially after Rachel had first moved out of Carol's house, I used to count the days until she would come and see me. I don't think I fully understood then about the procedure and what it meant for her-for me-for us. I knew that she'd been saved from Thomas, and from the disease, but that was it. I think I thought that otherwise things would be exactly the same. I thought that as soon as she came to see me it would be like old times again, that we would bust out our socks to have a dance party, or she would pull me onto her lap and start braiding my hair, launch into one of her stories-of distant places and witches who could change into animals.

But she only skimmed a hand over my head as she came through the door, and applauded politely when Carol made me recite my multiplication and division tables.

"She's grown up now," Carol told me, when I asked her why Rachel didn't like to play anymore. "Someday you'll see."

After that I stopped paying attention to the notation that appeared every few months on the kitchen wall calendar: R to visit. R to visit.

At dinner the big topics of conversation are Brian Scharff-Rachel's husband, David, works with Brian's cousin's friend, so David feels like he's an expert on the family-and Regional College of Portland, where I'll be starting in the fall. It's the first time in my life I'll be in cla.s.s with members of the opposite s.e.x, but Rachel tells me not to worry.

"You won't even notice," she says. "You'll be so busy with work and studying."

"There are safeguards," says Aunt Carol. "All the students are vetted." Code for: All the students are cured.

I think of Alex and almost say, Not all of them Not all of them.

Dinner drags on well past curfew. By the time my aunt helps me clear the plates it's almost eleven o'clock, and still Rachel and her husband make no sign to leave. That's another thing I'm excited about: In thirty-six days, I won't have to worry about curfew anymore.

After dinner my uncle and David go out onto the porch. David has brought two cigars-cheap ones, but still-and the smell of the smoke, sweet and spicy and just a little bit oily-floats in through the windows, intermingles with the sound of their voices, fills the house with blue haze. Rachel and Aunt Carol stay in the dining room, drinking cups of watered-down boiled coffee, the dirty pale color of old dishwater. From upstairs I hear the sound of scampering feet. Jenny will tease Grace until she's bored, until she climbs into bed, sour and dissatisfied, letting the dullness and sameness of another day lull her to sleep.

I wash the dishes-many more of them than usual, since Carol insisted on having a soup (hot carrot, which we all choked down, sweating) and a pot roast slathered in garlic and limp asparagus, probably rescued from the very bottom of the vegetable bin, and some stale cookies. I'm full, and the warmth of the dishwater on my wrists and elbows-plus the familiar rhythms of conversation, the pitter-patter of feet upstairs, the heavy blue smoke-make me feel very sleepy. Carol has finally remembered to ask about Rachel's children; Rachel goes over their accomplishments as though reciting a list she has only memorized recently, and with difficulty-Sara is reading already; Andrew said his first word at only thirteen months.

"Raid, raid. This is a raid. Please do as you are commanded and do not try and resist...."

The voice booming from outside makes me jump. Rachel and Carol have paused momentarily in their conversation, are listening to the commotion in the street. I can't hear David and Uncle William, either. Even Jenny and Grace have stopped fooling around upstairs.

Patchy interference from the street; the sounds of hundreds and hundreds of boots, clicking away in time; and that awful voice, amplified through a bullhorn: "This is a raid. Attention, this is a raid. Please be ready with your identification papers...." "This is a raid. Attention, this is a raid. Please be ready with your identification papers...."

A raid night. Instantly I think of Hana and the party. The room starts spinning. I reach out, grabbing on to the counter.

"Seems pretty early for a raid," Carol says mildly from the dining room. "We had one just a few months ago, I think."

"February eighteenth," Rachel says. "I remember. David and I had to come out with the kids. There was some problem with SVS that night. We stood in the snow for half an hour before we could be verified. Afterward Andrew had pneumonia for two weeks." She relates this story as though she's talking about some minor inconvenience at the Laundromat, like she's misplaced a sock.

"Has it been that long?" Carol shrugs, takes a sip of her coffee.

The voices, the feet, the static-it's all coming closer. The raiding parties move as one, from house to house-sometimes. .h.i.tting every house on a street, sometimes skipping whole blocks, sometimes going every other. It's random. Or at least, it's supposed to be random. Certain houses always get targeted more than others.

But even if you're not on a watch list you can end up standing in the snow, like Rachel and her husband, while the regulators and police try to prove your validity. Or-even worse-while the raiders come inside your house, tear the walls down, and look for signs of suspicious activity. Private property laws are suspended on raid nights. Pretty much every law is suspended on raid nights.

We've all heard horror stories: pregnant women stripped down and probed in front of everybody, people thrown in jail for two or three years just for looking at a policeman the wrong way, or for trying to prevent a regulator from entering a certain room.

"This is a raid. If you are asked to step out of the house, please make sure you have all your identification papers in hand, including the papers of any children over the age of six months.... Anyone who resists will be detained and questioned.... Anyone who delays will be charged with obstruction...."

At the end of the street. Then a few houses away.... Then two houses away.... No. Next door. I hear the Richardsons' dog start barking furiously. Then Mrs. Richardson, apologizing. More barking-then someone (a regulator?) mutters something, and I hear a few heavy thuds and a whimper, then someone else saying, "You don't have to kill the d.a.m.n thing," and someone else saying, "Why not? Probably has fleas, anyway."

Then for a while there's quiet: just the occasional cackle of walkie-talkies, someone reciting identification numbers into a phone, the shuffling of papers.

Then: "All right, then. You're in the clear." And the boots start up again.

For all their nonchalance, even Rachel and Carol tense up as the boots clomp by our house. I can see Carol gripping her coffee cup tightly, knuckles white. My heart is jumping and skipping, a gra.s.shopper in my chest.

But the boots pa.s.s us by. Rachel heaves out an audible sigh of relief as we hear the regulators pound on a door farther down the street. "Open up.... This is a raid."

Carol's teacup clatters in its saucer, making me jump. "Silly, isn't it?" she says, forcing a laugh. "Even when you haven't done anything wrong, it still makes you jumpy."

I feel a dull pain in my hand and realize I'm still holding on to the counter as though it's going to save my life. I can't relax, can't calm down, even as the sounds of the footsteps grow fainter, the bullhorn voice more and more distorted, until it is completely unintelligible. All I can picture are the raiding parties-sometimes as many as fifty in a single night-swirling around Portland, swarming it, surrounding it like water cascading around a whirlpool, sweeping up anyone and everyone they can find and accuse of misbehavior or disobedience, and even people they can't.

Somewhere out there Hana is dancing, spinning, blond hair fanning out behind her, smiling-while around her boys are pressing close and unapproved music pumps through the speakers. I fight a feeling of incredible nausea. I don't even want to think about what will happen to her-to all of them-if they're caught.

All I can do is hope she hasn't made it to the party yet. Maybe she took too long to get ready-it seems possible, Hana's always late-and was still at home when the raids started. Even Hana would never venture outside during raids. It's suicide.

But Angelica Marston and everyone else... Every single person there... Everyone who just wanted to hear some music...

I think about what Alex said the night I ran into him at Roaring Brook Farms: I came to hear the music, like everybody else I came to hear the music, like everybody else.

I will the image out of my mind and tell myself it's not my problem. I should be happy if the party is raided and everyone there is busted. What they're doing is dangerous, not just for them but for all of us: That's how the disease gets in.

But the underneath part of me, the stubborn part that said gray gray at my first evaluation, keeps pressing and nagging at me. at my first evaluation, keeps pressing and nagging at me. So what? So what? it says. So they wanted to hear some music. Some real music-not the d.i.n.ky little songs that get tooted out at the Portland Concert Series, all boring rhythms and bright, chipper notes. They're not doing anything it says. So they wanted to hear some music. Some real music-not the d.i.n.ky little songs that get tooted out at the Portland Concert Series, all boring rhythms and bright, chipper notes. They're not doing anything that that bad. bad.

Then I remember the other thing Alex said: n.o.body's hurting anybody. n.o.body's hurting anybody.

Besides, there's always the possibility that Hana didn't run late tonight, and she's out there, oblivious, as the raids circle closer and closer. I have to squeeze my eyes shut against the thought, and against the thought of dozens of glittering blades descending on her. If she's not thrown in jail she'll be carted directly to the labs-she'll be cured before dawn, regardless of the dangers or risks.

Somehow, despite my racing thoughts and the fact that the room continues its frantic spinning, I've managed to clean all the dishes. I've also come to a decision.

I have to go. I have to warn her.

I have to warn all of them.

By the time Rachel and David leave and everyone is settled in bed it's midnight. Every second that pa.s.ses feels like agony. I can only hope the door-to-door on peninsula is taking longer than usual, and it will be a while before the raiders make it to Deering Highlands. Maybe they've decided to skip the Highlands altogether. Given the fact that the majority of the houses up there are vacant, it's always a possibility. Still, since Deering Highlands used to be the hotbed of resistance in Portland, it seems doubtful.

I slip out of bed, not bothering to change out of my sleep pants and T-s.h.i.+rt, both of which are black. Then I put on black flats, and, even though it's about a thousand degrees, pull a black ski hat out of the closet. Can't be too careful tonight.

Just as I'm about to crack open the bedroom door I hear a small noise behind me, like the mewing of a cat. I whip around. Grace is sitting up in bed, watching me.

For a second we just stare at each other. If Grace makes a noise, or gets out of bed, or does anything, she's bound to wake Jenny, and then I'm done, finished, kaput. I'm trying to think of what I can say to rea.s.sure her, trying to fabricate a lie, but then, miracle of miracles, she just lies back down in bed and closes her eyes. And even though it's very dark, I would swear that there's the smallest smile on her face.

I feel a quick rush of relief. One good thing about the fact that Gracie refuses to speak? I know she won't tell on me.

I slip out into the street without any other problems, even remembering to skip the third-to-last stair, which last time let out such an awful squeak I thought for sure Carol would wake up.

After the noise and the commotion of the raids, the street is freakily still and quiet. Every single window is dark, all the blinds drawn, like the houses are trying to turn away from the street, or put up their shoulders against prying eyes. A stray piece of red paper sweeps by me, turning on the wind like the tumbleweed you see in old cowboy movies. I recognize it as a raider's notice, a proclamation filled with impossible-to-p.r.o.nounce words explaining the legality of suspending everyone's rights for the evening. Other than that, it could be any other night-any other quiet, dead, ordinary night.

Except that on the wind, just faintly, you can hear the distant murmur of footsteps, and a high wail as if someone is crying. The sounds are so quiet you might almost mistake them for ocean and wind sounds. Almost.

The raiders have moved on.

I start off quickly in the direction of Deering Highlands. I'm too afraid to take my bike. I'm worried the little reflective patch on the wheels will attract too much attention. I can't think about what I'm doing, can't think about the consequences if I'm caught. I don't know where I even got this rush of resolution. I never would have thought I'd have the courage to leave the house on a raid night, not in a million years.

I guess Hana was wrong about me. I guess I'm not scared all all the time. the time.

I'm pa.s.sing a black trash bag heaped on the sidewalk when a low whimper stops me short. I spin around, my whole body on high alert in an instant. Nothing. The sound is repeated: an eerie, crooning sound that makes the hair on my arms stand up. Then the garbage bag by my feet shakes itself.

No. Not a garbage bag. It's Riley, the Richardsons' black mutt.

I take a few shaky steps toward him. I need only one glance to know that he's dying. He's completely coated with a sticky, s.h.i.+ny, black substance-blood, I realize as I get closer. That's the reason I mistook his fur, in the dark, for the slick black surface of a plastic bag. One of his eyes is pressed to the pavement; the other is open. His head has been clubbed in. Blood is flowing freely from his nose, black and viscous.

I think of the voice I heard-Probably has fleas, anyway, the regulator said-and the swift thudding sound that followed. the regulator said-and the swift thudding sound that followed.

Riley is staring at me with a look so mournful and accusatory I swear for a second it's like he's a human and he's trying to tell me something-trying to say, You did this to me You did this to me. A wave of nausea overtakes me and I'm tempted to get down on my knees and scoop him up in my arms, or strip off my clothes and start soaking the blood off him. But at the same time I feel paralyzed. I can't move.

As I'm standing there, frozen, he gives a long, shuddering jerk, from the tip of his tail to his nose. Then he goes still.